Album Review – Thomas Rhett’s ‘Tangled Up’ May Be One of Country’s Worst Albums

Let’s just be honest here: Thomas Rhett’s accomplishments and notoriety in country music today are solely because his dad is Rhett Akins. Thomas Rhett is a mediocre vocalist whose debut album was nothing but generic pop and bro-country schlock. There was zero originality because Thomas Rhett is not an artist. He’s a puppet willing to sing whatever his label, Valory Music Company (a subsidiary of Big Machine), wants him to sing and become whatever persona his label wants him to be. In 2013, the money was in bro-country. Fast forward two years, bro-country has faded and the money is in R&B-influenced sounds that create funky, danceable beats. Rhett developed a professional crush on Bruno Mars and says he’s changed the trajectory of his career to emulate Mars’ style of music. Conveniently, that funk pop musical styling just happens to be what makes money for Big Machine these days. Combine that all together and we have Bruno Mars Thomas Rhett’s newest album, Tangled Up.

The album begins with a club beat called “Anthem.” Don’t be fooled, just because you’ll hear a banjo in no way makes this song country. Drum machine beats and hand claps are front and center in the production as Rhett merely narrates how the song works. He speaks, not sings, but speaks lines like “this is part where the bass gonna stop” or “You startin’ to feel the momentum build so bring it on back to the chorus” and my personal favorite line of the whole song “this is the verse where you don’t know the words and you don’t give a damn ’cause it feels good.” It’s almost as if the writers are blatantly making fun of the generation that buys into this shitty music simply because it’s a “good beat.” But don’t get me wrong, this song flat-out sucks. “Crash and Burn” follows. Josh sums the song up perfectly with this segment in the single review: “Rhett does not have the charisma and soul of Mars to pull the song off. You need a high energy singer with great chops to make this song great and Rhett simply doesn’t have that. I feel like the instrumentation swallows his voice on this song. You notice everything else on this song before Rhett’s voice.” You could take that first sentence and apply it to just about every song on the album.

Up next is perhaps the worst song of the album: “South Side.” Before we even get into the terrible funk music, we get a distorted computer voice in an English accent (why?) saying, “Please commence shaking your south side.” I fought every urge in my body to not skip this song the moment I heard that sentence. I knew from that the song to follow was going to be terrible, but I just had to listen to it to know how terrible. Firstly, the funk mixed with stupid banjos sounds a bit like “Kick the Dust Up.” Rhett, again, simply sings about how a beat makes people want to shake their ass. But the second verse of this song is probably the worst verse in country music:

Like Memphis, Tennessee, got in bed with CDB
And had a baby and when the baby cried
It made this sound, ain’t no lie it was funkified

ARE  YOU KIDDING ME?! Thomas Rhett claims his new “funkified” music is the love child of Memphis Soul and Charlie Daniels! There have been some terrible name drops in country music, but this one just may take the cake. This song deserves a dedicated rant on its own. Moving on before I throw my computer into a wall. We get the first song on the album that I can actually listen to without getting angry. “Die A Happy Man” is a blues inspired love song. The sentiment is there and it feels somewhat honest: even if he never travels to see the world, he’d still be a happy man as long as he has his wife. However, I’m still not crazy about the song. The lyrics are rather bland and clichéd as Rhett still paints a shallow picture of how his wife’s looks and sexuality are what brings him to his knees and makes it hard to breathe. Also, Thomas Rhett is not that good of a singer, and in “Die A Happy Man” you can hear him trying too hard to sound sultry and sentimental.

Tangled Up is an album chock full of ideas and sounds borrowed from others. No other song is as indicative of his lack of originality than “Vacation.” There are 14 credited songwriters for this train wreck. 14! But half of those songwriters come from the band War. Rhett wisely credits the band for the song because the beat of the verses is essentially the beat from “Low Rider.” The song is about a party at home, but the partygoers are acting like they’re on a tropical vacation. It’s stupid lyrics that Thomas Rhett poorly raps set to a borrowed beat. Even the second verse where Rhett raps about  a Walgreens beach chair and Busch Light sends the same simple life sentiment of Jake Owen’s “Real Life.”

“Like It’s The Last Time” is yet another generic pop country song about a party in a field. You have all the usual suspects here: Moonshine, trucks, raising cups up, hooking up with the girl you like, bonfires, generic mid-tempo guitars, pop beats, and an implication of Fireball shots. It’s just another song to add to the hundreds of corn field songs from the past two years. “T-Shirt” is a hookup song about a girl who keeps coming onto Thomas Rhett. Apparently the song depicts a couple who’ve had these rendezvouses before and vowed to stop, but obviously that doesn’t happen. It’s a boring up beat pop rock beat combined with terrible lyrics and bad vocals. “Single Girl” finds Thomas Rhett pleading to a single girl. He wants to be her man and Rhett, who doesn’t seem to understand the fact that people can be happy and satisfied while not in a relationship, questions why she’s single. He assumes that because she’s single that she’s lonely and that he can be the one to fix it. These assumptions are misguided, immature, arrogant and a little trashy.

Surprisingly, there’s an actual good song on this album. “The Day You Stop Lookin’ Back” is a song where Rhett sings to a girl with a broken heart. The lyrics are actually mature and respectful and the production is more organic with an acoustic guitar and very little pop effects on the drums. Rhett encourages her to stop letting a past heartbreak get the best of her because once she stops looking back, she can then move on. It’s not a great song, but compared to most of the garbage on this album, it sounds pretty good. But we return to the crap with the title track, “Tangled.” This song is straight disco with a backing vocal effects and auto tuned, funky keyboard notes, heavy drum beats for dancing, and a funk inspired guitar. The lyrics are just another song of how Thomas Rhett enjoys being with some female because of the way she loves him physically. “Tangled” is a good reminder of how poorly Thomas Rhett sings.

Another good reminder of Thomas Rhett’s poor vocal abilities can be found in “Playing With Fire.” Rhett sings this song as a duet with American Idol’s Jordin Sparks. She is a much better singer than Rhett. Her lone verse is a better vocal performance than the rest of the album, and she’s even under utilized. Sonically, it’s 100% a pop ballad, but not a bad one at all. Lyrically, it depicts yet another rotten hookup relationship where both parties know it’s bad for them. However, they give into those impulses because they love playing with fire. Thomas Rhett also collaborates with Lunchmoney Lewis on “I Feel Good.” This is a lyrical mess of random nothingness. It starts out describing a scene that would have belonged in “Vacation” then finds Rhett driving in his car celebrating the fact that he got paid. The lyrics of this song don’t make any sense, and Lunchmoney Lewis’ rap breakdown doesn’t help this stupid funk song at all.

Tangled Up finally comes to an end with “Learned It From The Radio.” This is a song where Thomas Rhett thanks Dallas Davidson, Jason Aldean, Luke Bryan and Florida Georgia Line for teaching him how to be a cliché. “How to wake up, how to work tough, how to roll up those sleeves. How to throw down, how to get loud, and what to put in that drink. To give the stars in the sky a little halo, I learned it from the radio.” It’s every cliché list item from 10 years of mainstream country reworked into this narrative of “how I learned this, how I learned that.”

This album is a mess and shouldn’t even be called music. The songs that combine country sounds with funk sounds are just a hodgepodge of noise that would make a deaf person cringe. The actual funk, disco, R&B songs are shitty and Bruno Mars himself wouldn’t even try to record that mess. Mainstream country isn’t exactly moving away from bro-country. Sure, these songs aren’t pop rock corn field parties, but the lyrics are still the same trashy immature sentiments meant to boost bravado and masculinity. Tangled Up is an embarrassment to country music, it’s an embarrassment to funk and it’s an embarrassment to music in general.

Grade: 0/10

31 thoughts on “Album Review – Thomas Rhett’s ‘Tangled Up’ May Be One of Country’s Worst Albums

  1. Megan Conley September 29, 2015 / 1:18 pm

    “a lyrical mess of random nothingness”…nice! Great review! Horrible album.

    Liked by 1 person

  2. Raymond September 29, 2015 / 1:22 pm

    I’d bump this to like a 1.5/10 and that’s only because I really liked Playing With Fire (country singer and pop singer duets I am a sucker for examples Don’t You Wanna Stay and Easy) and I also really liked Die A Happy Man although It feels lie Thomas is not quite the vocalist to pull this song off put this with David Nail, Dierks Bentley and Chris Young they knock it out of the park.

    This album I still consider to be second worst only in front of Gloriana Three as that had no tracks I truly liked. While Luke Bryan’s album had a few songs I didn’t mind and found to be ok.

    Guess who has a new song out Charles Kelly of Lady Antebellum is releasing a somg to radio called The Driver fraturing Eric Paslay and Dierks Bentley check it out on iTunes it’s not bad at all.

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    • Josh Schott September 29, 2015 / 1:23 pm

      I’ve already written a review for Kelley’s song. You’ll see that one soon.

      Like

    • Derek Hudgin September 29, 2015 / 1:32 pm

      I almost gave this a .5 but ultimately I realized that this is the worst album I’ve heard this year, even with “Playing With Fire” and “The Day You Stop Looking Back.” This album is terrible.

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  3. Josh Schott September 29, 2015 / 1:28 pm

    Yep Derek nailed this one perfectly. As I said on Twitter pour one out for him for having to listen to this entire album and review it. I couldn’t even make it all the way through. I literally got a headache from only hearing about half of it and spent the hour following it listening to Strait and the Turnpike Troubadours to make it go away. Rhett puts himself in a prime position to get all the “worst of” awards at the end of the year, which is saying a lot considering how much crap that has been released in 2015. Also I wouldn’t make my worst enemy listen to “South Side.”

    Liked by 2 people

  4. Zack September 29, 2015 / 2:24 pm

    Great review Derek! I agree, this album is a mess in any genre. We both noted the CDB “South Side” thing in our reviews, I can’t even imagine Thomas doing “The Devil Went Down To Georgia” :-X

    This is officially tied with Gloriana for my least favorite album of the year. I swear to God if “South Side” or “Vacation” ever hit country radio that just might be the last straw for me.

    Liked by 1 person

  5. southtexaspistolero September 29, 2015 / 2:30 pm

    Well, all righty then. I got quite enough of this album between however much I was able to take of “Crash and Burn” and “Vacation.”

    Everyone’s already said what I think of Thomas Rhett, so I’ll save that. But “Shitting all over country music’s cherished traditions for fun and profit!” sees to sum it all up quite well

    My question is, when do we stop giving Chris Stapleton a pass for having a hand in writing all these bad songs just because his own recorded output is so much better? I mean, that only works up to a point. I don’t begrudge the guy wanting to make whatever living he wants to make for himself, but damn.

    Liked by 1 person

    • Zack September 29, 2015 / 2:38 pm

      Yeah…..it’s easy to be an apologist for him with “Crash & Burn”. I mean it’s really only Thomas’s vocals and the production that make that song bad, not the writing. I can’t really speak on his behalf for “South Side” though. That shit sucks.

      Liked by 1 person

      • southtexaspistolero September 29, 2015 / 6:43 pm

        I could buy that. I just have a problem with it being labeled “country,” which I suppose isn’t Stapleton’s fault.

        But then, it’s so obviously a ripoff of Sam Cooke…

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    • Megan Conley September 29, 2015 / 2:42 pm

      I agree, helping to write the atrocity that is “South Side” is inexcusable.

      Liked by 2 people

  6. RG September 29, 2015 / 3:10 pm

    Albums like this make me wish I could move to another planet.

    I made it through most of this album and it is grade A garbage. I’m not sure I have any meaningful insights to the total suckage that is this Tangled Up album.

    I have no idea what Thomas Rhett is trying to do here, I almost think this album is a spoof album or something. Did he really go into the studio inspired to sing these crappy lyrics? If so, I have lost all respect for Rhett, his dad, and all of those terrible songwriters that contributed.

    I’m at a loss, I’m not sure what the hell this effort is. Not even kidding.

    Liked by 1 person

  7. Lorenzo September 29, 2015 / 4:01 pm

    lmfao Derek! what an amazing review! really couldn’t stop laughing when I read your thoughts about South Side. hell this album socks. i like the song die a happy man but it’s obviously trying to emulate Ed Sheeran’s Thinking out Loud and cash on its success. They are very similar to me (well yeah, but Ed is actually talented).
    overall I couldn’t agree more with the review, I can’t stand this fucking boy

    Liked by 2 people

    • Derek Hudgin September 29, 2015 / 5:16 pm

      Oh wow! I wasn’t too familiar with Ed Sheeran’s “Thinking Out Loud.” Listening to it right now. Geez, this just adds more to the fact that this album has no originality or creativity.

      Like

      • Lorenzo September 30, 2015 / 12:47 am

        yeah, Thomas rhett is just an idiot who likes to copy other artists’ work.shame on him!

        Liked by 1 person

  8. Lisandro Berry-Gaviria September 29, 2015 / 5:18 pm

    This album is a perfect example of why fans of pop, rap, rock, etc. scorn country nowadays: because it’s a pathetic ripoff of those genres, with even worse lyrics. But even this takes it to a whole new level…I’d give “Montevallo” a 0/10 as well, but the quality of the music in this album is even worse (even graded as pop music), what with the cringe-worthy lyrics throughout the album and Rhett’s horrible vocals.

    “Die A Happy Man” was the only track here that I thought came even close to getting a remotely okay score. I can stomach the instrumentation, and the lyrics are decent…but Rhett just doesn’t sell the emotion at all, and that’s what prevents it from getting into 0 territory for me (pulse-wise). I’d probably grade it a 4.5/10. It just screams “Drink A Beer” to me: a half-assed attempt at “depth” to shut the critics up. “The Day You Stop Lookin’ Back” was also good lyrically, but the production is much worse than in “Die A Happy Man” despite the token acoustic guitar.

    Also, I’d like to point out that the word “down” is said a total of FORTY-NINE times in “I Feel Good.” Holy shit! And I know I’ve used this example before, so I apologize if it’s annoying…but that’s more times than Florida Georgia Line said “girl” on their WHOLE “Anything Goes” album. That’s just insane.

    Excellent takedown of the album, Derek.

    Liked by 1 person

    • Megan Conley September 30, 2015 / 12:30 am

      Lol, I applaud you for counting the uses of the word “down” in that song. By the time I got there, I truly didn’t have enough brain cells left to count to 49.

      Liked by 1 person

  9. Cobra September 29, 2015 / 11:10 pm

    I swear, ever since “Anything Goes,” it’s like artists are trying to outdo it for how shitty it was and one-up the awfulness. It’s like they want to see how far people will go and have their fanboys and fangirls still defend this shit.

    Liked by 2 people

    • Cobra September 30, 2015 / 7:47 am

      BTW, sorry for the curse-laden rant. Normally I try to avoid that, but this “country” music just keeps getting worse and worse.

      Liked by 1 person

      • Derek Hudgin September 30, 2015 / 8:41 am

        No worries! I used a few more curse words in my review than I usually like to have in posts!

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