Brandy Clark hit the country music scene like a train crashing through a wall at full speed. Her 2013 debut album, 12 Stories, was released to critical acclaim and considered one of the best albums of the year. Clark’s traditional approach to the songs’ production was noteworthy and her no-nonsense writing set her apart from most other country songwriters. Brandy Clark has been a critical darling since 12 Stories‘ release, and it’s fair to say that her eventual next album has been highly anticipated. While most details for the album remain hush-hush, we finally have a taste of what’s to come with her first single from the new album, “Girl Next Door.”
“Girl Next Door” is a big shift for Brandy Clark because the song abandons any semblance of country music in exchange for a dance beat melody and pop anthem production. The opening chords of an electric guitar combined with a percussion beat that sounds like it came out of a computer program set the stage in the first 10 seconds of the song. That beat holds throughout the verse and then gets cranked to eleven for the chorus. “Girl Next Door” is an over produced pop dance song produced by the one and only Jay Joyce. The production drowns the rest of the song. Clark’s voice is almost unrecognizable as she screams over the music of the chorus.
The real shame of the production is that it distracts from Clark’s signature, no bullshit sass in her lyrics. “When you took me home, you knew who you were taking. Not some Debbie Debutante standing in an apron, frying up your bacon. My house and my mouth and my mind get kind of trashy. I’ve never been to jail but hell I wouldn’t put it past me.” That is 100% Brandy Clark. As the song continues, she tells this man to accept that she isn’t the girl next door, or to leave for good and go next door. She’s not Marcia Brady and she’s not sorry about it, so take your pick. “Girl Next Door” is a well written song, but you can’t catch the lyrics right away because of the overproduced mess.
I’m not quite sure what to expect with Clark’s upcoming album, but “Girl Next Door” doesn’t get me excited for it. I wasn’t a fan to read that Jay Joyce was her producer, and this song confirms some of my worry for the album. Go listen to “Stripes” and hear how a sassy song like this can be upbeat and country. This “edgy” production doesn’t suit Clark’s voice. She’s really at her best with a simple production behind her, best exemplified in “Hold My Hand.” I hope the rest of her album isn’t like “Girl Next Door” and features some actual country music, but at least Clark didn’t abandon all her roots for this song. “Girl Next Door’s” lyrics are a saving grace; the only good thing about this song.