To get fans excited for his new album, Fired Up, Randy Houser picked “We Went” as the album’s lead single. It’s a song with typical bro-country tropes to try to make Randy Houser look like a country boy badass. I criticized the song, but thought the album would yield a good balance of quality country and radio fodder, just like Houser’s previous album How Country Feels. Instead, Fired Up proved to be an album overloaded with stupid pop country songs jutting up into 17 tracks! As a mid-tier country bro, Houser’s producers clearly felt the need to give this album enough life to sustain Houser through tours and radio singles for a couple of years. We aren’t going to bother reviewing the 17-track album as the ready for radio playlist has nothing to offer as an album. However, as Houser releases singles, we’ll take a look at each of those. And the second single Houser is releasing from Fired Up is “Song Number 7.”
Is Nashville even trying anymore? We’re at a party with loud music and there’s one girl in particular who catches the eyes of the boys. As the party’s playlist continues, the girl gradually becomes more interested in the narrator. Once the seventh song comes through the speakers, she jumps and says “oh my god, this is my song! We’ve been listening to the radio all night long.” Wait, no. This isn’t “Play It Again.” But it might as well be. Randy Houser’s “Song Number 7” is a remake of Luke Bryan’s “Play It Again,” and writers Chris Janson, Ben Hayslip, and Justin Wilson somehow make the already terrible subject worse. Even the mid-tempo production with drum machines and generic guitars sound similar to “Play It Again,” primarily in the chorus. There was little attempt to separate this clone from the original.
Randy Houser doesn’t sing with any kind of charisma, and the chorus features some awkward, jarring vocal harmonies that strangely pop way after a natural echo would. The production of this song is crap with random intensified drums. I almost didn’t want to review “Song Number 7”, but it’s such a near copycat of Luke Bryan’s hit that it deserves to be put on this platform. Absolutely no effort went in to making this song even a little original. Instead of playing to Randy Houser’s strength as a vocalist and letting his traditional country-style expand, his label has decided to prop him firmly in the shadows of the A-List bros by having him record songs that continue mainstream country down a path of cutting the same, boring song. “Song Number 7” is terrible due to the fact that it has no originality whatsoever.