Review – Luke Combs’ “Hurricane”


Luke Combs is a new and upcoming artist that was picked up by Sony Music Nashville late in 2016. The 26-year-old artist hails from Asheville, North Carolina and has the look and sound you want out of a country artist, so it was no surprise to see a major label scoop him up. The first time I caught wind of him was in a Rolling Stones piece listing up and coming artists to watch, where he was likened to Eric Church. I won’t get started on how ridiculous I think it is when new artists get compared to established greats, but hey it did catch my attention so mission accomplished. So onto Combs’ debut single “Hurricane.” I will say first off its structured well, as the song is about an off and on again relationship where the guy is doing fine without her until she walks into the bar and he’s once again hooked. This is likened to a hurricane, as the emotions came back to him hard and fast. This is a solid comparison and makes for a nice visual, despite a few cliché lines. But it’s all completely butchered by the ham-fisted modernized production, which leans too much pop rock for my liking. This sterilized the song and takes the zing out of the lyrics completely. Then we get to the vocals. Combs has a solid voice with a distinctive twang, but for some reason somebody thought it would be great to add these annoying vocals effects to his voice on the hook and the bridge of the song. I guess they thought this would a good sonic complement to the whole hurricane image, but really it’s unnecessary, masturbatory Nashville meddling at it’s best. These things completely ruin this song’s chance at being decent to good. With a more country production and taking away the annoying vocal effects, I would have given this a higher grade. But instead this is unfortunately just another generic sounding song at country radio.

Grade: 4/10


Recommend? – No

Written by Luke Combs, Taylor Phillips and Thomas Archer

10 thoughts on “Review – Luke Combs’ “Hurricane”

  1. Raymond January 24, 2017 / 11:29 am

    I’d probably bump this up to a 5. Agree with all your points but I do like the melody in the chorus. The hook though kinda falls flat for me.

    Overall this song has a good idea, Luke Combs is a solid vocalist. But the production is so sterile and lacks any real punch, it feels kinda stagnant if I’m being honest

    Overall a 5/10. Nothing worth hating but mainstream country music has a lot better to offer.


  2. OlaR January 24, 2017 / 11:45 am

    “Hurricane” was available on Amazon & Google Play a long time before Luke Combs signed with Sony Nashville. The song is ok but but becomes boring pretty fast. (5/10)


  3. Amanda January 24, 2017 / 12:21 pm

    Meh. It’s just kinda average to me. Somewhere between a 4 and a 5 for me.


  4. Kevin Davis January 24, 2017 / 12:43 pm

    Indeed, the production ruins it for me. There is probably a decent song somewhere in there, but I have no desire to listen to this again. Combs frequently comes through Charlotte, so I’ve had ample opportunity to see him but have not — and this debut single is not exactly enticing me to see him. The music video was filmed at Coyote Joe’s in Charlotte. I know it well.

    The production is, of course, calculated in order to appeal to radio, but I have a hard time seeing this competing with, e.g., Cole Swindell, to give one example of this style of production. Perhaps his other songs are better.

    Liked by 1 person

  5. David January 24, 2017 / 12:56 pm

    If labels would simply stop re-casting decent talent into something they’re probably not and manipulating them into “pre-fab” products, we might get some real songs with real emotion out of Music Row. In large part, they’ve lost sight of what made country music great in the first place; songs that say something simply with a minimum of “bells and whistles” that can reach your heart (ballad/mid/or uptempo) and keep you coming back for more. Harlan Howard et al must be shaking their heads in heaven…

    Liked by 1 person

  6. jmarsh123 January 24, 2017 / 1:25 pm

    The production is so so bad on this, I can’t even evaluate its other merits. I remember the first time we surfed to HighwayXM and this was playing, my wife immediately changed the channel because it was obnoxiously loud and overproduced.


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