When Easton Corbin broke onto the scene nearly a decade ago, many including myself thought he would be the next great traditional country artist. Instead he devolved into pandering, checklist, formulaic fodder. Worse he dove headfirst into bro country with absolute glee, as it was heavily featured on his last album About To Get Real. So after numerous disappointments my expectations were set quite low for Corbin’s newly released single “A Girl Like You.” The title inspired less confidence in it being good. So does he finally fulfill his potential or is it another disappointment? Well it’s a lot more interesting and thought-provoking than I expected. The song opens with heavy drums that persist throughout the song. I don’t think they’re actually drum loops and could be an actual backing band, although I’m not entirely sure. This is meshed with twangy telecaster play throughout the song. It’s essentially a traditional meets modern sound, very much along the lines of Jon Pardi’s current hit song “Dirt on My Boots.” I have to admit it’s quite catchy and an infectious ear worm, although I imagine some will be turned off by the heavy drums. Then we get to the lyrics, which start off pretty rocky with lines about cold beer, bars and neon lights. It gets worse when we get to these lines: They play lots of songs on the radio / About them good ol’ country girls that we all know / Long tan legs and cut off jeans / Yeah just shaking that sugar every country boy’s dream. Aargh another bro song you think. But wait its immediately followed by these lines: I’ve heard ’em all at least a time or two / Ain’t none about a girl like you, you know that’s true. So he dismisses his girl being a cliché and just another girl in a country song. This is good, even if a tad hypocritical after cutting songs like this before. The rest of the song is about how special this girl is in any setting without devolving into sexist clichés and how thankful he is for her. Overall this is a solid concept for a song and something I should like, but at the same time it’s hard to shake the fact that he was cutting these very same songs he’s dismissing. At the end of the day I’m going to take “A Girl Like You” for what it is, a decent love song. I think it has a great chance of being a hit and if it is could be the start of a traditional-meets-modern trend in country music.
Recommend? – You’ll have to decide for yourself on this one, as I can imagine some of you will be hesitant to embrace this.
Written by Ashley Gorley, Jesse Frasure and Rhett Akins