HARDY (real name Michael Hardy) has been writing a lot of songs for some of the biggest names in mainstream country in the the last few years and now he’s stepping into the spotlight himself with what is essentially his debut album, HIXTAPE, Vol. 1. It features several collaborations from various country artists (17!) and is based off the successful mixtape format popularized by hip-hop. And I have to say I did not expect to review this album at all. Even more surprising: I did not expect to enjoy this as much as I did.
Lead song and single “Boy from the South” features Cole Swindell and Dustin Lynch. It’s an okay track about your typical guy from the south. Swindell’s part I enjoy, but not so much Lynch’s part. Other than the John Boy and Billy Big Show shout out and the funny line about writing “We Want Bama” on the windshield (which you shouldn’t write if you’re a fan of a southern team not named Clemson, Georgia or LSU), the lyrics are pretty average for me.
“He Went to Jared” is my favorite song on the album. Featuring Morgan Wallen, the song is about a working man getting dumped by his woman for a rich man. I love the simple storytelling and hooks used and Wallen’s unique voice is the perfect choice for this song. Also am I the only one who gets a chuckle out of the line “I’m just sittin’ here with a beer and my jeans tucked”? It’s such a random ass observation, but it fits so well.
“Redneck Tendencies” is a modern day, redneck version of “Mama Tried” and sees HARDY calling on ’90s country staples Trace Adkins and Joe Diffie. Both are great features on this fun little singalong. “Nothin’ Out Here” features Thomas Rhett and is your standard “don’t overlook small town” songs that doesn’t have anything new to say about the subject nor is it catchy. It’s ironic that the two singles of this album are the ones I skip when listening to this album.
“My Kinda Livin'” is about taking pleasure in country living. HARDY is joined by Hunter Phelps and Jameson Rodgers and I have to say I’m not too familiar with Phelps and Rodgers. But the three sound pretty good together and they fit this easygoing song well. The crickets chirping in the background throughout are a nice touch, as they compliment this tone too. Unlike “Nothin’ Out Here,” “No Place like Hometown” is a small town song I can get behind. The sentiment resonates with me, Keith Urban’s solo vocals sound good and I really enjoy the harmonies of HARDY, Urban and Hillary Lindsey in the latter half of the track.
Mitchell Tenpenny and Jon Langston join in on “Something a Lil’ Stronger” and I have to admit this was the song I was expecting to hate the most because I have not been a fan of Tenpenny up to this point. But I have to give props where it’s due: he sounds great on this song and so does Langston. The both fit this singalong about always wanting to move on to something stronger and better, whether it be a drink or a woman. The simple and catchy observational tone reminds me a lot of another song I like, Jon Pardi’s “What I Can’t Put Down.” This is definitely a highlight of the album and Tenpenny should consider working with HARDY more.
The underrated Tracy Lawrence knocks it out of the park on “What They Make Backroads for.” Jake Owen sounds pretty good too. These are both artists who just know how to approach these simple country songs that aren’t trying to be anything more than fun singalongs. These may seem like shallow observations, but there’s not much more to say when it comes to these type of songs: you listen to them and they either work or they don’t, and this one works. “Turn You Down” is that fun rocker, Friday night anthem that this album needed. It’s another great feature from Morgan Wallen and Zakk Wylde is awesome at delivering the rollicking guitar licks that make you want to bang your head. Also I love the depiction of Wylde on the cover of the album, which is one of the most memorable albums covers I’ve seen this year.
After an album of fun songs, the album closes with a more serious song in “One Beer,” which is nice to see. It’s about how one beer turns into a hook-up, which turns into an unexpected pregnancy, then a unexpected marriage and family. It’s a real story that happens in small towns every day across America, so I praise the storytelling of the lyrics. Devin Dawson and Lauren Alaina are the guest artists, but I really don’t feel their presence like other guest artists on the album. Nevertheless, they all three sound good harmonizing together.
Readers familiar with my reviews might be shocked to see I enjoy HARDY’s HIXTAPE, Vol. 1, but that’s because you’re not listening to this album for what it’s trying to be: a fun album full of catchy, mindless songs that are easy to turn on and immediately get into. And this album does this well. HARDY isn’t trying to make you think, he just wants you to have a good time and I do when listening to his mixtape.