Country Perspective will be posting multiple best of albums lists this year to recognize the staggering amount of high quality album releases in 2020. It will ultimately conclude with Country Perspective’s Top 10 Albums of 2020, which will reflect all genres and crown this blog’s top award, Album of the Year.
Today I take a look at the top five pop albums of 2020. Pop had a pretty good year in my eyes. More artists embrace melody in their music than they have in recent memory, which was great to see. It’s been my biggest criticism of the genre in the modern era, as too many artists try to ape a watered-down alternative or hip hop flavored sound. Pop needs to stick to what makes people like pop: sticky hooks, catchy melody and singalong quality. I would also like to see the throwback/retro trend that seemed to emerge this year to continue into 2021, as I think there are many modern artists who can bring fresh takes to classic approaches. This is always the hardest genre to evaluate in my opinion, as there’s just so many releases and determining what’s pop is more ambiguous than any other genre. So without further ado, here are Country Perspective’s Top Five Pop Albums of 2020:
Niall Horan’s Heartbreak Weather is an enjoyably solid album of soft rock meets pop love songs. Although I will say it’s not all straight-ahead love songs, as Horan weaves in themes throughout the album of insecurity, doubt and details of the hard road one can experience in finding love. The album has an overall sound of being bouncy, fun and upbeat, while Horan demonstrates himself to be a charismatic vocalist with range. And while there’s many fun moments like on “Everywhere,” there’s also some more serious and introspective moments that give this album a softness to balance it out (“Put a Little Love on Me” and “Still”).
The first thing of course that stands out about this Taylor Swift’s folklore is the production, helmed by her longtime producer Jack Antonoff and the National’s Aaron Dessner. Both of their influences shine through in the music, but especially Dessner’s, as this album certainly embraces indie and folk aesthetics. It’s not an indie folk album as many have erroneously called it, but rather a pop album that incorporates elements of modern indie, folk, bedroom pop and lo-fi. Swift cherrypicks some of the more obvious and basic elements of these styles and makes them work with her style of pop for the most part. Combined with her most mature and arguably best songwriting to date, this makes folklore one of Swift’s best albums.
Dua Lipa delivers an absolutely fantastic album in Future Nostalgia. It has the elements I want to hear in a pop album and it comes oh so close to be an album of the year contender. Despite one slip-up, this album delivers everything else perfectly. It encapsulates disco, electro pop and dance music with the kind of aplomb and grace I would expect out of Carly Rae Jepsen, while at the same time delivering incredibly infectious hooks and vocal performances that will stick with you long after listening.
This album is full of soaring production that lives up to it’s album name while also giving it a fresh, modern feel. The songwriting focuses around love, excitement and just pure joy. To me it’s one of those albums that if you love pop and disco music, it’s impossible to come away not smiling. Minogue meant for this album to be enjoyable escapism and DISCO is absolutely phenomenal in this regard.
Dedicated Side B is yet another pop masterpiece from Carly Rae Jepsen. I can’t believe how she just continues to blow me away with fantastic project after fantastic project. Once again she’s showing her “B material” is better than many artists’ A material. Every song on this album is enjoyable and shows why she is one of the best pop artists in music today. Jepsen won Country Perspective’s 2019 Album of the Year with Dedicated and she’s putting herself in the unprecedented position to win it again in 2020 to make it back-to-back. It’s simply incredible.