Country Perspective’s Top 10 Albums of 2020

Country Perspective will be posting multiple best of albums lists this year to recognize the staggering amount of high quality album releases in 2020. It will ultimately conclude with Country Perspective’s Top 10 Albums of 2020, which will reflect all genres and crown this blog’s top award, Album of the Year.

Today the list-mania concludes with Country Perspective’s Top 10 Albums of 2020. When determining the top ten albums of the year, a number of typical factors you expect are evaluated for this. But in addition I also factor in aspects such as entertainment, long-term replayability and just general enjoyment. In fact I would say these factors are the most important over your other stereotypical factors. Most importantly things such as cultural impact or how it fits within the scope of 2020 do no play a factor in this. Lighter, “fun” albums are given equal artistic merit to your typical album of the year-type records. At the end of the day, this is just what I consider great music and the very best of what this year had to offer across all genres. So without further ado, here are Country Perspective’s Top 10 Albums of 2020:

10. Sturgill Simpson — Cuttin’ Grass – Volume 1

Now I expected this album to be good. Sturgill Simpson’s love and appreciation for bluegrass has always shined through. But man I did not expect this album to be this good. The melody on this album is so damn infectious, making old songs sound completely new and giving real vibrancy to his previously unrecorded Sunday Valley songs. Simpson is clearly in his element on Cuttin’ Grass – Vol. 1. He takes to bluegrass like a duck takes to water. Who knows what direction he will go on his fifth and supposedly final studio album and who knows when he’ll release Volume 2 of Cuttin’ Grass. In a tumultuous year, the best thing to do is sit back and enjoy this wonderful surprise from Simpson.

9. Chris Stapleton — Starting Over

Starting Over is what it says it is: it’s Chris Stapleton hitting a reset button on expectations. It’s him indulging in all of his influences and putting them all on display. It’s a reminder of who he is as an artist, even though this may not sound much different than what he’s released before. But again the expectations have to be kept in check because an artist’s image is more important than many listeners and reviewers realize. I think Stapleton realized he needed to reiterate who he sees himself as with this album. It’s him quietly and not so quietly voicing his displeasure at the world around him too. But really Stapleton does what he’s always focused on doing with his music on this album: making good music with no expectations. And that’s the best kind of music.

8. Kylie Minogue — DISCO

This album is full of soaring production that lives up to it’s album name while also giving it a fresh, modern feel. The songwriting focuses around love, excitement and just pure joy. To me it’s one of those albums that if you love pop and disco music, it’s impossible to come away not smiling. Minogue meant for this album to be enjoyable escapism and DISCO is absolutely phenomenal in this regard.

7. Benny The Butcher — Burden of Proof

Benny The Butcher gives you everything you want out of an excellent album and then some with Burden of Proof. The lyricism, production, the features and the themes are all flawless. He delivered so many great albums before this, but with this record he reaches a whole new level of greatness in my mind. It’s the realism and genuineness that shines through in Benny The Butcher’s work that’s quickly making him one of the best in the game, especially when so many in hip hop chase and promote the fake image he speaks out against throughout this album. Of course this isn’t an issue just in hip hop, as every genre struggles with the balance of reality and fantasy, as well as roots and tradition versus new school thoughts and ideas. If one becomes more lopsided, things go haywire. And Benny does such a good job of keeping this in mind with his music. As he says in the final track on the album, he’s ready to be a legend now. This album more than proves this high claim.

6. Tennis — Swimmer

With Swimmer, Tennis delivers an excellent album about love. It’s quickly became one of my favorite love albums. And this isn’t rash hyperbole on my end. I’m being serious when I say that this album truly delivers a heartfelt, genuine and truly touching take on true love. Love albums and love song are an absolute dime-a-dozen. They’re churned out every day. Most only focus on the surface level of love and the flip-side with heartbreak. What they don’t ever seem to focus on are the little things, the nitty gritty of relationships that aren’t easy to convey in an informative and interesting way. But that takes brilliant songwriting with equally high-quality production that aids it. Tennis delivers this.

5. Ashley McBryde — Never Will

Ashley McBryde delivers exactly what I had hoped for and then beyond with Never Will. She leans heavily into her natural heartland rock sound and combines it with traditional country to create an album I will remember for a long time. The songwriting is brilliant and varied, running the gauntlet of emotions and most importantly I think Ashley McBryde delivers a flawless presentation of flawed characters. They’re never framed as likable, but real and as they are, which can be hard to get behind as a listener. But just like Sturgill Simpson’s SOUND & FURY, it can be understandable to not want to listen to music about such real and flawed characters, songs where there are no heroes even. For me though this is the music that is truly intriguing and has a lasting impact.

4. Tyler Childers — Long Violent History

The best surprises are not what you want, but what you need. Tyler Childers’ surprise album Long Violent History is a record we needed. Who would have predicted an Appalachian country album filled mostly with old fiddle standards would end up being one of the best albums of 2020? But that’s exactly what Tyler Childers delivers with Long Violent History. It’s eight great instrumental songs with beautiful and thoughtful melody packaged around one of the most powerful, well-written songs of this generation. Tyler Childers writes himself into the history books with this album.

3. Carly Rae Jepsen — Dedicated Side B

Dedicated Side B is yet another pop masterpiece from Carly Rae Jepsen. I can’t believe how she just continues to blow me away with fantastic project after fantastic project. Once again she’s showing her “B material” is better than many artists’ A material. Every song on this album is enjoyable and shows why she is one of the best pop artists in music today. Jepsen won Country Perspective’s 2019 Album of the Year with Dedicated and she’s putting herself in the unprecedented position to win it again in 2020 to make it back-to-back. It’s simply incredible.

2. Brett Eldredge — Sunday Drive

There could not be more of a stark contrast between Sunday Drive and Brett Eldredge’s previous album. It’s simply night and day. Every moment on this album is absolutely enjoyable. The lyrics and production could not shine and compliment each other anymore. The reflecting theme of finding optimism and wisdom in times of trouble and uncertainty is brilliantly inspiring. Brett Eldredge has never sounded more energized and is at his absolute best on this record. There’s no other way to put it: Sunday Drive is a phenomenal album and it’s the best country album of 2020.

And Country Perspective’s 2020 Album of the Year…

1. The Weeknd — After Hours

After Hours is a phenomenal achievement by The Weeknd. This album is a rich, cinematic experience of love, losing it, fighting to regain it and ultimately reaching the realistic conclusion of realizing that it’s lost. The production team absolutely nails every emotion on this album and takes the lyricism to a whole new level. The juxtaposition of the breezy, mixed cocktail of genres (R&B, pop, hip-hop, dream pop, 80s) feels perfect on this album of frenetic, dark emotions that permeate throughout it. There wasn’t a more complete album released in 2020 than this one. Every aspect of this album is in sync with each other in driving the overarching story while each song excels on a microlevel too. Every time I listen it’s truly enjoyable to re-experience the story being told and the excellent production that permeates throughout.


Thank you for reading Country Perspective in 2020! I hope you all have a safe and happy holidays!

Country Perspective’s Top 10 Other Genre Albums of 2020

Country Perspective will be posting multiple best of albums lists this year to recognize the staggering amount of high quality album releases in 2020. It will ultimately conclude with Country Perspective’s Top 10 Albums of 2020, which will reflect all genres and crown this blog’s top award, Album of the Year.

Today I take a look at the top ten albums from all other genres in 2020. So this list was a bit of a crapshoot. As you can see before this list I had no problem formulating lists for country, hip hop and pop. Then I was left with a bunch of albums scattered across multiple genres and not enough in any of those categories to make a long enough list for each. Not to mention determining the genre that some of these albums felt like a rather pointlessly tiresome exercise. At the end of the day I don’t concern myself much with this anymore and just focus on if the music is good or not. So rather than just forego putting them on any list, I decided to make a list of the best of the rest outside of the three genres aforementioned. The whole point of these smaller lists is to cover more artists and specific niches, while also showcasing the variety of great albums talked about on this blog through 2020. Just throwing up my top ten albums of the year didn’t feel like it was wide-reaching enough. So on this list you’ll find R&B, indie, alternative, rock and more. Without further ado, here are Country Perspective’s Top 10 Other Genre Albums of 2020:

10. DUCKWRTH — SuperGood

Smooth, slick and funky are the three best words to describe this album. If you’re looking for lyrical prowess, this album won’t have it. Not to say the lyrics are bad. They’re solid, yet unspectacular as most of the lyrics deal with love and enjoying the party. But if you’re looking for some smooth beats, this album is overflowing with them. This is an album to move to and sing along with on a Saturday night. While it’s listed as hip-hop, this is far from a straight hip-hop record. No, I would describe this more along the lines of Tyler the Creator’s IGOR. This album is very much genre fluid, an enjoyable blend of hip-hop, R&B, soul, pop and disco. While I was a big fan of DUCKWRTH’s earlier material that was edgier and had an almost rock flavor to them, it’s clear this sound seems to suit him best.

9. CeeLo Green — CeeLo Green is Thomas Callaway

Dan Auerbach, David Ferguson and Easy Eye Sound just continue to churn out quality albums. CeeLo Green is known for such hits like “Crazy” as part of Gnarls Barkley and “Forget You” as a solo artist. But this album is much different than his popular material, as the glitz and glamour is all stripped away in favor of more subtle and smooth sounds. It’s an enjoyable mix of R&B, soul, pop, gospel and even some country. Many have described Green as a chameleon-like performer and I think this album exemplifies this more than any of his others. Green’s voice really excels in the more dramatic songs, as his dynamic voice can add the right amount of tension to build up the lyrics. If you’re into soul music or enjoy Green’s voice, this album is definitely worth your time.

8. The Mavericks — En Español 

This is definitely one of those times where I wish I had taken more Spanish classes. I know some of the language, but unfortunately not enough to understand and appreciate the lyrics of this album. So I can only analyze the other elements of this album and they’re top level as always from the eclectic and dynamic group. The instrumentation is flamboyant, colorful and vibrant, a beautiful mixture of country, pop, Tex Mex and a whole lot more. Raul Malo still has one of the best voices in music, as it still sounds as flawless as ever. So based on the two elements of this album I can understand, this is another great album from The Mavericks.

7. Khruangbin — Mordechai 

I find it difficult to get into instrumental music most of the time and even harder to review it. But Khruangbin is easily an exception to this rule. I had never heard of this group until their excellent collaborative Texas Sun EP with Leon Bridges earlier this year. I’m so glad I found them, as I’ve now listened to their entire catalog after hearing the EP. Even better that they’ve dropped even more music with new album Mordechai. While I wouldn’t put it at the level of their great, southwestern-flavored 2018 album Con Todo El Mundo, this album is another pretty damn good record from the trio. This album centers mostly around a groovy, psychedelic funk sound with tinges of disco and jam pop mixed in at times. The band also surprises by mixing in some vocals on this record and they actually work pretty well. Most importantly they don’t detract from the hypnotic sounds of the band, which will always be the focus and strength of the group. If you’re looking for a relaxing album, you will be hard-pressed to find one more chill than this one this year.

6. John Moreland — LP5

LP5 is another fantastic album from John Moreland. He’s always been a great songwriter since his first album, but it’s the recognition to grow and experiment with his sound starting with his last album that’s taken him to a whole new level in my mind. Too many singer-songwriter artists think they have to stick to a stripped-down, folk-y sound for their lyrics to be taken seriously. At the same time, drum machines are dismissed as “not real instruments” used by pop stars. Well with LP5, Moreland proves both these claims to be moot.

5. Tame Impala — The Slow Rush

The Slow Rush sees Tame Impala once again delivers a memorably great album. But it’s also hard not to see this album is a few missteps away from equaling the brilliance of Currents. It lacks focus in a few spots and there’s one song that just isn’t needed. But this is also a bit nitpicking admittedly. The production from Kevin Parker is once again deeply rich and textured, engulfing you with it’s fantastic details. The songwriting mostly hits and the hooks are some of the best from Parker. You really couldn’t ask for much more from an album like The Slow Rush.

4. AC/DC — POWER UP

POWER UP showcases this group at their best. There’s anthemic, blaring riffs, strong hooks and powerful vocals. This record is a fantastic swan song and a perfect way for a legendary band to take their final bow. The entire band is on their A game and you couldn’t ask for better performances from these guys. I’ve seen some say this one of the group’s best albums and I can absolutely buy this argument. Personally I wouldn’t put it in my top three, but maybe top five. Regardless, I find this album to be quite poetic. Everybody thought this group was done when Bon Scott passed, but then they made their career-defining album in Back In Black. And everybody again thought they were done when Malcolm Young passed amidst other group issues. But once again they have surpassed expectations and made a damn great album.

3. Sturgill Simpson — Cuttin’ Grass – Volume 1

Now I expected this album to be good. Sturgill Simpson’s love and appreciation for bluegrass has always shined through. But man I did not expect this album to be this good. The melody on this album is so damn infectious, making old songs sound completely new and giving real vibrancy to his previously unrecorded Sunday Valley songs. Simpson is clearly in his element on Cuttin’ Grass – Vol. 1. He takes to bluegrass like a duck takes to water. Who knows what direction he will go on his fifth and supposedly final studio album and who knows when he’ll release Volume 2 of Cuttin’ Grass. In a tumultuous year, the best thing to do is sit back and enjoy this wonderful surprise from Simpson.

2. Tennis — Swimmer

With Swimmer, Tennis delivers an excellent album about love. It’s quickly became one of my favorite love albums. And this isn’t rash hyperbole on my end. I’m being serious when I say that this album truly delivers a heartfelt, genuine and truly touching take on true love. Love albums and love song are an absolute dime-a-dozen. They’re churned out every day. Most only focus on the surface level of love and the flip-side with heartbreak. What they don’t ever seem to focus on are the little things, the nitty gritty of relationships that aren’t easy to convey in an informative and interesting way. But that takes brilliant songwriting with equally high-quality production that aids it. Tennis delivers this.

1. The Weeknd — After Hours

After Hours is a phenomenal achievement by The Weeknd. This album is a rich, cinematic experience of love, losing it, fighting to regain it and ultimately reaching the realistic conclusion of realizing that it’s lost. The production team absolutely nails every emotion on this album and takes the lyricism to a whole new level. The juxtaposition of the breezy, mixed cocktail of genres (R&B, pop, hip-hop, dream pop, 80s) feels perfect on this album of frenetic, dark emotions that permeate throughout it. This is without a doubt one of the best albums of 2020.

Country Perspective’s Top Five Pop Albums of 2020

Country Perspective will be posting multiple best of albums lists this year to recognize the staggering amount of high quality album releases in 2020. It will ultimately conclude with Country Perspective’s Top 10 Albums of 2020, which will reflect all genres and crown this blog’s top award, Album of the Year.

Today I take a look at the top five pop albums of 2020. Pop had a pretty good year in my eyes. More artists embrace melody in their music than they have in recent memory, which was great to see. It’s been my biggest criticism of the genre in the modern era, as too many artists try to ape a watered-down alternative or hip hop flavored sound. Pop needs to stick to what makes people like pop: sticky hooks, catchy melody and singalong quality. I would also like to see the throwback/retro trend that seemed to emerge this year to continue into 2021, as I think there are many modern artists who can bring fresh takes to classic approaches. This is always the hardest genre to evaluate in my opinion, as there’s just so many releases and determining what’s pop is more ambiguous than any other genre. So without further ado, here are Country Perspective’s Top Five Pop Albums of 2020:

5. Niall Horan — Heartbreak Weather

Niall Horan’s Heartbreak Weather is an enjoyably solid album of soft rock meets pop love songs. Although I will say it’s not all straight-ahead love songs, as Horan weaves in themes throughout the album of insecurity, doubt and details of the hard road one can experience in finding love. The album has an overall sound of being bouncy, fun and upbeat, while Horan demonstrates himself to be a charismatic vocalist with range. And while there’s many fun moments like on “Everywhere,” there’s also some more serious and introspective moments that give this album a softness to balance it out (“Put a Little Love on Me” and “Still”).

4. Taylor Swift — folklore

The first thing of course that stands out about this Taylor Swift’s folklore is the production, helmed by her longtime producer Jack Antonoff and the National’s Aaron Dessner. Both of their influences shine through in the music, but especially Dessner’s, as this album certainly embraces indie and folk aesthetics. It’s not an indie folk album as many have erroneously called it, but rather a pop album that incorporates elements of modern indie, folk, bedroom pop and lo-fi. Swift cherrypicks some of the more obvious and basic elements of these styles and makes them work with her style of pop for the most part. Combined with her most mature and arguably best songwriting to date, this makes folklore one of Swift’s best albums.

3. Dua Lipa — Future Nostalgia 

Dua Lipa delivers an absolutely fantastic album in Future Nostalgia. It has the elements I want to hear in a pop album and it comes oh so close to be an album of the year contender. Despite one slip-up, this album delivers everything else perfectly. It encapsulates disco, electro pop and dance music with the kind of aplomb and grace I would expect out of Carly Rae Jepsen, while at the same time delivering incredibly infectious hooks and vocal performances that will stick with you long after listening.

2. Kylie Minogue — DISCO

This album is full of soaring production that lives up to it’s album name while also giving it a fresh, modern feel. The songwriting focuses around love, excitement and just pure joy. To me it’s one of those albums that if you love pop and disco music, it’s impossible to come away not smiling. Minogue meant for this album to be enjoyable escapism and DISCO is absolutely phenomenal in this regard.

1. Carly Rae Jepsen — Dedicated Side B

Dedicated Side B is yet another pop masterpiece from Carly Rae Jepsen. I can’t believe how she just continues to blow me away with fantastic project after fantastic project. Once again she’s showing her “B material” is better than many artists’ A material. Every song on this album is enjoyable and shows why she is one of the best pop artists in music today. Jepsen won Country Perspective’s 2019 Album of the Year with Dedicated and she’s putting herself in the unprecedented position to win it again in 2020 to make it back-to-back. It’s simply incredible.

Country Perspective’s Top Five Hip Hop Albums of 2020

Country Perspective will be posting multiple best of albums lists this year to recognize the staggering amount of high quality album releases in 2020. It will ultimately conclude with Country Perspective’s Top 10 Albums of 2020, which will reflect all genres and crown this blog’s top award, Album of the Year.

Today I take a look at the top hip hop albums of 2020. Hip hop didn’t get off to the best of starts in 2020. It’s not entirely surprising, as I feel the quality has dropped off a bit in the genre the last couple of years due to it’s rise as the most popular genre. When a genre becomes the “it” sound, it invites in trend chasing, many artists conforming around one sound and a general lack of innovation. Hip hop is also the most singles driven genre and albums don’t have as much emphasis placed on them. Thankfully though there’s still plenty of fantastic artists in this genre who place focus on making albums and aren’t driven by what’s popular. From the midpoint of the year on the quality steadily rose in hip hop and really peaked at year’s end. I hope this momentum can carry into 2021 and see hip hop get back to it’s best modern form like it was in the mid-2010s (each year from 2016-’18 a hip hop album was my top album of the year). So without further ado, here are Country Perspective’s Top Five Hip Hop Albums of 2020:

5. Westside Gunn — WHO MADE THE SUNSHINE

WHO MADE THE SUNSHINE is a really fun album that’s enjoyable from front to back. Westside Gunn really steps up his game in his major label debut and shows why Griselda is the fastest rising group in hip hop. This album won’t compete for my top hip hop album of the year, but it’s definitely a record that is worthy of being in rotation for a long time and there are two songs on this album that absolutely belong on the best songs of the year list (“The Butcher and The Blade” and “98 Sabers”).

4. Conway the Machine — From King to a GOD

While it feels like most of hip hop is going pop, the Griselda group is perfectly content doing what they do best and that’s delivering some of the grimiest beats and hardest hitting bars in the game. While all three of Benny The Butcher, Westside Gunn and Conway the Machine all bring something great to the table, it feels like Conway in particular has had a rapidly rising 2020. From King to a GOD is a fantastic proper debut album from Conway The Machine, as he brings his signature sound and high quality lyricism that longtime fans have come to appreciate him for while also bringing a level of accessibility in the music that will surely attract new fans too.

3. Denzel Curry & Kenny Beats — UNLOCKED

The songs themselves don’t have any big messages and are essentially bangers that focus on delivering fun bars. So many hip-hop albums are like this today and many are largely forgotten because the delivery just flat-out sucks. But Curry brings so much aggressive passion and rawness in his voice, along with his choice of diction in his delivery makes what would be an average banger into something that’s truly memorable. And this big reason is why UNLOCKED is the first great hip-hop album I’ve heard in 2020. While it doesn’t quite reach the heights of ZUU (an album I’m ashamed I omitted from my best of 2019 list), this is yet another high-quality project from Denzel Curry (and another great one from Kenny Beats too).

2. Freddie Gibbs & The Alchemist — Alfredo

Freddie Gibbs and The Alchemist both solidify themselves as two of the most consistent artists in hip hop with Alfredo. Gibbs’ rapping and flow are flawless while The Alchemist’s beats are smooth and his sampling is completely on point throughout. The lyricism is what you come to expect from Gibbs, which is not a knock at all, as he raps about cocaine, the dark sides of the street and mixes in his trademark dark humor. He also has more social commentary, as on “Scottie Beam” he ominously raps his execution may be televised, highlighting the systemic racism in the country. All the features on this album fit well, especially Rick Ross and Benny The Butcher. This is a pretty great project and for many artists this would be amongst their best, but Gibbs sets the bar pretty damn high with previous projects like Piñata and Bandana. But seriously don’t sleep on this album, as it’s one of the best you’ll hear out of hip hop in 2020.

1. Benny The Butcher — Burden of Proof

Benny The Butcher gives you everything you want out of an excellent album and then some with Burden of Proof. The lyricism, production, the features and the themes are all flawless. He delivered so many great albums before this, but with this record he reaches a whole new level of greatness in my mind. It’s the realism and genuineness that shines through in Benny The Butcher’s work that’s quickly making him one of the best in the game, especially when so many in hip hop chase and promote the fake image he speaks out against throughout this album. Of course this isn’t an issue just in hip hop, as every genre struggles with the balance of reality and fantasy, as well as roots and tradition versus new school thoughts and ideas. If one becomes more lopsided, things go haywire. And Benny does such a good job of keeping this in mind with his music. As he says in the final track on the album, he’s ready to be a legend now. This album more than proves this high claim.

A Salute to Eddie Van Halen

The world has lost one of the greatest guitar players of all-time with the death of Eddie Van Halen. Gone too soon at the age of 65, the loss of such a giant is undoubtedly saddening. But more than anything it makes me want to appreciate and celebrate the amazing music he helped bring into the world. Van Halen was one of the first rock bands my parents ever introduced to me, as I still remember my dad buying me The Best of Both Worlds as my formal introduction to the band. I played the absolute shit out of this CD set and it was a big part of what made me such a huge fan of rock at an early age.

If you were to ask me of what I think of when I think of Eddie Van Halen, there are two epic moments from him on guitar that come to mind. The first is “Eruption.” It is one of the greatest instrumental songs and one of the greatest guitar solos of all-time. It also popularized the guitar playing technique of tapping. Anyone who has ever learned guitar knows that this one of the most difficult songs of all-time because like Van Halen’s hero Jimi Hendrix, Van Halen is doing stuff on this song that most guitarists simply can’t do. It’s equal parts humbling and amazing, whether you’re a casual amateur like me or any of the professional guitarists in bands across all genres that Eddie Van Halen inspired through his work.

I mean just watch this and you’ll become mesmerized by the sheer display of excellency:

If you asked me what rock music is, this is one of the videos I would point at and say this. This is rock music. Innovation and brilliance like this rarely comes around. What’s insane is Van Halen said he messed up in the recorded version and could have did better! Van Halen said this of the recording: “I didn’t even play it right. There’s a mistake at the top end of it. To this day, whenever I hear it, I always think, ‘Man, I could’ve played it better.'”

The second iconic moment I think of when I think of Eddie Van Halen is his guitar solo on Michael Jackson’s “Beat It.” It was legendary producer Quincy Jones who prompted Jackson to include a rock song on one of the all-time greatest pop albums in Thriller and suggested that Van Halen do a guitar solo for the song.

When recording the solo, the sound of the guitar caused the monitor speaker in the room to catch on fire. As the team of people who made Thriller recall in the moment in the video below, they all said the solo must be pretty damn good! And I couldn’t agree more!

While this is a legendary story known by many in rock circles, what a lot people may not know or forget is Eddie Van Halen insisted on doing the solo free of charge. When asked why, he said this: “I did it as a favor. I was a complete fool, according to the rest of the band, our manager and everyone else. I was not used. I knew what I was doing – I don’t do something unless I want to do it.”

“I don’t do something unless I want to do it.” To me that final part of the quote could not better sum up Eddie Van Halen. He was an absolutely legendary artist who played by nobody else’s rules or intentions. Van Halen did what he wanted to do it throughout his entire career and he did it damn well. You can’t get any more badass rock and roll than that.

There are many guitar icons throughout history that have left us. Berry. Hendrix. Vaughan. Prince. And now Van Halen. But once you hear an Eddie Van Halen solo, you’ll never forget him. Rock on Eddie and thank you for the music and inspiration!