Predictions for Country & American Roots Categories at the 2017 Grammy Awards

Grammy

This Sunday we celebrate the biggest music awards show of the years. I’m of course referring to the 59th Grammy Awards, set to air Sunday night at 8 pm ET on CBS. Many of the awards however are presented in the pre-show that’s live streamed online and information for this can found be found here. After hosting for five years, LL Cool J steps aside as host and The Late Late Show host James Corden takes over. Multiple country artists will be performing on the show, including Sturgill Simpson, Carrie Underwood and Keith Urban (most likely new single “The Fighter”), Little Big Town (part of tribute to Bee Gees), Maren Morris (duet with Alicia Keys) and Kelsea Ballerini (duet with Lukas Graham). Now let’s get to the predictions! Keep in mind I’m not the best at this prediction game, but I feel like I do a little better each year. The award shows can be unpredictable. And be sure to make your own predictions in the comments.

Note: I will not be doing a live blog this year. I will however be live tweeting it all on Twitter, where you can all of my live thoughts as the show unfolds. Just go to twitter.com/realcountryview to follow if you don’t have Twitter. I’ll also most likely be doing a recaps/reaction post.

Album of the Year

  • Adele – 25
  • Beyoncé – Lemonade 
  • Justin Bieber – Purpose 
  • Drake – Views
  • Sturgill Simpson – A Sailor’s Guide To Earth

What I Would Pick To Win: Sturgill Simpson’s A Sailor’s Guide To Earth of course. Just imagine the outcries afterwards of all the big names that got taken down by some guy from Kentucky who made an album for his son.

What I Predict Will Win: Beyoncé’s Lemonade is the clear favorite I think, with Adele being the closest competition. But with other big names in Drake and Bieber also here, the votes could easily split and lead to Sturgill pulling off an upset similar to Beck a few years ago. I’d be fine with Beyoncé and Adele winning if Sturgill doesn’t, as I enjoyed both of their albums.

Best New Artist

  • Maren Morris
  • The Chainsmokers
  • Chance The Rapper
  • Kelsea Ballerini
  • Anderson .Paak

Who I Would Pick To Win: Anderson .Paak or Chance The Rapper, as both of their latest albums were awesome. But if I had to pick between these two, I would go with .Paak.

Who I Predict Will Win: Honestly I have no clue here. I could see any of these nominees winning, even Kelsea Ballerini because despite being a complete unknown outside of the country music bubble, Black River Entertainment continues to prove they have a lot of friends in high places. Morris is getting to duet with Alicia Keys and is quickly becoming a darling on the awards circuit. I’ll be content as long as Ballerini or The Chainsmokers don’t win.

Best Country Solo Performance 

  • Brandy Clark – “Love Can Go To Hell”
  • Miranda Lambert – “Vice”
  • Maren Morris – “My Church”
  • Carrie Underwood – “Church Bells”
  • Keith Urban – “Blue Ain’t Your Color”

What I Would Pick To Win: Miranda Lambert’s “Vice” (Anything but Urban’s song, which is ironically exactly what I wrote here last year)

What I Predict Will Win: Maren Morris’ “My Church” due to as I said above Morris quickly become an awards circuit favorite and this single being extremely popular. The other favorite I would think is Underwood, as she’s been a favorite of the Grammys.

Best Country Duo/Group Performance

  • Dierks Bentley & Elle King – “Different For Girls”
  • Brothers Osborne – “21 Summer”
  • Kenny Chesney & P!nk – “Setting The World on Fire”
  • Dolly Parton & Pentatonix – “Jolene”
  • Chris Young & Cassadee Pope – “Think of You”

What I Would Pick To Win: Woof this category is rough. I guess I would go with “21 Summer.”

What I Predict Will Win: Dierks Bentley & Elle King’s “Different For Girls” because apparently people are okay with stereotypical bullshit and really think this is some deep song.

Best Country Song

  • Keith Urban – “Blue Ain’t Your Color” (Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen)
  • Thomas Rhett – “Die A Happy Man” (Sean Douglas, Thomas Rhett & Joe Spargur)
  • Tim McGraw – “Humble and Kind” (Lori McKenna)
  • Maren Morris – “My Church” (Maren Morris & busbee)
  • Miranda Lambert – “Vice” (Miranda Lambert, Shane McAnally & Josh Osborne)

What I Would Pick To Win: Tim McGraw’s “Humble and Kind” (Not Urban or Rhett)

What I Predict Will Win: Any of these have a great shot at winning I think. But I think they’ll go with “Humble and Kind” or “Vice.”

Best Country Album

  • Brandy Clark – Big Day in a Small Town
  • Loretta Lynn – Full Circle
  • Maren Morris – Hero
  • Sturgill Simpson – A Sailor’s Guide To Earth 
  • Keith Urban – Ripcord

What I Would Pick To Win: Sturgill Simpson’s A Sailor’s Guide To Earth

What I Predict Will Win: A Sailor’s Guide To Earth is pretty much a lock here, with Simpson getting an overall Album of the Year nomination and a performance slot.

Best American Roots Performance 

  • The Avett Brothers – “Ain’t No Man”
  • Blind Boys of Alabama – “Mother’s Children Have a Hard Time”
  • Rhiannon Giddens – “Factory Girl”
  • Sarah Jarosz – “House of Mercy”
  • Lori McKenna – “Wreck You”

What I Would Pick To Win: Rhiannon Giddens – “Factory Girl”

What I Predict Will Win: The Avett Brothers – “Ain’t No Man”

Best American Roots Song

  • Robbie Fulks – “Alabama at Night” (Robbie Fulks)
  • Jack White – “City Lights” (Jack White)
  • Roddie Romero And The Hub City All-Stars – “Gulfstream” (Eric Adcock & Roddie Romero)
  • The Time Jumpers – “Kid Sister” (Vince Gill)
  • Lori McKenna – “Wreck You” (Lori McKenna & Felix McTeigue)

What I Would Pick To Win: Lori McKenna – “Wreck You”

What I Predict Will Win: Jack White – “City Lights”

Best Americana Album

  • The Avett Brothers – True Sadness 
  • William Bell – This Is Where I Live
  • Kris Kristofferson – The Cedar Creek Sessions
  • Lori McKenna – The Bird & The Rifle
  • The Time Jumpers – Kid Sister

What I Would Pick To Win: Lori McKenna – The Bird & The Rifle

What I Predict Will Win: William Bell – This Is Where I Live

The Hodgepodge: Instant Gratification and Music

Sturgill

I saw comments like this last year, and I’ve seen them this year. Something like “this has been a down year for music” or “releases haven’t been as strong this year.” I think it’s funny, and somewhat frustrating, that comments like that constantly pop up after an anticipated album is released and not up to someone’s standards. I think our culture in America has become so ingrained with the idea of “instant gratification.” In sports, every great game is an instant classic or a great player or team is immediately brought into the conversation for greatest of all time. Or if someone struggles early on, they’re immediately written off. More than anything, I think technology and social media have perpetuated a desire to be first and quick: first with breaking news, first with an announcement, quickly discussing major story lines from shows like Game of Thrones or Orange is the New Black.

While music fans don’t have to worry about spoilers, and musicians don’t get blasted for having an “off night” on tour, the same mentality of instant gratification still seeps into the music world. If a single or an album doesn’t wow us right away, we’re critical. We, as fans and users of technology (yes, I’m generalizing here), have become so accustomed to responding and making up our minds right away, that we judge the music we hear in the same fashion.

And just a few things to keep in mind before we dive into this: 1) this is purely from my observations reading comments left here, on other similar sites or on social media. 2) my timeframe starts in 2014, when I began writing for Country Perspective and exploring country music in-depth. 3) I’m just as guilty of this kind of thought and behavior.

The big part of instant gratification that annoys me are comments about how music released this year haven’t been as strong as last year. That could be true, that could be false. But when I see comments like that in the summer, I think it’s stupid. We have six more months of music releases to consume before we can accurately make those kinds of judgements. Sure, maybe the first half of the year hasn’t had an album blow up like Sturgill’s Metamodern (released May 2014), or Randy and Wade’s Hold My Beer (released April 2015), but that doesn’t mean 2016 won’t have an album like either of the two.

Take Chris Stapleton’s Traveller. Released in April last year, our circle of independent blogs and fans were high and mighty on Stapleton. Sure he had a slower rise, but by the time November rolled around, Chris Stapleton was a huge name in country music thanks to some CMA hardware. That’s just one example, and someone like Luke Bell probably won’t get any mainstream attention, despite a fantastic, pure country album. Sometimes it may take an album a few months for people to come around to it, or for an artist to see the benefits of fan growth. Not everyone will be an overnight success from one album release. There are a number of albums that took me multiple listens, or even several months, before I understood the hype or praise that album received. Whenever possible, I try to listen to an album multiple times before reviewing it to fully form an opinion. Judgement on art can change, and writing your opinion in stone after one listen isn’t always the best practice.

I think another mindset that plays into the notion of a weak year for albums or whatever is the desire to compare current works with past works – be it an artist’s newest album with the one before or comparing one artist’s new album with a different artist’s great album from “X” year. As a reviewer, I may compare the albums from a certain artist to highlight a growth or improvement I noticed within the artist from release to release, but I try to judge and grade an album as a piece of art independent from others. I’m sure I’m not perfect and that I’ve made that mistake a few times. However, artists who write their songs and albums, write them with their personal life influencing the songs. Just like everyone else, life happens and things change for singers and songwriters. It’s seems likely that an album released in 2013 represents what was going on in that singer/songwriter’s life at that time. And there’s a damn good chance that in 2016, that same person’s life looks completely different and will write about something different for the album that year.

However, what appears to be a common reaction to a new album that veers off the direction or sound of the previous one is that fear or worry that the artist is abandoning his or her music. Statements like “I was a fan until this album” or “he/she/they just lost a fan because I hate this new sound” are just plain idiotic. How can you possibly know that the new, different album will completely dictate and control the artist’s entire career and musical direction until retirement? So the artist released an album you didn’t like, big deal. There’s absolutely no rule that says you must like every song and album from your favorite artist.

Case in point, Sturgill Simpson. I’d be lying if I said the release and reactions of A Sailor’s Guide to Earth didn’t have some influence on this post. However, a common critique I’ve noticed is that it’s not the same as Metamodern Sounds in Country Music. Well it’s not going to be! I’d much rather have a new, different album than a direct sequel of a previous album that hits all the same marks. If you loved his first couple albums and this new one doesn’t do it for you, then that’s okay. Album number four could be more in line with his previous album and ASGTE will just be that outlier. We don’t know what the future holds, and it’s crazy to think that Sturgill will never ever make an album with hard-hitting honky tonk country like Metamodern again.

Artists want to experiment and express themselves. They’re own music and albums will be different from year to year, and country music will be different from year to year. Maybe we won’t have another album that explodes a little-known act to stardom for another 10 years, but that’s not to say we’ll be left without great music for that decade of time. And at the same time, 10 years down the road we could possibly be looking back to 2016 as a defining year for country music. We don’t know, and we won’t know until it happens. Sure the moment itself may not be as flashy, or the music might not hit you right away like albums before, but that doesn’t mean the magic is lost or that the music is on a downward spiral.

We live in a time where we have more accessibility to music than ever before, for better or worse. Maybe it takes longer to find that gem of an album. Maybe this is the year your favorite artist decides to experiment and explore something different. Whatever the case may be, immediately writing the year or artist off because it doesn’t meet any personal, preconceived standards isn’t the right way to approach music. Give it time before making an absolute judgement. And even then, don’t make that judgement absolute.

Upcoming/Recent Country and Americana Releases

  • The Avett Brothers will released True Sadness tomorrow.
  • Mark Chesnutt’s Tradition Lives will be released on July 8.
  • Lori McKenna’s The Bird & the Rifle will be released on July 29.
  • Cody Jinks‘ newest album I’m Not the Devil will be released on August 12.
  • Kelsey Waldon’s will release a new album on August 13 called I’ve Got a Way. 
  • Amanda Shires’ announced a new album for September 16 called My Piece of Land.

Throwback Thursday Song

“The Silver Tongued Devil and I” by Kris Kristofferson. One of country’s best songwriters celebrated his 80th birthday yesterday.

Non-Country Suggestion of the Week


A.J. Ghent Band. This funk rock/soul band from Atlanta, Georgia was once upon time signed to Zac Brown’s Southern Ground label. This is a solid live album which I think showcases the band’s talents well. And I’m eager and ready to hear a full length studio album whenever the band releases one.

Tweet of the Week

Bro-country didn’t completely ruin the genre!

Two Stupid iTunes Review for Kane Brown

Screen Shot 2016-06-22 at 1.07.21 PM Screen Shot 2016-06-22 at 1.08.01 PM

These were left under Kane Brown’s newest single “Ain’t No Stoppin’ Us Now.” That’s a scary thought because he needs to be stopped, and at least Bobby Bones is on our side with this. But these two reviews just crack me up. From thinking this isn’t “immature like a typical pop song” to insinuating that country music “involves.”

The Current Pulse of Americana Music [June 13]

Colvin & Earle

Each week I will take a look at the Americana Music Association’s Americana Airplay chart and grade the top 20 albums on the chart. The grading format I use each week is every album will receive either a +1, -1 or a 0. These will then be tallied up for an overall score, or pulse of the current top 20 Americana albums, with the highest possible score being a +20 and the lowest possible score being a -20. How do I determine if an album is rated a +1, -1 or 0? The rating it received on the site or myself will determine this. If it hasn’t been rated yet, then I will make the call. Albums rated between 7 and 10 receive a +1. Albums rated a 5 or 6 receive a 0. Albums rated 4 or lower receive a -1.

The goal of this exercise is to evaluate the current state of Americana music and determine if it’s improving or getting worse. Let’s take a look at this week’s top 20…

  1. Colvin & Earle – Colvin & Earle +1 (Up 10)
  2. Mudcrutch – 2 +1 (Up 4)
  3. The Jayhawks – Paging Mr. Proust (Down 2)
  4. Sturgill Simpson – A Sailor’s Guide To Earth +1 (Down 1)
  5. Hayes Carll – Lovers And Leavers (Down 3)
  6. Darrell Scott – Couchville Sessions +1 (Up 2)
  7. Parker Millsap – The Very Last Day +1 (Down 2)
  8. Margo Price – Midwest Farmer’s Daughter +1 (Down 1)
  9. The Lumineers – Cleopatra +1 (Down 5)
  10. Hard Working Americans – Rest in Chaos (Down 1)
  11. The Honeycutters – On The Ropes +1 (Down 1)
  12. Ben Harper & The Innocent Criminals – Call It What It Is (Up 2)
  13. Avett Brothers – True Sadness (Up 2)
  14. Bonnie Bishop – Ain’t Who I Was +1 (Up 5)
  15. Bonnie Raitt – Dig in Deep +1 (Down 3)
  16. Paul Simon – Stranger to Stranger (New to Top 20)
  17. Robert Ellis – Robert Ellis +1 (New to Top 20)
  18. Peter Wolf – A Cure For Loneliness (Down 2)
  19. John Doe – Westerner (Down 6)
  20. Charlie Faye & The Fayettes – Charlie Faye & The Fayettes (New to Top 20)

The Current Pulse of Americana Music: +11

The pulse improved one spot this week.

Albums That Dropped Out of the Top 20 This Week

  • Tedeschi Trucks Band – Let Me Get By
  • The Record Company – Give It Back To You
  • Loretta Lynn – Full Circle

Albums That Entered The Top 20 This Week

  • Paul Simon – Stranger to Stranger
  • Robert Ellis – Robert Ellis
  • Charlie Faye & The Fayettes – Charlie Faye & The Fayettes

Album I Predict Will Be #1 Next Week

  • Mudcrutch – 2

Biggest Gainers This Week

  • Paul Simon – Stranger to Stranger – Up 13 from #29 to #16
  • Colvin & Earle – Colvin & Earle – Up 11 from #11 to #1
  • Bonnie Bishop – Ain’t Who I Was – Up 5 from #19 to #14
  • Robert Ellis – Robert Ellis – Up 5 from #22 to #17

Biggest Losers This Week

  • Tedeschi Trucks Band – Let Me Get By – Out of the Top 20
  • The Record Company – Give It Back To You – Out of the Top 20
  • Loretta Lynn – Full Circle – Out of the Top 20

The Current Pulse of Americana Music [June 6]

The Jayhawks Paging Mr. Proust

Each week I will take a look at the Americana Music Association’s Americana Airplay chart and grade the top 20 albums on the chart. The grading format I use each week is every album will receive either a +1, -1 or a 0. These will then be tallied up for an overall score, or pulse of the current top 20 Americana albums, with the highest possible score being a +20 and the lowest possible score being a -20. How do I determine if an album is rated a +1, -1 or 0? The rating it received on the site or myself will determine this. If it hasn’t been rated yet, then I will make the call. Albums rated between 7 and 10 receive a +1. Albums rated a 5 or 6 receive a 0. Albums rated 4 or lower receive a -1.

The goal of this exercise is to evaluate the current state of Americana music and determine if it’s improving or getting worse. Let’s take a look at this week’s top 20…

  1. The Jayhawks – Paging Mr. Proust (Up 1)
  2. Hayes Carll – Lovers And Leavers (Down 1)
  3. Sturgill Simpson – A Sailor’s Guide To Earth +1 (Up 2)
  4. The Lumineers – Cleopatra +1 (Down 1)
  5. Parker Millsap – The Very Last Day +1 (Down 1)
  6. Mudcrutch – 2 +1 (Up 4)
  7. Margo Price – Midwest Farmer’s Daughter +1 (Down 1)
  8. Darrell Scott – Couchville Sessions +1
  9. Hard Working Americans – Rest in Chaos (Down 2)
  10. The Honeycutters – On The Ropes +1 (Up 6)
  11. Colvin & Earle – Colvin & Earle (New to Top 20)
  12. Bonnie Raitt – Dig in Deep +1 (Down 3)
  13. John Doe – Westerner (Down 1)
  14. Ben Harper & The Innocent Criminals – Call It What It Is (Down 3)
  15. Avett Brothers – True Sadness (Up 3)
  16. Peter Wolf – A Cure For Loneliness (Down 3)
  17. Tedeschi Trucks Band – Let Me Get By (Down 3)
  18. The Record Company – Let Me Get By (Down 1)
  19. Bonnie Bishop – Ain’t Who I Was +1 (Up 2)
  20. Loretta Lynn – Full Circle +1 (Down 5)

The Current Pulse of Americana Music: +10

The pulse is starting anew this week with the Americana Airplay Top 20.

Albums That Dropped Out of the Top 20 This Week

  • N/A

Albums That Entered The Top 20 This Week

  • Colvin & Earle – Colvin & Earle

Album I Predict Will Be #1 Next Week

  • Sturgill Simpson – A Sailor’s Guide To Earth

Biggest Gainers This Week

  • Colvin & Earle – Colvin & Earle – Up 16 from #27 to #11
  • The Honeycutters – On The Ropes – Up 6 from #16 to #10
  • Mudcrutch – 2 – Up 4 from #10 to #6

Biggest Losers This Week

  • N/A

The Hodgepodge: The Americana Movement & Why It’s Happening

Americana Music

(Note: Derek is on vacation this week, so I’m taking over The Hodgepodge!)

What’s the next big movement in country music? We’ve had bro country, metro bro and now we appear on the verge of some sort of weird, heavily Christian-influenced movement. It’s pretty evident when Florida Georgia Line releases “H.O.L.Y.” and Hillary Scott announces a Christian-influenced album. All of the popular country artists are talking about how their new music is going to be more mature and dig deeper. To be honest, you know what I think of all of this? I could not care any less. I’ve reached the point of not caring what the next movement in mainstream country music is because they change sounds like a person changes socks. Besides there’s a much more interesting, albeit less flashy movement happening before your very eyes: The Americana Movement.

While popular country fans fuss over it and critics spend their time on self-important think-pieces on the next big thing on country radio, I’ve been quietly observing something pretty brilliant taking shape with this Americana movement. It’s becoming the “genre” (if you want to call it this) where country artists who don’t want to be called country artists go basically. It’s also home to many older country acts that the genre has cast aside for new shiny toys and other sincere, genuine artists who really can’t put their music into the box of a genre. That last point in particular is why I think many artists are drawn to the Americana label. This allure of not having to play by genre rules and standards is quite appealing. You don’t have to hear some stodgy, old critic or fan tell you that your songs aren’t country enough or shouldn’t include horns. You don’t have to hear some whiny popular country music fan tell you that you’re boring and not pop-y enough. In many ways Americana symbolizes freedom and control of your music to an artist.

Country music fans love to sit around and fantasize a new outlaw era rearing its head like in the 70s where Waylon, Willie and Merle all stood up to make their own music and how country radio was a golden paradise of songs. All of the artists band together and take down the labels and Florida Georgia Line gets put in the music version of Guantanamo Bay. And we all lived happily ever after. This is all fantasy of course. Florida Georgia Line, Sam Hunt and Luke Bryan aren’t going away ever. They’re making a lot of money for themselves, their label and have throngs of fans. This stuff doesn’t disappear. Country radio will never stop playing them (at least until they’re deemed too old to play). Mainstream country and country radio will at best be mediocre and downright garbage at worst.

Back to the Americana movement taking shape, at its core this is exactly like the outlaw movement. These are artists independently taking it upon themselves to make their own music and do things their own way. They’re experiencing sales and chart success in the forms of Jason Isbell, Sturgill Simpson and Chris Stapleton. “But they’re country artists,” you say. Are they really country artists? For that matter is your favorite country artist really a country artist by today’s definition? Probably not. “I’m talking about the actual country standards,” you say. Define universal country standards that we can all agree on. Go on, I’ll wait. In the meantime I’m going to tell you why these three artists belong to Americana. I’ll start with the easiest argument. Jason Isbell is considered the Americana King, has championed it for years and identifies as such. Everyone pretty much agrees he’s Americana. Then we have Chris Stapleton. When you hear his music, is it straight country? No. You hear blues, soul and even some roots-rock. Now let’s look at the definition of Americana:

Americana is contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass, R&B and blues, resulting in a distinctive roots-oriented sound that lives in a world apart from the pure forms of the genres upon which it may draw. While acoustic instruments are often present and vital, Americana also often uses a full electric band.

I would say Stapleton fits this more than country music, especially today’s definition of country music. Finally that brings me to Sturgill Simpson, who’s solo career sums up best why this Americana movement has been growing and has become such a thing. He made his debut with High Top Mountain, an album full of pure country and bluegrass. Independent country fans flocked to him in droves and touted his name as one to watch. Country radio and mainstream of course ignored him, something the fans who fantasize about a new outlaw movement were fine with being the case. Screw country radio they would say. Then he followed it up with Metamodern Sounds in Country Music, an album full of straight country, some roots rock and psychedelic rock-country fusion. It launched him into the stratosphere, gaining the attention of mainstream and hipsters everywhere. Country radio continued to ignore him and country fans continued to say screw radio. However he was nominated for a Grammy for Best Americana Album.

Now that brings us to his newly released third album A Sailor’s Guide To Earth. Country fans expected something straight country or close to it. Hipsters and mainstream bandwagoners expected more psychedelic music. Neither got what they wanted or expected. Despite universal critical acclaim, a large number of people have called out Sturgill for getting away from his roots and what’s best for him in their minds. They’ve criticized the horns on his record. Sturgill’s response is naturally to be a little bit angry. Here’s a group of people holding him to their standards and telling him how to make his music. So it came as no surprise to me that Simpson had this to say at a concert in Dallas this past weekend:

“You won’t see my ass at the ACMs or the CMAs. It’s all politics, and I’ve got a better chance at winning the presidency. I’d rather play for you guys, because who cares about that shit. It might take 10 years, but when they need my help, I’m gonna give ‘em two of these.”

Simpson went on to give a one-finger salute with each hand and earlier in the night defended the horns on his new album. It doesn’t sound like someone who considers himself part of country music. He even admitted before A Sailor’s Guide To Earth came out that it may not be a country record. Of course I’ve seen fans and critics say Sturgill is ruining his career by saying such things and that he should show up to these award shows with open arms These are the same awards shows that have ignored him for years. I’ve even seen fans who said Simpson screwed up by not having some “radio songs” on his new record. Keep in mind this is the same group that said screw country radio the last two albums. Now all of a sudden they care about these pointless award shows and radio? This is flat-out hypocritical. Meanwhile they’re saying Simpson has turned his back on the people who got him where he’s at with these remarks and this new album.

I tell you this entire anecdote on Simpson’s career because it proves the point of the Americana movement. Here’s a talented artist making great music and some people just can’t help but pedantically criticize just to criticize and squabble about genres. Who needs that? There are several more examples that prove why we need Americana to continue to grow, like the ridiculousness of the “Texas Country” scene. Genuine female country artists have been ignored by radio for years and are forced to become “alt-country.” We live in a world where Kacey Musgraves and Ashley Monroe are essentially black balled from major airwaves because they refuse to play the game. Alan Jackson can’t get a freaking add at radio for his new single. There’s a group of talented artists on major labels making great music, but many are suppressed by radio. I could go on and on.

Increasingly any artist with self-respect for their music doesn’t want to be identified with country music. Why would they? They get ignored by the mainstream and radio. Their hard work is ignored and dismissed. The popular country music over the last few years has destroyed the genre’s reputation and made it a laughing stock in some circles. If you walked up to someone on the street and told them you’re a country fan, they’re going to think Florida Georgia Line and Luke Bryan. This whole fight to restore/save country music is pointless because great music is being made somewhere by someone. It may not be on the radio or charting alongside Beyoncé on iTunes, but it’s being made and you can access it with ease. Why does great music have to be popular? Why does it have to fit in a box? It doesn’t. Popularity should never dictate music. *Genre rules and lines shouldn’t dictate music. The only use of terms like country and Americana is to guide us, the listener. It just makes it easier for us to find what kind of music we’re looking for and wanting to hear. A true artist does not go into a studio and let genre guide the music. They just make music. That’s what Americana is all about for these artists.

*Of course don’t get this twisted to think it’s okay for Zac Brown Band to make EDM music and put it on country radio. He has every right to make EDM music and put it on his album. But when you’re sending “Beautiful Drug” to country radio, you’re calling it a country song. And that means you’re just lying straight to my face, which isn’t okay. That’s like pointing at a duck and calling it a chicken. That’s an insult to my intelligence. Don’t tell me that this song is one thing when it clearly isn’t.  

Upcoming/Recent Americana and Country Releases

  • The following artists are releasing new albums tomorrow:
    • Jennifer NettlesPlaying With Fire
    • Michaela AnneBright Lights and the Fame
    • Hard Working AmericansRest in Chaos
    • Darrell ScottCouchville Sessions
    • Wild Ponies – Radiant
  • The Honeycutters will be releasing a new album titled On The Ropes next week
  • Luke Bell will be releasing a new self-titled album on June 17
  • Jack Ingram announced he will be releasing his first new studio album in seven years on June 24 and it will be called Midnight Motel
  • Cody Jinks announced he’s releasing a new album I’m Not The Devil on August 12.
  • Avett Brothers announced they will also be releasing a new album on June 24 and it will be titled True Sadness
  • Finally some news that caught me off guard and that’s the surprise re-emergence of Josh Turner. In Country Aircheck this week, an ad ran promoting Turner’s new single called “Hometown Girl” and it’s going for adds on May 31.

Throwback Thursday Song

Linda Ronstadt’s “The Only Mama That’ll Walk The Line” – Fellow country writer Jason Scott encouraged me to dig into Linda Ronstadt’s catalog and I wasn’t disappointed. This is from her debut album and one of my favorites from her. If you aren’t familiar with Ronstadt like I was, I encourage you to check her out too.

Non-Country Suggestion of the Week

Kyle Craft’s Dolls of Highland – If you follow me on Twitter I’ve been non-stop praising new artist Kyle Craft. He’s a rock artist who grew up Louisiana before moving to Portland, Oregon a few years back. You can definitely hear the southern influence in the album, along with several other influences from a variety of genres. I’ve seen him compared to David Bowie, but I hear more Queen actually. Anyway he’s fantastic and Dolls of Highland is one of my favorite albums released this year.

Tweet of the Week

https://twitter.com/KaceyMusgraves/status/728779798055669760

Somebody on Twitter wondered what has happened to Kacey Musgraves and she made the perfect response.

A Great iTunes Review

New Urban album

This is a pretty spot-on review of the new Keith Urban album Ripcord. Not much country to be found on it.