Country Perspective’s Top 10 Country Albums of 2020

Ah, we’ve reached list season! The time of year when everybody releases their top music lists of the year and we all argue about why somebody’s personal list didn’t reflect our own personal taste. At the end of the day, remember it’s not worth getting angry about this stuff. The most important things these lists do is help us find an artist or release that fell through the cracks or you didn’t hear about. And they’re a nice way to recognize artists, especially smaller ones who need the coverage to help them reach more people. So be sure to just enjoy these lists and not feel insecure when your favorite artist doesn’t get the “proper” placement. It’s all opinions at the end of the day.

Country Perspective will be posting multiple best of albums lists this year to recognize the staggering amount of high quality album releases in 2020. It will ultimately conclude with Country Perspective’s Top 10 Albums of 2020, which will reflect all genres and crown this blog’s top award, Album of the Year.

Today I take a look at the top country albums of 2020. The genre had a fantastic year and it was actually quite difficult to round out the list. I could have posted a longer list, but I think it’s best to keep these short since there are so many lists and it cheapens the recognition if you make it longer. Both the mainstream and indie scenes delivered great albums this year and there was also a variety of sounds amongst the top country albums, which is awesome to see. Personally I would say the word surprise would best describe my top country albums list, as most of these albums surprised me in some way. If you had told me at the beginning of the year that this is what my list would like, I wouldn’t believe you, especially the top album. But I love it when music surprises me, so it was quite fun to put together this list and reflect back on these albums. So without further ado, here are Country Perspective’s Top 10 Country Albums of 2020:

10. Brandy Clark — Your Life is a Record

Despite a few hiccups, Brandy Clark takes a big step up from her last album with Your Life is a Record. I think the production is the biggest improvement, as it flows together really well from start to finish. I really enjoy the incorporation of the flutes in this album, as it’s something not really utilized as much in country music. The songwriting stumbles in a few spots, but for the most part is pretty good and at times great. There’s a surprisingly nice mix of emotions on an album centered around a breakup too. Most importantly, Clark rewards you for listening to the whole album, giving you the emotional journey with the fittingly positive, yet realistic destination.

9. Texas Exit — Black Water

Texas Exit delivers an absolute blast of a debut album in Black Water. While they definitely let their cited influences above shine through, personally the two bands I thought of when listening to this album are Molly Hatchet and Blackfoot, as the sound feels like it fits right in with those bands. While it’s understandable how a band wearing it’s influences on it’s sleeves can be a bit annoying, I find that Texas Exit does this in a way that feels like a good combination of homage and putting their own flair on it. While it’s easy to get lost in the fun guitar play, it’s the lyrics of this album that are it’s secret weapon and what makes this band stand out amongst other groups who attempt these popular sounds.

8. Brothers Osborne — Skeletons 

Skeletons is easily the best album delivered by the Brothers Osborne so far. This duo at their best in my mind is the modern day version of Brooks & Dunn. What both of these duos excel at is delivering accessible, yet “smarter” versions of fun country music that doesn’t delve into mindless drivel like bro country nor does it feel forced like pop country. Then sprinkle in a few serious songs to give you a nice breather in between all of the partying and this is the perfect formula for the duo to follow. This is a really enjoyable album.

7. Mike and the Moonpies — Touch of You: The Lost Songs of Gary Stewart

Mike and the Moonpies continue to prove why many are quickly considering them one of the best acts in country music right now, as they’ve now released two great, back-to-back surprise releases. Not to mention the respect they pay towards Stewart is classy and a true homage to the late country star, as they do a great job bringing his old, unreleased songs to life. If you’re a country music fan and not familiar with Gary Stewart, I hope this urges you to dig into his music because it’s a real joy. And of course you should also familiarize yourself with Mike and the Moonpies, as this top ten country release in 2020 follows Country Perspective’s #1 country album of 2019.

6. John Anderson — Years

There have been many near death/mortality albums done throughout country music history, calling to my mind Johnny Cash’s famous American Recordings series, Wille Nelson’s hauntingly great Spirit, and the late great John Prine’s final album The Tree of Forgiveness grinning in the face of mortality. John Anderson’s Years is without a doubt worthy of standing right next to these pieces of work. The songwriting on this is incredibly strong, with Anderson impressively having a hand in writing every track. Auerbach and Ferguson also deliver production that shines for the most part and continues their streak of quality projects. Years shows John Anderson is not only still hanging on, but he’s thriving and smiling.

5. Daniel Donato — A Young Man’s Country

Daniel Donato delivers quite an impressive debut with A Young Man’s Country. It’s not too often an artist of his caliber on guitar comes along, as his style and skill reminds me of a cross between Marty Stuart and Charlie Starr of Blackberry Smoke. It evokes a lot of emotion and color, giving Donato’s music a cinematic-like quality that draws the listener in. Needless to say I look forward to hearing more from Donato.

4. Chris Stapleton — Starting Over

Starting Over is what it says it is: it’s Chris Stapleton hitting a reset button on expectations. It’s him indulging in all of his influences and putting them all on display. It’s a reminder of who he is as an artist, even though this may not sound much different than what he’s released before. But again the expectations have to be kept in check because an artist’s image is more important than many listeners and reviewers realize. I think Stapleton realized he needed to reiterate who he sees himself as with this album. It’s him quietly and not so quietly voicing his displeasure at the world around him too. But really Stapleton does what he’s always focused on doing with his music on this album: making good music with no expectations. And that’s the best kind of music.

3. Ashley McBryde — Never Will

Ashley McBryde delivers exactly what I had hoped for and then beyond with Never Will. She leans heavily into her natural heartland rock sound and combines it with traditional country to create an album I will remember for a long time. The songwriting is brilliant and varied, running the gauntlet of emotions and most importantly I think Ashley McBryde delivers a flawless presentation of flawed characters. They’re never framed as likable, but real and as they are, which can be hard to get behind as a listener. But just like Sturgill Simpson’s SOUND & FURY, it can be understandable to not want to listen to music about such real and flawed characters, songs where there are no heroes even. For me though this is the music that is truly intriguing and has a lasting impact.

2. Tyler Childers — Long Violent History

The best surprises are not what you want, but what you need. Tyler Childers’ surprise album Long Violent History is a record we needed. Who would have predicted an Appalachian country album filled mostly with old fiddle standards would end up being one of the best albums of 2020? But that’s exactly what Tyler Childers delivers with Long Violent History. It’s eight great instrumental songs with beautiful and thoughtful melody packaged around one of the most powerful, well-written songs of this generation. Tyler Childers writes himself into the history books with this album.

1. Brett Eldredge — Sunday Drive

“What in the world are we all doin’ here?”

They say first impressions are important, whether it’s the first time you meet somebody or the first time you’re listening to a piece of music. Right away Brett Eldredge leaves an impactful first impression with his new album Sunday Drive. It’s such an important question that can resonate with anyone listening. Right away Eldredge reaches out to the listener and makes a connection, inviting them into the music.

There could not be more of a stark contrast between Sunday Drive and Brett Eldredge’s previous album. It’s simply night and day. Every moment on this album is absolutely enjoyable. The lyrics and production could not shine and compliment each other anymore. The reflecting theme of finding optimism and wisdom in times of trouble and uncertainty is brilliantly inspiring. Brett Eldredge has never sounded more energized and is at his absolute best on this record. There’s no other way to put it: Sunday Drive is a phenomenal album and it’s the best country album of 2020.

Album Review — Brothers Osborne’s ‘Skeletons’

Now this is what I’m talking about! Those who have been following me as a music reviewer for a few years know that I’ve been more critical of the Brothers Osborne than many and that’s because I feel they haven’t lived up to their potential. Their debut album Pawn Shop was decent, but they definitely hit a sophomore slump with Port Saint Joe, a largely forgettable beach album. But with Skeletons they hit their sweet spot, a thumping and fun album that’s a good time from start to finish.

“Lighten Up” is a light and playful ode to finding silver linings in the chaotic world we live in and “All Night” is an absolute ear-worm with it’s catchy hooks. “All The Good Ones Are” has enjoyably slick guitar work with a cheeky theme of finding the most fun in the most dangerous situations. “I’m Not For Everyone” screams hit to me with it’s easygoing, sing-a-long nature and relatable premise. The album’s title track is fun, although it wears a bit quicker than the other fun tracks on the album, as it has one of the weaker hooks. Jay Joyce really excels with the production on this album, as it feels like he’s found the right sound for this duo and that excites me moving forward on future projects.

While this album has plenty of fun songs, it tackles other themes quite well too. “Back On The Bottle” is your classic country drinking song of finding joy in heartbreak through the bottle. And while it’s become a bit tiresome to have celebratory drinking songs in modern country, this song has enough charisma to win me over. “High Note” is a pleasant song about leaving a relationship on good terms and going out on a high note with one last hurrah. The soaring and smooth nature of this song is a nice breather too on an album full of “twangers” (country’s version of bangers).

The duo really surprise me when they drop an exciting instrumental in “Muskrat Greene.” It reminds me of when Brad Paisley would regularly sneak an instrumental onto the album and I wish more artists would do this. This instrumental segues nicely into “Deadman’s Curve,” a funny, yet serious song about trying to avoid falling in love with a woman who’s guaranteed to break your heart. “Make It A Good One” is admittedly a bit saccharine, but I can’t help but enjoy it’s sentiment. Not to mention I enjoy the lingering background synth in the chorus, as it really adds some emotion to the lyrics.

“Hatin’ Somebody” is a bit on the nose, but once again Brothers Osborne bring enough charisma to the table in both their vocal delivery and funky instrumentation that the message mostly sticks the landing. It would have been nice though to here some more depth behind this message beyond be nice and mindful of others. Closing song “Old Man’s Boots” is the only song on the album I skip most of the time, as it’s a mawkish, done-to-death theme that the duo fails to elevate and captivate my attention with.

Skeletons is easily the best album delivered by the Brothers Osborne so far. This duo at their best in my mind is the modern day version of Brooks & Dunn. What both of these duos excel at is delivering accessible, yet “smarter” versions of fun country music that doesn’t delve into mindless drivel like bro country nor does it feel forced like pop country. Then sprinkle in a few serious songs to give you a nice breather in between all of the partying and this is the perfect formula for the duo to follow. This is a really enjoyable album and definitely one of the top ten country albums you’ll hear in 2020.

Grade: 8/10

Reacting to The Absolute Joke of the 2017 ACM Awards Nominations

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Let’s be honest, I’ve never been that fond of country music award shows. Outside of the 2015 CMA Awards that helped launch Chris Stapleton to a brand new level of stardom, I’ve pretty much scoffed at these shows. As I’ve said before, no other genre spends more time patting themselves on the back than country music. This is evident by the heaps of award shows held throughout the year and this trains the viewer to basically not give a shit. But nevertheless we keep an eye on these shows in hopes they get it more right each time. Well we now have the nominations for the 2017 ACM Awards and there’s no other way to put it. These are an absolute joke. My first reaction was are these the mainstream country radio awards? Because it’s mostly a list of radio darlings that programmers fall over themselves to play. After seeing these nominations it makes me not want to watch and may not. Each category seems to have its own joke, so let’s pick through each.

Entertainer of the Year

  • Jason Aldean
  • Luke Bryan
  • Florida Georgia Line
  • Carrie Underwood
  • Keith Urban

No Eric Church or Chris Stapleton, but sure Aldean and Florida Georgia Line get nominations. Complete failure already before we even get to the more insane nominations. I know the ACMs are in the tank for Aldean, but could they be any less discreet about it? The only nomination even worthy of winning is Carrie Underwood for her excellent touring numbers and consistently churning out hits and I give her a snowball’s chance in hell of winning. Aldean and Bryan are the odds on favorites here.

Male Vocalist

  • Jason Aldean
  • Dierks Bentley
  • Thomas Rhett
  • Chris Stapleton
  • Keith Urban

Once again Eric Church isn’t a nomination. Church released the best album of his career and is releasing the best singles of his career. And every awards show is stiffing him. I guess the industry is pissed he isn’t giving them radio fodder anymore. But I’m guessing Church doesn’t give a shit. Another category with one worthy candidate in my mind: Chris Stapleton. Remember when Dierks Bentley was considered one of the good guys at these shows? Then he decided he wants to be Luke Bryan and make a bunch of cheesy and stiff adult contemporary schlock. No Tim McGraw. Also no Blake Shelton in any categories. Well there’s some good news.

Female Vocalist

  • Kelsea Ballerini
  • Miranda Lambert
  • Maren Morris
  • Kacey Musgraves
  • Carrie Underwood

I don’t know why Kacey continues to go to these awards show when she and everyone else knows she’s just a token nomination to fill out the field. What did she do in 2016 to earn a nomination? She didn’t release any new music. And keep in mind this isn’t a jab at her. She’s one of the best on a major country label. You would think Miranda is the shoe-in to win, but with her turn towards a more songwriter/Americana-like side I wouldn’t be surprised at all if Maren Morris wins. She seems poised to usurp Lambert as the new female darling in mainstream country and is racking up awards like crazy.

Vocal Duo

  • Big & Rich
  • Brothers Osborne
  • Dan + Shay
  • Florida Georgia Line
  • Maddie & Tae

Big & Rich are a Vocal Duo nomination in 2017…..hahahahahahahahahahahahahahaha! They released one single last year that took like 40 weeks to peak at #14 on the Billboard Country Airplay chart. They’re completely irrelevant. What in the hell makes them deserving of a nomination? Maddie & Tae are a complete token nomination like Musgraves above. I don’t see Dan + Shay being quite in the position to win yet. So it’s between CMA 2016 Duo of the Year Brothers Osborne and past years favorite Florida Georgia Line. I’m hopeful the former wins, but being a radio favorites show I expect the latter to win.

Vocal Group

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town
  • Old Dominion
  • Rascal Flatts

Eli Young Band?! Where are they getting these joke ideas for nominations? You’re telling me Eli Young Band is a nomination, but not Zac Brown Band who at least had a song reach the top 15 in the last year and are a mainstream staple? Get out of here! Lady Antebellum was on hiatus for all of 2016. Rascal Flatts are irrelevant. Yet despite this joke of a category, the best group Little Big Town should easily walk away with this award.

New Male

  • Kane Brown
  • Chris Janson
  • Chris Lane
  • Jon Pardi
  • Brett Young

Out of all the categories, this actually might be the one I have the least qualms with because these are all new male artists who have did something notable in the last year. Despite not being a fan of him, Kane Brown is deserving based on the fact that he does sell well and has great streaming numbers. While you and me might not like him, there are many he does resonate with and it’s ironic he’s one of the few nominations where the ACM looked beyond radio. Hands down this should go to Jon Pardi, who achieved a #1 album with California Sunrise, racked up a #1 hit in “Head Over Boots” and is on his way to another #1 in “Dirt on My Boots.” And I think it actually does go to him because his accomplishments blow the others out of the water. If anyone else wins I’m calling shenanigans.

New Female

  • Lauren Alaina
  • Cam
  • Brandy Clark
  • Maren Morris

That’s right they couldn’t even fill out the nominations for this one. Hey ACMs: Margo Price and Aubrie Sellers. Did you forget they exist? How is Brandy Clark new? This is just another award for them to give Maren.

New Vocal Duo/Group

  • A Thousand Horses
  • Brothers Osborne
  • Dan + Shay
  • LoCash
  • Maddie & Tae

None of these are really new, but then again barely anything else makes sense with these awards. I’m guessing Brothers Osborne or Dan + Shay win here.

Album

  • Dierks Bentley – Black
  • Florida Georgia Line – Dig Your Roots
  • Maren Morris – Hero
  • Keith Urban – Ripcord
  • Miranda Lambert – The Weight of These Wings

This should 1000% go to Miranda Lambert for her great album. But it’ll probably go to Urban or Morris or maybe even Bentley. You could take the best material from all of the non-Lambert ones, put it in one album and it still wouldn’t top Lambert’s album.

Single

  • Keith Urban – “Blue Ain’t Your Color”
  • Florida Georgia Line – “H.O.L.Y.”
  • Tim McGraw – “Humble and Kind”
  • Maren Morris – “My Church”
  • Miranda Lambert – “Vice”

Key distinction is this is single. I’m kind of surprised Thomas Rhett’s “Die A Happy Man” isn’t here, but rather under Song below. I don’t give Lambert a chance here either sadly. I could see any of the other four winning.

Song

  • Keith Urban – “Blue Ain’t Your Color”
  • Thomas Rhett – “Die A Happy Man”
  • Tim McGraw – “Humble and Kind”
  • Eric Church (feat. Rhiannon Giddens) – “Kill A Word”
  • Chris Stapleton – “Tennessee Whiskey”
  • Miranda Lambert – “Vice”

I would be happy with any of the bottom four winning, but watch one of the top two win. If I had to pick the winner I would definitely go with “Kill A Word,” being the best song of the nominations and for Church getting screwed over in general.

Video

  • Chris Stapleton – “Fire Away”
  • Various Artists – “Forever Country”
  • Tim McGraw – “Humble and Kind”
  • Kelsea Ballerini – “Peter Pan”
  • Miranda Lambert – “Vice”

With all due respect to the other videos, “Fire Away” is the no-brainer best video. It’s one of the powerful music videos I’ve watched in years and takes the song to a whole new level of meaning. Instead though “Forever Country” will probably win because it’s done insane numbers on YouTube and sold well (also great numbers on this very blog). The only hesitation I have of it winning is this song was specifically made for the ACM’s chief rival show CMA’s 50th Anniversary. How ironic would that be if it won an ACM Award?

Songwriter

  • Ashley Gorley
  • Luke Laird
  • Hillary Lindsey
  • Shane McAnally
  • Lori McKenna

McKenna has to win this one, right?

Vocal Event 

  • Dierks Bentley (feat. Elle King) – “Different For Girls”
  • Various Artists – “Forever Country”
  • Florida Georgia Line (feat. Tim McGraw) – “May We All”
  • P!nk (feat. Kenny Chesney) – “Setting The World on Fire”
  • Chris Young (feat. Cassadee Pope) – “Think of You”

I could see a case made for any of these conceivably winning. I think this will largely depend on the other categories’ winners.

Predictions for Country & American Roots Categories at the 2017 Grammy Awards

Grammy

This Sunday we celebrate the biggest music awards show of the years. I’m of course referring to the 59th Grammy Awards, set to air Sunday night at 8 pm ET on CBS. Many of the awards however are presented in the pre-show that’s live streamed online and information for this can found be found here. After hosting for five years, LL Cool J steps aside as host and The Late Late Show host James Corden takes over. Multiple country artists will be performing on the show, including Sturgill Simpson, Carrie Underwood and Keith Urban (most likely new single “The Fighter”), Little Big Town (part of tribute to Bee Gees), Maren Morris (duet with Alicia Keys) and Kelsea Ballerini (duet with Lukas Graham). Now let’s get to the predictions! Keep in mind I’m not the best at this prediction game, but I feel like I do a little better each year. The award shows can be unpredictable. And be sure to make your own predictions in the comments.

Note: I will not be doing a live blog this year. I will however be live tweeting it all on Twitter, where you can all of my live thoughts as the show unfolds. Just go to twitter.com/realcountryview to follow if you don’t have Twitter. I’ll also most likely be doing a recaps/reaction post.

Album of the Year

  • Adele – 25
  • Beyoncé – Lemonade 
  • Justin Bieber – Purpose 
  • Drake – Views
  • Sturgill Simpson – A Sailor’s Guide To Earth

What I Would Pick To Win: Sturgill Simpson’s A Sailor’s Guide To Earth of course. Just imagine the outcries afterwards of all the big names that got taken down by some guy from Kentucky who made an album for his son.

What I Predict Will Win: Beyoncé’s Lemonade is the clear favorite I think, with Adele being the closest competition. But with other big names in Drake and Bieber also here, the votes could easily split and lead to Sturgill pulling off an upset similar to Beck a few years ago. I’d be fine with Beyoncé and Adele winning if Sturgill doesn’t, as I enjoyed both of their albums.

Best New Artist

  • Maren Morris
  • The Chainsmokers
  • Chance The Rapper
  • Kelsea Ballerini
  • Anderson .Paak

Who I Would Pick To Win: Anderson .Paak or Chance The Rapper, as both of their latest albums were awesome. But if I had to pick between these two, I would go with .Paak.

Who I Predict Will Win: Honestly I have no clue here. I could see any of these nominees winning, even Kelsea Ballerini because despite being a complete unknown outside of the country music bubble, Black River Entertainment continues to prove they have a lot of friends in high places. Morris is getting to duet with Alicia Keys and is quickly becoming a darling on the awards circuit. I’ll be content as long as Ballerini or The Chainsmokers don’t win.

Best Country Solo Performance 

  • Brandy Clark – “Love Can Go To Hell”
  • Miranda Lambert – “Vice”
  • Maren Morris – “My Church”
  • Carrie Underwood – “Church Bells”
  • Keith Urban – “Blue Ain’t Your Color”

What I Would Pick To Win: Miranda Lambert’s “Vice” (Anything but Urban’s song, which is ironically exactly what I wrote here last year)

What I Predict Will Win: Maren Morris’ “My Church” due to as I said above Morris quickly become an awards circuit favorite and this single being extremely popular. The other favorite I would think is Underwood, as she’s been a favorite of the Grammys.

Best Country Duo/Group Performance

  • Dierks Bentley & Elle King – “Different For Girls”
  • Brothers Osborne – “21 Summer”
  • Kenny Chesney & P!nk – “Setting The World on Fire”
  • Dolly Parton & Pentatonix – “Jolene”
  • Chris Young & Cassadee Pope – “Think of You”

What I Would Pick To Win: Woof this category is rough. I guess I would go with “21 Summer.”

What I Predict Will Win: Dierks Bentley & Elle King’s “Different For Girls” because apparently people are okay with stereotypical bullshit and really think this is some deep song.

Best Country Song

  • Keith Urban – “Blue Ain’t Your Color” (Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen)
  • Thomas Rhett – “Die A Happy Man” (Sean Douglas, Thomas Rhett & Joe Spargur)
  • Tim McGraw – “Humble and Kind” (Lori McKenna)
  • Maren Morris – “My Church” (Maren Morris & busbee)
  • Miranda Lambert – “Vice” (Miranda Lambert, Shane McAnally & Josh Osborne)

What I Would Pick To Win: Tim McGraw’s “Humble and Kind” (Not Urban or Rhett)

What I Predict Will Win: Any of these have a great shot at winning I think. But I think they’ll go with “Humble and Kind” or “Vice.”

Best Country Album

  • Brandy Clark – Big Day in a Small Town
  • Loretta Lynn – Full Circle
  • Maren Morris – Hero
  • Sturgill Simpson – A Sailor’s Guide To Earth 
  • Keith Urban – Ripcord

What I Would Pick To Win: Sturgill Simpson’s A Sailor’s Guide To Earth

What I Predict Will Win: A Sailor’s Guide To Earth is pretty much a lock here, with Simpson getting an overall Album of the Year nomination and a performance slot.

Best American Roots Performance 

  • The Avett Brothers – “Ain’t No Man”
  • Blind Boys of Alabama – “Mother’s Children Have a Hard Time”
  • Rhiannon Giddens – “Factory Girl”
  • Sarah Jarosz – “House of Mercy”
  • Lori McKenna – “Wreck You”

What I Would Pick To Win: Rhiannon Giddens – “Factory Girl”

What I Predict Will Win: The Avett Brothers – “Ain’t No Man”

Best American Roots Song

  • Robbie Fulks – “Alabama at Night” (Robbie Fulks)
  • Jack White – “City Lights” (Jack White)
  • Roddie Romero And The Hub City All-Stars – “Gulfstream” (Eric Adcock & Roddie Romero)
  • The Time Jumpers – “Kid Sister” (Vince Gill)
  • Lori McKenna – “Wreck You” (Lori McKenna & Felix McTeigue)

What I Would Pick To Win: Lori McKenna – “Wreck You”

What I Predict Will Win: Jack White – “City Lights”

Best Americana Album

  • The Avett Brothers – True Sadness 
  • William Bell – This Is Where I Live
  • Kris Kristofferson – The Cedar Creek Sessions
  • Lori McKenna – The Bird & The Rifle
  • The Time Jumpers – Kid Sister

What I Would Pick To Win: Lori McKenna – The Bird & The Rifle

What I Predict Will Win: William Bell – This Is Where I Live

Review – Brothers Osborne’s “It Ain’t My Fault”

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Undoubtedly the biggest surprise of the night at the 2016 CMA Awards came in the Vocal Duo of the Year category. Everyone expected Florida Georgia Line to win it yet again. Instead rising duo Brothers Osborne pulled off the upset and took home the award. It was an entertaining moment because the duo were just as shocked as the rest of us and let their pure joy shine through as they accepted the award. It was also deserving because they’re one of the most promising acts on a major country label right now. While their debut album Pawn Shop didn’t blow me away, it showed glimpses of how great they can be and it offered some compelling single choices. And fortunately their new single is one of them, “It Ain’t My Fault.” It’s an instantly memorable song because of its upbeat and fun instrumentation. It’s a cross between roots rock and country, featuring rollicking guitars and rhythmic claps. This is the kind of song you’ll find yourself tapping your toe along to by the time the song ends. The song itself isn’t really deep, as it’s about a guy blaming a fun night out on the town on all of the circumstances around it like the drinks and exes. He’s not guilty of doing anything wrong you see, but just trying to have a good time. Yes, it’s not exactly deep. But this song isn’t going for this, it’s going for something fun and catchy. Considering that accomplished. This song wins me over on pure infectiousness. Compare this to the mid to slow tempo snooze fest at country radio and this song is like a double shot of coffee. Brothers Osborne bring something fun to the table without reverting to childish lyrics and worn out themes. For that “It Ain’t My Fault” is a win.

Grade: 7/10

 

Recommend? – Yes

 

Written by TJ Osborne, John Osborne and Lee Thomas Miller