Raise a Glass of Holiday Cheer or Bah Humbug?: “Santa Claus is Comin’ to Town”

This feature is quite simple: I’m going to take a look at and categorize the different versions of a Christmas song into one of two categories. The good category is Raise a Glass of Holiday Cheer, whether that be egg nog, hot chocolate, or whatever other holiday concoction you prefer (just be responsible of course). The bad category is Bah Humbug, named after the famous retort of Ebenezer Scrooge (the Disney version of it is the best, don’t @ me). The main point of this feature is to have some holiday fun! And maybe you’ll find a new version of a holiday classic to stick in your own playlist. Also please throw your own recommendations in the comments!

Today I’m going to take a look at “Santa Claus is Comin’ to Town,” a beloved holiday classic that children everywhere especially enjoy in their joyous anticipation of the man in the big red suit coming to visit. The song was written in 1934 by John Frederick Coots and Haven Gillespie. It was first performed on the radio show of Eddie Cantor in November of the same year. In Cantor’s original performance of the song he actually added additional lyrics to the song that encouraged people listening to be more charitable and help those in need since it was at the height of The Great Depression.

Despite the financial hardship of the country, listeners went crazy buying it, as over 30,000 records of it were sold in 24 hours (the equivalent of 4.5 million streams today). Over 200 artists have recorded their own version of it, although my first memory of the song is hearing it in the 1970 Rankin-Bass television show Santa Claus is Comin’ to Town. Great show that I recommend!

Raise a Glass of Holiday Cheer

  • Frank Sinatra

One of the more popular early recordings, being no surprise at all with Frank Sinatra. It’s also my favorite version of the song, as it’s classy, festive and features Sinatra at his best vocally. He adds a real liveliness to the performance with his version, as I think both young and old listeners can find something to enjoy about it. Plus the horns sound great.

It’s funny how I find Michael Bublé’s regular pop songs to be vanilla and boring, yet come Christmastime I thoroughly enjoy his takes on Christmas songs. Perhaps it’s his throwback style that is similar to the holiday standards people are used to that makes his version of this song so enjoyable for myself and others.

One of the simplest versions of the song you’ll hear, but quite effective nonetheless. Crosby’s stoic voice combined with the harmonies of The Andrews Sisters sound great together. It’s a jovial and bouncy performance I enjoy.

I love the opening to this song, as it sets the scene for the song perfectly. Then you get to the performance, which is fun and energetic. The secret sauce to this sounding so great is the thumping drums that drive the song. It’s refreshing in a world today filled with drum machines.

Of course I enjoy the queen of country music’s version of this yuletide classic. It’s Dolly! She delivers a fantastic performance as she usually does and there’s fiddles. Why wouldn’t I enjoy this?!

Bah Humbug!

This is the most popular version and also my most hated version. Perhaps it’s because I find Springstreen to be overrated. But also I find it hard to enjoy someone who sounds like they’re drunkenly screaming their way through the performance. It’s no more enjoyable to hear The Boss to put on this type of performance than the drunk at karaoke night at your local bar. It’s just so loud and annoying and by the end of the song I have a headache. As I’ve said on this blog before, popularity does not equate to quality.

Remember how I said in the previous version of this feature that the Jackson 5 are hit and miss with me in regards to their Christmas performances? Well this one is a miss. Just like Springsteen, a young Michael Jackson screams through this and it gets annoying fast. I guess it’s more understandable from a child, but no less forgiving on the ears.

I enjoy most of Carey’s versions of Christmas songs, but I find her cover of this song to be quite forgettable in comparison to her other Christmas performances. Her vocals are buried in the obnoxious production, which is too over the top for my liking. The lullaby-like introduction is also weird and off-putting.

No, no, no! This is so slick and doesn’t even feel like Christmas. Why must modern artists ruin Christmas songs so much? This version deservers a nice, big lump of coal!

Raise a Glass of Holiday Cheer or Bah Humbug?: “The Christmas Song”

Welcome to a brand new Christmas feature of Country Perspective! Now in the past long-time readers may remember me passing on reviewing Christmas songs because well I didn’t really know the best way to approach them and I also felt the need to cover what I felt like everybody else wanted me to cover instead of covering what I want. But obviously things change, as I just did my very first Christmas review.

Now my new feature is quite simple: I’m going to take a look at and categorize the different versions of a Christmas song into one of two categories. The good category is Raise a Glass of Holiday Cheer, whether that be egg nog, hot chocolate, or whatever other holiday concoction you prefer (just be responsible of course). The bad category is Bah Humbug, named after the famous retort of Ebenezer Scrooge (the Disney version of it is the best, don’t @ me). The main point of this feature is to have some holiday fun! And maybe you’ll find a new version of a holiday classic to stick in your own playlist. Also please throw your own recommendations in the comments!

The first song I’m going to take a look at is “The Christmas Song,” which you probably remember as the song that involves chestnuts roasting on an open fire. Well that’s the line I remember the most. The song was written in 1945 by Robert Wells and Mel Tommé (the latter actually admitted he doesn’t even like the song). But here’s a fun fact: The song was actually written on a hot summer day! Isn’t that crazy? There’s a little bit more to the story too, so I encourage to click the link above to read it. The song was originally recorded by The Nat King Cole Trio in 1946 and King went on to record several versions of the song in his career, as it became one of his biggest hits. It’s also the most performed Christmas song according to BMI, which is something I did not know either.

Raise a Glass of Holiday Cheer

  • Nat King Cole

The original and gold standard of course must be at the top of the good list!

Or as most of you probably remember it as: A Charlie Brown Christmas music. You really can’t get much classier and respectful when it comes to Christmas music than what you get from Vince Guaraldi Trio. Their entire Christmas discography is great, as even listeners who normally don’t check out jazz music can find enjoyment and Yuletide relaxation from it.

I’m hit and miss on the Jackson family when it comes to their Christmas album, but this is one of the songs I enjoy on it. It respects the classiness of the original version, while still making it feel like the era they recorded it in (1970) and making it their own too.

One day I’m going to write a piece (or pieces?) on how much I enjoy and respect Motown artists. Phil Spector and his artists really knew how to craft melodies and smart, catchy hooks. And The Temptations version of this song is no different, as it’s got a decidedly R&B feeling that makes it feel like a more “adult” version because grownups need Christmas music too.

Alan Jackson’s Let It Be Christmas album is one of my all-time favorite Christmas albums and I encourage anyone who hasn’t listened to it to do so. Jackson’s deep baritone and gentlemanly nature just makes him perfect to record really any Christmas song. It’s safe to assume you will always see him on the good side of this feature.

Bah Humbug!

  • Thomas Rhett

Thomas Rhett’s version of this classic is too smooth and overproduced. I’m so shocked! Not really of course, as it follows a pattern of the majority of his music. This is like the last version I want to hear of this song. As I said in my Bowen review, it’s amazing how modern artists can screw up holiday songs.

Okay, so you might be surprised to see Crosby show up here instead of above. After all he’s performed so many great renditions of Christmas songs and most of the time he will end up on the good list. But this one of his misses in my mind: this is too slow, boring and doesn’t feel like Christmas. Crosby is practically yawning his way through the song. It’s the music equivalent of paint drying. While most older versions of Christmas songs are better, this is an exception to the rule.

When I don’t enjoy an Aguilera song, it’s because she’s overdoing it and going too over-the-top with her lyrics. And that is the case here, as it starts off well enough. But she just can’t help herself by the end of the song.

Just like Bing Crosby, I usually enjoy a lot of Fitzgerald’s versions of Christmas songs. But this song makes a big mistake with it’s thin, jingly production. It feels like a cabaret, bar room lounge rendition of the song. And that’s a shame because Ella Fitzgerald can belt it, so I don’t understand why you would have her record this type of version of the song.

I take it back: Thomas Rhett’s version of “The Christmas Song” isn’t the worst. She & Him’s version is the worst. Also I finally get my opportunity to put this (digital) pen to paper: She & Him are absolutely awful. They’re one of the most annoying acts in music. From the general vibe they give off in their music to their album covers, they come off as snobby, pretentious and overwrought. The only thing they’re missing is fedoras. I openly gag when I hear their music. Just like Alan Jackson being a lock for the Holiday Cheer list, She & Him are a lock for Bah Humbug.

Album Review — Wade Bowen’s ‘Twelve Twenty-Five’

Every year modern artists will release their interpretations of classic Christmas songs, whether via singles or even an entire album. And maybe they’ll even sprinkle in a few originals if you’re lucky. But the problem is most of them don’t stand out in any way. You’ll listen to it once, say “that’s neat” and then go right back to listening to the same old songs you always listen to around the holidays. Occasionally though someone will actually release something worthy of earning a spot in your Christmas songs rotation and this year that’s Wade Bowen’s new Christmas album Twelve Twenty-Five. I had a great feeling about the Texas country artist’s first Christmas album when it was announced, and it went beyond even my own expectations.

Bowen opens with his rendition of “Christmas (Baby Please Come Home)” and he knocks his performance out of the park. It’s infectious, fun and gets the Christmas energy on this album kicked off perfectly. And I’m happy the production doesn’t go over the top like it usually does when other artists cover this song. “O Holy Night” is next and this is admittedly one of my favorite religious Christmas songs. That’s because I feel it truly captures the joy and meaning of Christmas through the Christian lens and Bowen’s performance truly does justice to it, which isn’t surprise considering he released a great gospel album.

“Santa Claus is Coming to Town” is next and I can tell that Bruce Springsteen’s version of the song influences Bowen’s own version. It’s got a more rocking feeling rather than the classical approach many take and even banters in the song like Springsteen. But Bowen pulls it off so much better than Bruce because he doesn’t over sing it (stay tuned for further elaboration on why I hate the Boss’s take on the song), and the guitars and pianos don’t blast the listener. Less can be more. “I’ll Be Home for Christmas” showcases why I enjoy Bowen in more stripped-down songs. His voice just fits these piano ballads and the song also properly captures the feeling I look for in the covering of this song: mostly somber, but with bits of optimism and hope.

Bowen’s son Brock joins him on “Holly Jolly Christmas” and I must admit I usually hate children singing. But I actually enjoy this performance because it’s endearing, and Bowen goes full dad in the bridge of the song. It’s hilarious while also avoiding being corny and feeling forced. It feels real and as the listener I can appreciate and enjoy this. When I think of “Please Come Home for Christmas” the first version I think of is The Eagles’ version, as I believe it to be the best. And while I don’t think Bowen’s version tops it, it’s still pretty damn good, as he captures the yearning and wanting needed in his vocal performance.

Bowen is joined by another one of his sons, Bruce, on the Irving Berlin classic “White Christmas.” This performance is much different than the other one, as both take this song more seriously and Bruce sounds pretty good. Their harmonies sound great too. You can tell the apple doesn’t fall too far from the tree, as he may one day follow his father’s footsteps. It’s a heartfelt and enjoyable performance from the father and son duo.

I have to say I was surprised to see Wade Bowen cover the Mariah Carey classic “What I Want for Christmas is You,” as the song’s high popularity and sterling reputation amongst critics and listeners alike makes it a challenging song for other artists to tackle. Not to mention it requires some serious pipes to pull off. But he does a fantastic job! It’s a different take that I think is worthy of being in anybody’s Christmas playlist. Again, if you’re like me and you get sick of Christmas songs going a little too far with production at times these more minimally produced Christmas songs are a fresh change of pace. If you don’t want to spend time with this whole album, this is one of a few songs that should absolutely be heard.

“Til The Season Comes Round Again” is great to hear covered, as this song is a classic that often gets overlooked. It’s a warm blanket next to the fire type song that Bowen along with the soulful feature of Sean McConnell cover really well. The addition of McConnell harmonizing with Bowen is really the cherry on top to make it a memorable performance. Dolly Parton’s “Once Upon a Christmas” is covered next and I will never complain about a Dolly song showing up. While this is one of the my less favorite takes on the album (it has the unenviable task of living up to Dolly and Kenny Rogers), it’s still solid and I like the Texas influences that are incorporated into the song.

The great Cody Canada joins Bowen for a rendition of Merle Haggard’s brilliant “If We Make It Through December.” I remember growing up I found this song to be kind of depressing and it is, but it’s also important that this unpleasant and for some people, really real look at the other side of Christmas be presented. It shows that Christmas doesn’t always go like it does in the movies and that reality and what you want don’t always align. In other words, why we love country music: it’s real.

Bowen goes to the other end of the spectrum with his cover of Wham!’s “Last Christmas.” And for some this might be sacrilegious to say, but I find Bowen’s cover to be better than the original by George Michael. The reason is 1) I hate the excessive synth on the original and 2) Bowen’s more stripped-down version allows the great lyrics to shine. Both these points play into each other, as the synths and overall cheesy feeling of the original really takes away from the quality of the lyrics that tell the complicated story of love lost around the holidays. This was easily an immediate standout on this album. Appropriate, the album closes with “Silent Night.” It’s just a natural closing song for a Christmas album and Bowen delivers a stirring and soulful rendition of this Christmas staple.

Twelve Twenty-Five is a modern Christmas album done right and I applaud Wade Bowen for accomplishing something that surprisingly so many modern artists screw up. Bowen takes classic songs and instead of trying to add some “twist” to make it stand out, instead just delivers them through his own voice with a country flavor while respecting the original takes on them. And don’t dismiss this as just a great country Christmas album. This is a great Christmas album against any genre.

Grade: 9 candy canes out of 10