Country Perspective’s Top Ten Albums Mid-Way Through 2020

2020 has been a tumultuous and crazy year around the world. But throughout all the madness of this year, I’ve found this year in albums to be pretty damn amazing in terms of quality. In fact it’s already surpassed the last couple of years and 2020 is easily on pace to be at the fantastic levels of 2014-2016, which saw some of my absolute favorite albums of the 2010s released. By year’s end some really good albums won’t even crack the top ten that would easily make it in average years. From your usual suspects and new contenders to surprise releases and comebacks, my best albums of 2020 list has a little bit of everything in terms of sound and artists. So without further ado, here are Country Perspective’s Top Ten Best Albums of 2020 so far (in no particular order)…

(Click on the titles to read the full review)

Dua Lipa — Future Nostalgia

Dua Lipa delivers an absolutely fantastic album in Future Nostalgia. It has the elements I want to hear in a pop album and it comes oh so close to be an album of the year contender. Despite one slip-up, this album delivers everything else perfectly. It encapsulates disco, electro pop and dance music with the kind of aplomb and grace I would expect out of Carly Rae Jepsen, while at the same time delivering incredibly infectious hooks and vocal performances that will stick with you long after listening. This is one of the best pop albums you’ll hear in 2020.

John Moreland — LP5

LP5 is another fantastic album from John Moreland. He’s always been a great songwriter since his first album, but it’s the recognition to grow and experiment with his sound starting with his last album that’s taken him to a whole new level in my mind. Too many singer-songwriter artists think they have to stick to a stripped-down, folk-y sound for their lyrics to be taken seriously. At the same time, drum machines are dismissed as “not real instruments” used by pop stars. Well with LP5, Moreland proves both these claims to be moot.

Khruangbin — Mordechai 

While I wouldn’t put it at the level of their great, southwestern-flavored 2018 album Con Todo El Mundo, this album is another pretty damn good record from the trio. This album centers mostly around a groovy, psychedelic funk sound with tinges of disco and jam pop mixed in at times. The band also surprises by mixing in some vocals on this record and they actually work pretty well. Most importantly they don’t detract from the hypnotic sounds of the band, which will always be the focus and strength of the group. If I had to pick my favorites they would be “Time (You and I)”, “Father Bird, Mother Bird” and album closer “Shida.” The latter is probably the top song for me, as the bass line is simply flawless. And if you’re looking for a relaxing album, you will be hard-pressed to find one more chill than this one in 2020.

Ashley McBryde — Never Will

Ashley McBryde delivers exactly what I had hoped for and then beyond with Never Will. She leans heavily into her natural heartland rock sound and combines it with traditional country to create an album I will remember for a long time. The songwriting is brilliant and varied, running the gauntlet of emotions and most importantly I think Ashley McBryde delivers a flawless presentation of flawed characters. They’re never framed as likable, but real and as they are, which can be hard to get behind as a listener. But just like Sturgill Simpson’s SOUND & FURY, it can be understandable to not want to listen to music about such real and flawed characters, songs where there are no heroes even. For me though this is the music that is truly intriguing and has a lasting impact.

Tennis — Swimmer

With Swimmer, Tennis delivers an excellent album about love. It’s quickly became one of my favorite love albums. And this isn’t rash hyperbole on my end. I’m being serious when I say that this album truly delivers a heartfelt, genuine and truly touching take on true love. Love albums and love song are an absolute dime-a-dozen. They’re churned out every day. Most only focus on the surface level of love and the flip-side with heartbreak. What they don’t ever seem to focus on are the little things, the nitty gritty of relationships that aren’t easy to convey in an informative and interesting way. But that takes brilliant songwriting with equally high-quality production that aids it. Tennis delivers this.

Jason Isbell and the 400 Unit — Reunions 

While I wouldn’t put this amongst the very best of Jason Isbell’s work, it’s yet another fantastic album from the singer-songwriter and his talented band. Reunions more than anything is a testament to Isbell’s relentless pursuit of his craft and how he constantly pushes himself to do better than he’s done before (which is quite difficult considering how high he sets the bar). Of course as always there are lots of sad songs too. But it’s hard to argue anyone writes sad songs better than Isbell. Every generation has their own Dylan and Lennon. I feel it’s safe to say Isbell is that level of songwriter for this generation.

Denzel Curry & Kenny Beats — UNLOCKED

The songs themselves don’t have any big messages and are essentially bangers that focus on delivering fun bars. So many hip-hop albums are like this today and many are largely forgotten because the delivery just flat-out sucks. But Curry brings so much aggressive passion and rawness in his voice, along with his choice of diction in his delivery makes what would be an average banger into something that’s truly memorable. And this big reason is why UNLOCKED is the first great hip-hop album I’ve heard in 2020. While it doesn’t quite reach the heights of ZUU (an album I’m ashamed I omitted from my best of 2019 list), this is yet another high-quality project from Denzel Curry (and another great one from Kenny Beats too).

Carly Rae Jepsen — Dedicated Side B

Dedicated Side B is yet another pop masterpiece from Carly Rae Jepsen. I can’t believe how she just continues to blow me away with fantastic project after fantastic project. Jepsen won Country Perspective’s 2019 Album of the Year with Dedicated and she’s putting herself in the unprecedented position to win it again in 2020 to make it back-to-back. It’s simply incredible. And oh yeah she still has another album on the way.

The Weeknd — After Hours

After Hours is a phenomenal achievement by The Weeknd. This album is a rich, cinematic experience of love, losing it, fighting to regain it and ultimately reaching the realistic conclusion of realizing that it’s lost. The production team absolutely nails every emotion on this album and takes the lyricism to a whole new level. The juxtaposition of the breezy, mixed cocktail of genres (R&B, pop, hip-hop, dream pop, 80s) feels perfect on this album of frenetic, dark emotions that permeate throughout it. This is without a doubt an album of the year contender.

Tame Impala — The Slow Rush

The Slow Rush is another great album from Tame Impala without a doubt. But it’s also hard not to see this album is a few missteps away from equaling the brilliance of Currents. It lacks focus in a few spots and there’s one song that just isn’t needed. But this is also a bit nitpicking admittedly. The production from Parker is once again deeply rich and textured, engulfing you with it’s fantastic details. And the songwriting mostly hits. So ultimately I can say this is one of the best albums you’ll hear in 2020.

Honorable Mentions (just missed the top ten)

Spinning All The Records — February 2020

Spinning All The Records is a brand new feature on Country Perspective that is a monthly overview of all the albums reviewed in the previous month on Country Perspective to give any readers, new and old, a quick look at what I covered and to catch anything you missed. In addition I take a look ahead at what I want to cover, upcoming album releases that catch my eye and a throwback album recommendation. So without further ado…

Looking back on February 2020, it was a surprisingly great month of high-quality releases. While the Tame Impala and John Moreland albums did not surprise me in the least with being great, the releases from Khruangbin & Leon Bridges, Tennis, and Denzel Curry & Kenny Beats really caught me off-guard with how great they were and proved themselves to be some of the best music you’ll hear in 2020. I did not expect to give this many high grades so soon and I mention this because something I didn’t like about myself in the past with this blog was so many 9s and 10s being given. But when I give them now I assure you that I put a lot more thought behind it. And I definitely welcome this influx of high grades, as the music is pretty damn good. If 2020 can continue to have months like this, we’re in for one hell of a year of music.

(Click on the album titles to read the full review)


Tenille Arts — Love, Heartbreak, Everything in Between

Love, Heartbreak, & Everything in Between is a good showing from Tenille Arts. The songwriting is really smart and shines at times and the production of Kline, Grand Vogelfanger and Adam Wheeler shows they know how to pull off a great pop country sound. A couple of unnecessary cuts, some average songwriting moments and a few small cases of getting carried away with the production bring this album down enough to prevent it from being a great album. But if you’re a fan of pop country I still recommend checking out Tenille Arts, as she shows a lot of promise and talent on Love, Heartbreak, & Everything in Between.

Pet Shop Boys — Hotspot

The highs the Pet Shop Boys deliver on Hotspot are really fun and are definitely memorable, while the lows are completely forgettable. It’s a bit of a roller coaster listen, but if you’re a fan of synth pop it’s worth listening to it a few times and picking out your favorite songs to go back to. But the album taken as a whole is just decent and leaves more consistency and cohesiveness to be desired.

Khruangbin & Leon Bridges — Texas Sun

Texas Sun is a truly brilliant little collection of music. As I said in the beginning, man I wish this was a full album instead of an EP. Khruangbin and Leon Bridges go together so well and come together to create a vibrant and colorful set of songs. It’s a true homage to the many sounds of Texas music that is fresh and invigorating. Do yourself a favor and listen to this exciting EP.

The Cadillac Three — COUNTRY FUZZ

Fun is a word I repeat over and over in this review. And it’s for good reason: that’s the ultimate appeal of The Cadillac Three and their album COUNTRY FUZZ. It’s entertaining country rock that aims to help you have a good time and forget your worries. The lyrics aren’t deep, and they aren’t meant to be; they’re meant to singalong with and have fun. So while this album may not be one for the record books or album of the year lists, it is an album that entertains and it’s exactly what you’re looking for when you just want to listen to something with loud guitars and big hooks.

Denzel Curry & Kenny Beats — UNLOCKED

Curry brings so much aggressive passion and rawness in his voice, along with his choice of diction in his delivery makes what would be an average banger into something that’s truly memorable. And this big reason is why UNLOCKED is the first great hip-hop album I’ve heard in 2020. While it doesn’t quite reach the heights of ZUU (an album I’m ashamed I omitted from my best of 2019 list), this is yet another high-quality project from Denzel Curry (and another great one from Kenny Beats too).

Tennis — Swimmer

With Swimmer, Tennis delivers an excellent album about love. It’s quickly became one of my favorite love albums. And this isn’t rash hyperbole on my end. I’m being serious when I say that this album truly delivers a heartfelt, genuine and truly touching take on true love. Love albums and love song are an absolute dime-a-dozen. They’re churned out every day. Most only focus on the surface level of love and the flip-side with heartbreak. What they don’t ever seem to focus on are the little things, the nitty gritty of relationships that aren’t easy to convey in an informative and interesting way. But that takes brilliant songwriting with equally high-quality production that aids it. Tennis delivers this.

Tame Impala — The Slow Rush

The Slow Rush is another great album from Tame Impala without a doubt. But it’s also hard not to see this album is a few missteps away from equaling the brilliance of Currents. It lacks focus in a few spots and there’s one song that just isn’t needed. But this is also a bit nitpicking admittedly. The production from Parker is once again deeply rich and textured, engulfing you with it’s fantastic details. And the songwriting mostly hits. So ultimately I can say this is one of the best albums you’ll hear in 2020.

John Moreland — LP5

LP5 is another fantastic album from John Moreland. He’s always been a great songwriter since his first album, but it’s the recognition to grow and experiment with his sound starting with his last album that’s taken him to a whole new level in my mind. Too many singer-songwriter artists think they have to stick to a stripped-down, folk-y sound for their lyrics to be taken seriously. At the same time, drum machines are dismissed as “not real instruments” used by pop stars. Well with LP5, Moreland proves both these claims to be moot.


Looking Ahead to March 2020…

As of this moment, there’s a few albums I’m heavily considering reviewing that were released in February. Those would be the new albums from Nathaniel Rateliff, The Steeldrivers and Hailey Whitters. As far as other releases I may have not covered, they simply didn’t catch my eye enough to review them or I feel I didn’t have enough thoughts for a review. But I most likely did listen to it (I listen to a lot more albums than I review), so feel free to hit me up in the comments and ask me about those, as I’m happy to answer with my thoughts on them. I want this monthly post to serve as not only a monthly review, but a place to cover anything “in the cracks” so to speak.

As far as upcoming new releases in March 2020, there’s definitely a few I want to highlight that catch my eye more than others. I’m curious to hear the new live album from Cream, Goodbye Tour – Live 1968, coming out on March 6. Usually I don’t like to review live albums, but I wanted to throw this out there for those into classic rock. Caitlyn Smith will be dropping her new album Supernova on March 13. I loved the previous album Starfire and this new one appears to be pushing the sonic envelope even more, so I’m excited about that one. The enigmatic Jay Electronica is rumored to be finally dropping a new album on March 18. We’ll see, as you can never be sure with him.

The Weeknd just recently announced a release date for his new album After Hours. So far I’ve enjoyed the singles I’ve heard from it and for the most part I liked the previous album Starboy, but I found that album to be a bit too long for my liking. I’m glad to see this one is four songs shorter. This will be dropping on March 20. Finally, Ingrid Andress will be releasing her debut album Lady Like on March 27. I find her voice and style of pop country to be promising. Her songwriting comes off as both catchy and sharp (the song “Both” in particular impresses me). So I’m curious to hear what she brings to the table with her album.


A Throwback Album I’ve Been Listening To That I Recommend

Travis Tritt’s Country Club

If you want some fun and “drive” in your country, Travis Tritt and this album in particular are a great place to start. It’s amazing to me how underrated Tritt is when looking back at 90s country, as he undoubtedly released some of the best. This album in particular showed you could make a stone-cold country album that still incorporates elements from other genres. Most importantly, Tritt just has the “it” voice for country music.

Album Review — Denzel Curry & Kenny Beats’ ‘UNLOCKED’

This was a project I heard about and got immediately excited and then I completely forgot about it. But I’m glad I was paying enough attention to still catch it when it dropped, as seeing Denzel Curry, one of the best rappers in the game today, teaming up with producer Kenny Beats, one of the most promising up and coming producers in hip-hop, had me excited at the potential of this team-up. And after listening to UNLOCKED, the duo definitely lives up to the hype.

Two things I have to point out before getting to the music: the album art is fantastic and a perfect reflection of what you can expect when listening to this project. It also has a heavy CZARFACE influence, as it looks like something you would expect for album art on one of his records. The other thing I have to point out is this was allegedly made in just 24 hours by Curry and Beats, which makes what they create on this short project even more impressive. 

Opening track “Track 01” serves more as an intro, as it features a sample of a PSA and some beats before giving way to “Take_it_Back_v2.” And right away Curry’s furious and forceful delivery takes control, spitting off bars with authority. The beat is sinister and modern, but you can also hear the boom bap influences that permeate throughout this song and the entire album, making for a captivatingly grimy appeal. The bars are humorous and flow together really well, as I especially enjoy the word interplay in the line “You fell in love with kali ma, but now it’s time to take your heart.” 

“Lay_Up.m4a” continues with the hard and funny bars. The most memorable line: “Surfboard body ass boy with your fish tits.” It’s such a fun, shit-talking flex song with some appropriately eerie, ominous beats lurking in the background. “Pyro (leak 2019)” is very much along the same lines, featuring some clever bars around Cee Lo Green. It’s a pretty short song though and that’s probably the biggest complaint I have with songs on this album. This is definitely an album where you need to hear it all together and not broken up to get the full effect of each song.

“DIET_” sees Curry brilliantly channeling Busta Rhymes, sure to bring a smile to anyone who enjoys this style of rapping. This is also the best and most complete song on the album, as everything just ties together perfectly. Curry attacks the beat and it has the best bars on the album too: “One man, ichiban, fresh outta Japan/Do as I command” and “And I don’t like Pixar, mist-er/I am the master, I came through like a (wait a minute).” The latter bar in particularly highlights how great Curry’s flow and approach to bars makes what looks awkward on paper, work so easily and smoothly in execution.

“So.Incredible.pkg” and “Track07” feature my favorite beats on the album, as they’re both smooth and surrealistic. It’s why I enjoy hearing Kenny Beats project: you’re going to get some sounds that you don’t normally hear in a lot of hip-hop projects nowadays. This different and fresh approach, while also drawing from previous influences in hip-hop, is why he’s quickly become one of my favorite producers in the genre today, as I wish more producers would “go out there” with their sound like Kenny Beats.

The album closes with “’Cosmic’ .m4a,” another song where Curry’s rapid delivery is right on point with memorable, hard-hitting bars. I harp on Curry’s delivery once again because it’s so key to what makes this album great. The songs themselves don’t have any big messages and are essentially bangers that focus on delivering fun bars. So many hip-hop albums are like this today and many are largely forgotten because the delivery just flat-out sucks. But Curry brings so much aggressive passion and rawness in his voice, along with his choice of diction in his delivery makes what would be an average banger into something that’s truly memorable. And this big reason is why UNLOCKED is the first great hip-hop album I’ve heard in 2020. While it doesn’t quite reach the heights of ZUU (an album I’m ashamed I omitted from my best of 2019 list), this is yet another high-quality project from Denzel Curry (and another great one from Kenny Beats too).

Grade: 9/10