The Hodgepodge: Five Ways I Would Fix Country Radio

Alan Jackson

I don’t think it’s much of a secret how I feel about country radio. Anyone who has followed Country Perspective and The Current Pulse of Mainstream Country Music in particular know my distaste and at times outright anger towards country radio. At times they can get it right, only to screw up again. But one thing I have come to accept compared to when I first started to track country airplay charts is that I don’t entirely represent their target audience. As much as I want to hear Jon Pardi, Maddie & Tae and Eric Church get played on country radio, the person down the street simply prefers Luke Bryan and Sam Hunt. We all have different tastes and country radio doesn’t always deliberately play the worst music being released. Some people choose to listen to this music and I respect this choice, even if don’t understand it or agree with it.

But I think something all country fans can agree on, especially in light of what has happened so far in 2016, is there’s a clear lack of direction at radio and several other problems accompanying it. There’s a lack of traditional country music still, even if there has been some notable accomplishments by traditional artists on the airwaves this year. Most female artists continue to be ignored and older artists are still shunted aside. Not to mention there seems to be this never-ending chart clog, as every label desperately tries to push their new act so they can become established. That’s a lot of issues and it got me thinking of how exactly I would go about fixing this issues. And by fixing that doesn’t mean removing every artist from the airwaves I don’t like, as much as I would love to ban Sam Hunt from country radio. So after doing some thinking, I came up with what I believe to be five sensible solutions that would go a long way in helping fix country radio and turning it into something that can appeal to both traditional and modern fans.

  • Ban the On The Verge Program

iHeart’s On The Verge program looked like it could be a useful program at first for country radio. It seemed to promise to help up and coming, new artists at radio and give them a chance to make a successful career. Well after a couple of years of observing this program, I would call it an absolute failure. The only two acts to actually benefit from it and help them launch successful careers is Sam Hunt and Old Dominion. The rest of the artists chosen for the program haven’t really done much since being chosen. Even a quality artist like Cam has failed to produce a hit since “Burning House” was chosen for the program. Maren Morris is struggling right now at radio with “80s Mercedes” after “My Church” was chosen for On The Verge and she’s probably been one of the biggest breakouts recently in country music. It reminds me similarly of A Thousand Horses with “(This Ain’t No) Drunk Dial” stalling out after “Smoke” landed them a #1 hit. The latest On The Verge pick though has really exposed this sham of a program, Lauren Alaina’s “Road Less Traveled.” She isn’t a new artist by any stretch and has had plenty of time to establish a career. Alaina is undoubtedly a talented artist, but this is not the way you build her career up because I don’t see the followup to this netting her another hit and establishing her as a star.

The whole situation with On The Verge is very forced and inorganic. It represents a problem that has been plaguing country radio, which is why I would end it effective immediately. It’s not creating stars and it no longer serves a purpose. Why continue to run something that is ineffective and only strokes the egos of label executives? It’s just causing problems and getting the hopes of young artists and their fans. You can’t force radio and people to like a song, no matter how hard you push it down their throats. Speaking of which…

  • A Song Can Only Be On The Airplay Charts for 25 Weeks at Max

This solution is 100% directed at labels pushing the likes of Chase Bryant and Canaan Smith down our throats when nobody cares about them and their music. Just look at the chart right now and you can find songs that have been on it for over 30 weeks. As glad as I was to see Jon Pardi hit #1 with “Head Over Boots,” I cringe when I see it took over 45 weeks to reach this achievement (ironically it took exactly 11 months). Chase Rice infamously pushed a song for over a year to reach the top ten. This kind of gerrymandering bullshit needs to end and that’s why I would cap the limit for charting at 25 weeks. This gives labels just over six months to push their single at radio. After 25 weeks it must leave the chart and go recurrent. I think this is a good balance between giving labels enough time to push songs, as well as account for slower growing songs. It’s more than enough time to determine the true peak of the song. If this type of rule were to ever be implemented I could just see labels crying this is unfair because they can’t push their newest project for 40 weeks. And to them I say this: Perhaps this demonstrates how you shouldn’t waste time and money on artists that simply don’t connect (looking at you Curb Records).

  • The Top 30 on Both Mediabase & Billboard Airplay Charts Must Contain At Least 10 Songs with Female Artists

Now this solution and the next one are bound to be controversial, especially since I just said that you shouldn’t force music on the charts. But hear me out. Tomato Gate did absolutely nothing to improve the standing of women being played on country radio. A bunch of words and think-pieces have been churned out, yet no viable solution has been put on the table. Having the same three female artists in the top 30 is not enough progress. So in my opinion the only way you reverse the discrimination of country radio against women is to implement a rule like this one. Radio programmers aren’t going to willingly change their ways, so you have to force feed it down their throats so they will comply. Women deserve a fair chance and this is the only way I can think of them getting it. Notice I say it doesn’t have to be songs by solo female acts, but it simply must have a female artist on the song. The reason I word it like this is because major labels aren’t equipped at the moment to have ten female solo artists on the radio. They simply aren’t enough to be pushed, but by implementing this rule it would force them to sign more female talent and more importantly push them to radio when they’re guaranteed to have a chance. Now I realize not all of these pushed female acts would connect with audiences and if they don’t, they simply fall out of the top 30 in favor of a new one. Nothing would be forced.

  • The Top 30 on Both Mediabase & Billboard Airplay Charts Must Contain At Least 2 Songs by Artists 45+ Years Old

While women have been the victims of sexism and misogyny at country radio, the other big problem country radio has always had is ageism. As soon as an artist gets older, they casted aside and ignored by country radio. This is bullshit. Alan Jackson, Reba and George Strait are all still making music and want to be played on country radio. There’s plenty of people who still want to hear them on country radio. I say they should still be getting played and this rule would force radio to continue to consider these senior acts. Why should Chris Lane be getting played over George Strait when Strait can outsell and outperform him in his sleep?

  • The Implementation of a Quality Assurance Panel

This last one is pretty self-explanatory, but might also be the most important. I would establish a Quality Assurance Panel for country radio. It would consist of ten people whose job would be to vote on whether or not a single should qualify for country radio. In other words, is the single country enough for country radio? This would eliminate pop carpetbagging and outsiders hijacking the format. It would also still allow for pop country songs, which many people enjoy and wouldn’t be taken off the airwaves. A strict checklist would have to be met for the song to get passed by the panel (instrumentation, lyrics, etc.). So while I’m not banning Sam Hunt off the airwaves, a quality panel would force him to either start making country leaning songs or get the hell out and go to pop radio. Kelsea Ballerini would be forced to incorporate more country elements into her music too if she wants to stay on country radio.

For the fun of it, I decided to apply my hypothetical solutions to the current chart. Here’s what the top 30 would look like after removing all songs that would fail to be on the current chart and applying my rules:

  1. Dierks Bentley & Elle King – “Different For Girls”
  2. Cole Swindell – “Middle of a Memory”
  3. Jason Aldean – “A Little More Summertime”
  4. Zac Brown Band – “Castaway”
  5. Miranda Lambert – “Vice”
  6. Tim McGraw – “How I’ll Always Be”
  7. Old Dominion – “Song For Another Time”
  8. Florida Georgia Line (feat. Tim McGraw) – “May We All”
  9. Brett Eldredge – “Wanna Be That Song”
  10. Chris Stapleton – “Parachute”
  11. Jerrod Niemann & Lee Brice – “A Little More Love”
  12. Chris Young (feat. Vince Gill) – “Sober Saturday Night”
  13. Carrie Underwood – “Dirty Laundry”
  14. Chris Janson – “Holdin’ Her”
  15. Josh Turner – “Hometown Girl”
  16. Michael Ray – “Think A Little Less”
  17. Trent Harmon – “There’s A Girl”
  18. Craig Campbell – “Outskirts of Heaven”
  19. Eric Church (feat. Rhiannon Giddens) – “Kill a Word”
  20. Eli Young Band – “Saltwater Gospel”
  21. Runaway June – “Lipstick”
  22. Mickey Guyton – “Why Baby Why” (“Heartbreak Song” is not country)
  23. Easton Corbin – “Are You With Me”
  24. Darius Rucker – “If I Told You”
  25. RaeLynn – “Love Triangle”
  26. Ashley Monroe – “Dixie”
  27. Toby Keith – “A Few More Cowboys”
  28. George Strait – “Goin’ Goin’ Gone”
  29. Maddie & Tae – “Sierra”
  30. Margo Price – “Hurtin’ On The Bottle”

Let me know in the comments what you think. These are all hypothetical solutions and are closer to fantasy than reality. If you have any ideas you would like to add I would be glad to hear them.

Upcoming/Recent Country & Americana Releases

  • Tomorrow the following albums will be released:
    • Dwight YoakamSwimmin’ Pools, Movie Stars…
    • Reckless KellySunset Motel
  • Next week the legendary John Prine will release his duets album For Better, or Worse
  • William Michael Morgan will release his debut album Vinyl next week too
  • Wayne Hancock will be releasing a new album titled Slingin’ Rhythm on October 28

In Memory of Windmills Country

Country writer Grady Smith brought to us the unfortunate news this past week that beloved country writer, chart analyst and all-around wonderful person Windmills Country (real name Devarati Ghosh) has passed away. Her loss will be greatly felt throughout the country music insider community, as her kindness and insight was second to none. I know she influenced several of my best posts on this blog and inspired me to take on many challenging topics. While I never met her in real life, her advice and presence will be forever felt. May she rest in peace.

Non-Country Suggestion of the Week

Creedence Clearwater Revival – “Born on the Bayou” – I’ve been digging into CCR’s catalog lately and they’re probably one of the most unsung acts of the 60s and 70s in my book. The way they blend soul, R&B and that swampy rock sound is infectious and memorable. You really can’t go wrong with any of their music.

Tweet of the Week

Yep! Also ties into last week’s Hodgepodge.

A Spot-On Review of the New Jason Aldean Album

all-of-aldeans-songs-sound-the-same

I’m still unable to listen to the new Aldean album, but I don’t have any plans to do so when I can anyway. According to people I trust on country music opinions, they all echo this above review: every song sounds the same. Based on what I’ve heard on the previews and Aldean’s track record, I’m not surprised. After all you don’t want to get too “songwriter-y.” Aldean is such a meat head.

The Hodgepodge: Please Stop Making Albums Over 12 Songs Long

ZBB Jekyll + Hyde

There’s something that has been grinding my gears regarding albums for a while and lately it’s been bugging me more. And that’s the length of albums. More and more I’ve been seeing not just in country and Americana, but in all of music albums that are over 12 songs long. It’s now a common occurrence to see albums that are 14, 15 and even 17 songs long in the case of Randy Houser’s Fired Up. It drives me crazy because there’s simply no reason usually to have an album over 12 songs long.

Whenever I see an album over 12 songs long, I immediately roll my eyes if it’s an artist that isn’t at the very top of the genre because it’s probably got like five filler songs that are unnecessary. Sometimes even more. But I don’t blame the artist for this, but rather I imagine this is more on labels. Most don’t really care about the concept of an album nowadays, only singles. Hence why albums are 15 songs long because then they have a large list to choose from for singles and can also cover a variety of styles so that way the artist is prepared for any trends that may emerge over the course of that album’s era. Luke Bryan’s last album Kill the Lights is a perfect example of what I’m talking about. At 13 songs long you see a variety of songs on it. There’s bro country themed songs, upbeat pop leaning songs and even a couple of serious songs. It’s to set up him up for any trends that might emerge at country radio.

What really brings this attention to me is when I go back and listen to older albums from the 70s and 80s. This was back when artists and labels actually cared about albums and put more focus on them. No matter which genre I turn to, none of them have the problem I see today of overloading albums with pointless songs. Take for example George Strait, whose career began in the early 80s. His first ten albums were each ten songs long exactly. None of them came close to overloading. Almost every album released by legendary soul singer Marvin Gaye didn’t go over 12 songs. A modern example is Sturgill Simpson (who has cited Gaye as an inspiration), where each of his three albums hasn’t gone over 12 songs. Right now of my top ten country and Americana albums of 2016, none go over 12 songs. While there are plenty exceptions to the rule, it’s pretty well proven that if you care about putting out a quality album, you probably shouldn’t go over 12 songs.

There are many albums I can think of that have been released recently that could have benefitted from being culled down to a shorter length. One that immediately comes to mind is Zac Brown Band’s Jekyll + Hyde. It’s 16 songs long including the acoustic track, which is just ridiculous. There are undoubtedly some great songs on this album, but they get overshadowed by the bad and unnecessary tracks. If I had the power to cull it down, this is what the track listing for the album would look like:

  1. Homegrown
  2. Loving You Easy
  3. Remedy
  4. Heavy Is The Head
  5. Bittersweet
  6. One Day
  7. Dress Blues
  8. Junkyard
  9. I’ll Be Your Man (Song for a Daughter)
  10. Tomorrow Never Comes (Acoustic Version)

Try to tell me this isn’t a much better album after I cut out all of the EDM crap, the cheesy Mango song, the pointless island song and the fluffy songs that held down the backside of the album. This version of Jekyll + Hyde would have probably been one of my favorite albums of 2015. It’s really that simple. I’ll give you another example that’s more recent and that Florida Georgia Line’s Dig Your Roots. Here’s how I would trim that album down:

  1. Smooth
  2. Life is a Honeymoon
  3. H.O.L.Y.
  4. Island
  5. May We All
  6. Wish You Were On It
  7. God, Your Mamma and Me (I would cut out the Backstreet Boys)
  8. Music Is Healing
  9. While He’s Still Around
  10. Grow Old

It’s still not a great album of course. But after cutting out the five most annoying songs this album goes from really mediocre to around average. Really though the biggest way you could fix Florida Georgia Line into something more decent is getting rid of Joey Moi as producer, but that’s probably not likely to ever happen. One last example I will choose is Chris Stapleton’s Traveller. Now this is one of the most recent examples of an exception to my 12 songs rule. At 14 songs long, it’s still a great album and one of the best of 2015. However even this I would give a slight trim by taking out “Daddy Doesn’t Pray Anymore” and “Might As Well Get Stoned” because the first song has been done so much before and the second gets weighed down by the wedged in reference to the troops that isn’t bad, but feels pander-y. Of course this is just me really nitpicking because Traveller has launched Stapleton into the stratosphere and has netted him numerous awards.

I think I’ve gotten my point across thoroughly. While there are exceptions to the rule, at the end of the day an artist shouldn’t go over 12 songs on their album if they intend on it to be good. It’s a pretty established baseline that you shouldn’t go over unless you’re absolutely sure you can make a great long album. After all the longer an album is, the more chances an artist has of putting a bad song on it. At 12 songs or less, they can present a tight and cohesive album that is enjoyable for the listener every step of the way. So if you’re an artist making a new album and you can’t decide on the length of it, just remember less is more.

Upcoming/Recent Country & Americana Releases

  • Tomorrow Amanda Shires will release her new album My Piece of Land.
  • Next week there will be a plethora of new album releases:
    • Dwight YoakamSwimmin’ Pools, Movie Stars…
    • Reckless KellySunset Motel 
    • Kevin RoyHeartworn Highway 
  • David Nail’s next single is “Good at Tonight.” Excellent choice by Nail and his label. It was also the most added song at country radio this week.
  • Later this month George Strait is sending “Goin’ Goin’ Gone” as a single to radio. It coincides around the same time he’s releasing Cold Beer Conversation in vinyl. As for the single, it won’t do much most likely.
  • 99% of the time I don’t care about new Christmas albums (I prefer the classics), but there is one I’m interested in this year and that’s Kacey Musgraves’ first Christmas album, A Very Kacey Christmas. It’s out on October 28 and on November 18 in vinyl. It features Willie Nelson, Leon Bridges and The Quebe Sisters.

Throwback Thursday Song

George Strait – “Living For The Night” – All of this Strait talk inevitably makes me want to go listen to his music, so of course it’s in this spot this week. Most of my favorite Strait songs were released in the 80s and 90s, but this is hands down my favorite of his 2000s music. This is heartbreak music at it’s best. Even later into his career, Strait produces gold.

Non-Country Suggestion of the Week

Little Richard – “Good Golly Miss Molly” – People love to talk about how Elvis is the king of rock and roll, but he isn’t in my book (he built his career off covering other artists). The real king of rock and roll is Little Richard, who influenced some of the greatest artists of rock, R&B, soul, funk and hip hop. He’s an artist every music fan should familiarize themselves with if they haven’t already.

Tweet of the Week

https://twitter.com/planmymistake/status/774248484526559232

Why is Dustin Lynch solitaire a thing? Who would want this?

Accurate Review of 2016 Dierks Bentley

2016-dierks

I feel like one of the most under talked points of country music this year has been Dierks Bentley’s mediocre output. Black is hands down his worst album and is an obvious attempt at trying to become an A-lister. It’s disheartening and this Dierks fans sums it up pretty well.

The Hodgepodge: If You Were Stranded on an Island & Had to Pick One Country Record…

ATOZ_JKT

After a long holiday weekend here in the United States and the unofficial end of summer, there hasn’t been too much happening in the world of country music. This comes a week after all the hoopla surrounding the 50th CMA Awards and who was in and out in terms of nominations. In addition the much-talked about Sturgill Simpson Facebook rant took place and was a topic that was beaten to death. Needless to say I didn’t feel like rehashing this again. With nothing else to really talk about, I decided to try out something I’ve been wanting to give a shot with The Hodgepodge for a while. That is an Ask The Readers Hodgepodge. It’s quite simple: I pose a question to you the readers and in the comments below we will discuss what our answers would be to the question. Sometimes it will be a yes or no question, but most times it’ll be something a little more detailed like today. The first Ask The Readers Hodgepodge will start with an age-old question involving numerous subjects, but this time country music.

If you were stranded on an island for the rest of your life and you had to pick one country album to bring with you, what would it be?

Some guidelines:

  • It can also be Americana/Folk/Roots Rock because we cover those in addition to country music and I know some only follow the blog for these sub-genres.
  • The album cannot be a greatest hits album, box set, compilation, covers album, live album or soundtrack. Double albums are fair game though, but it must be released at the same time and not separately.
  • You can have the album in any format you please (you get one outlet on the island to plug in your CD player, record player 0r MP3 player, although good luck getting your record not to warp with all of the sunlight)
  • The album you pick doesn’t necessarily have to be what you consider the greatest country album of all-time, although it can be. It’s more your favorite album.
  • There are no wrong answers here! (Except if you pick a Sam Hunt album because I would think being stranded on an island would be a hard enough life without his music)
  • Feel free to throw in your picks for other genres too. This is a topic to have fun with!

 

Now with all of the guidelines out of the way, I will give my answer. I haven’t decided as of this writing what one album I would pick, but rather a list I would highly consider from for my one pick. Those albums would be:

  • Sturgill Simpson – Metamodern Sounds in Country Music
  • Jason Isbell – Something More Than Free (of course my first two on the list are Country Perspective’s album of the year winners)
  • Chris Stapleton – Traveller
  • George Strait – Strait From The Heart
  • George Strait – Ocean Front Property 
  • Alan Jackson – Don’t Rock The Jukebox
  • Waylon Jennings – Dreaming My Dreams
  • Dwight Yoakam – Guitars, Cadillacs, Etc. 

It’s your turn now! Be sure to weigh in below.

Upcoming/Recent Country & Americana Releases

  • Whiskey Myers will be releasing their new album MUD tomorrow. My review of it will also be out soon
  • St. Paul & The Broken Bones will be releasing their sophomore album tomorrow, titled Sea of Noise.
  • Next week Amanda Shires’ new album My Piece of Land will be released.
  • Australian country artist Kasey Chambers just released a new EP Ain’t No Little Girl and her new album Dragonfly will be released on January 20, 2017 (shout out to reader Melanie for giving me a heads up!)
  • It was just announced this week Jim Lauderdale will be releasing a new album titled This Changes Everything on September 30
  • A promising up and coming artist named Paul Cauthen will be releasing his debut solo record My Gospel on October 14. He’s the former frontman of Americana band Sons of Fathers.

Throwback Thursday Song

Willie Nelson – “I’d Have To Be Crazy” – This is one of my all-time favorite Willie Nelson songs and one of my favorite country love songs. For the eagle-eyed, yes Sturgill Simpson covered the very same song on his debut album High Top Mountain. It is also great and does Willie justice.

Non-Country Suggestion of the Week

Carly Rae Jepsen – “Cry” – Yes, it’s the same artist that sang “Call Me Maybe.” But she’s moved on to much better music! Her last album Emotion was pop music at it’s best and recently she released the B-Sides EP for it. I recommend both if you listen to pop music, but this song in particular is fantastic off the EP. It reminds me of the best of 80s pop and would undoubtedly be a hit in that decade of music (think Heart or Pat Benatar).

Tweet of the Week

Laughing at Blake Shelton’s current terrible single is always appropriate, but especially when it’s struggling on the chart.

Some Thoughts on Kelsea Ballerini’s Album

kelsea-ballerini-is-meh

I’m not sure why you bought the album either, Danyelle. And it does sound pop, Victoria.

The Past Pulse Of Mainstream Country Music [June 1991]

220px-meet_in_the_middle_single

This is the past pulse of mainstream country music. Each week, I take a look at the Billboard Country Airplay Chart (or, “Hot Country Songs” as it used to be called) from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the past state of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week I will take a look at the top 30 songs of the Billboard Hot Country Songs from June 1st, 1991.

  1. Diamond Rio – “Meet In The Middle” +3
  2. Doug Stone – “In A Different Light” +3
  3. George Strait – “If I Know Me” +4
  4. Paul Overstreet – “Heroes” +3 (The production is a little much for me, otherwise this would be +4)
  5. Mark Chesnutt – “Blame It On Texas” +3
  6. Dwight Yoakam – “You’re The One” +4 (Holy mandolin!)
  7. Joe Diffie – “If The Devil Danced (In Empty Pockets) +3
  8. Garth Brooks – “The Thunder Rolls” +4
  9. The Oak Ridge Boys – “Lucky Moon” +3
  10. Clint Black – “One More Payment” +3 (Holy Western Swing!)
  11. Lorrie Morgan – “We Both Walk” +3
  12. Tanya Tucker – “Oh What It Did To Me” +4
  13. Ronnie Milsap – “Are You Lovin’ Me (Like I’m Lovin’ You)” +3
  14. Randy Travis – “Point Of Light” +3
  15. The Judds – “One Hundred and Two” +2
  16. Alan Jackson – “Don’t Rock The Jukebox” +3
  17. Pirates Of The Mississippi – “Feed Jake” +4
  18. Alabama – “Down Home” +3
  19. Dolly Parton & Ricky Van Shelton – “Rockin’ Years” +4
  20. Ricky Van Shelton – “I Am A Simple Man” +3
  21. Highway 101 – “Bing Bang Boom” +2
  22. Pam Tillis – “One Of Those Things” +2
  23. Mike Reid – “‘Till You Were Gone” +4
  24. Travis Tritt – “Drift Off To Dream” +3
  25. Kathy Mattea – “Time Passes By” +4
  26. Terry McBride – “Can I Count On You” +3
  27. Mark O’ Connor – “Restless” +2
  28. Clinton Gregory – “(If It Weren’t For Country Music) I’d Go Crazy” +4 [Best Song] (wouldn’t we all though?)
  29. Billy Dean – “Somewhere In My Broken Heart” +3
  30. Carlene Carter – “The Sweetest Thing” +2

The Past Pulse Of Mainstream Country Music: +94

Wow! Quite the reversal from last week! Indeed, this is one of the best charts we’ve ever had. Sure, not every song on here is perfect, but the overall quality is simply stunning. I felt no need to award a “worst song” award this week since it wouldn’t have really made sense. The worst here is still good.

As always, if you have any questions as to why I gave a song a certain grade feel free to ask me. Also, let me know what you guys think of the chart in the comments!

The Hodgepodge: Pop Duets Ignore Country’s Rich Talent Pool of Female Artists

Dierks Bentley feat. Elle King – “Different for Girls”

Brad Paisley feat. Demi Lovato – “Without a Fight”

Kenny Chesney feat. P!nk – “Setting the World on Fire”

One of the most recent musical trends out of Nashville, as you can tell by the above pairings, is partnering a male country singer with a female non-country singer to record a non-country song, probably in hopes for a crossover hit. Three big, veteran names in country music are using the big names from female pop acts to gain even more exposure and revenue.

This isn’t a terrible trend, and Paisley and Chesney’s songs aren’t terrible. “Different for Girls” has some backwards lyrics, but Dierks and Elle sing the song well, and I like the production to the tune. My only gripe with this trend is that it blatantly ignores a large, talented pool of female singers in country music. Females who already struggle to get songs on the radio by themselves. To be fair, Dierks Bentley also recorded “I’ll Be The Moon” on Black with newcomer Maren Morris, a song which received quite a bit of album promotional play and press before the album’s release. However, the label decided to move forward with the Elle King duet as the single, not the Morris duet.

I know the answer to this question is money and marketability, but why not record these same songs with country newcomers? Mickey Guyton has a vocal power similar to Demi Lovato, and could easily fit into “Without a Fight.” In Fact, on several occasions while on tour with Paisley, Mickey Guyton sang Allison Krauss’ role in “Whiskey Lullaby.” I think Mickey Guyton could have sung Lovato’s parts and “Without a Fight” could still be just as good.

Like I said, I know that there’s a certain marketability that comes with having Demi Lovato’s or P!nk’s name attached to a song as opposed to Mickey Guyton or Cam. Outside of the obvious pop demographic (which the songs are clearly catered toward), those two names are just simply more well-known. But even some singers like Kellie Pickler and Lauren Alaina are good singers themselves and have the American Idol notoriety surrounding their name.

Obviously the larger purpose of songs like the ones mentioned above is the fact that these females attract a non-country audience to song and probably double the listening potential. But coming off a year in which the problem of females on country radio, or lack thereof, was headlining everywhere, it’s odd to me that producers would gloss over that potential talent pool.

Chris Young recently had a number one song on the Airplay Charts that he recorded with Cassadee Pope. “Think of You” is just as Adult Contemporary sounding as the three aforementioned songs. So don’t try to argue that “country females won’t sell” because clearly a duet between male and female COUNTRY singers sold and succeeded.

I’m probably just beating a dead horse and screaming at a brick wall because complaint’s like this haven’t helped. Even with Tomato Gate on everyone’s mind last year, Carrie Underwood and Kelsea Ballerini are still the only females getting consistent radio airplay. Yet women like Lori McKenna, Brandy Clark, Aubrie Sellers, and Margo Price have all released great albums this year. Why don’t we hear them on the charts? Why aren’t labels pursuing duets with these talented singers? Yes, Aubrie Sellers has recently signed a deal with Warner, and Lori McKenna has seen excellent success as a songwriter from “Girl Crush” and “Humble and Kind.” However, it’s still a shame that several of country’s talented female singers are overlooked for a cash-grab pop duet.

Upcoming/Recent Country and Americana Releases

  • Mo Pitney has announced his debut LP through Curb Records. Behind This Guitar will be released October 7.
  • William Michael Morgan announced his debut album, Vinyl, will be released on September 30.
  • Reckless Kelly will release Sunset Motel on September 23.
  • Also on September 23 Dwight Yoakam is releasing a bluegrass album titled Swimmin’ Pools, Movie Stars…
  • Jack Ingram will release Midnight Motel on August 26. Hear the new single, “I’m Drinking Through It.”
  • The Cadillac Three will release Bury Me in Boots tomorrow.
  • Cody Johnson will release Gotta Be Me tomorrow.
  • Next Friday, both Cody Jinks (I’m Not The Devil) and Kelsey Waldon (I’ve Got a Way) will release albums. A day which is sure to be a good day for new country music.

Throwback Thursday Song

“Louisiana Woman, Mississippi Man” by Conway Twitty and Loretta Lynn With all the talk of country duets today, what could be better than a duet from two of country’s best singers? Sit back and enjoy this 1973 hit from their duet album of the same name.

Non-Country Suggestion of the Week

Foo Fighters “Everlong” The only non-country music I’ve listened to this week is the Foo Fighters Greatest Hits album, so I recommend what is probably my favorite Foo Fighters song.

Tweet of the Week

I told myself not to mention a certain country group that I wrote about in last week’s Hodgepodge, but this tweet pretty much sums up my opinions on “Comeback Kid.”

iTunes Review for Big Smo

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This guy hates the fact that country fans call Big Smo not country. Especially when later on in this review, he clearly states how Big Smo raps. Sure we don’t technically own the word “country” but we know which music is actually country music and which is actually rap or hick hop.