The Past Pulse Of Mainstream Country Music [April 1989]


This is the Past Pulse Of Mainstream Country Music. Each week, I take a look at the Billboard Country  Airplay Chart from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top 30 songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9[+4], 8[+3], 7[+2], 6[+1], 5[0], 4[-1], 3[-2], 2[-3], 1[-4], 0[-5].

The goal of this exercise is to evaluate the past pulse of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week I will take a look at the top 30 songs of the Billboard Country Airplay Chart from April 8, 1989. Since this chart came before 1990, I only have access to the top 25 songs. This means that the highest possible score for this week is a +125 and the lowest possible score is a -125. Once again, I am still wading through a ton of chart requests so this week’s chart is dedicated to reader Scotty J!

  1. Keith Whitley – “I’m No Stranger To The Rain” +4 [Best Song]
  2. George Strait – “Baby’s Gotten Good At Goodbye” +3
  3. Vern Gosdin – “Who You Gonna Blame It On This Time” +3
  4. Shenandoah – “The Church on Cumberland Road” +3
  5. Don Williams – “Old Coyote Town” +4
  6. Billy Joe Royal – “Tell It Like It Is” -1 [Worst Song] (His voice and the overall feel of this just don’t work for me)
  7. Hank Williams Jr. & Sr. – “There’s A Tear In My Beer” +4 (As an actual song it’s a +3, but considering the magic that went into this I have to give it its due.)
  8. K.T. Oslin – “Hey Bobby” 0 (Sorry, way too sleepy in the production and that “do you want to huh, huh” line just annoyed the crap out of me)
  9. Foster – “Fairshake” +2
  10. Roy Orbison – “You Got It” 0 (+2 for Pop though)
  11. Michael Martin Murphey – “From The Word Go” +3
  12. Patty Loveless – “Don’t Toss Us Away” +3 (Interesting production on this track)
  13. Lacy J. Dalton – “The Heart” +3
  14. Highway 101 – “Setting Me Up” +2
  15. The Judds – “Young Love (Strong Love)” +2
  16. Lee Greenwood – “I’ll Be Lovin’ You” +1 (Holy crap! A Lee Greenwood song that isn’t “God Bless The U.S.A!”)
  17. Baillie and the Boys – “She Deserves You” +3
  18. Randy Travis – “Is It Still Over?”+3
  19. Restless Heart – “Big Dreams In A Small Town” +2 (I wish the accordion was a little more prominent in the mix but still solid)
  20. Rodney Crowell – “After All This Time” +3
  21. Alabama – “If I Had You” +1
  22. The Bellamy Brothers – “Big Love” +1
  23. Barbara Mandrell – “My Train Of Thought” +3
  24. Reba McEntire – “New Fool At An Old Game” +2
  25. The Nitty Gritty Dirt Band – “Down That Road Tonight” +2

The Past Pulse Of Mainstream Country Music: +56

This is certainly a good week, but I have to be honest that there’s more generic songs here compared to other past weeks. Nothing inherently bad mind you, just not really all that special. Of course, Keith Whitley was riding the top of the charts so what can I say?

As always, if you have any questions as to why I gave a song a certain grade feel free to ask me. Also, let me know what you guys think of the chart in the comments!

Album Review – Whiskey Myers’ ‘MUD’


The rise of Americana and alt-country in prominence the last few years has left an impact I don’t think many fans realize. Ten years ago you wouldn’t hear as much about these independent, non-mainstream acts because they weren’t on the radio or on a major label. Nowadays with the prevalence of the Internet, any act can standout if they play great music. Whiskey Myers is an undoubtedly a group that has benefitted, as this Red Dirt/southern rock outfit from Palestine, Texas is one of the most beloved country rock bands today. Made up of Cody Cannon (lead vocals, guitar), Cody Tate (lead guitar, vocals, rhythm guitar), John Jeffers (rhythm & lead guitar/vocals), Gary Brown (bass) and Jeff Hogg (drums), this band came onto a lot of people’s radars with their last album Early Morning Shakes in 2014. It was a great album that perfectly timed with the rise of alt-country and made them a lot of fans (this is also another album I wish I reviewed in 2014). Not to mention Dave Cobb produced it, who has absolutely exploded and is the most beloved producer amongst traditional/alt-country/Americana fans. Cobb returns with this new album too. So their new album MUD was certainly an anticipated one for a variety of reasons amongst Red Dirt fans and after listening to it thoroughly I think many fans are going to be quite happy with it.

The sounds of fiddles play in “On The River.” It’s the perfect upbeat, country rock tune to kick off the album. This is pretty much what you’ve come to expect from Whiskey Myers: just a fun song with Cannon just absolutely belting it on lead vocals. It definitely fires you up for the rest of the album. The album’s title track features some rollicking guitar licks. It’s about living the country life on the family land and carrying traditions on from previous generations. It’s life born and lived throughout in the mud. There’s a tinge of gospel influence on this song too, as the organ fades in and out. “Lightning Bugs and Rain” was one of the songs released before the album came out and I imagine many fans of Whiskey Myers were surprised when they heard horns on it. This isn’t common in their music, but it works really well surprisingly. The song itself doesn’t have much to say, as it’s about a couple spending time together in the mountains. But the great instrumentation helps cover up for the somewhat shallow lyrics.

The only song I didn’t like on MUD at first was “Deep Down in The South.” As you can figure out from the title, the song is about southern pride and living. If you’re from the south, I’m sure you’ll immediately enjoy. For me it took a few listens to appreciate it more than the average southern pride songs we hear churned out from mainstream country. But this is still the weakest track on the album. The next song is “Stone.” It’s a piano-driven ballad and one of my favorites on the album. The song is about a heartbroken man drinking his sorrows away and knowing his heart will probably break again and again. It’s just the life he lives. Everything in this song just sort of works perfectly together and shows Whiskey Myers at their best.

“Trailer We Call Home” leans more country than rock and it’s a nice look at the lighter side of the band. In fact there’s mostly just acoustic guitar. The song is about the everyday family and a man who has to work his tail off everyday to make ends meet for them. He wishes he could do more for them, but at the end of the day they’re proud of what they have and the humble trailer park where they live. For a group that’s known for their hard-hitting southern rock, they’re excellent with this sad country song. This is followed by “Some of Your Love.” It’s a solid love song with a catchy hook and some stellar electric guitar play. The instrumentation might be at it’s strongest on “Frogman,” as the electric guitar licks are just so infectious and inviting. The song is about a former military man who’s much happier spending his time fishing than dodging gunfire. But he reminds us he’s still not someone you should mess with. This is just southern rock at it’s finest, as I find myself enjoying it more each time I hear it.

“Hank” is basically an ode to the importance of music on your life. As Cannon sings in the opening lyrics, his first record was Hank Jr.’s The Pressure Is On and it’s an album he turns to when he’s singing the blues. Once again Whiskey Myers just knows how to do southern rock, as the fiddles and electric guitars are equally impressive on this song. MUD comes to a close with “Good Ole Days,” where Brent Cobb joins Whiskey Myers. It’s a good old, down home country tune about ignoring the bad news being spewed by those around us everyday and telling us the good old days are gone. Cobb and Whiskey Myers tell us we’re still living the good old days because we still have many of the great simple things in life to enjoy. It’s positive without being preachy and sappy. It’s the kind of feel good song we could all use when having a bad day, as you can’t help but smile after hearing it.

There are many Red Dirt and southern rock acts out there today, but Whiskey Myers reminds us they’re one of the best with their new album MUD. While I don’t think this is quite as good as Early Morning Shakes, it was going to be difficult to top that album. MUD is a really solid album full of fun southern rock jams and some well-composed heartfelt tracks that capture the thoughts and feelings of the everyday man. I think it’s definitely worth your time, especially if you enjoy some rock and roll with your country. If there’s one thing this album does near flawlessly, it captures both the spirit of country and rock music. That’s a credit to both Whiskey Myers and Dave Cobb, who once again delivers as a producer. MUD is certainly no dud and is another really good album from Whiskey Myers.

Grade: 8/10

Album Review – Hank Williams Jr.’s ‘It’s About Time’


This review was written by a past guest contributor of Country Perspective. 

The start of a new year is the perfect time to start anew. For Hank Jr., it’s quite appropriate that he’s releasing his first album of new material in four years under a new label in Big Machine’s Nash Icon imprint. After a long career with Curb Records that spanned more than forty years and produced more than fifty studio albums, as well as releasing an album through his own “Bocephus Records” in 2012, it seemed like Hank was more than ready to move on to bigger and better things and release a new album. In fact, Hank even deemed his new studio album, “It’s About Time” his best work yet. That’s quite a lofty expectation from a singer who many would say had his best work in the 80s.

When it comes to what I think of the country legend, I don’t have much of an opinion. As a child of the 2000s, I can’t exactly say that I grew up with his music, nor have I ever really actively sought it out. And really, this isn’t surprising considering Hank is one of the more forgotten legends when you think of artists who were active in the 80s. It’s not like Hank is a bad artist mind you, he just hasn’t always caught my attention. But like I said, it’s a new year, and it’s a time to try new things, which is why I decided to take the plunge and see what Hank’s new album was like.

The album starts off with the lead single, “Are You Ready For The Country”, a duet with Eric Church and originally recorded by Waylon Jennings and penned by Neil Young. Honestly, I think this is one of the better tracks on the album, especially given that I think the fiddle work is solid here, but I can understand where people would be indifferent towards this and think of it as nothing but a retread. As Josh said in his review: “Overall this isn’t a bad song nor is it a good song. It’s one of those songs that just exists and you really have no opinion of it. The best things you can say about the song is at least it’s country and it’s not offensive. As I said about the vocal performances, I think they’re good and get the job done. But nothing is really done to elevate this song and re-invent it, which maybe you really can’t do to a song like this one.

The next song is “Club U.S.A.” Now, anyone who knows Hank knows he can get a little political at times (and boy is this an understatement), and thankfully It’s About Time only has political moments rather than being an overall political album. “Club U.S.A” is kind of one of those moments. The song’s theme is pretty simple. Hank Jr. tells us how America is the greatest country in the world and how everyone who isn’t already here wishes they were. As for the song itself, it’s very overproduced, loud southern rock, often times drowning out the vocal track during the verses to the point where upon first listen, the only thing I could make out in this song was Hank screaming the title. Next up is “God Fearin’ Man,” a song that continues on the tradition of the first two tracks by being loud, overproduced and rockin’. Really, this song isn’t thematically or lyrically bad, but I feel like it would have benefited from a more relaxed production. Hell, even Hank says himself at the end, “man, they played like they were pissed.” In addition to this little talking bit, Hank also proclaims, “Are You Ready For The Country?” Yes Hank, we’re already past that song. Let it go buddy.

“Those Days Are Gone” is arguably the best song on the album. It’s a solid honky-tonk number that actually allows the production to breathe (well, at least as much as it can….) for the first time on this album. In this song, Hank reminisces on the good ol’ days, and how he misses guys like Merle Haggard, George Jones, and David Allan Coe, especially on country radio. He acknowledges that those days are gone however, and aren’t coming back. It’s not a great song, mind you, but it’s at least a good song. The best song on the album is followed up by the absolute worst song on the album, “Dress Like An Icon.” The theme of this song contradicts pretty much every other theme on this album. Where a song like “God Fearin’ Man” celebrates the working class hero, or a song like “Those Days Are Gone” laments on the current state of country music, “Dress Like An Icon” pretty much says that if you want to gain any sort of recognition in life, you have to not be yourself. Instead you should “step like Nicki Minaj,” “wear black like Johnny Cash,” and get a load of this one, “have them stacked like Dolly Parton.” I shit you not, those are actual things promoted here.

Not that trying to emulate someone like Johnny Cash or Dolly is bad mind you, but it’s sad when we have a country legend promoting everyone to be fake and flashy to get to the top. I have to wonder if this song hadn’t already existed for a while now, as I definitely think a few mainstream country artists had already heard this. That’s not to mention that the production is once again completely overdone, and Hank sounds bored as can be on this song. Plus, you’re telling me that Hank is on Nash Icon and recorded a song called “Dress Like An Icon” purely out of coincidence? I think not. Skip this song entirely. Surprisingly enough this is one of five songs on the album that was written purely by Hank, making this song all the more frustrating.

Hank gets political again on “God and Guns,” and if it sounds familiar, it is. Southern-rock band, Lynyrd Skynyrd covered it for their 2009 album of the same name. This song calls to question what kind of world we would live in if politicians took our guns and God, and it’s a good thing people like Hank are around to prevent that from happening. I’m not going to go any into any further detail with the song. You already know whether you’d like or wouldn’t like this song based on the description I just gave, so we’ll leave it at that. “Just Call Me Hank” is Hank’s way of reflecting upon himself, and his career. He states that he never thought he’d shed the lovesick blues (an allusion to always living in his father’s shadow), and that he doesn’t play many shows anymore, but when he does, he wants it to be real and rocking. This song really didn’t bother me until we hit the chorus. Once it hits, Hank proclaims:

“Don’t call me an icon, don’t care about the hall of fame”

OK……weren’t you just the one who literally said you have to dress like an icon to achieve any sort of prominence? Hell, he even says at the end of “Dress Like An Icon” that he’s an icon! Still, the song overall isn’t bad. The production here at least fits into the country category rather than the overwrought southern rock mold. There’s at least some heart to this that I can appreciate. “Mental Revenge” is another cover of a Waylon Jennings song and really, there isn’t much to say here. This version is a heck of a lot more upbeat, which doesn’t fit the mood of the song at all. Just stick with the original, or even Jamey Johnson’s fantastic version from his 2010, The Guitar Song album. Where “Just Call Me Hank” found Hank reflecting on the past, “It’s About Time” focuses on the future. The song starts off with Hank stating where he wants to go on his journey in life next, which is back home to Alabama. The song then takes a complete left turn when the chorus hits, saying it’s about time Hank plays some real country and southern rock to wash out the “weird pop-country sound.” There have been protest songs that have been done better, but there’s at least a sense of belief to this song, even if Hank Jr. is still on a major label which has supported pop-country acts. You can look at “The Party’s On” as a watered down version of “All My Rowdy Friends Are Coming Over Tonight” or a bro-country song, and you’d probably be right on both counts. There’s not much to say about this song other than that.

“Wrapped Up, Tangled Up In Jesus (God’s Got It)” is about a man who goes fishing. He manages to hook a big fish, and surprisingly enough the fish can’t get away. He then proclaims that he wishes Jesus had a hook on him similar to the one that the man has on the fish. One night, Jesus finally does hook him! When he tries to tell everyone that Jesus came unto him, nobody believes him. Later on, he proclaims that if you have a friend in Jesus, you can have anything you want. Heck, a friend? Sure. Shoulder to cry on? Sure, God can do that. New car? Sure….wait what?!? It’s as completely ridiculous as it sounds. The theme of this song moves from fishing, to finding Jesus and then getting things just because you’re Jesus’s friend? Seriously what is the overall message here? If the story doesn’t sound hokey enough, the production will surely do it for you. Of all the spots where the production is just way too much, this song takes the cake by a long shot. Complete with gospel singers and a completely overwrought vocal performance, this song is just way too much. That’s not to mention the fact that it’s six freakin’ minutes long! And really, once you’re halfway through the song it’s essentially just repetitive and boring. The album comes to a close with a rendition of Hank’s very own hit, “Born To Boogie” with Brantley Gilbert, Justin Moore and Brad Paisley (Was Earl Dibbles Jr. busy that day Hank?). I’ll say the same thing here that I said about “Mental Revenge”, skip this and just listen to the original. You’ll be much better off.

Overall, if you were a Hank Jr. fan going into this album, then you’ll most likely enjoy this and hey more power to you. For others, “It’s About Time” is full of pretty much nothing but a lot loud, obnoxious and overdone southern rock, retreads of old songs, and a few redeeming moments. Considering this is Hank’s first new album in four years, and considering that it’s the first on a brand new label, it just feels like there wasn’t a lot of effort put into It’s About Time. It’s certainly not going to be anywhere close to the worst country album you’ll hear this year, but it’s hard to recommend It’s About Time to anyone but hardcore Hank Jr. fans.

Grade: 4/10

New Country & Americana Music Albums Set to Be Released & Expected in 2016

Time for another year of new music ahead! Last year I did a special post outlining some of the upcoming album releases in country and Americana and it was a very popular post that I knew I had to bring back again in 2016. There has already been a number of announced projects with release dates and a few that are certainly eye-catching when looking at the details of them. There are also a lot of projects that we can expect to see in 2016, but nothing is confirmed. And then of course there are a lot of rumors and stuff up in the air. This post covers it all. Will this cover everything? Probably not. So don’t go into the comments and immediately point out what is missing. Instead add anything not in the post to help out us and your fellow readers. Complaining gets you nowhere except pissing me off. Most importantly have fun speculating and discussing all of the new music that lies ahead.

Officially Announced & Set for Release

Randy Rogers Band Nothing Shines Like Neon

January 15

Randy Rogers Band – Nothing Shines Like Neon

The Texas-based country band is set to release their first album of new music in three years and their first independently in 11 years. Randy Rogers Band had released their last four albums on major labels Mercury and MCA Nashville. But like many Texas country artist who try their hand on Music Row, they got tired of the bullshit and politics and being forced to make music that appeases record executives. They’re now going back to their roots. Rogers is coming off a fantastic year in which he and fellow Texas country artist Wade Bowen put out one of the best country records of the year, good enough to earn Country Perspective’s Song of the Year and Duo of the Year. This causes enough excitement on its own, but the guests set to join on this new record put up even higher. The guests are Alison Krauss, Jerry Jeff Walker and Jamey Johnson. Needless to say I can’t wait to hear this one. Well known country producer Buddy Cannon will be producing this new record.

Brothers Osborne – Pawn Shop

The debut album from Brothers Osborne was expected early last year and even made last year’s list, but it never came out and got pushed back to now. It’s looked like the best choice, as their current single “Stay A Little Longer” will at least be a top five hit and provide buzz for their long-awaited debut album. Their debut EP I reviewed back in 2014 was solid, but the newest song they just released off the album has me more excited. It’s called “Loving Me Back” and they’re joined on it by LeeAnn Womack. If this song is an indication of the whole album, I think this could be one of the better mainstream country albums we hear in 2016.

Hank Williams Jr. – It’s About Time

This will be Hank Jr.’s first album released under the NASH Icon label. The first single off it was a new recording of “Are You Ready For The Country” where Williams was joined by special guest Eric Church. Other guests on the album include Brantley Gilbert, Brad Paisley and Justin Moore.

January 22

The Cactus Blossoms – You’re Dreaming

Will be released via Red House Records and produced by JD McPherson.

January 29

Sierra Hull – Weighted Mind

Will be released via Rounder Records.

Aubrie Sellers – New City Blues

Many critics and music insiders are buzzing about this release. For those who aren’t familiar with Aubrie Sellers, she’s the daughter of LeeAnn Womack. I bet you’re interested now. Sellers is poised to be one of the early breakouts in country and Americana in 2016. The album will be released via Carnival Records and Thirty Tigers.

February 5

Lucinda Williams – The Ghosts of Highway 20

The Americana icon returns with her first new album in two years via Thirty Tigers.

Freakwater – Scheherazade February 5 

Will be released via Bloodshot Records.

Charles Kelley – The Driver February 5

The frontman of Lady Antebellum has set out on his own solo career at the moment and his first single, the very name of his debut album, has been nominated for a Grammy. But with the single struggling at radio at the moment and Kelley being forced to cancel a lot of 2016 tour dates, I wouldn’t be surprised to see this release get pushed back. But when it does come out I’ll be interested in its sound.

Vince Gill – Down To My Last Bad Habit February 12

You know how much of a sucker I am for Vince Gill. Being released via MCA Nashville, it’s the first album of new music from Gill in five years. It’s Vince freaking Gill and you will want to hear it.

Wynonna & The Big Noise – Self-Titled – February 12

Wynonna Judd will be releasing his first album under her and her band’s name via Curb Records. Jason Isbell will be making a guest appearance on it.

Lorrie Morgan – Letting Go…Slow – February 12

Her first new album in five years will be released via Shanachie Entertainment.

Lake Street Dive – Side Pony February 19 

Not a lot of details, other than Dave Cobb is producing it. That should be enough to warrant your attention.

Waco Brothers – Going Down in History February 26 

This will be the first new record from this group in over ten years. Will be released via Bloodshot Records.

Loretta Lynn – Full Circle – March 4

The country music legend will be covering old classics, collaborating with legends and releasing a few new tunes on this record.


Various Artists – Southern Family – March 18

There’s no other project in country and Americana circles right now that has people more excited than this album. Let’s run down the details:

  • Dave Cobb is producing it and will be released via Cobb’s Elektra Records
  • The inspiration for it comes from the classic White Mansions album that included Waylon Jennings and Eric Clapton
  • The artists on this record are staggering and impressive. The list of artists on this record include: Chris & Morgane Stapleton, Miranda Lambert, Holly Williams, Jamey Johnson, Shooter Jennings, Rich Robinson, Anderson East, Zac Brown, John Paul White, Jason Isbell, Brandy Clark and Brent Cobb.

I could very easily see this end up being one of the best records of the year in all of music. It could also end up being one of the most important albums of the year and maybe in country music history, as this album unites the brightest names of country and Americana. All of this talent working together under the guidance of Dave Cobb has me giddy in anticipation to hear it. It could be what unites mainstream country, independent country and Americana together. Can March 18 get here?

Margo Price – Midwest Farmer’s Daughter – March 26

Brandy Clark – Big Day In A Small Town – April 1

This will be the sophomore album from the accomplished singer-songwriter. I expect this to be even better than 12 Stories, which means I think this has the potential to be an album of the year candidate.

Hayes Carll – (Yet To Be Named) – April 8

Will be released via Thirty Tigers.

Expected in 2016, But No Official Release Date

Keith Urban – Ripchord

We know the name, but no release date.

The Band Perry – Heart + Beat

There were rumors of them collaborating on a song with Nicki Minaj, which supposedly forced the release date back. But really it was because “Live Forever” bombed at radio and commercially. They would be better off just scrapping this album.

Karen Jonas – Country Songs (?)

Back in November Jonas said on Twitter she was working on her record. We could be seeing it sometime as early as spring 2016. Whenever it comes out I’m anxious to hear it, as her 2014 debut album Oklahoma Lottery netted her our 2014 Female Artist of the Year award and was an album of the year finalist.

Reckless Kelly

Matt Woods

Would be the followup to Country Perspective 2014 Album of the Year finalist With Love From Brushy Mountain.

Holly Williams 

Working with Dave Cobb on a new record.

Jack Ingram – Midnight Motel (?)

Ingram supposedly has enough music recorded for several records.

Natalie Stovall & The Drive – Heartbreak

Rumors & Speculation


Sturgill Simpson’s Third Album

You have to think Simpson will be releasing his third album this year and his first under major label Atlantic Records. His first two albums were released less than a year apart. Last year Sturgill didn’t release any new music and didn’t need to as more people continued to buy Metamodern Sounds in Country Music and pack his concerts full. The little bit we know about this third album is that Dave Cobb is producing it again, it’s already been recorded last year and there’s plenty of material that could be considered for it based off a 2014 interview Dave Cobb had with Rolling Stone. Cobb also said in the same interview regarding Sturgill’s next record: “We’re already doing something totally different and it will probably make a lot of people mad.” So the intrigue for this album should be varied and high when it’s announced.

Garth Brooks

When he released his comeback album in 2014, he also said there would be another album to follow it. But nothing has been said and Garth has ceased releasing singles to radio. It’s hard to tell with Garth, but a new album from him could come in 2016.

Jamey Johnson

Jamey Johnson did a lot of cool collaborations in 2015 (George Strait, Don Henley) and yet he didn’t release a new album. What gives Jamey? He promised at the beginning of last year we would see multiple releases from him throughout the year and he only released two singles. Last year I guaranteed we would see a new album from him. This year I’m just going to say we’ll see it eventually.

Miranda Lambert

It wasn’t a good 2015 for Miranda Lambert, personally or professionally. She divorced fellow country music superstar Blake Shelton and was practically non-existent at country radio and awards shows. It was a down year in every way for Lambert. But 2016 could be a huge year for her, as it’s been two years since her last album, so she’s poised to released a new record. You have to think this past year will fuel many of the songs on the record and make for some interesting music.

Dixie Chicks

They’re embarking on their first North American tour in several years. You have to think a new album may come out too. And if they release an album I’ll be highly intrigued to see the reception and reaction of the country music industry.

Pistol Annies

I haven’t seen any clue for a new album from this supergroup, but I have a hunch that it’s possible. What makes me think this is after the year women had in country music in 2015, Miranda Lambert, Ashley Monroe and Angaleena Presley all want to make a statement. What better way than release another Pistol Annies album?

Florida Georgia Line

In an interview with Billboard, the duo said they will “probably” release a new album in spring 2016. With bro country dead, Florida Georgia Line will be forced to take a new direction. Their last big was the best song they’ve ever released, “Dirt.” It was also their most serious song. So maybe they might take a more serious approach. I could also easily see them donning three-piece suits and ripping off Bruno Mars. I think it’s best to keep expectations low with these two and then be pleasantly surprised later if they release something good.

Josh Turner & Gary Allan

I put both of these artists together because both are in the same exact situation. Both released singles in 2015 and neither lived up to their usual expectations. Turner released a solid love song in “Lay Low” and ended up peaking just inside the top 30, which was unfortunate. Allan catered to trends with “Hangover Tonight” and it bombed in every way. This caused both of their labels to put albums that were expected to come out in 2015 on an indefinite hiatus. It’s a shame because I think both will be good albums. I heard some of Allan’s new songs in-person and they were very good. Turner always delivers. Let’s hope we hear both albums in 2016.

Others Highly Likely/On Track To Release New Albums This Year:

  • Brantley Gilbert
  • Cole Swindell
  • Granger Smith
  • Jason Aldean
  • First Aid Kit
  • Shovels & Rope
  • Old Crow Medicine Show
  • Dierks Bentley
  • Sunny Sweeney
  • Wade Bowen 
  • Lee Ann Womack
  • Blake Shelton
  • Jon Pardi
  • Mo Pitney
  • Eric Paslay
  • Brad Paisley
  • Kenny Chesney 
  • Little Big Town
  • Sam Hunt

Review – Hank Williams Jr.’s “Are You Ready For The Country”

Hank Williams Jr. It's About Time

When it comes to country music, the name Hank Williams is synonymous with it. Hank Williams is one of the forefathers and legends who built the genre. He was an irreplaceable icon whose impact shaped the genre and influenced it more than anyone could fathom. His son, Hank Williams Jr., has made an impact of his own. It’s not an easy task following your iconic father, but Hank Jr. has made his own name. For decades he has made music that’s captured the hearts and attentions of music fans across the world. While he started out making neo-traditional country like his father, Williams is best known for his mixing of traditional country, blues and southern rock. He’s been off the radar a little bit in the music world in recent years, but has re-emerged to the forefront after signing a deal with the label NASH Icon. His first album under the label is set to be released in January and the lead single is a familiar tune to many fans. Williams has redone the classic “Are You Ready For The Country,” penned by Neil Young and made famous by Waylon Jennings.

Right away you can hear fiddles and drums as this song plays in. So it’s nice to know Hank kept the song decidedly country sounding. As far as what this song is about, critics and fans have argued over it for years. It’s simply one of those songs where you the listener have to determine what it means to you. This could be interpreted as an upbeat song about being country. Or maybe it’s about pride for one’s country. As I said it’s up to you. Williams himself still sounds pretty good vocally, really not showing any signs of wear at all. Williams is joined on the song by Eric Church, as the two opened this year’s CMA Awards by performing it. Church sounds pretty good himself and fits well alongside Williams. I don’t think Williams could have chosen someone better in terms of mainstream country artists to perform alongside him on this song. The instrumentation and production are certainly interesting though. While the early parts of the song are good, it gets more overboard as the song progresses. The backing chorus that comes in is unnecessary and drowns the song out. The drums are also too loud. I would have liked to have heard more of the pedal steel and fiddles.

Overall this isn’t a bad song nor is it a good song. It’s one of those songs that just exists and you really have no opinion of it. The best things you can say about the song is at least it’s country and it’s not offensive. As I said about the vocal performances, I think they’re good and get the job done. But nothing is really done to elevate this song and re-invent it, which maybe you really can’t do to a song like this one. It’s currently at #58 on the Billboard Country Airplay chart and it has chance to go higher, as Church’s inclusion on it will entice some radio programmers to give it a spin. So far though NASH Icon hasn’t made much of an impact on country radio as it promised initially. I’ll be curious to see what Hank brings to the table on his new album come January. In the mean time, I would only recommend “Are You Ready For The Country” for the biggest fans of Williams and Church. Otherwise it’s pretty forgettable.

Grade: 5.5/10

(By the way, the lyric video doesn’t fit with the song at all. Not sure what they were going for here…)