Video Premiere: Jeff Crosby’s “Canyons”

Jeff Crosby & The Refugees

Jeff Crosby first came onto our radar last year when he released his album Waking Days with his band The Refugees. When it comes to most upcoming and new acts, many of them still aren’t sure what they want their sound and direction to be. After listening to Waking Days, it was clear this wasn’t a problem for this group. Jeff Crosby and The Refugees really impressed me with Waking Days. As I said in my review: Combining rock and roll, blues and country, this group creates a compelling sound of music that I think any true music fan could come to appreciate and enjoy. The instrumentation immediately catches your ear and each song has meaning and emotion behind it. It’s impossible not to connect with Waking Days.

Now at the time Crosby was also the guitarist for Jerry Joseph and The Jackmormons. But after two years, he’s decided to part ways with the group. That’s because Crosby has signed with UK-based label At The Helm Records and will be re-releasing Waking Days under the label. It’s an excellent move for both the label and the band. Crosby and The Refugees are a group I think could really make some noise with a label behind them now. As part of the rollout of the new album, Crosby made a video for what I consider the highlight song of Waking Days, “Canyons.” Country Perspective has the privilege to exclusively premiere that video right here, which you can watch below. It’s a song about what kind of impact loving someone can have on your life and how it can shape the person you become as a result of the experience. I highly recommend this song and the entire album if you have not heard it yet.

For more information on Crosby and his upcoming tour dates in the Pacific Northwest and the West Coast, click here. And be sure to weigh-in with your thoughts on the video.

Josh’s Top Ten Country & Americana Songs – November 2015

November 2015

Unsurprisingly the month of November slowed down in terms of new music. Most of the country music industry has turned their eyes towards the CMA Awards and holiday releases. But we still got a lot of really good music worth noting and there was certainly enough to compile a worthy top ten list of songs. This is probably the most mainstream populated top ten list I’ve done this year, as nine of the ten spots are occupied by a mainstream act. There was one surprise album that dominated this month, as it takes up much my list. And we all know who it is…

  1. Eric Church – “Record Year” – You know you’re hearing a special song when you get goose bumps upon the first listen. After listening to Mr. Misunderstood for a couple of weeks, his best record to date, I can say this is the best song Church has ever penned and performed too. Combining heartbreak with a rediscovery of music through a stack of vinyl, Church creates a song that I believe will go down as one of his signature songs. This was hands down my favorite song in the month of November.
  2. Eric Church – “Kill A Word (feat. Rhiannon Giddens & Andrea Davidson)” – That being said there were other really good songs on Mr. Misunderstood and this one is not too far behind “Record Year.” A lot of times when a country artist does an anti-bullying song, it comes off really cheesy and clichéd, lacking in true emotion and feeling. But here Church avoids these pitfalls and produces an anthemic song that is easy to connect with and enjoy. What takes this song to an even higher level is enlisting rising Americana artist Rhiannon Giddens on the song, who’s vocals blow me away every time. Unlike a lot of country music, Church recognizes Americana and this song is solid proof.
  3. Tim McGraw – “Humble and Kind” – The album I was expecting to be the best of November was Tim McGraw’s brand new album Damn Country Music. Even though it didn’t live up to this expectation, it’s still very solid and has a lot of good songs. The best though is the closing song, “Humble and Kind.” Written by Lori McKenna, it’s a soft ballad about life and the advices we should all heed as we encounter the various obstacles throughout it. The song fits McGraw perfectly and shows he hasn’t lost a beat in the vocals department.
  4. Eric Church – “Knives of New Orleans” – Despite feeling this is just the third best song on Mr. Misunderstood, I’ve seen many consider it the best and I don’t blame them for thinking it. This is the kind of song that immediately draws you in and holds your attention. Many crime-related country songs can be dark, but this one is adventurous and dare I say upbeat. I’ll be surprised if this doesn’t end up a single.
  5. Tim McGraw – “Don’t Make Me Feel at Home” – Now this is country music. One of the classic song archetypes in the genre is a heartbreak ballad, except this has a different twist. The husband cheating is doing it proudly, with seemingly no regrets, as he no longer feels any love at home from his wife. After he explains feeling empty for so long, you empathize with him, which is strange, yet feels appropriate. McGraw sings of his love of country music throughout his new album and I think this song best exemplifies it.
  6. Maren Morris – “My Church” – This budding, young pop country artist really grabbed my attention with her new EP. And it starts off with the EP’s best song, “My Church,” a gospel, bluesy filled song where Morris proudly sings about her love of country music and it’s religious-like influence on her. Not only is the instrumentation engaging and fun, but her vocals sound seasoned beyond her years and shows a ton of promise. Hopefully we get a full album from Morris in 2016.
  7. Tim McGraw – “Here Tonight (feat. Gracie McGraw)” – This song grows on me more each time I listen to it. Joined by his daughter Gracie, Tim McGraw delivers an entertaining song. What really though stands out about this song is the amount of influence from Celtic folk and Old World-style music. I would love to hear more music in this vein from McGraw in future projects, as it’s different and seems to suit him well.
  8. Eric Church – “Mixed Drinks About Feelings (feat. Susan Tedeschi)” – Church really hit a home run in terms of guest artists on Mr. Misunderstood. This song is no different, as this bluesy love song fits each artist perfectly. This is another potential single.
  9. Maren Morris – “I Wish I Was” – I fully expect Maren Morris to release “My Church” as her lead single, but this should definitely be the sophomore single. “I Wish I Was” is about a woman in a relationship realizing it just isn’t going to work, even though on paper they seem great together. She knows she’s not her man’s true love, but she wishes she was, making it even more difficult to end it.
  10. Jeff Crosby & The Refugees – “Emily” – The lone independent act on my list rounds out my top ten list for November. It’s easy to pay attention to all of the great mainstream releases, but don’t overlook the rock solid album from Jeff Crosby & The Refugees. The standout song from it is “Emily,” a part love song, part heartbreak song. The man in the song knows he loves this woman named Emily and she’s perfect for him. But she’s married now and he’s forced to move on wondering what if for the rest of his life. It’s a haunting, yet beautiful song.

Honorable Mentions:

  • Justin Moore – “You Look Like I Need A Drink”
  • Frankie Ballard – “It All Started With A Beer”
  • Jeff Crosby & The Refugees – “Water Shapes and The Canyons”

 

Album Review – Jeff Crosby and the Refugees’ ‘Waking Days’

Jeff Crosby & The Refugees

When it comes to some artists, you can just tell they got “it” from the moment you hear them sing. And you can certainly sense an “it” factor when you hear the voice of Jeff Crosby. It’s gritty, genuine and it sounds like he’s been singing for decades despite his young age. He’s toured all over the world and played with acts such as Reckless Kelly, Micky and the Motorcars and Lukas Nelson. He spends his time touring with Jerry Joseph and The Jackmormons and his own band The Refugees. Well today he has just released his debut album with his band the Refugees, titled Waking Days. And it’s definitely an album Americana and country fans can both appreciate.

Waking Days opens up with “City Girls.” Right away you get a taste of the bluesy, Americana sound that this band produces. Crosby’s voice is so smooth in its delivery and easily draws the listeners in and makes them want to hear more from this group. This is followed by “Carved in Sandstone,” which is the shortest song on the album. The song is about a man reflecting back on the moments he had with his ex-girlfriend. The steel guitar lingers throughout this reflection ballad. “Carved in Sandstone” immediately plays right into “Homeless and the Dreamers.” It’s about a man writing home to his love and trying to find his way in life. It’s very much a drifter aimlessly finding his way through life type of song and the production perfectly fits the story being told here.

The acoustic and steel guitar driven “Red White and Blue” sees Crosby singing about life and love. Once again I’m impressed by the instrumentation on display by Crosby and the Refugees. Love is the central theme again in “Water Shapes and the Canyons.” A man wonders where his love is and what she would say to him right now. The song is also a play on how water shapes canyons, representing a metaphor for the man’s life and how this woman shaped him. It’s really clever songwriting and makes this one of my favorite songs on the album. “Emily” is another standout of Waking Days. It’s about a man who looks back realizing a woman he knew, Emily, was always right and that she was the one for him. But he later finds out she’s now married and that he has to move on. The instrumentation of the song really sets a romantic vibe throughout and fits well with the lyrics. Crosby also does a great job of conveying the emotion of the story.

The epilogue and song that follows “Emily” is “I Should Be Happy.” The man realizes he should be happy that he could now move on with his life now that he knows the woman he loved is now married and has a family. But he just can’t seem to be happy. “Only One I Need” is a love ballad about a man only needing his love to believe in him and the only thing he needs. It’s a self-realization song that seems to come at the end of a long journey. This all set to some lingering steel guitar licks that perfectly sets the tone of the song. The most rocking song of the album, “What’s Normal Now,” is next. This song has a frenzy of guitar play throughout it. The album’s title track brings the record to a close. It kind of ties a ribbon on the whole album, as it seems to take all of the lessons learned on each song and puts them together on “Waking Days.” It’s a testament to Jeff Crosby and the Refugees’ artistry to be able to tie the whole record together and tell a cohesive, well thought out story.

Jeff Crosby and the Refugees certainly impressed me with Waking Days. Combining rock and roll, blues and country, this group creates a compelling sound of music that I think any true music fan could come to appreciate and enjoy. The instrumentation immediately catches your ear and each song has meaning and emotion behind it. It’s impossible not to connect with Waking Days. I definitely recommend checking this album out. This is a true group of artists that deserves to be heard by as many music fans as possible. Waking Days is a truly good album.

Grade: 8.5/10

 

The Hodgepodge: 2015 CMA Awards Reactions & Thoughts

Chris Stapleton Traveller

Last night the 49th annual CMA Awards took place where all kinds of awards and performances took place. There were certainly a fair share of ups and downs throughout the night. So let’s get to what I thought of each part of the show. We have to start though with the biggest and best of the show…

Chris Stapleton Shines Bright & Wins Big

Without a doubt the biggest story of the 2015 CMA Awards was Chris Stapleton. Going into it many of us critics and his fans didn’t give him much of a chance to win a single award. We just thought it was neat he was even nominated. One of the first awards given out is New Artist of the Year. Lo and behold Chris Stapleton wins it, beating out the likes of Sam Hunt, Thomas Rhett, Maddie & Tae and Kelsea Ballerini. This was an amazing feat. Then they get to Album of the Year, the one award everyone thought Stapleton had an outside chance at winning. He wins this too (with a Dave Cobb appearance too). This is turning into a euphoric show for Stapleton, his fans and fans of traditional country everywhere. He was nominated for one more award, Male Vocalist of the Year, going against the likes of Blake Shelton and Eric Church. And he wins again! A year ago many never even heard of Chris Stapleton, unless you were country music insider or songwriter. Now he’s beating out the biggest and hottest names of the genre and winning three major award on national television.

This wasn’t all that happened with Chris Stapleton on this show. Stapleton and Justin Timberlake delivered the undisputed best performance of the night when they sang Stapleton’s “Tennessee Whiskey” and Timberlake’s “Drink You Away” together. The entire place erupted after the performance and social media was ablaze. Both Miranda Lambert and Luke Bryan mentioned Stapleton in their acceptance speeches for their wins. As of this writing Stapleton has the #1 selling album on all of iTunes and “Tennessee Whiskey” is #2 on the all-genre chart, only trailing the record-breaking Adele song “Hello.” This night and this show was all about Chris Stapleton. It was a historic night not only in the career of Stapleton, but perhaps all of country music. Think about it. Stapleton walked away with three awards, while Sam Hunt and Thomas Rhett walked away with nothing. We could be looking back on this night as one of the biggest moments in country music history and could signify a drastic shift in mainstream country and country radio.

This couldn’t happen to a better person in Chris Stapleton, who was in tears when he accepted his third award of the night. I know I was teary eyed with several others watching too. He’s such a humble and hard-working guy who puts his heart and soul into all of his music. The 2015 CMA Awards was the Chris Stapleton show and he was deserving of every bit of adulation he has received.

Little Big Town Wins Awards for Song of the Year, Single of the Year & Group of the Year

If it wasn’t for Chris Stapleton, this night would have been about Little Big Town, who took home three awards themselves. This wasn’t a big surprise at all, considering “Girl Crush” was one of the biggest hits in all of music this year. I didn’t see it winning all of these awards, but I probably should have seen it coming. I don’t mind it winning at all, as it’s better than 90% of the other stuff on country radio. Little Big Town needs to savor this though because I don’t see them ever having this big of a hit ever again (similar to Lady Antebellum’s “Need You Now”). Their performance of the song was also one of the better ones of the night.

Hank Williams Jr. & Eric Church Open With “Are You Ready For The Country”

The show kicked off with Hank Jr. and Eric Church singing the Neil Young-penned “Are You Ready For The Country” and it wasn’t a bad performance. It wasn’t either’s best performance ever, but they were in-synch and they delivered for the most part. It’s the first single for Williams under the NASH Icon label and with Church being a part of the song might give it a good chance of getting radio play. Out of everyone in the mainstream to re-do this song with, Church was probably the best pick for Williams. And hey it’s definitely country music, which is a step in the right direction. This wasn’t the only big moment for Church of the night…

Eric Church Surprises The World With Brand New Album

In addition Church caught all of us off-guard and released a brand new album titled Mr. Misunderstood. His fan club had all received copies of it in the mail on Tuesday afternoon, which was the first inkling of it even coming out. Maybe he was inspired by Strait? Regardless this is an album many will be listening to and discussing in the coming week, including yours truly. Church may have only walked away with one award for the night, but this surprise album will surely be one of the buzzing stories in country music.

Blake Shelton Becomes The Most Hated Artist in Country Music

One of the biggest secondary stories of the night was Blake Shelton’s publicist announcing to the world 20 minutes before the show that he was dating fellow judge on The Voice and pop artist Gwen Stefani. It seems like a douche move to do this right before attending a show where your ex-wife is also attending. This screams Shelton wanting to “win” the breakup and basically rubbing it in Miranda Lambert’s face. It was a disgusting scene to watch and no doubt he pissed off several fans watching. Also if I were him I would avoid the Miranda fans because they were ready to throw daggers on social media.

Miranda Lambert Performs “Bathroom Sink” & Wins Female Vocalist of the Year

Lambert didn’t look too good up there performing “Bathroom Sink.” She definitely isn’t having the best year and you almost wanted to hug her. You can see why the anger for Blake was so high. Lambert was pretty short in her acceptance speech and just looked like she wanted to get off the stage quickly. But she accepted the award wearing a Chris Stapleton shirt and praised him for his big night. Look out for her next record because it could be her best yet.

Zac Brown Band Performs “Beautiful Drug”

This was such a godawful performance and I let everyone on Twitter know it. This song is bad enough at it is and what made it even worse was how flat Brown sounded throughout it. In fact he missed some big notes. The Zac Brown Band fanboys ate it right up, but the rest of us were waiting for it to just end. The good news though is that this song is at a snail’s crawl at country radio right now and we can only hope it flops to slap some sense back into Zac Brown. In my mind it was tied for the worst performance of the night. Speaking of…

Sam Hunt Performs “Take Your Time”

It speaks volumes that Hunt performed his mega-hit from months ago instead of his current single “Break Up In A Small Town.” Just like “Beautiful Drug,” this song is not gaining at all right now at radio. This of course a good sign that maybe country radio is considering dumping this un-country stuff and getting back to actual country music. We can only hope. This was tied for worst performance of the night.

Kacey Musgraves Performs “Dime Store Cowgirl”

This was without a doubt one of the top five performances of the night. Kacey sounded and looked absolutely stunning on the stage and I’m glad they gave her a full performance. Apparently her label has re-sent this song to radio in hopes that it gets a second chance from radio programmers. It’s one of her best songs off of Pageant Material and arguably the best single she has ever released. It deserves a chance, but I’m not confident.

Florida Georgia Line Performs “Confession” 

These two followed Chris Stapleton and Justin Timberlake’s mind-blowing performance with their blandest song yet. It was the most hilarious moment of the night. This is probably going to be their next single, which is a curious choice. They previously said they were taking a break after “Anything Goes” was done at radio, but that song didn’t perform nearly as well as they thought. It’s perhaps a sign that we’ve reached the Nickelback level with them? “Confession” will say a lot about this group’s standing moving forward. They might not be winning anymore Vocal Duo of the Year awards anymore. Also tied for worst performance of the night.

Fall Out Boy & Thomas Rhett Perform Together

Well this happened and I wish it hadn’t. I even enjoy “Uma Thurman,” but it has no business being performed on country awards show. This also tied for worst performance of the night. This is starting to turn into The Pulse.

The Rest

  • Keith Urban performed “Ain’t That America” with John Mellencamp and it was good thanks to Mellencamp mostly. Urban’s performance of “John Cougar, John Deere, John 3:16” was pretty forgettable, especially after following Church and Williams.
  • The Little Jimmy Dickens tribute was touching and appropriate. Kudos to everyone involved for making that happen.
  • Kenny Chesney performed “Save It For A Rainy Day,” which has dominated country radio recently. It was an okay performance and it did nothing to chance my thoughts about it.
  • I enjoy Carrie Underwood’s “Smoke Break.” But her performance was pretty stilted thanks to the audio. This on the production crew because Carrie’s voice sounded fine as always. It didn’t help she had to follow the absolute euphoria that erupted over Stapleton winning New Artist of the Year.
  • Kelsea Ballerini followed Stapleton winning Album of the Year and it was the most unintentionally comical thing I’ve seen at an awards show.
  • Brad Paisley performed “Country Nation” and it just made me long for his early days when he was singing “Too Country” with George Jones and Whisperin’ Bill Anderson. Bring back the old Brad!
  • Maddie & Tae did not get a full performance, which was a big bummer. But their short, stripped-down performance of “Girl In A Country Song” was really great. Plus they won Music Video of the Year, so they weren’t completely ignored. I’m sure they will be featured more in the future on these shows. Keep the faith in these two.
  • Pentatonix, one of my favorite pop groups, did a short a cappella performance of the Oak Ridge Boys’ “Elvira.” A lot of country folks were making snarky comments about them, but hey it’s their loss if they aren’t familiar with this group.
  • Jason Aldean sounded terrible performing “Gonna Know We Were Here.” I’ve dubbed him the Kim Kardashian of country music.
  • Reba performed with Brooks & Dunn and they still sound pretty good. Bring them back to radio I say.
  • Dierks Bentley performed “Riser” with Lindsey Stirling on violin. Dierks didn’t sound 100% tonight and it wasn’t his best performance. I always enjoy hearing this song though and Stirling getting to perform on the national stage was nice to see too.
  • Luke Bryan won Entertainer of the Year and the world pretty much yawned. But I applaud him for his classy acceptance speech and giving a shout out to Stapleton. This gives you a good idea though how big of a night Stapleton had when nobody cared about Bryan winning this award.

Overall

This was one of the best country awards shows I’ve seen in several years. Stapleton having a big night was a huge reason why. But there were also several good, country performances throughout the show and most of the award winners were of quality. Sam Hunt, Thomas Rhett, Cole Swindell, Jason Aldean and Blake Shelton walked away empty-handed. Sure there were some terrible performances too, including all-time awful ones in Zac Brown Band and Thomas Rhett with Fall Out Boy. But this was a night with overwhelming positives. I’ve haven’t been this positive about the future of mainstream country music in a long time. We can only hope this marks a major turning point in the genre returning to its roots and bringing quality artists in Chris Stapleton back to country radio.

Upcoming/Recent Country & Americana Releases

  • Eric Church surprised released his new album during the CMA Awards last night and it’s titled Mr. Misunderstood. We’ll have a review on it soon.
  • Tim McGraw will release his new album Damn Country Music tomorrow. We’ll have review on this early next week.
  • Josh Abbott Band will release their new album Front Row Seat tomorrow.
  • Jeff Crosby & The Refugees will release their new album Waking Days tomorrow.
  • Cam announced last week she will release her debut album Untamed on December 11.
  • Hank Williams Jr. announced he will release his first album under the NASH Icon label on January 15, 2016 and it will be called It’s About Time.

Great Music Currently at Country Radio

The very best of country radio right here in a nice playlist. In order for a song to be added to the list, it must currently be in the top 60 of the Billboard Country Airplay chart, so this will be updated weekly.

Throwback Thursday Song

Brandy Clark – “Stripes” – This past week I decided to go back and give a good listen to Brandy Clark’s 2013 album 12 Stories and I enjoyed it thoroughly. The standout from the album and one of the most popular songs on it is “Stripes,” a song about how a woman won’t shoot her husband for cheating on her because she doesn’t like to wear orange or stripes. This wry humor combined with your standard cheating song was a nice touch and definitely recommend giving this album a listen if you haven’t yet.

Non-Country Suggestion of the Week

Rise Against The Machine – “Bulls on Parade” – I’m not a big fan of rap metal, but this song just flat-out rocks.

Tweets of the Week

There were a lot of awesome tweets during the CMA Awards. But this has to be featured. For those unfamiliar, Jimmy Kimmel Live has a popular feature called Mean Tweets in which celebrities, artists and even President Obama read mean tweets about themselves. They’re hilarious and I warn you that they can be addicting to watch. Anyway tonight they came out with a country music edition and it’s very funny. In particular I was pumped to see Reginald Spears get featured twice, who has been featured in this space many times. If you’re on Twitter, he’s a must-follow. Anyway just watch this video.

iTunes Review That Rocks

Sam Hunt Isn't Even Bro Country

This was left under Sam Hunt’s new acoustic mix tape album Between The Pines. Like this reviewer above says it’s not country (you’d think acoustic would mean it would be a little country), not even bro country. We’re to the point where bro country is an upgrade. I’m just going to go back to listening to music on the Americana chart.

Thanks for reading and be sure to weigh in below! 

The Hodgepodge: Mainstream Country Artists Need To Put Up or Shut Up

Joe Nichols (public domain)
Maybe a little less talk and a lot more action, Joe?

A couple of weeks back Grady Smith at The Guardian wrote an interesting piece that centered around mainstream country artists and how they don’t like the records they make. First off kudos to Grady for this piece, as it brings to light an interesting subject that needs to be discussed. For many years I have heard fans of mainstream country artists defend the bad music their favorite artists put out because they were forced to do it by their label. Well as I’ve learned ever since I’ve started this blog, this argument is a load of crap. And the quotes from mainstream country artists in this piece further back it up.

Joe Nichols is the main focus of the piece, who is the perfect artist when it comes to this argument. Any country fan knows that Nichols is capable of churning out great traditional country music, as early on his career he did this regularly. His deep, baritone voice is capable of belting almost any country song. Then he decided to sell out to bro country with songs like “Yeah” and “Sunny and 75.” Lately he hasn’t had quite the success. So now he’s crowing about he would just love to make a traditional country record. From Grady’s piece:

“If I could just make the record I wanted to make, I’d hire the country-est guys in Nashville. Kenny Sears, Opry members, the Time Jumpers, maybe Vince Gill to come sing. And we’d make a country record that probably wouldn’t get sold at all.” Nichols claimed that he’d love to record music with “lots of twin fiddles, steel guitars, country shuffles and western swing … But I’m not that rich.”

First off this argument from Nichols isn’t nothing new. He said something similar months ago. What makes this quote in particular more ridiculous is how far he takes it. He says that this kind of record wouldn’t “get sold at all.” Just this year there are countless examples that prove this wrong. Aaron Watson and Jason Isbell both had #1 country records making albums that are very country and have received praise from fans and critics alike. As pointed out by Saving Country Music, Sturgill Simpson’s 2014 album Metamodern Sounds in Country Music has sold over 100,000 albums. This is nothing to sneeze at, considering this beats out many B and C-list mainstream country artists’ album sales. Not to mention this led to Simpson getting a deal with Atlantic Records. So the idea that traditional country records don’t sell is absolutely false. And Nichols using the defense that he isn’t that rich is laughable too. Many notable independent country artists make a good living, so I find it hard to believe that an artist on a major label like himself is struggling for money. He’s also had five #1 country songs. Excuse me while I go play the world’s smallest fiddle for Mr. Nichols.

Later in the piece Smith brings up Jake Owen saying something similar in an interview. Here’s what Owen had to say:

“It’s never strictly about music,” Owen said, “because it can’t be that way. There are too many people invested in my career.” He continued, “I’ve got management and labels, radio guys, promoters looking to do a tour. You can’t start a tour if you don’t have the right songs to support it. There’s money that’s being spent. I got guys in a crew and I feel responsible for their lifestyles, their families and their livelihood. I can’t afford to be selfish, nor do I want to be.”

Once again another pathetic excuse. So releasing terrible music is all an effort to feed all of your underlings on your team? Please. I highly doubt Owen is thinking about them as he sits in his nice house or when he’s in the studio making music. This is the equivalent of corporations using kids in ads to shield themselves from criticism. And let’s hypothetically go along with this argument for a second. This essentially means these artists don’t believe in the music they’re putting out and doing it strictly for the bottom line. That sounds less like an artist and more like a businessman to me. Why should fans care about the music if the artist doesn’t care?

Grady goes on to make a lot of great points himself and if you haven’t read the piece yet you need to do it. I just want to add a few more to them. First selling out is not guaranteed to pay off. Jake Owen’s “Real Life” didn’t get above the top 15 on the Billboard Country Airplay chart and is already recurrent. His previous single “What We Ain’t Got” actually went higher, last longer and was considered by critics to be his best single yet. It also can alienate your fan base. Ask Jerrod Niemann. While “Drink To That All Night” was his biggest hit, it only proved to be a short-term burst in stature. His follow-up single “Donkey” was a complete flop because he took things too far. It’s highly doubtful he’ll ever reach the highest of heights in country music again. Lastly, this is a slap in the face to independent artists everywhere who bust their ass and put their blood, sweat and tears into their songs. Independent country artist Chris King says it best in multiple tweets:

https://twitter.com/ArtificialChris/status/655065080682250240

https://twitter.com/ArtificialChris/status/655065779465924608

https://twitter.com/ArtificialChris/status/655066197986152448

https://twitter.com/ArtificialChris/status/655066537582170112

https://twitter.com/ArtificialChris/status/655068270479872001

Bottom line: Mainstream country artists need to stop whining about wanting to make the music they want to make and just make it. Actions speak louder than words. Saying you’ll do something means nothing. You’re simply procrastinating and making an excuse. Mainstream country artists need to either put up or shut up because the talking has gone past the point of tiring. It doesn’t matter what you think, it matters what you do.

(And if Nichols wants to make that album with a lot of fiddle, he just needs to ask Dierks Bentley. Up On The Ridge, anybody?)

Upcoming/Recent Country & Americana Releases

  • Chris Janson will release his new album Buy Me A Boat tomorrow.
  • The Yawpers’ new album American Man will come out tomorrow. If you missed my review of it yesterday, click here.
  • Tim McGraw is releasing his new album Damn Country Music next Friday.
  • Josh Abbott Band will release their new album Front Row Seat next Friday.
  • Jeff Crosby and The Refugees will release a new album next Friday titled Waking Days.
  • Steve Martin and Edie Brickell are releasing a folk album on Friday called So Familiar. Yes, it’s the actor. I’m definitely reviewing this one out of sheer curiosity.
  • Ashley Campbell is officially sending “Remembering” to country radio for adds on November 9. If you missed my review of it, check it out here.
  • Brothers Osborne officially announced they will release their debut album on January 15, 2016 and it’s titled Pawn Shop. Click here for their official announcement and the album cover.
  • Lucinda Williams has announced she will release a new album titled The Ghosts of Highway 20 and it’ll be released on February 5, 2016 via Thirty Tigers.

Great Music Currently at Country Radio

The very best of country radio right here in a nice playlist. In order for a song to be added to the list, it must currently be in the top 60 of the Billboard Country Airplay chart, so this will be updated weekly.

Throwback Thursday Song

George Strait – “Check Yes or No” – Here’s a classic 90s song from King George himself. I grew up hearing this song all the time on the radio and grew to be one of my favorites from Strait.

Non-Country Suggestion of the Week

I’ve said before on this blog how much I respect and enjoy Adele’s music. Well after waiting much longer than many anticipated, we finally get new music from her. This is her new single “Hello,” which is a heartfelt ballad that proves she is just as great as ever. As of this writing it already has 93 million views on YouTube. Crazy! Her new album comes out on November 20 and like her previous albums she helped write every song on it. No Chris Stapleton co-writes this time though.

Tweet of the Week

Grady Smith with the subtweet of the year! I think you’ll figure out who he is referring to…

iTunes Review That Rocks

Thomas Bieber

This week in Thomas Rhett Sucks he gets compared to a mix of Ed Sheeran and Justin Bieber. That sounds about right, except Sheeran has some talent. The Bieber comparison works though.

Thanks for reading and be sure to weigh in below!