Album Review — Kanye West’s ‘Jesus Is King’

What can I say about Kanye West that you haven’t heard from somebody else already? There isn’t, so let’s just cut to the chase: his newest album Jesus Is King. With this new album Kanye goes gospel and has said that he’s done with secular music and he’s not swearing in it either (there is zero cussing in this album). Yeah I’m sure this will stick, just like when he dropped Yhandi like he said he would last year. Nevertheless, let’s roll with it. Jesus Is King opens with “Every Hour,” which prominently features the Sunday Service Choir. It’s a passionate and uplifting performance from the group and while as a standalone song it doesn’t really work, it does work great as an album opener. So Kanye does establish the right mood for a gospel album.

“Selah” is Kanye’s fiery proclamation of being a born-again Christian and him giving himself over to Christ. And this is great for Kanye. But as for the song: it feels like it never really leaves first gear. It has an epic opening with the pounding drums and the Sunday Service Choir singing “hallelujah” in the background. It truly makes the song feel like something big. But nothing big ever really comes. The bars range from decent to mediocre and puzzling (I have no clue what he means when he raps “Everybody wanted Yhandi/Then Jesus Christ did the laundry”). It’s basically a half-finished song, which is a common theme on this album.

This continues on “Follow God.” I love the sampling of “Can You Lose By Following God” by Whole Truth, continuing Kanye’s excellent knack at picking samples. The beat is catchy, as well as Kanye’s flow. But the lyrics go nowhere, as it’s just Kanye rapping about talking with his dad and then really nothing after it. “Closed on Sunday” may be Kanye’s most cringe-inducing track of all-time, as the writing reaches an all-time low for him: “You my Chick-Fil-A/You’re my number one with the lemonade.” This is Luke Bryan-level rapping bad. Not to mention the production is weak and too minimalist. And why is he weirdly shouting out Chick-Fil-A at the end? Any other restaurant and I would say Kanye was being paid to say it, but I don’t think Chick-Fil-A needs any advertising to convince people to eat there. It’s delicious and it sells itself!

“On God” is another short song, but this one actually feels finished. But the lyrics are so contradicting. On one hand, West is rapping about being so thankful for God and then on the other he reiterates being the best artist of all-time, complains about how much he pays in taxes and then tries to justify why he charges so much money for his merchandise (for $150 you too can have a Kanye/Jesus sweater!). In the words of his dad on “Follow God,” that ain’t Christ-like. Hence why so many people like myself are 100% skeptical of the “new Kanye.” Thankfully it finally gets better on “Everything He Needs.” Ty Dolla $ign is smooth as silk on the hook, as he usually is on features. The harmonies of West, Ty and Ant Clemons sound great and give the song an appropriate uplifting feel to a song about being thankful for everything you have. It’s a solid and complete track, which is an accomplishment on this album.

Clemons has another great feature on “Water,” as he sounds better over West’s production than West himself. The same can be said of the choir. But West’s bars are lazy and short and he doesn’t even feel necessary on the song. So you’re left with a good hook, production and an unbaked overall concept. Again. “God Is” is one of the best songs on the album and shows Kanye at his best. It’s a genuinely inspiring gospel song where Kanye brings a lot of passion with his vocals. If he could have brought this level of energy and focus over the entire album, it would have been excellent just like this song. And it once again is a great sampling choice, this time “God Is” by James Cleveland and the Southern California Community Choir.

“Hands On” is a rambling and quite frankly boring song where Kanye has the most basic and monotone flow. And the song goes on and on with Kanye rapping about being judged by Christians and asking for prayers. I’m not really sure Kanye was going with this song, but with what have it goes nowhere. It’s beating a dead horse, but this is what happens when you rush projects.

“Use This Gospel” is another big highlight on the album and that’s a big thanks to the excellent features. First is the reunion of Clipse, as both Pusha T and his brother No Malice kill their verses. It’s great to hear this duo together on a song again, especially No Malice, who left behind music to become a preacher and is the perfect feature for the album. Then Kenny G of all people comes at the end of the song and blows you away with a satisfyingly smooth saxophone solo. Again, when Kanye is focused it’s incredible how he can bring together several different elements and make them sound amazing.

Of course the album doesn’t end on this great note, but instead a mediocre interlude (calling it a song feels insulting) in “Jesus is Lord.” It’s completely pointless, but if you’ve listened to multiple Kanye projects and the rest of this album, you’re not surprised.

Kanye West’s Jesus Is King shows glimpses of being a great album. But ultimately Kanye didn’t spend enough time and focus on it to bring it together. So you’re left with several unfinished songs, ideas and largely great production that is wasted. There are enough good to great songs and moments on the album that make it worth checking out. But there’s also plenty of down moments that balances this album to overall being just bland and okay.

Grade: 5/10