The Endless Music Odyssey, Vol. 5 — CeeLo Green, Caylee Hammack & more!

CeeLo GreenCeeLo Green is Thomas Callaway

Dan Auerbach, David Ferguson and Easy Eye Sound just continue to churn out quality albums. This time it comes from veteran R&B artist CeeLo Green, who is known for such hits like “Crazy” as part of Gnarls Barkley and “Forget You” as a solo artist. But this album is much different than his popular material, as the glitz and glamour is all stripped away in favor of more subtle and smooth sounds. It’s an enjoyable mix of R&B, soul, pop, gospel and even some country. Many have described Green as a chameleon-like performer and I think this album exemplifies this more than any of his others.

There’s simmering love songs like “For You,” “I Wonder How Love Feels” and “Doing It All Together” that mix soul and pop to great results. “Lead Me” shows how Green can absolutely excel at gospel with his passionate vocals and makes me wish there were more gospel moments. “Little Mama” and “Don’t Lie” show another side of Green, being a father, which was great to see from him. But the two songs that intrigued me most were when he dipped into a more country-influenced sounds on “People Watching” and “Slow Down.” The former is a simple, yet bouncy song about observing the world around you and taking in the little things. The latter is a fantastic cover of his Easy Eye Sound label mate John Anderson. CeeLo Green covering John Anderson is not something I thought I would ever write about, but hey it’s 2020 and it works well.

The album closes out with another highlight in “The Way,” a brooding song about fighting your way through darkness. Green’s voice really excels in these dramatic songs, as his dynamic voice can add the right amount of tension to build up the lyrics. If you’re into soul music or enjoy Green’s voice, this album is definitely worth your time. 8/10

Caylee HammackIf It Wasn’t For You

The potential of Caylee Hammack is great. She has an incredible voice and when she incorporates her personal experiences into her songwriting, it makes for some damn compelling music. “Small Town Hypocrite” is easily the star of this album, an in-depth look at seven-year relationship that took Hammack away from a music scholarship and changed her life in several ways. And not only is the attention to detail great in the lyrics, but her vocal performance adds just the right amount of emotional touch. The best example is when she sings “When I chose you and daddy gave me hell/I made myself into someone else/Just to love you, damn, I loved you.” The aching regret and hesitation in her voice as she delivers these final words cuts straight to the heart. 

Hammack has other great moments on this album too like “Redhead.” Hammack and Reba sound great together and I’m surprised this wasn’t chosen for her new single, as it’s catchy and fun to singalong with. Hammack, Tenille Townes and Ashley McBryde sound fantastic harmonizing together on “Mean Something,” which is a song dripping with honesty about people seeking to be something more in a world filled with a lot of selfishness and lack of substance. “Sister,” “Forged in the Fire” and “Family Tree” are other solid songs where Hammack peels back layers of her life to deliver heartfelt messages and show the lessons she’s learned. “Gold” is a heartfelt epilogue to “Small Town Hypocrite” and “New Level of Life” is a fun closer to the album that features one of the more interesting production moments on the album.  

But this album falls frustratingly short of being great and I largely blame this on the production. It ultimately hinders Hammack more than it helps, as most of the time it feels very paint-by-numbers as far as pop country goes. Hammack’s voice isn’t fully utilized, as it’s bright and dynamic, so why not fully feature it? It’s also frustrating to have songs in the middle of the album like “Preciatcha,” “Just Like You,” “Just Friends” and “King Size Bed” that pigeonhole her into generic pop country. It’s just not that interesting and throws the flow of the album off for me. It’s not really surprising, as new artists typically have these kinds of songs on their debut album to appease labels who like to send them to radio. Nevertheless, this is a decent debut album from Hammack. 6/10

DUCKWRTHSuperGood

Smooth, slick and funky are the three best words to describe this album. If you’re looking for lyrical prowess, this album won’t have it. Not to say the lyrics are bad. They’re solid, yet unspectacular as most of the lyrics deal with love and enjoying the party. But if you’re looking for some smooth beats, this album is overflowing with them. This is an album to move to and sing along with on a Saturday night. While it’s listed as hip-hop, this is far from a straight hip-hop record. No, I would describe this more along the lines of Tyler the Creator’s IGOR. This album is very much genre fluid, an enjoyable blend of hip-hop, R&B, soul, pop and disco. While I was a big fan of DUCKWRTH’s earlier material that was edgier and had an almost rock flavor to them, it’s clear this sound seems to suit him best. And he did kind of foreshadow this on “MICHUUL,” aspiring to be like the king of pop. And this music is definitely a strong step into that sound. 8/10

The MavericksEn Español

This is definitely one of those times where I wish I had taken more Spanish classes. I know some of the language, but unfortunately not enough to understand and appreciate the lyrics of this album. If anybody would happen to know how to procure a translated version of it, I would be happy to go more in-depth on this album. So for now I can only analyze the other elements of this album and they’re top level as always from the eclectic and dynamic group. The instrumentation is flamboyant, colorful and vibrant, a beautiful mixture of country, pop, Tex Mex and a whole lot more. Raul Malo still has one of the best voices in music, as it still sounds as flawless as ever. So based on the two elements of this album I can understand, this is another great album from The Mavericks. 

Margo PricePerfectly Imperfect At The Ryman

This is the best Margo Price album and you can’t tell me otherwise. In the last edition of The Endless Music Odyssey, I expressed my disappointment with her latest studio album and how it fails to capture the energy of her live shows that get rave reviews. I’ve never seen her live, but I potentially will next year as she opens for a Chris Stapleton show I have tickets to see. This reminded me that she actually released a live album on Bandcamp earlier this year and it had slipped through the cracks for yours truly. After listening to this album, it further cements the sentiment she’s better live. She has a fiery and infectious personality that unfortunately just gets sanded away in her studio recordings. But in a live setting she’s unleashed and at her very best. Her vocals don’t feel restrained and you even get to hear her excellent vibrato on multiple songs, which baffles me that this isn’t featured much on her studio albums. 

I hope whoever produces her next album takes cues from this live album and finds a way to incorporate them. Old Crow Medicine Show was in this same boat for years too and Gary Clark Jr. is still in this boat. It’s a rare occurrence it feels like in music to sound good live, but not in the studio, as it’s usually the other way around for several artists. 8/10

Tucker BeathardKING

Well I’ll say this: at least his voice is tolerable now. I once said he couldn’t carry a tune in a bucket and that his voice was grating to the ears. It didn’t help either he was another victim of On The Verge, which is a legal payola way of making someone a “star”, but really just distorts reality. Also a smart move to delete all of his music with Big Machine Records and to start a clean slate. 

So I will say I can now listen to his voice without wanting to turn the song off. But he sounds essentially like every other male pop country artist. Still progress of course to go from bad to generic, but not really good either. None of these songs compel me to say anything other than it’s a song, except for “One Upper.” It’s a song about two characters: a rich asshole in a suit who thinks he can buy everything with money and an average joe who ultimately thinks he’s better because he has a hot girlfriend. What endearing people! 4/10

Josh TurnerCountry State of Mind

Just like I said about Jon Pardi’s Rancho Fiesta Sessions, take this for what it is and you’ll have an enjoyable listen. This is another solid country covers album released in a year where there’s been several. Needless to say I’m starting to get a little fatigued by them at this point. There’s not a bad song on this album, but the highlights in my eyes are “I’ve Got It Made” with John Anderson, the album title track with Chris Janson, “I Can Tell by the Way You Dance,” “Forever and Ever, Amen” with Randy Travis and “Desperately” with Maddie & Tae. 8/10

Josh’s Jukebox Journal — Country Hits: 2006

Once upon a time there was a popular feature on this blog called The Current Pulse of Mainstream Country Music and it’s sister feature The Past Pulse of Mainstream Country Music. It was an enjoyable feature for both you and I, before I decided to take a hiatus from blogging. My own enjoyment of the feature had waned, but I’ve wanted to return to a feature like this ever since.

Kyle over at Kyle’s Korner Blog took over the torch for The Current Pulse and is doing a fantastic job with it, so please go check it out if you haven’t done so. But I was wanting to do a Past Pulse. Unfortunately as I’ve discovered, Billboard has become greedy and decided to lock past charts behind a paywall. Quite an asinine decision in my view. So with this stupid decision by Billboard, I obviously can’t do The Past Pulse. But that sent me down the idea rabbit hole and I got to thinking how I could re-adapt the Past Pulse into something new. Combined with another feature idea I had been tinkering with, I’ve come up with Josh’s Jukebox Journal.

Josh’s Jukebox Journal is a brand new feature on the blog that will be similar to The Current Pulse of Mainstream Country Music, but with a twist. Rather than rely on past charts from Billboard instead I will look at playlists. This could be from any genre, from any year, past or present, various artists or just one artist. I will run through the playlist giving a thumbs up (let it play), shrug (essentially playlist filler) or a thumbs down (skip it). The best song will get two thumbs up and the worst will get two thumbs down. At the end I will give a grade for the quality of the playlist. These playlists can come from any of the streaming services (preferably Spotify, Apple Music or YouTube).

This feature won’t have a set day or time of when it releases. It will essentially be when I want to do one. And of course I want to hear playlist ideas for future versions of Josh’s Jukebox Journal in the comments! Today I will take a look at the Apple Music playlist Country Hits: 2006…

    • Rodney Atkins – “If You’re Going Through Hell” 👎
    • Rascal Flatts – “What Hurts the Most”🤷
    • Josh Turner – “Your Man” 👍
    • Carrie Underwood – “Jesus, Take the Wheel” 👍
    • Jennifer Nettles & Bon Jovi – “Who Says You Can’t Go Home”🤷
    • Brad Paisley – “When I Get Where I’m Going (feat. Dolly Parton)” 👍
    • Jason Aldean – “Why”🤷
    • Kenny Chesney – “Summertime”🤷
    • Phil Vassar – “Last Day of My Life” 👍
    • LeAnn Rimes – “Something’s Gotta Give”🤷
    • George Strait – “She Let Herself Go”🤷
    • Jack Ingram – “Wherever You Are” 👍
    • The Wreckers – “Leave the Pieces” 👍
    • Kenny Chesney – “Living In Fast Forward” 👍
    • Brad Paisley – “The World” 👍
    • Carrie Underwood – “Before He Cheats” 👍
    • Trace Adkins – “Honky Tonk Badonkadonk” 👎👎
    • Rascal Flatts – “My Wish (10th Anniversary)” 👎
    • Blake Shelton – “Nobody But Me” 👍
    • Dierks Bentley – “Settle for a Slowdown” 👍👍
    • Steve Holy – “Brand New Girlfriend” 👍
    • Josh Turner – “Would You Go With Me” 👍
    • Little Big Town – “Bring It On Home” 👍
    • Sugarland – “Want To” 👍
    • Toby Keith – “Get Drunk and Be Somebody” 👎

Thumbs up: 15
Shrugs: 6
Thumbs down: 4

Grade: 7/10

This is a pretty solid playlist (until you see a lot of the songs missing I list below that I would have added and then you’re going to get angry like me). I was actually a little surprised, but then as I listened to it more not so much because I remember every single one of these songs vividly. I was 14/15 years old when these songs were popular and this was when my brother and I would watch the CMT music video countdown show every week. So I definitely got some nostalgia running through this playlist. And I can’t get over how much mandolin was allowed on country radio back then!

So many great songs to choose from for the best. Josh Turner was absolutely on fire during this time. I really enjoyed Carrie Underwood and Brad Paisley’s material at that time too. Underwood of course just released her debut album and it’s arguably still her best record. Paisley helped Dolly get another hit and that’s always great. But I had to go with Dierks Bentley’s “Settle For a Slowdown” from the excellent Modern Day Drifter album. The ominous and dark atmosphere created by the guitars and the descriptive lyricism that so perfectly lays out the longing heartbreak taking place in the song made me choose it as best.

Not a lot of bad songs to choose from on this playlist, which is nice of course. I enjoyed all of Rodney Atkins biggest hits at first, including the one above, but thank country radio and grocery stores for overplaying them to the point I cringe when I hear them. I don’t mind Rascal Flatts’ “My Wish,” but for some bizarre reason they put a flat and bad 10th anniversary version on this playlist. Long-time readers know how I feel about post-9/11 Toby Keith. But picking Trace Adkins’ “Honky Tonk Badonkadonk” as the worst was a slam dunk choice. This song was everywhere, well rather the remix version, which I’m surprised isn’t what was chosen for this playlist. It’s an annoying novelty song that will only age worse with time. (That I’ll also admit that teenager me loved at the time)

Songs I Would Have Added to the Playlist

  • Billy Currington – “Must Be Doin’ Somethin’ Right” (Currington was so good during this time and his omission is bad)
  • Dierks Bentley – “Every Mile a Memory”
  • Brooks & Dunn – “Believe”
  • Little Big Town – “Boondocks” (A cult classic!)
  • George Strait – “Give It Away” (How in the hell was this not on the playlist, yet the sleepy Strait hit was chosen?!?)
  • Emerson Drive – “A Good Man”
  • Eric Church – “How ‘Bout You” (Not a single Church song on the playlist is criminal!)
  • Kenny Rogers – “I Can’t Unlove You” (Rest in peace Mr. Rogers. Also people forget this was a top 20 song for him in 2006 and definitely worthy of this playlist)
  • Gary Allan – “Life Ain’t Always Beautiful” (Why was this not on the playlist either?!)
  • Alan Jackson – “Like Red on a Rose” (I’m just getting more angry at what was not on this playlist)
  • Jack Ingram – “Love You”
  • Van Zant – “Nobody Gonna Tell Me What to Do”
  • Eric Church – “Two Pink Lines” (Incredible song!)
  • Keith Urban – “Once in a Lifetime”
  • George Strait – “The Seashores of Old Mexico”
  • Joe Nichols – “Size Matters (Someday)”
  • Tim McGraw – “When the Stars Go Blue” (Not a single McGraw song on the playlist, especially not this one?! Come on)
  • Billy Currington – “Why, Why, Why”
  • Jake Owen – “Yee Haw”
  • Kenny Chesney – “You Save Me” (Take the two songs he has on the playlist and replace them with just this one, his best hit of the year)

Be sure to weigh-in with your thoughts on the playlist and what you would have added to the playlist too below!

The Current Pulse of Mainstream Country Radio [March 6]

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 1)
  2. Jon Pardi – “Dirt on My Boots” +1 (Up 3)
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Little Big Town – “Better Man” +2 (Down 4)
  6. Luke Bryan – “Fast” -1 (Up 1)
  7. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Jason Aldean – “Any Ol’ Barstool” (Up 1)
  10. Blake Shelton – “A Guy With A Girl” -1 (Down 4) 
  11. Kelsea Ballerini – “Yeah Boy” -5 
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl”
  14. Sam Hunt – “Body Like a Back Road” -5 (Up 1) [Worst Song]
  15. Kenny Chesney – “Bar at the End of the World” -3 (Down 1)
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. High Valley – “Make You Mine” -2 (Up 1)
  18. Dierks Bentley – “Black” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1
  20. Dan + Shay – “How Not To” +1 (Up 2)
  21. Chris Janson – “Holdin’ Her” +4 (Down 1)
  22. Trent Harmon – “There’s A Girl” +1 (Down 1)
  23. Darius Rucker – “If I Told You” 
  24. Lady Antebellum – “You Look Good” -4 (Up 2)
  25. Rascal Flatts – “Yours If You Want It” -2 (Down 1)
  26. Craig Campbell – “Outskirts of Heaven” +3 (Down 1)
  27. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (Up 1)
  28. Brett Young – “In Case You Didn’t Know” -2 (Re-Enters Top 30)
  29. Zac Brown Band – “My Old Man” +4 (Up 1)
  30. Miranda Lambert – “We Should Be Friends” +2 (Down 3)

The Current Pulse of Mainstream Country Radio: -24

The pulse drops five spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Runaway June – “Lipstick” +3

Songs That Entered The Top 30 This Week:

  • Brett Young – “In Case You Didn’t Know”

Biggest Gainers This Week:

  • Jon Pardi – “Dirt on My Boots” – Up 3 from #5 to #2
  • Brett Young – “In Case You Didn’t Know” – Up 3 from #31 to #28

Biggest Losers This Week:

  • Runaway June – “Lipstick” – Out of the Top 30 & Done
  • Little Big Town – “Better Man” – Down 4 from #1 to #5
  • Blake Shelton – “A Guy With A Girl” – Down 4 from #6 to #10

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl” (Radio and Blake just can’t bear the thought of one week in the top 30 without a single from him, so chart jacking!)
  • Eric Church (feat. Rhiannon Giddens) – “Kill A Word” (This one appears to be out of gas now. We’ll see if EMI fights to keep it alive)
  • Garth Brooks – “Baby, Let’s Lay Down and Dance” (The Fritos song finally appears done. No one will remember it)
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine” (54 weeks. I bet it’ll reach the top 10 in another 25 weeks)
  • Trent Harmon – “There’s A Girl”

On The Hot Seat:

  • Craig Campbell – “Outskirts of Heaven”
  • Miranda Lambert – “We Should Be Friends” (You can start panicking and worrying, Miranda fans. I’m being generous putting it here and not above because this is surrounded by radio darlings. Not good.)

Next Four Songs I See Entering Top 30:

  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Cole Swindell – “Flatliner”
  • Blake Shelton – “Every Time I Hear That Song”
  • Brothers Osborne – “It Ain’t My Fault”

 

As always be sure to weigh-in with your thoughts in the comments below. 

The Current Pulse of Mainstream Country Radio [February 27]

little-big-town-better-man

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Little Big Town – “Better Man” +2 
  2. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Jon Pardi – “Dirt on My Boots” +1 
  6. Blake Shelton – “A Guy With A Girl” -1 (Up 1) 
  7. Luke Bryan – “Fast” -1 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  10. Jason Aldean – “Any Ol’ Barstool” 
  11. Kelsea Ballerini – “Yeah Boy” -5 (Up 2)
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl” (Up 2)
  14. Kenny Chesney – “Bar at the End of the World” -3 
  15. Sam Hunt – “Body Like a Back Road” -5 (Up 3) [Worst Song]
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. Dierks Bentley – “Black” -2 (Up 2)
  18. High Valley – “Make You Mine” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1 (Up 1)
  20. Chris Janson – “Holdin’ Her” +4 (Up 2)
  21. Trent Harmon – “There’s A Girl” +1 
  22. Dan + Shay – “How Not To” +1 (Up 1)
  23. Darius Rucker – “If I Told You” (Up 1)
  24. Rascal Flatts – “Yours If You Want It” -2 (Up 1)
  25. Craig Campbell – “Outskirts of Heaven” +3 (Up 1)
  26. Lady Antebellum – “You Look Good” -4 (Up 1)
  27. Miranda Lambert – “We Should Be Friends” +2 (Up 1)
  28. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (New to Top 30)
  29. Runaway June – “Lipstick” +3 (Up 1)
  30. Zac Brown Band – “My Old Man” +4 (Re-Enters Top 30)

The Current Pulse of Mainstream Country Radio: -19

The pulse improves six spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Dustin Lynch – “Seein’ Red” -5
  • Brett Young – “In Case You Didn’t Know” -2

Songs That Entered The Top 30 This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Zac Brown Band – “My Old Man”

Biggest Gainers This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter” – Up 5 from #33 to #28
  • Sam Hunt – “Body Like A Back Road” – Up 3 from #18 to #15

Biggest Losers This Week:

  • Dustin Lynch – “Seein’ Red” – Out of the Top 30 & Done
  • Brett Young – “In Case You Didn’t Know” – Out of the Top 30 (#31)

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl”
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine”
  • Trent Harmon – “There’s A Girl”
  • Craig Campbell – “Outskirts of Heaven”
  • Runaway June – “Lipstick”

On The Hot Seat:

  • Brantley Gilbert – “The Weekend”
  • Garth Brooks – “Baby, Let’s Lay Down and Dance”

Next Four Songs I See Entering Top 30:

  • Brett Young – “In Case You Didn’t Know”
  • Cole Swindell – “Flatliner”
  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Blake Shelton – “Every Time I Hear That Song”

 

Call me crazy, but is this gerrymandering really helping anyone? What is the point of all this blatant chart jacking?

 

As always be sure to weigh-in with your thoughts in the comments below. 

Throwback Community Review – Josh Turner’s “Would You Go with Me”

Welcome to Country Perspective’s newest weekly feature, Throwback Community Review! Many of you enjoyed a previous similar feature The Past Pulse of Mainstream Country Music and it was one of the main inspirations behind this feature. It’s quite simple: each week there will at least one of these. I will present some information about the song and of course a video to listen to it. You will then take to the comments delivering your thoughts and a grade, on a scale from 1-10. Your grades will be averaged to get the community grade for the song. The comments will be open for a few days before I close them to tabulate the average. Songs from any era of country music could go show up here and I’m open to suggestions for future featuring in this space. This week we take a look at…

josh-turner-wygwm

Artist: Josh Turner

Song: “Would You Go with Me”

Released: April 24, 2006

Written by: Shawn Camp & John Scott Sherrill

Producer: Frank Rogers

Background: This was the second single from his second studio album Your Man. This single went on to reach #1 on the country chart and remained there for two weeks (one of Turner’s four #1 hits). It peaked at #43 on the Billboard Hot 100. It was certified platinum in September 2012. This song also earned Turner a nomination at the 2007 Grammys for Male Country Vocal Performance of the Year (Vince Gill’s “The Reason Why” won).

See you in the comments with my own thoughts and grade!

 

Community Grade: 7.9