Album Review — Kanye West’s ‘Jesus Is King’

What can I say about Kanye West that you haven’t heard from somebody else already? There isn’t, so let’s just cut to the chase: his newest album Jesus Is King. With this new album Kanye goes gospel and has said that he’s done with secular music and he’s not swearing in it either (there is zero cussing in this album). Yeah I’m sure this will stick, just like when he dropped Yhandi like he said he would last year. Nevertheless, let’s roll with it. Jesus Is King opens with “Every Hour,” which prominently features the Sunday Service Choir. It’s a passionate and uplifting performance from the group and while as a standalone song it doesn’t really work, it does work great as an album opener. So Kanye does establish the right mood for a gospel album.

“Selah” is Kanye’s fiery proclamation of being a born-again Christian and him giving himself over to Christ. And this is great for Kanye. But as for the song: it feels like it never really leaves first gear. It has an epic opening with the pounding drums and the Sunday Service Choir singing “hallelujah” in the background. It truly makes the song feel like something big. But nothing big ever really comes. The bars range from decent to mediocre and puzzling (I have no clue what he means when he raps “Everybody wanted Yhandi/Then Jesus Christ did the laundry”). It’s basically a half-finished song, which is a common theme on this album.

This continues on “Follow God.” I love the sampling of “Can You Lose By Following God” by Whole Truth, continuing Kanye’s excellent knack at picking samples. The beat is catchy, as well as Kanye’s flow. But the lyrics go nowhere, as it’s just Kanye rapping about talking with his dad and then really nothing after it. “Closed on Sunday” may be Kanye’s most cringe-inducing track of all-time, as the writing reaches an all-time low for him: “You my Chick-Fil-A/You’re my number one with the lemonade.” This is Luke Bryan-level rapping bad. Not to mention the production is weak and too minimalist. And why is he weirdly shouting out Chick-Fil-A at the end? Any other restaurant and I would say Kanye was being paid to say it, but I don’t think Chick-Fil-A needs any advertising to convince people to eat there. It’s delicious and it sells itself!

“On God” is another short song, but this one actually feels finished. But the lyrics are so contradicting. On one hand, West is rapping about being so thankful for God and then on the other he reiterates being the best artist of all-time, complains about how much he pays in taxes and then tries to justify why he charges so much money for his merchandise (for $150 you too can have a Kanye/Jesus sweater!). In the words of his dad on “Follow God,” that ain’t Christ-like. Hence why so many people like myself are 100% skeptical of the “new Kanye.” Thankfully it finally gets better on “Everything He Needs.” Ty Dolla $ign is smooth as silk on the hook, as he usually is on features. The harmonies of West, Ty and Ant Clemons sound great and give the song an appropriate uplifting feel to a song about being thankful for everything you have. It’s a solid and complete track, which is an accomplishment on this album.

Clemons has another great feature on “Water,” as he sounds better over West’s production than West himself. The same can be said of the choir. But West’s bars are lazy and short and he doesn’t even feel necessary on the song. So you’re left with a good hook, production and an unbaked overall concept. Again. “God Is” is one of the best songs on the album and shows Kanye at his best. It’s a genuinely inspiring gospel song where Kanye brings a lot of passion with his vocals. If he could have brought this level of energy and focus over the entire album, it would have been excellent just like this song. And it once again is a great sampling choice, this time “God Is” by James Cleveland and the Southern California Community Choir.

“Hands On” is a rambling and quite frankly boring song where Kanye has the most basic and monotone flow. And the song goes on and on with Kanye rapping about being judged by Christians and asking for prayers. I’m not really sure Kanye was going with this song, but with what have it goes nowhere. It’s beating a dead horse, but this is what happens when you rush projects.

“Use This Gospel” is another big highlight on the album and that’s a big thanks to the excellent features. First is the reunion of Clipse, as both Pusha T and his brother No Malice kill their verses. It’s great to hear this duo together on a song again, especially No Malice, who left behind music to become a preacher and is the perfect feature for the album. Then Kenny G of all people comes at the end of the song and blows you away with a satisfyingly smooth saxophone solo. Again, when Kanye is focused it’s incredible how he can bring together several different elements and make them sound amazing.

Of course the album doesn’t end on this great note, but instead a mediocre interlude (calling it a song feels insulting) in “Jesus is Lord.” It’s completely pointless, but if you’ve listened to multiple Kanye projects and the rest of this album, you’re not surprised.

Kanye West’s Jesus Is King shows glimpses of being a great album. But ultimately Kanye didn’t spend enough time and focus on it to bring it together. So you’re left with several unfinished songs, ideas and largely great production that is wasted. There are enough good to great songs and moments on the album that make it worth checking out. But there’s also plenty of down moments that balances this album to overall being just bland and okay.

Grade: 5/10

The Hodgepodge: Is Pop Radio Better Than Country Radio Right Now?

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A look at the current state of country radio and really mainstream country music in general.

Yesterday in this week’s current pulse of mainstream country music, I was pretty frustrated and exasperated with country radio. The reasons being of course is that nothing new is being tried by country radio and the songs with substance are getting harder to find. They’re simply rehashing the same old crap. Case in point: Jason Aldean’s new single “Tonight Looks Good On You” is surging and will undoubtedly reach #1 on the chart. It’s just another version of Aldean’s 2014 hit “Burnin’ It Down.” On top of that it’s a Dallas Davidson song. I mean come on! I thought country radio had moved passed Davidson’s bullshit, but apparently not.

So as I normally do when I get frustrated with terrible music, I go listen to music I enjoy. As I sat and listened to Hozier’s excellent 2014 debut album, an idea came to me for this week’s Hodgepodge. Why not take a look at pop radio and compare it to country radio? It’s a perfect time to do so when many country stations across the nation are playing blatant pop music. When Kanye West and Ed Sheeran are getting airplay on country radio, you know shit has hit the fan and country stations have run out of answers. So to conduct this comparison, we’ll take a look at the top 20 on the Billboard Top Pop Songs chart from last week and compare it to the top 20 on the Billboard Country Airplay chart from last week. The same exact rules will apply to this as the current pulse that runs every week.

The -3 score on last week’s pulse will not be used, since it’s the cumulative score of the top 30. Only the pulse of the top 20 will be used. By taking away the bottom ten songs, the pulse of the top 20 is 0. That will be the score we use to compare to the pop chart. Today you will get to see the very rare occurrence of yours truly evaluating pop music. See what you’ve done to me country radio? So without further ado let’s take a look at the Top Pop Chart:

  1. Taylor Swift – “Style” 0
  2. Maroon 5 – “Sugar” 0
  3. Ed Sheeran – “Thinking Out Loud” +1 (Sheeran is awesome)
  4. Bruno Mars & Mark Ronson – “Uptown Funk” +1 (This song is great, despite being overplayed)
  5. Pitbull & Ne-Yo – “Time of Our Lives” -1 (Pitbull sucks no matter what genre he is in)
  6. Ellie Goulding – “Love Me Like You Do” -1 (A terrible Fifty Shades of Grey song)
  7. Kanye West, Rihanna & Paul McCartney – “FourFiveSeconds” 0
  8. Natalie La Rose & Jeremih – “Somebody” -1
  9. Calvin Harris & Ellie Goulding – “Outside” 0
  10. Ariana Grande – “One Last Time” -1
  11. Nick Jonas – “Chains” +1 (I’m surprised I liked this)
  12. Zedd & Selena Gomez – “I Want You To Know” +1
  13. Taylor Swift – “Blank Space” -1
  14. One Direction – “Night Changes” -1
  15. Lillywood & Robin Schulz – “Prayer In C” 0
  16. Flo Rida, Sage The Gemini & Lookas – “G.D.F.R.” -1 (Flo Rida is the Toby Keith of pop music. He just keeps hanging on.)
  17. Jason DeRulo – “Want To Want Me” -1
  18. The Weeknd – “Earned It” -1 (Another terrible Fifty Shades of Grey song)
  19. Usher & Juicy J – “I Dont Mind” -1 
  20. Tori Kelly – “Nobody Love”

So the total current pulse of pop music is -8. Wow! It’s even worse than country radio! Yet country radio is borrowing from it. It shouldn’t be borrowing period from pop music, whether it’s better or worse. Still country radio is borrowing from a genre that is even worse. There are genre lines for a reason. The only common denominator between both groups of songs is the club theme. You can thank Sam Hunt for bringing this into country music. Music about going to the club is just plain dumb and it’s why people laugh at artists like Pitbull and Flo Rida. I will say though I would take pop’s club music over country’s club music.

After this not very surprising revelation, I think I can safely say that all of radio is nothing but a vast wasteland of garbage songs. Country radio isn’t the only one lacking substance. However it’s imperative if I point out the big different between both. Country radio and pop radio historically have been viewed completely different by listeners. Pop radio is a mix of several different genres all in one place for casual listeners to hear. Upbeat, fun, party songs are the norm for pop and everyone pretty much knows this. You don’t hear a lot of songs that you would consider classics get on pop radio today, save for the likes of Adele and Hozier maybe. In years past you had icons like Michael Jackson dominating pop, but I don’t see any singers like Jackson on the horizon.

Country radio on the other hand was always viewed by people as a place to go for songs about life, love and other themes that explore deeper meaning. It was the genre of substance. You could hear a song like Vince Gill’s “Go Rest High On That Mountain” and be brought to tears. George Strait’s “Give It Away” or Garth Brooks’ “The Dance” connected with anyone out there whoever had their heart-broken. Go back a little over ten years and you could hear a song on country radio like Josh Turner’s “Long Black Train” that had a great message to anyone of any age. These are the kind of songs that made country music what it was. It was what made you and me fans of country music.

Now an entire generation views country music as a laughing-stock full of songs about drinking, debauchery and partying. That respect country music once held in popular culture has eroded away. People turn on country radio and don’t even recognize the genre. Some people don’t even turn on the radio. Sure there is plenty of great independent country music out there and sites like this help spread the word of it. But why would people seek it out? After what they hear on country radio, it makes them run away from the genre. They’ve got such a sour taste from country radio that they won’t even try the good country music. Country music fans need something to believe in and hear to reaffirm their faith in the genre. Will we get that before it’s too late? For the sake of country music, I hope so.

Upcoming/Recent Country Music Releases

  • Will Hoge will come out with his new album Small Town Dreams next Tuesday. A couple of months ago we got a taste of what’s to come on the album and based on that I’m expecting this to be a good one. Derek will be reviewing this one, as Hoge is one of his favorites.
  • Kristian Bush’s debut solo album Southern Gravity will also be released next Tuesday. The lead single “Trailer Hitch” was a surprisingly good song, so it’ll be interesting to hear what the rest of the album sounds like and whether the sound of Sugarland is evident at all.
  • The third notable release next week and the biggest in the independent realm is Pokey LaFarge’s Something In The Water. This could quietly be one of the best releases in April.
  • On Monday, Jason Isbell tweeted: “New new album is done and mastered.” So maybe we’ll get this sooner than July? I certainly hope so. We should at least hear the first single from it very soon.

Throwback Thursday Song

George Jones – “Who’s Gonna Fill Their Shoes?” – You know how I was saying up above about how country music was the genre about life and connecting with everyday people? This song articulates that point perfectly. And it’s a song many country fans wonder today.

Non-Country Song of the Week

AC/DC – “Shoot To Thrill” – This is one of my all-time favorite AC/DC songs. The high notes blow me away every time.

Tweet of the Week

Anti-Bobby Bones tweets are always great. He’s another problem hurting country music, but that’s another post for another day.

Two iTunes Reviews That Will Make You Face Palm

Stupid EYB Comment 2

 

Stupid EYB Comment 3

 

I’ve been sitting on these gems for a couple of weeks. These were under Eli Young Band’s new EP Turn It On. The first one justifies this terrible EP by saying everyone’s going pop in country, so it’s fine. The other says it’s fine because they wrote all four songs. Here’s an easy way to determine whether or not a song or group of songs suck: people having to list reasons to justify why it’s good. People making excuses for it. A great song speaks volumes on its own merit and doesn’t need to be explained why it’s good.

That’s it for the Hodgepodge this week! Be sure to sound off in the comments! 

The Hodgepodge: Beck Deserved to Win & Kanye West Doesn’t Understand Artistry

The 57th Grammy Awards took place this past Sunday and as always there’s a lot to talk about afterwards. As the show came to an end, myself along with many others thought the biggest story coming out of it would be Sam Smith’s dominant night, racking up several Grammy wins. The biggest story though would be just after the show. Kanye West, who appeared to be drunk, gave an interview with E! News. West was asked about his thoughts on Beck’s Morning Phase winning the Grammy for Album of the Year and him almost interrupting the rock artist. For those who didn’t see the show, right when Beck was beginning to give his speech after being handed the award, West acted like he going to interrupt him, the same thing he did to Taylor Swift at VMA show a few years ago. Instead West smiled and ran off the stage, in what many people took as a joke.

Except Kanye wasn’t joking. He nearly did it again. Here’s what he told E! News in his interview after the show:

“Beck needs to respect artistry and he should have given his award to Beyoncé,” West said in an interview with E! after the ceremony. “At this point we tired of it because what happens is when you keep on diminishing art and not respecting the craft and smacking people in the face after they deliver monumental feats in music, you’re disrespectful to inspiration.

We aren’t playing with them anymore. And by the way, I got my wife, my daughter, and I got my clothing line, so I’m not going to do nothing that would put my daughter at risk, but I am here to fight for creativity. That’s the reason why I didn’t say anything tonight, but you all knew what it meant when ’Ye stepped on that stage.”

This is absolute and complete bullshit of course. Kanye if you remember interrupted Swift because the award Swift won wasn’t given to Beyoncé either. There’s a video going around of Beyoncé and her husband Jay-Z in the crowd watching in horror as Kanye nearly did it again. So before I level a rant against Kanye keep in mind they didn’t condone his actions and deserve no blame.

So let’s break down the diarrhea that spewed from Kanye’s mouth. First he says “Beck needs to respect artistry.” Hahahaha! Beck is one of the last people who needs to respect artistry, as anyone who listened to Morning Phase will tell you it was one of the deepest, most complex albums of 2014. As someone who has listened to Morning Phase, I assure you it will take several listens to full grasp it. There’s a reason many music critics, as well as fans put it on their best of albums list for 2014. I didn’t see Beyoncé’s album on too many lists and the ones I did were mainstream outlets that clearly don’t base their list on objectivity. What do they base it on? I’m $ure you can figure it out. This is also coming from an artist that uses so much auto-tune on his songs that it makes T-Pain blush.

Then Kanye says, “…he should have given his award to Beyoncé.” Oh really. Beyoncé, the international superstar, who everyone knows and hears about on major publications everyday should have gotten the award. Like she doesn’t get enough accolades and spotlights. She’s also married to Jay-Z, another international superstar. They have millions of dollars. She is one of the last people in the world who deserves more attention and another award. I’m sure, as much as she wanted to win a Grammy, would agree. I don’t think she’s crying any tears or losing any sleep over it in her mansion.

Meanwhile Beck is by no means a mainstream artist. There’s a reason “Who is Beck” was trending on Twitter, as most mainstream music fans can’t be bothered to expand their horizons beyond bubblegum pop and artificial bullshit. They of course parrot Kanye on social media because they’re ignorant. Beck had been nominated twice before for Album of the Year, so he was pretty ecstatic to win the biggest award of his career. In other words, this award will help him gain more exposure and fans.

The most ridiculous part of Kanye’s statement is next when he goes on this big rant about art being diminished. Well Mr. West if you want to know why the art of music has been diminished, go take a look in the mirror. You’re part of the problem. Your two latest, auto-tuned singles do nothing to enhance the art of music. By the way, how disappointing is it to see the great Sir Paul McCartney lower himself to collaborate with such a buffoon like Kanye? Kanye and his fans though believe that his auto-tune bullshit is true art, hence why he’s called a genius. I don’t think they know what genius means.

Speaking of art in music, let’s just take a look at the making of Beck’s Morning Phase and Beyoncé’s self-titled 2013 album (the two albums nominated for Album of the Year). Beck’s album had one producer, which was himself. Beck also wrote and composed each of the songs on the album. Beyoncé’s album had a total of 16 producers, including Beyoncé herself. Beyoncé has a total of 15 writers for the entire album, with Knowles having a co-writing credit on each song. So let me get this straight. Beck did his entire album himself. Beyoncé’s album took a total of 25 different writers and producers.

For those who operate within logic, it’s pretty clear who does and does not respect artistry. Beck clearly respects artistry. Kanye West simply does not respect artistry.

Upcoming/Recent Country Music Releases 

  • Jason Isbell and Amanda Shires caught everyone off guard on Tuesday when Isbell announced via social media that they’re releasing a duo of songs titled Sea Songs:

  • Jana Kramer just released a new single titled “I Got The Boy.” It’s exclusively available through Spotify, which is a curious decision. I’ve listened to it and I’ll say this: I was surprised. Derek is going to have a review on it soon.
  • The Mavericks’ new album Mono comes out next Tuesday. Right now you can stream it on NPR. I’ve already streamed it several times and I’m just going to say it now. It’s great and you need to check it out, just as I expected. How great? You’ll find out in my review next week.
  • Aaron Watson’s The Underdog comes out next Tuesday too. This is highly anticipated release in the Texas country scene, as Watson is a well-known name in Texas. I’ve also noticed that in the last few weeks a new song has been released on iTunes each week off the album and each time it goes to the top of the iTunes country chart. I’m curious to listen to it and see if it lives up to the hype.
  • Steve Earle and the Dukes are also releasing a new album next week titled Terraplane. I can’t keep up with all of these releases! Slow down so I can consume everything, country music.
  • Gary Allan will be releasing a new single called “Hangover Tonight.” Deb Bose of Windmills Country says Country Aircheck confirms this. It will be available for radio add on March 2. Windmills also says the writers for the song are Allan, Cary Barlowe, Jess Frasure and Chris Stapleton.

Throwback Thursday Song

 

Merle Haggard – “Mama Tried.” You can never go wrong with the Hag. To me this is a song every country music fan should know. If you don’t, you need to change this.

My Non-Country Song of the Week

 

HAIM – “If I Could Change Your Mind.” While covering the Grammys isn’t the most fun thing in the world, it did give me a change to broaden my music listening horizon. One new band I discovered for the first time was the pop trio of HAIM. And I’m damn glad I did. They’re unlike any other band I’ve ever came across. I cannot think of another group like this one. They’re truly unique. This is the best song, in my opinion, off their debut album Days Are Gone. Really I recommend the whole album. I’m anxious to hear their next album now.

Tweet of the Week

Remember a few weeks ago when I said Isbell would be showing up here a lot? Well he’s back again, as it was impossible for me to not make it the tweet of the week. Maybe I should just dedicate a section to Isbell’s tweets in The Hodgepodge.

I’m trying to picture Sturgill acting like Kanye and it just makes me laugh. If you’re not following Isbell on Twitter, you need to go do this now.

An iTunes Review That Will Make You Face Palm

Sam Hunt Rant Review

Another Sam Hunt fan has taken to iTunes to convince us he’s country. WRITING IN CAPS ALWAYS WORKS! Thank you Hunt fans for providing a weekly dose of laughs.

That’s it for the Hodgepodge this week! Be sure to sound off in the comments! 

Hodgepodge of Country Stuff: No Moron, Artists Shouldn’t Pay You To Listen

So what exactly is this? That’s what you thought when you read the title above. Well I’m going to explain this to you. This is a new weekly feature that will be on the site and as you can see it’s called Hodgepodge of Country Stuff. If you’re a sports fan that visits major sites like ESPN, Sports Illustrated and FOX Sports, you’ll see some of their writers do weekly columns where they’ll discuss something and then have a variety of interesting tidbits that will follow it (think Bill Simmons and Peter King). This is just like those, except about country music of course. Got it? Good. 

When I go on social media and check out what is happening in the world around me, I don’t go in with the intent of getting pissed off. It just simply happens. Well that happened earlier this week when I read the replies to a tweet sent out by Rolling Stone. The story tweeted out was this story, which was about Kanye West and his team using data to better maximize their profit. Why wouldn’t they take data and use it to make more money? It’s what any smart business does with their customers. And then I saw this:

Seriously? Are you kidding me? I’ve read plenty about the idea of artists paying fans to listen to their music and I just laughed about it because I thought there wasn’t actually people out there naive enough to think this to be true. Sure enough there are and it sent me into a Twitter rant. If you want to see that click here. I can’t imagine how infuriated an artist must feel when they read these comments. They put their heart and soul into making music (most of them), yet some fans just don’t give a shit.

If you share the sentiments of the commenter I called out above, you’re an entitled dipshit. First off nobody is forcing you to listen to music. Second you’re not that important. To put this into context, should Leonardo da Vinci have paid people to look at the Mona Lisa? No because that’s stupid. “But their music sucks! Music has gone down hill for the most part anyway.” You know why the quality of music has slipped compared to decades before it? It’s because people started stealing it and not paying for it. All of the sudden artists aren’t making what they’re supposed to with their music. So why should they try as hard? The fans don’t care, so why should they?

“But Katy Perry and Taylor Swift don’t need more money. They’re rich!” Sure they’re rich, but these artists are part of the 1% of the musicians’ industry. What about independent artists, the 99%? This all has a ripple effect on their livelihoods. Streaming is the name of the game today, largely because of illegal downloading of music. Spotify pays artists per song streamed, between $0.006 and $0.0084. So after about 10,000 plays the artist makes $10. Can you live on $10? No! Nobody can live on this kind of financial mean.

The point of all of this is thanks to selfish music listeners, songs have been devalued into less than a penny. The quality of music has decreased in many people’s eyes. Labels and artists are making less money. Music sales are tanking. The Tennesseean had a great piece recently highlighting all of these problems. If you don’t have time to read the whole piece, here was the real eye-opening part to me:

Since 2000, the number of full-time songwriters in Nashville has fallen by 80 percent, according to the Nashville Songwriters Association International. Album sales plummeted below 4 million in weekly sales in August, which marked a new low point since the industry began tracking data in 1991. Streaming services are increasing in popularity but have been unable to end the spiral.

So in the end nobody is winning with the current system. Everybody is losing money and there’s no easy solution that can appease everyone. This problem was created by the selfish music listener though and this problem will have to be solved by music listeners. If you love an artist’s music, go buy it. Go to their concerts and buy their gear. Don’t support artists you don’t like. Don’t listen to their music. And don’t steal music ever. Be part of the solution, not the problem.

Upcoming/Recent Country Music Releases

  • Reba McEntire just released her new single “Going Out Like That” this week. It’s the first song released under the NASH Icons label and the first single from Reba’s new album coming out this year. You’ll see my thoughts on this song real soon.
  • Justin Townes Earle will release his new album Absent Fathers next Tuesday January 13. It’s the followup to his 2014 release Single Mothers. By the way I can’t believe I forgot to put this on my 2015 albums list. I didn’t realize it until after the article was published. My bad!
  • Cody Canada & The Departed will release a new album that day also, titled Hippielovepunk. That’s certainly an interesting name. I plan on reviewing this as soon as possible.
  • Zac Brown Band will debut his new single “Homegrown” during the College Football Playoff Championship Tailgate on ESPN next Monday January 12. It’ll be the first single off his new album coming out in 2015. It was announced several months ago he would be performing here and it’s a smart move on his part. Anything beats hearing “Centuries” by Fall Out Boy for the millionth time this season (college football fans know what I mean when I say this).

Throwback Thursday Song

 

Little Jimmy Dickens’ “Sleep At The Foot of the Bed.” The country music world lost a great artist and an even better person in Dickens this past week. I was going to write a post about it, but I didn’t feel like I could do him justice. I’ll admit I’m not the most familiar with Mr. Dickens, but I’ve known about him since I was a kid and I have heard some of his music. I definitely want to go back and listen to more of his catalog now. I saw a lot of great tributes to Little Jimmy, but my favorite was Brad Paisley’s tribute to him. I guess his tribute means a little more personally because Paisley is the one who introduced Dickens to me. If you haven’t read Paisley’s tribute, click here. I definitely recommend reading it. Rest in peace Little Jimmy Dickens.

My Non-Country Song/Thought of the Week

I have to say something about Kanye West’s new song with Paul McCartney, “Only One.” I have never understood the appeal of Kanye’s music and I still don’t understand it’s appeal. This song dropped on New Year’s night to the surprise of everyone and I thought this was a cool move on Kanye’s part. I decided to give his music a chance again, especially since Sir Paul was involved. I’m not going to beat around the bush: I think “Only One” sucks. The lyrics are good, but the auto-tune is so terrible. I don’t understand why people enjoy hearing auto-tuned singing. It’s grating, robotic and devoid of human emotion. If you want to hear this song for some reason, you can click here. By the way, Paul McCartney is barely present on the song too. I’m also not shocked Kanye fans aren’t familiar with him either. This is coming from a fan base that views Kanye as a genius.

Tweet of the Week

Never change, Michelle Beadle. Also seems like every week I see a non-country music person diss Florida Georgia Line. I hope America’s hate for the group continues to grow until the point this group is a laughingstock like Nickelback. It’s not that farfetched of an idea.

Something To Make You Laugh

An actual search term somebody used to find Country Perspective:

What

Yeah I don’t know what to say. Get it together, Google!

 

That’s it for the Hodgepodge this week! Be sure to sound off in the comments!