Spinning All The Records — March 2020

Spinning All The Records is a brand new feature on Country Perspective that is a monthly overview of all the albums reviewed in the previous month on Country Perspective to give any readers, new and old, a quick look at what I covered and to catch anything you missed. In addition I take a quick look at albums I didn’t give full reviews, look ahead at what I want to cover, upcoming album releases that catch my eye and a throwback album recommendation. So without further ado…

March 2020 was obviously a month not remembered by music, but by COVID-19, a deadly and infectious virus that is affecting every corner of the world. For those affected by it directly, I send my heartfelt condolences. For everyone, I hope you have great health and are safe. I urge you all to please wash your hands, follow physical distancing rules and to obey guidelines being outlined from health officials and experts. As I tell everyone around me, remember this situation of quarantine and uncertainty is temporary. We have brilliant minds all around the world working together to solve this and as we gather more information, we will find answers and we will triumph. This will pass and we will return to normalcy, hopefully as soon as possible. But obviously the main focus at hand is treating the ill, protecting the healthy and finding the solutions needed to lift ourselves out of this situation. And listen to music, not the news because the former is going to make you feel a whole lot better than the latter. 

Speaking of music, the quality of album releases dipped in March 2020 until the latter part of the month where several great albums released. Of course the most notable was The Weeknd’s After Hours, a fantastic album and a no doubt strong contender for Country Perspective’s 2020 Album of the Year. Brandy Clark rebounded with her new album, Jay Electronica actually dropped his debut album finally and Caitlyn Smith unfortunately disappointed with her new album. The Dixie Chicks returned with a great new single too. There were less albums reviewed overall this month, but that’s because I’m employing a new strategy for reviews moving forward. It will be explained more in the newest section of Spinning All The Records below the monthly album summary. 

(Click the album titles to read the full review)

Dixie Chicks — “Gaslighter” (Single review)

The story the song tells is of a man who was a grand puppet master, successfully manipulating and controlling a woman for what sounds like years before she woke up and is now calling him out on his bullshit, a gaslighter. Each member of the trio takes their turn on lead, each adding another layer and detail to the story that gives you an exact look into this toxic relationship and the freeing liberation being experienced by the woman who’s finally rid of him. The production is big and soaring, an instant foot-stomper with thumping drums and an infectious hook.

Brandy Clark — Your Life is a Record

Despite a few hiccups, Brandy Clark takes a big step up from her last album with Your Life is a Record. I think the production is the biggest improvement, as it flows together really well from start to finish. I really enjoy the incorporation of the flutes in this album, as it’s something not really utilized as much in country music. The songwriting stumbles in a few spots, but for the most part is pretty good and at times great. There’s a surprisingly nice mix of emotions on an album centered around a breakup too. Most importantly, Clark rewards you for listening to the whole album, giving you the emotional journey with the fittingly positive, yet realistic destination.

Jay Electronica — A Written Testimony

The long-awaited debut album of Jay Electronica does not live up to it’s lofty expectations and hype, but A Written Testimony is nevertheless a pretty good album. The production is definitely the strongest point of this album, as a cavalcade of all-star producers and Electronica himself create some exciting and interesting sounds throughout the whole album. The bars on this album are mostly good despite some bumps along the way and the overuse of religious imagery. More than anything I’m glad that Jay Electronica is finally releasing music and I think on his next album we’ll see something even better from him. But for now this is a solid debut.

Caitlyn Smith — Supernova

The tale of the tape for Supernova is quite simple: this album focuses too much on flash and not enough on substance. Smith seemingly forgets about her greatest strength on this album and that’s her songwriting. It soared and impressed on Starfire. On this album the songwriting is so lifeless and it feels like so many themes are used multiple times and recycled. There are some bright spots on this album, but they’re dominated by what I would describe as run-of-the-mill pop rock moments for the most part. I never thought I would levy this kind of criticism toward a Caitlyn Smith album, but the songwriting just isn’t good enough. Supernova is ultimately just an okay album.

The Weeknd — After Hours

After Hours is a phenomenal achievement by The Weeknd. This album is a rich, cinematic experience of love, losing it, fighting to regain it and ultimately reaching the realistic conclusion of realizing that it’s lost. The production team absolutely nails every emotion on this album and takes the lyricism to a whole new level. The juxtaposition of the breezy, mixed cocktail of genres (R&B, pop, hip-hop, dream pop, 80s) feels perfect on this album of frenetic, dark emotions that permeate throughout it. This is without a doubt an album of the year contender.


All The Other Albums I Want To Talk About!

This is the newest section of Spinning All The Records where I give quick thoughts/reviews on all the other albums I listened to over the past month that released this year. Essentially I listened to these albums enough, but didn’t want to write full reviews and/or didn’t feel I had enough thoughts for a full review. Also there’s a lot of damn albums released every week and when you want to listen to a little of everything from every genre like me, time doesn’t allow for full reviews of everything. But I still want to talk about lots of albums, so this is the solution! So moving forward I’m only focusing on doing full reviews for albums I truly have a lot to say about while the rest will be here. And of course you’re welcome to ask about any albums I don’t cover here in the comments below!

The Steeldrivers — Bad For You 

This is an album I initially really enjoyed. But after a few listens of the album I haven’t felt the need to go back to it since. I had a similar reaction when I listened to Randy Houser’s Magnolia last year. Just like that album, Bad For You just doesn’t leave enough in terms of hooks, impactful lyricism and gripping melodies consistently through the album. The album’s title track is absolutely brilliant, but that’s the only song I’ll remember from this album. 6/10

Hailey Whitters — The Dream

Whitters’ previous album Black Sheep gleamed with potential, but unfortunately she takes a step back all around with The Dream. Other than “Janice at the Hotel Bar,” this album lacks the devastating and meaningful lyrics of the previous album. Instead there’s annoyingly kitchy and uninteresting wordplay like with “Red Wine and Blue” and “Heartland.” And yet another version of “Happy People.” Zack at The Musical Divide sums this song up best: it’s just a more “broadly written version” of “Humble and Kind.” Then you have “All The Cool Girls,” your run of the mill, generic song about bad party girls. Its just such a bizarre choice from Whitters and doesn’t fit her at all. This album comes off as a desperate play for popularity and that’s a disappointment. 5/10

Megan Thee Stallion — Suga EP 

So here’s the state of hip-hop for me right now in 2020. 10% of releases are absolute garbage like Eminem’s latest album. 10% are absolute gems like Freddie Gibbs’ latest album. And the remaining 80% are middle-of-the-road, generic albums that use the same flow in every song like this Suga EP from Megan Thee Stallion. This pop hip-hop sound is starting to remind me a lot of the pop country on country radio. This isn’t a good thing. And that’s such a shame coming from Megan Thee Stallion because I enjoyed her last album, which suffered a little bit of the “sameness” problem too, but it had a lot of fun energy and memorable bars. She’s just capable of so much more than this, but she is also in the midst of a label battle and I’m hopeful this is just satisfying a label contract. 5/10

Porter Union — Loved & Lost 

This album has some nice moments, but unfortunately it just doesn’t have enough consistently engaging songs to hold my attention throughout. Because as I first listen to this album I’m intrigued because of the vocal dynamics, but by the end it just feels like another indie country album. There just isn’t enough here to make it stand out from the rest of the crowd.

Gabe Lee — Honky Tonk Hell 

So let’s get one thing straight: Gabe Lee can sing his ass off. He puts a ton of passion behind it, so the cover of this album is quite appropriate. Upon first listens I was really blown away, but unfortunately as I delved deeper into this album it lost it’s shine for me. Neither the songwriting nor the instrumentation lends itself strong enough for extended replayability. The sound of this record in particular is just too straightforward for my personal taste because after a while the songs feel like they blend together. There just isn’t much distinctiveness. But while I know this isn’t for me I do know there’s a large crowd of people who will love this. And I hope they do, as Lee is undoubtedly talented and full of passion. 6/10

Don Toliver — Heaven Or Hell

This album starts out so strong. The smooth, trap-flavored beats are on point, Travis Scott has a great feature on “Euphoria,” “After Party” is a lot of fun and “Can’t Feel My Legs” is catchy. But the second half of this album falls off a cliff. “Candy” is annoyingly repetitive, the Quavo and Offset feature is completely forgettable and then there’s the Sheck Wes feature on “Spaceship.” It’s just awful, but then again I’ve never understood why “Mo Bamba” blew up. If the second half of the album was as good as the first then this could have been a great album. 6/10

Childish Gambino — 3.15.20

I come away from this new Childish Gambino album with the same thoughts I came away with on his last album: sounds nice, but the lyrics do nothing for me. In fact I remember I spent a ton of time listening to “Awaken, My Love” over and over to see what I was missing lyrically. And ultimately I concluded that there was nothing to miss. It was an alluring sound with nothing to say. And I’m not falling for this trap again with this album.

Kelsea Ballerini — kelsea

So upon initial listens I enjoyed this album. But as I started to listen to it more closely it just doesn’t hold up. There’s some fun production moments on this album like “bragger,” “hole in the bottle” and “needy.” But this albums lacks the necessary polish and hooks it needs to be what it seems to aspire to be and that’s Taylor Swift’s Red. And it doesn’t have the melody to hold up to Kacey Musgraves’ Golden Hour.

Now I bring up those albums not to pit these women against each other but rather to demonstrate how this album doesn’t measure up in the space it’s trying to enter. When you’re going for this big pop country sound, these are the albums that are considered the modern standards. And not only does the production not measure up, but the songwriting isn’t strong enough and is outright confusing in spots (“love me like a girl,” “la” and “half of my hometown”). Sure there’s some strong spots in this regard like with “overshare” covering anxiety and “homecoming queen?” dealing with peer pressure. But this needs to be consistent throughout the album. And I still don’t understand the appeal of Halsey as a feature on any song. This is by no means a bad album and I applaud Ballerini for taking risks. I think one day she will deliver a great album, as she continues to show improvement. But this album just gets too many things wrong for it to be good, so instead it’s just above average. 6/10

Lil Uzi Vert — Eternal Awake – LUV vs. The World 2

You know 14 songs was long enough on the regular album and then the “deluxe” version of the album adds 18 songs. Holy bloat! As I’ve mentioned many times, the amount of streaming manipulation in hip-hop with albums is ridiculous and this is the most blatant example yet. Lil Uzi Vert essentially added an entire album to an entire album. It’s stupid. Nevertheless I did listen to all of this and it’s surprisingly not bad, granted you don’t have high expectations. There are no deep and meaningful messages here, but rather some fun beats and catchy hooks in most of the songs. The production is this album’s greatest strength, largely attributed to Pi’erre Bourne and Brandon Finessin. Both 21 Savage and Young Thug come through with great features too. If you’re looking for some light and breezy rap where you just want to turn your brain off, this works really well. 


Looking Ahead to April 2020…

So as I mentioned at the beginning there were a lot of albums released at the end of the month that I plan to cover. Namely you will be seeing a full review of the new Ingrid Andress album very soon and highly likely a full review of the new Jesse Daniel album too. Other new albums that have released from artists that I still haven’t listened to yet, but plan to and could likely cover in some fashion include: Knxwledge, Dua Lipa, Margaret Glaspy, Brian Fallon, Conway & The Alchemist, Jessi Alexander and Kody West. 

As for upcoming releases in April 2020 there are multiple albums I’m particularly looking forward to hearing. On April 3 the new Ashley McBryde album Never Will and Thundercat’s new album It Is What It Is both catch my eye. I really enjoyed McBryde’s last album and I’m looking forward to see if she can do even better with this one. Thundercat is one you’ve likely never heard of by name, but if you listened to Kendrick Lamar’s To Pimp a Butterfly you did hear his fantastic bass contributions. His music is best described as “out there” R&B. Also his last album included a slice of yacht rock heaven with “Show You The Way.” 

Maddie & Tae will finally be releasing their new sophomore album The Way It Feels on April 10. I still don’t understand the bizarre EP release strategy, but nevertheless I’ve enjoyed a lot of the songs released on them and of course I gave high praise to their debut album. Speaking of weird release strategies, The Last Bandoleros may finally be dropping an album on April 17. Supposedly it’s a live album, which is even more strange considering they haven’t released a studio album yet. I just don’t understand what is happening with this group, but I want to hear more from this Tex Mex-influenced country group. For crying out loud I reviewed their first single four years ago

A few other notes: Willie Nelson was originally supposed to release a new album this month, but it was delayed until July. Sam Hunt and Lady Gaga are both dropping new albums this month, but I fully expect them to be awful based on what I’ve heard from each. Also country newcomer Logan Ledger’s new album is one I’m not necessarily anticipating since he’s brand new, but intrigued by for sure based on what little I’ve heard. 


Throwback Album I Recommend 

Black Tiger Sex Machine’s New Worlds

Yes, I’ll admit I checked this band out based solely on the name. And I’m glad I did! It’s really intriguing dance music with some nice metal influences mixed in. Be forewarned it’s loud and in your face. But if you have any interest in dance music, I highly recommend this apocalyptic-flavored album they released back in 2018. 

The Current Pulse of Mainstream Country Radio [March 6]

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 1)
  2. Jon Pardi – “Dirt on My Boots” +1 (Up 3)
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Little Big Town – “Better Man” +2 (Down 4)
  6. Luke Bryan – “Fast” -1 (Up 1)
  7. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Jason Aldean – “Any Ol’ Barstool” (Up 1)
  10. Blake Shelton – “A Guy With A Girl” -1 (Down 4) 
  11. Kelsea Ballerini – “Yeah Boy” -5 
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl”
  14. Sam Hunt – “Body Like a Back Road” -5 (Up 1) [Worst Song]
  15. Kenny Chesney – “Bar at the End of the World” -3 (Down 1)
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. High Valley – “Make You Mine” -2 (Up 1)
  18. Dierks Bentley – “Black” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1
  20. Dan + Shay – “How Not To” +1 (Up 2)
  21. Chris Janson – “Holdin’ Her” +4 (Down 1)
  22. Trent Harmon – “There’s A Girl” +1 (Down 1)
  23. Darius Rucker – “If I Told You” 
  24. Lady Antebellum – “You Look Good” -4 (Up 2)
  25. Rascal Flatts – “Yours If You Want It” -2 (Down 1)
  26. Craig Campbell – “Outskirts of Heaven” +3 (Down 1)
  27. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (Up 1)
  28. Brett Young – “In Case You Didn’t Know” -2 (Re-Enters Top 30)
  29. Zac Brown Band – “My Old Man” +4 (Up 1)
  30. Miranda Lambert – “We Should Be Friends” +2 (Down 3)

The Current Pulse of Mainstream Country Radio: -24

The pulse drops five spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Runaway June – “Lipstick” +3

Songs That Entered The Top 30 This Week:

  • Brett Young – “In Case You Didn’t Know”

Biggest Gainers This Week:

  • Jon Pardi – “Dirt on My Boots” – Up 3 from #5 to #2
  • Brett Young – “In Case You Didn’t Know” – Up 3 from #31 to #28

Biggest Losers This Week:

  • Runaway June – “Lipstick” – Out of the Top 30 & Done
  • Little Big Town – “Better Man” – Down 4 from #1 to #5
  • Blake Shelton – “A Guy With A Girl” – Down 4 from #6 to #10

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl” (Radio and Blake just can’t bear the thought of one week in the top 30 without a single from him, so chart jacking!)
  • Eric Church (feat. Rhiannon Giddens) – “Kill A Word” (This one appears to be out of gas now. We’ll see if EMI fights to keep it alive)
  • Garth Brooks – “Baby, Let’s Lay Down and Dance” (The Fritos song finally appears done. No one will remember it)
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine” (54 weeks. I bet it’ll reach the top 10 in another 25 weeks)
  • Trent Harmon – “There’s A Girl”

On The Hot Seat:

  • Craig Campbell – “Outskirts of Heaven”
  • Miranda Lambert – “We Should Be Friends” (You can start panicking and worrying, Miranda fans. I’m being generous putting it here and not above because this is surrounded by radio darlings. Not good.)

Next Four Songs I See Entering Top 30:

  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Cole Swindell – “Flatliner”
  • Blake Shelton – “Every Time I Hear That Song”
  • Brothers Osborne – “It Ain’t My Fault”

 

As always be sure to weigh-in with your thoughts in the comments below. 

The Current Pulse of Mainstream Country Radio [February 27]

little-big-town-better-man

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Little Big Town – “Better Man” +2 
  2. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Jon Pardi – “Dirt on My Boots” +1 
  6. Blake Shelton – “A Guy With A Girl” -1 (Up 1) 
  7. Luke Bryan – “Fast” -1 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  10. Jason Aldean – “Any Ol’ Barstool” 
  11. Kelsea Ballerini – “Yeah Boy” -5 (Up 2)
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl” (Up 2)
  14. Kenny Chesney – “Bar at the End of the World” -3 
  15. Sam Hunt – “Body Like a Back Road” -5 (Up 3) [Worst Song]
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. Dierks Bentley – “Black” -2 (Up 2)
  18. High Valley – “Make You Mine” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1 (Up 1)
  20. Chris Janson – “Holdin’ Her” +4 (Up 2)
  21. Trent Harmon – “There’s A Girl” +1 
  22. Dan + Shay – “How Not To” +1 (Up 1)
  23. Darius Rucker – “If I Told You” (Up 1)
  24. Rascal Flatts – “Yours If You Want It” -2 (Up 1)
  25. Craig Campbell – “Outskirts of Heaven” +3 (Up 1)
  26. Lady Antebellum – “You Look Good” -4 (Up 1)
  27. Miranda Lambert – “We Should Be Friends” +2 (Up 1)
  28. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (New to Top 30)
  29. Runaway June – “Lipstick” +3 (Up 1)
  30. Zac Brown Band – “My Old Man” +4 (Re-Enters Top 30)

The Current Pulse of Mainstream Country Radio: -19

The pulse improves six spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Dustin Lynch – “Seein’ Red” -5
  • Brett Young – “In Case You Didn’t Know” -2

Songs That Entered The Top 30 This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Zac Brown Band – “My Old Man”

Biggest Gainers This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter” – Up 5 from #33 to #28
  • Sam Hunt – “Body Like A Back Road” – Up 3 from #18 to #15

Biggest Losers This Week:

  • Dustin Lynch – “Seein’ Red” – Out of the Top 30 & Done
  • Brett Young – “In Case You Didn’t Know” – Out of the Top 30 (#31)

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl”
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine”
  • Trent Harmon – “There’s A Girl”
  • Craig Campbell – “Outskirts of Heaven”
  • Runaway June – “Lipstick”

On The Hot Seat:

  • Brantley Gilbert – “The Weekend”
  • Garth Brooks – “Baby, Let’s Lay Down and Dance”

Next Four Songs I See Entering Top 30:

  • Brett Young – “In Case You Didn’t Know”
  • Cole Swindell – “Flatliner”
  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Blake Shelton – “Every Time I Hear That Song”

 

Call me crazy, but is this gerrymandering really helping anyone? What is the point of all this blatant chart jacking?

 

As always be sure to weigh-in with your thoughts in the comments below. 

The Current Pulse of Mainstream Country Radio [February 21]

little-big-town-better-man

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Little Big Town – “Better Man” +2 (Up 1)
  2. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 1)
  3. Michael Ray – “Douchey Pickup Song” -5 (Up 4)
  4. Brad Paisley – “Today” +2 (Up 2)
  5. Jon Pardi – “Dirt on My Boots” +1 (Up 3)
  6. Dustin Lynch – “Seein’ Red” -5 (Down 5)
  7. Blake Shelton – “A Guy With A Girl” -1 (Down 2) 
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 (Up 1) [Best Song]
  9. Luke Bryan – “Fast” -1 (Up 1)
  10. Jason Aldean – “Any Ol’ Barstool” (Up 2)
  11. Lauren Alaina – “Road Less Traveled” -2 
  12. Brantley Gilbert – “The Weekend” -5 (Up 1)
  13. Kelsea Ballerini – “Yeah Boy” -5 (Up 1)
  14. Kenny Chesney – “Bar at the End of the World” -3 (Up 3)
  15. Josh Turner – “Hometown Girl” (Up 1)
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance” (Down 1)
  17. High Valley – “Make You Mine” -2 (Up 1)
  18. Sam Hunt – “Body Like a Back Road” -5 (Up 3) [Worst Song]
  19. Dierks Bentley – “Black” -2 
  20. Luke Combs – “Hurricane” -1 (Up 4)
  21. Trent Harmon – “There’s A Girl” +1 (Down 1)
  22. Chris Janson – “Holdin’ Her” +4 
  23. Dan + Shay – “How Not To” +1
  24. Darius Rucker – “If I Told You” (Up 1)
  25. Rascal Flatts – “Yours If You Want It” -2 (Up 2)
  26. Craig Campbell – “Outskirts of Heaven” +3 
  27. Lady Antebellum – “You Look Good” -4 (Up 2)
  28. Miranda Lambert – “We Should Be Friends” +2
  29. Brett Young – “In Case You Didn’t Know” -2 (New to Top 30)
  30. Runaway June – “Lipstick” +3

The Current Pulse of Mainstream Country Radio: -25

The pulse improves one spot this week.

Songs That Dropped Out of the Top 30 This Week:

  • Thomas Rhett – “Star of the Show” -3

Songs That Entered The Top 30 This Week:

  • Brett Young – “In Case You Didn’t Know”

Biggest Gainers This Week:

  • Michael Ray – “Douchey Pickup Song” – Up 4 from #7 to #3
  • Luke Combs – “Hurricane” – Up 4 from #24 to #20
  • Jon Pardi – “Dirt on My Boots” – Up 3 from #8 to #5

Biggest Losers This Week:

  • Thomas Rhett – “Star of the Show” – Out of the Top 30 & Done
  • Dustin Lynch – “Seein’ Red” – Down 5 from #1 to #6
  • Blake Shelton – “A Guy With A Girl” – Down 2 from #5 to #7

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Dustin Lynch – “Seein’ Red”
  • Blake Shelton – “A Guy With A Girl”
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine” (Fun fact: The music video for this song was released on January 29, 2015)
  • Runaway June – “Lipstick”

On The Hot Seat:

  • Garth Brooks – “Baby, Let’s Lay Down and Dance” (Appears to finally be losing momentum. But I still want to see it somehow reach top ten)
  • Trent Harmon – “There’s A Girl”
  • Craig Campbell – “Outskirts of Heaven”
  • Darius Rucker – “If I Told You”

Next Four Songs I See Entering Top 30:

  • Zac Brown Band – “My Old Man”
  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Cole Swindell – “Flatliner”
  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”

 

Notes: RaeLynn’s “Love Triangle” has went recurrent and is done. Parmalee’s “Roots” and Jake Owen’s “If He Ain’t Gonna Love You” both appear to be finished. Chris Lane’s “For Her” appears destined to be stuck in the mid 30s muck (but this is a good thing). LoCash’s “Ring on Every Finger” is struggling to build momentum like its previous singles. I bring all of this up because these are most of the songs directly behind the next four songs I see entering the top 30. Essentially there’s a vacuum there ready for someone to take advantage and it’ll be interesting to see who fills it. Blake Shelton’s “Every Time I Hear That Song” will of course be a hit. But then you have Justin Moore’s “Somebody Else Will” and Dylan Scott’s “My Girl.” They’re the closet in airplay, but radio doesn’t seem that keen on either. Scott has yet to have a hit and Moore’s last single took forever to climb the charts (never forget it went recurrent one week after going #1). Brothers Osborne’s “It Ain’t My Fault” is off to a good start, much better than their last single. They should reach the top 30 no problem. Billy Currington’s “Do I Make You Wanna” could make it by sheer process of elimination. Easton Corbin’s “A Girl Like You” seems like the next logical choice and something radio would get behind. Finally you have Drake White’s “Makin’ Me Look Good Again” quietly marching up the chart and looking like a possible sleeper hit.

 

As always be sure to weigh-in with your thoughts in the comments below. 

Reacting to The Absolute Joke of the 2017 ACM Awards Nominations

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Let’s be honest, I’ve never been that fond of country music award shows. Outside of the 2015 CMA Awards that helped launch Chris Stapleton to a brand new level of stardom, I’ve pretty much scoffed at these shows. As I’ve said before, no other genre spends more time patting themselves on the back than country music. This is evident by the heaps of award shows held throughout the year and this trains the viewer to basically not give a shit. But nevertheless we keep an eye on these shows in hopes they get it more right each time. Well we now have the nominations for the 2017 ACM Awards and there’s no other way to put it. These are an absolute joke. My first reaction was are these the mainstream country radio awards? Because it’s mostly a list of radio darlings that programmers fall over themselves to play. After seeing these nominations it makes me not want to watch and may not. Each category seems to have its own joke, so let’s pick through each.

Entertainer of the Year

  • Jason Aldean
  • Luke Bryan
  • Florida Georgia Line
  • Carrie Underwood
  • Keith Urban

No Eric Church or Chris Stapleton, but sure Aldean and Florida Georgia Line get nominations. Complete failure already before we even get to the more insane nominations. I know the ACMs are in the tank for Aldean, but could they be any less discreet about it? The only nomination even worthy of winning is Carrie Underwood for her excellent touring numbers and consistently churning out hits and I give her a snowball’s chance in hell of winning. Aldean and Bryan are the odds on favorites here.

Male Vocalist

  • Jason Aldean
  • Dierks Bentley
  • Thomas Rhett
  • Chris Stapleton
  • Keith Urban

Once again Eric Church isn’t a nomination. Church released the best album of his career and is releasing the best singles of his career. And every awards show is stiffing him. I guess the industry is pissed he isn’t giving them radio fodder anymore. But I’m guessing Church doesn’t give a shit. Another category with one worthy candidate in my mind: Chris Stapleton. Remember when Dierks Bentley was considered one of the good guys at these shows? Then he decided he wants to be Luke Bryan and make a bunch of cheesy and stiff adult contemporary schlock. No Tim McGraw. Also no Blake Shelton in any categories. Well there’s some good news.

Female Vocalist

  • Kelsea Ballerini
  • Miranda Lambert
  • Maren Morris
  • Kacey Musgraves
  • Carrie Underwood

I don’t know why Kacey continues to go to these awards show when she and everyone else knows she’s just a token nomination to fill out the field. What did she do in 2016 to earn a nomination? She didn’t release any new music. And keep in mind this isn’t a jab at her. She’s one of the best on a major country label. You would think Miranda is the shoe-in to win, but with her turn towards a more songwriter/Americana-like side I wouldn’t be surprised at all if Maren Morris wins. She seems poised to usurp Lambert as the new female darling in mainstream country and is racking up awards like crazy.

Vocal Duo

  • Big & Rich
  • Brothers Osborne
  • Dan + Shay
  • Florida Georgia Line
  • Maddie & Tae

Big & Rich are a Vocal Duo nomination in 2017…..hahahahahahahahahahahahahahaha! They released one single last year that took like 40 weeks to peak at #14 on the Billboard Country Airplay chart. They’re completely irrelevant. What in the hell makes them deserving of a nomination? Maddie & Tae are a complete token nomination like Musgraves above. I don’t see Dan + Shay being quite in the position to win yet. So it’s between CMA 2016 Duo of the Year Brothers Osborne and past years favorite Florida Georgia Line. I’m hopeful the former wins, but being a radio favorites show I expect the latter to win.

Vocal Group

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town
  • Old Dominion
  • Rascal Flatts

Eli Young Band?! Where are they getting these joke ideas for nominations? You’re telling me Eli Young Band is a nomination, but not Zac Brown Band who at least had a song reach the top 15 in the last year and are a mainstream staple? Get out of here! Lady Antebellum was on hiatus for all of 2016. Rascal Flatts are irrelevant. Yet despite this joke of a category, the best group Little Big Town should easily walk away with this award.

New Male

  • Kane Brown
  • Chris Janson
  • Chris Lane
  • Jon Pardi
  • Brett Young

Out of all the categories, this actually might be the one I have the least qualms with because these are all new male artists who have did something notable in the last year. Despite not being a fan of him, Kane Brown is deserving based on the fact that he does sell well and has great streaming numbers. While you and me might not like him, there are many he does resonate with and it’s ironic he’s one of the few nominations where the ACM looked beyond radio. Hands down this should go to Jon Pardi, who achieved a #1 album with California Sunrise, racked up a #1 hit in “Head Over Boots” and is on his way to another #1 in “Dirt on My Boots.” And I think it actually does go to him because his accomplishments blow the others out of the water. If anyone else wins I’m calling shenanigans.

New Female

  • Lauren Alaina
  • Cam
  • Brandy Clark
  • Maren Morris

That’s right they couldn’t even fill out the nominations for this one. Hey ACMs: Margo Price and Aubrie Sellers. Did you forget they exist? How is Brandy Clark new? This is just another award for them to give Maren.

New Vocal Duo/Group

  • A Thousand Horses
  • Brothers Osborne
  • Dan + Shay
  • LoCash
  • Maddie & Tae

None of these are really new, but then again barely anything else makes sense with these awards. I’m guessing Brothers Osborne or Dan + Shay win here.

Album

  • Dierks Bentley – Black
  • Florida Georgia Line – Dig Your Roots
  • Maren Morris – Hero
  • Keith Urban – Ripcord
  • Miranda Lambert – The Weight of These Wings

This should 1000% go to Miranda Lambert for her great album. But it’ll probably go to Urban or Morris or maybe even Bentley. You could take the best material from all of the non-Lambert ones, put it in one album and it still wouldn’t top Lambert’s album.

Single

  • Keith Urban – “Blue Ain’t Your Color”
  • Florida Georgia Line – “H.O.L.Y.”
  • Tim McGraw – “Humble and Kind”
  • Maren Morris – “My Church”
  • Miranda Lambert – “Vice”

Key distinction is this is single. I’m kind of surprised Thomas Rhett’s “Die A Happy Man” isn’t here, but rather under Song below. I don’t give Lambert a chance here either sadly. I could see any of the other four winning.

Song

  • Keith Urban – “Blue Ain’t Your Color”
  • Thomas Rhett – “Die A Happy Man”
  • Tim McGraw – “Humble and Kind”
  • Eric Church (feat. Rhiannon Giddens) – “Kill A Word”
  • Chris Stapleton – “Tennessee Whiskey”
  • Miranda Lambert – “Vice”

I would be happy with any of the bottom four winning, but watch one of the top two win. If I had to pick the winner I would definitely go with “Kill A Word,” being the best song of the nominations and for Church getting screwed over in general.

Video

  • Chris Stapleton – “Fire Away”
  • Various Artists – “Forever Country”
  • Tim McGraw – “Humble and Kind”
  • Kelsea Ballerini – “Peter Pan”
  • Miranda Lambert – “Vice”

With all due respect to the other videos, “Fire Away” is the no-brainer best video. It’s one of the powerful music videos I’ve watched in years and takes the song to a whole new level of meaning. Instead though “Forever Country” will probably win because it’s done insane numbers on YouTube and sold well (also great numbers on this very blog). The only hesitation I have of it winning is this song was specifically made for the ACM’s chief rival show CMA’s 50th Anniversary. How ironic would that be if it won an ACM Award?

Songwriter

  • Ashley Gorley
  • Luke Laird
  • Hillary Lindsey
  • Shane McAnally
  • Lori McKenna

McKenna has to win this one, right?

Vocal Event 

  • Dierks Bentley (feat. Elle King) – “Different For Girls”
  • Various Artists – “Forever Country”
  • Florida Georgia Line (feat. Tim McGraw) – “May We All”
  • P!nk (feat. Kenny Chesney) – “Setting The World on Fire”
  • Chris Young (feat. Cassadee Pope) – “Think of You”

I could see a case made for any of these conceivably winning. I think this will largely depend on the other categories’ winners.