Country Perspective’s Top 10 Albums of 2019

Back in the day, Country Perspective would spend around a month doing end of the year posts, recognizing the best and worst across several categories. While it was fun in a way, it was also quite tiring. And I imagine it had to be quite tiring for the reader too. After all I imagine you read several other music blogs and year-end posts. Speaking also as a reader of many blogs, it gets old after reading so many of these posts when really these things have two major points: 1) Giving proper recognition to the absolute best in music and 2) Giving you the listener a potential new album/artist to listen to. Plus, it’s fun to compare lists.

So with my lack of interest in doing so many year end posts and this blog having it’s major focus on albums, this is going to be the only best of 2019 post, the best albums of the year. It was a pretty good year for albums, as there were so many good ones across multiple genres. While there were some disappointments that stood out for me, pleasant new surprises more than made up for them (you’ll see some of them made the top 10 even). While it certainly didn’t touch the best years of this decade (hello 2014), 2019 is one of the better years of music in the 2010s (I’ll be doing my best of the decade posts in 2020).

But before I get to my top ten albums of 2019, I want to list some honorable mentions that weren’t quite good enough for the top ten, but still good albums that I recommend you check out…

Honorable Mentions

Country Perspective’s Top 10 Albums of 2019

10. Benny The Butcher – The Plugs I Met

Dirty, grimy and nasty is how I would describe the sounds and lyrics of this album. And I love it! The entire Griselda hip-hop collective is fantastic and rightly getting their due now that they’re signed to Eminem’s Shady Records (check out the album they dropped in November). But the star is undoubtedly Benny The Butcher and this album is the proof. All of his work is great, but this is an excellent entry point. When the king of coke rap in Pusha T endorses your coke rap (dropping a great feature on this album too), well you know you’re doing something right.

9. Cody Jinks – The Wanting

While I wouldn’t put the The Wanting as Cody Jinks’ best work, it’s certainly close and features maybe the most badass album cover of 2019. This album offers deep introspection on life, passion and love. The instrumentation is varied, going from slow ballads to rockers. And he did this all while dropping another album the week before that just missed this list. Jinks is undoubtedly one of the hardest working artists in music today and I was impressed by what he accomplished in dropping two great albums within a week of each other. If you’re someone looking to get into country music, Jinks is one of the first you should check out.

8. Dee White – Southern Gentleman

This album was released all the way back in January, but you should not forget about it. Dee White proves himself to be one of the most promising new country artists to watch with his debut album Southern Gentleman. White’s voice evokes memories of Roy Orbison and George Jones and he’s only 19-years-old. And while he feels like a classic artist in every sense, his lyrics are still modern. There are several great storytelling moments on this album and White even holds his own with fantastic vocalists like Ashley McBryde and Alison Krauss. I can’t wait to hear more from Dee White.

7. Tyler Childers – Country Squire

Country Squire is an incredible album and with its perfectly short run time, you’ll find yourself replaying it again and again. While some were disappointed by this follow-up to Purgatory, I was instantly impressed with this album. What’s great is these are old songs that have been played by Childers live for years and with live music being what pays the bills for artists, it only makes sense to record these songs. While we’re still due for Tyler Childers’ absolute best work, this is a pretty damn good album to play while we wait for it.

6. Michaela Anne – Desert Dove

Michaela Anne delivers an amazing album in Desert Dove. It’s full of smooth and breezy songs that only take a couple of listens to truly enjoy. Like my good friend and fellow music writer Zackary Kephart says, this album is quite similar to Kacey Musgraves’ Golden Hour and that was my top album of 2018. So if you enjoyed that album, this is a must-listen. This also feels like Anne’s breakout moment, as she finds the sound and themes she needed to truly show her full potential and prove herself as an artist that should be on your radar if you love country music or just great music in general.

5. Kishi Bash – Omoiyari

Omoiyari is a wonderful album full of beautiful lyrics and sounds that cover an important topic in American history that more people show know about. Why Kishi Bashi is not more covered by music journalists I’ll never know, but this music reviewer is telling you that you need to check him out. He’s a multi-instrumentalist who writes his own lyrics and can cover a wide variety of sounds so damn well. On this album he masters the chamber pop/orchestral pop sound while giving you an informative history lesson too. As a music nerd and history nerd, it’s a double win!

4. Mike and The Moonpies – Cheap Silver and Solid Country Gold

So I would be remiss if I didn’t point that my top four is clearly ahead of the rest, being that they all received 10/10 ratings, with each at one point or another getting consideration for Country Perspective’s 2019 Album of the Year. And out of all them, this was my biggest surprise of 2019. Mike and the Moonpies deliver something special with Cheap Silver and Solid Country Gold. It’s fantastic in both sound and songwriting. The group clearly left their comfort zone. It honors the tried and true, while delivering something that feels new too. This is a band for me that went from releasing two albums I couldn’t get into at all to releasing an album that I can’t find a single fault in.

3. Freddie Gibbs & Madlib – Bandana 

I found hip-hop in 2019 to be pretty disappointing. But I never find the work of Freddie Gibbs and producer Madlib to be disappointing, as this duo once again delivers big with Bandana. After delivering a classic in Piñata, they manage to nearly match it, which absolutely blows my mind. Gibbs raps his ass off on this album, delivering some of his best bars ever, while finding a great balance of bangers and humor while also offering introspection on more serious topics like when he was falsely accused of rape and systematic racism. Madlib brings some of the best beats in the game, picking some excellent samples as he always does. If there’s one hip-hop album you listen to this year, it’s this one.

2. Sturgill Simpson – SOUND & FURY

SOUND & FURY from start to finish feels like one long song, as it’s both cohesive in sound and lyrics, telling several stories that tie into overarching theme of Simpson being angry at a lot of things in the world, but when it comes down to it he’s most angry at himself and what he let himself become. Each track explores the flawed thoughts and actions of a flawed man. This album sounds like early to mid 70s music and sounds like the eccentric, frenetic sounds of Jeff Lyne and Electric Light Orchestra meets the in-your-face, sneering lyrics of Creedence Clearwater Revival. The amount of care and detail given to every aspect makes this one of the best albums you’ll hear in 2019 and yet another excellent album from Sturgill Simpson.

Country Perspective’s 2019 Album of the Year…

1. Carly Rae Jepsen – Dedicated

If you still think of Carly Rae Jepsen as just the “Call Me Maybe” girl, well you’re just plain wrong. Because when she released Emotion and Emotion Side B, she showed me that there’s not a better pop artist making music today. Jepsen further proves with Dedicated that she just gets pop music: the over-the-top production, the overwhelming emotions, the catchy hooks, exciting themes and everything in-between. It’s appropriate she has an album named Dedicated considering she writes hundreds of songs for each album and spends months culling down to the final track list. This true dedication to her music shines through on every lyric and sound on this album. It’s a complete album from front to back, touching on the several emotions of love through the many trials and tribulations of a relationship. And it wouldn’t surprise me a bit that the “B cuts” for this album are equally as great in quality. Not only is this the best album of 2019 in my mind, but one of the best of the 2010s.


Thanks for reading! Be sure to weigh in with your thoughts on Country Perspective’s Top 10 Albums of 2019 below and feel free to offer your own list. Also feel free to ask me about any music releases/news from 2019 too (think of it as a 2019 music AMA), as my late start didn’t allow me to discuss everything I would have liked to discuss.

Album Review — Kishi Bashi’s ‘Omoiyari’

One of the best kept secrets in music today is Kishi Bashi. I stumbled upon him by accident with his last album Sonderlust, an album that grabbed my attention and refused to let go. With his new album Omoiyari, he does just the same. Opening track “Penny Rabbit and Summer Bear” feels so sweet and summery, as Bashi shows off his amazing violin skills. Yet the song is about lovers separated by the ocean and war. You see the album centers around the stories of the Japanese-Americans who were unfairly placed in internment camps in the United States when WWII broke out. And this song is really a microcosm of the songs on this album: so happy sounding, yet the subjects of the song are the exact opposite.

“F Delano” is what you think it is when you listen to it closely: it’s saying fuck President Franklin Roosevelt, who ordered the Japanese-Americans into internment camps. It’s pretty funny to hear a song centered around dissing a dead president, but in this case there’s a justified level of seriousness. Bashi appropriately ends the song asking you the listener to be the final judge of Roosevelt’s actions: “Was he right?/Innocence without a proper fight?”

“Marigolds” has one of the beautiful openings to a song I’ve heard in some time. The plucky and smooth sounds of the string section gives the song a heavenly, floating-like feeling that you really just need to hear for yourself. I can’t do it justice. The song is about a man yearning to know the woman he loves years before the war, when times were simpler and happier and they could live the life together he envisions in his dreams. I particularly love the delivery from Bashi on the line “I want to fall off the edge with you,” as it show that urgency and passion of the love expressed in the song.

“A Song for You” is about a man vowing that all the fighting he’s doing in the war is for his love. But it’s implied that she passed before he could reunite, as he could never send that photograph that was always meant for her. I really enjoy the guitar licks in the bridge, as they’re well-placed and gives the song a nice punch. ”

“Angeline” features some of the best lyrics on the album, as they not only do a great job of telling the story, but the emotions of despair and wanting of a man who was basically arrested for being a Japanese-American and sentenced to work in a mine for seven years. All the while he’s separated from his woman, Angeline. The best lines of this song make you not only picture, but feel what this man is suffering: “Seven year until I’m free, workin’ off this prison fee/My fingers smell like kerosene in a mine in Tennessee/Every day I hold my breath, every hour I wish for death/Angeline, she’s settled west away from Tennessee.”

“Summer of ’42” once again showcases how great of a violinist Kishi Bashi is, with the epic, rising sounds of the violin constantly building through the song. It’s a song recalling the lost love of a past summer and the passion shared by the couple. It’s probably the happiest track on the album, as I find it impossible to not feel happy listening to it. The lyrics and the sound just come together so satisfyingly well. What a beautiful song, but then again I feel like a broken record saying that with the songs on this album.

“Theme from Jerome (Forgotten Words)” has a dark and menacing open that gives way to a subdued and somber tone. Bashi sings part of this song in Japanese (also part of “Violin Tsunami”) and it’s a nice and fitting moment on this album. “A Meal for Leaves” is an instrumental track, so I really don’t have anything to say other than it fits the rest of the album in terms of sound.  “Violin Tsumani” is what the name implies: Kishi Bashi gives us a shit ton of violin on this song and with his skills on the violin, this makes for a fantastic song. No offense to Bashi’s songwriting on this track, but I kind of ignore it and get lost in the violin play. This song shows why he’s one of the best violinists you’ll hear in music today.

The final song on the album is “Annie, Heart Thief of the Sea” and it’s basically a folk country song. I could easily picture Old Crow Medicine Show singing this. The song is about a man finally being free after the war, but his heart his broken because his wife has long been dead and now she’s forever taken his heart as a result. It’s a catchy and fun to singalong with, but also a tragic, yet beautiful profession of love that tugs at the heart strings. It’s a fantastic song that encapsulates the album and the artistry of Bashi.

Omoiyari is a wonderful album full of beautiful lyrics and sounds that cover an important topic in American history that more people show know about. Why Kishi Bashi is not more covered by music journalists I’ll never know, but this music reviewer is telling you that if you have not heard the music of Kishi Bashi, you need to do so.

Grade: 9/10

https://www.youtube.com/watch?v=K6QgbhA8sNM&list=PLoB11Z8A5Nz9DOAiKaVqnJ3RlHDfHy8om