Album Review — Little Big Town’s ‘Nightfall’

When it comes to taking a risk and failing or playing it safe, I would rather see an artist/act choose the former every single time. But sometimes you can take risks and if you don’t fully commit to it, you can end up with a safe sounding album. This is what I unfortunately see for Little Big Town on their new album Nightfall, as it doesn’t live up to what it aspires to be.

Opening song “Next To You” showcases the band harmonizing well. But then you listen to the rest of the album and it feels like most of this album stays in this same slow pace/mood. There’s just no variety, as it stagnates over this same sounding type of song. It’s not that these songs are bad. But you put them all next to each other and they blend together. And it would make sense if a common theme threaded these songs together, but there isn’t.

The album’s title track flirts with a surrealistic, disco-influenced country sound, but doesn’t fully commit to the sound for it to really stand out. And that’s a shame considering Daniel Tashian’s involvement with the song. The lyrics are your standard, generic tropes about falling in love under the night sky. “Forever and a Night” is an appropriately named song because that’s how long it feels listening to it. It’s an overwrought love ballad that tries too hard to come off as seriously romantic and quite frankly the song never goes beyond second gear in terms of storytelling/messaging.

“Throw Your Love Away” is a throwaway love song. And you know it won’t be a single since Karen Fairchild isn’t on lead vocals. “Over Drinking” is a decent get-over-you drinking song since it has a bit more of a pulse than the rest of the album. The hook isn’t half-bad, but I would have liked to have heard a little bit more lyrically to give the song more meat.

“Wine, Beer, Whiskey” puts me of two minds. On one hand, the lyrics are your standard alcohol name-dropping, modern country song. It’s nothing special. On the other hand, Little Big Town actually do something different, which I love. It has a distinctively Tejano-influence with the vibrant horns, giving it a fun and memorable sound. Why this isn’t utilized more in country music stupefies me. Ultimately “Wine, Beer, Whiskey” is a highlight of Nightfall.

Unfortunately the album falls right back into a lull with “Questions.” For a ballad trying to come off as serious and dealing with the doubts in the fallout of a relationship, why are there snap tracks and clap tracks? This is a guaranteed way to get me not to take this song seriously. But in pop country music today I guess this is a requirement for some asinine reason. I love the message that “The Daughters” is trying to deliver about unfair expectations that get placed on women and unifying through this struggle. It’s a worthy and admirable message. But the ways its delivered is clunky and the religious overtones feel forced and not really necessary.

“River of Stars” would be a good song on an album with more variety. But when you already have how many slow to mid-tempo songs on the album, it quickly becomes another one on the track list. At this point I’m bored and just waiting for something to change in terms of sound to wake me up.

“Sugar Coat” is a song on paper that I should enjoy. It’s a story of a woman who always has to grin and bear it with a husband that’s never there for her and her family enough. But then there’s the chorus, which comes off as sanctimonious to me: “Sometimes I wish I liked drinking/Sometimes I wish I liked pills/Wish I could sleep with a stranger/But someone like me never will.” It paints the picture of someone who views themselves as never making mistakes nor standing up for themselves as also alluded to in the lyrics. This isn’t someone I really want to empathize or connect with as the listener.

“Problem Child” is a ballad about acknowledging we all have problems, whether it being lonely or not being accepted in someone else’s eyes. I would have liked to heard this fleshed out a bit more, as I do like it’s unifying message and the anthemic feel in the delivery. But the message comes off as half-baked, as I’m waiting for it to say something greater.

“Bluebird” sees the groups best embracing of the Tashian/Ian Fitchuk country sound and it makes for arguably the best song on the album. I enjoy the breezy, laid-back feel in this dreamy love ballad. The hook is also memorable and stands out with it’s emphasis on both the harmonies and the melody. “Trouble With Forever” is another sleepy ballad that has nothing interesting to say. It’s yet another case on this album of an interesting topic not being explored enough to deliver something memorable.

Nightfall is an album that shows hints of potential and interesting wrinkles, but Little Big Town for the most part don’t take enough chances and spend enough time on the lyrics. It’s a shame because this group has excellent music sense and can be quite creative when they want to be. The biggest criticism that brings Nightfall down is it’s failure to execute on its idea, as this had potential to be great.

Grade: 5/10

https://www.youtube.com/watch?v=CkZdKLLmpcY&list=OLAK5uy_mGwUMXyRYP3Mz2Ok2s73iVhZ0uFc-EjpA

The Current Pulse of Mainstream Country Radio [March 6]

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 1)
  2. Jon Pardi – “Dirt on My Boots” +1 (Up 3)
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Little Big Town – “Better Man” +2 (Down 4)
  6. Luke Bryan – “Fast” -1 (Up 1)
  7. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Jason Aldean – “Any Ol’ Barstool” (Up 1)
  10. Blake Shelton – “A Guy With A Girl” -1 (Down 4) 
  11. Kelsea Ballerini – “Yeah Boy” -5 
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl”
  14. Sam Hunt – “Body Like a Back Road” -5 (Up 1) [Worst Song]
  15. Kenny Chesney – “Bar at the End of the World” -3 (Down 1)
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. High Valley – “Make You Mine” -2 (Up 1)
  18. Dierks Bentley – “Black” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1
  20. Dan + Shay – “How Not To” +1 (Up 2)
  21. Chris Janson – “Holdin’ Her” +4 (Down 1)
  22. Trent Harmon – “There’s A Girl” +1 (Down 1)
  23. Darius Rucker – “If I Told You” 
  24. Lady Antebellum – “You Look Good” -4 (Up 2)
  25. Rascal Flatts – “Yours If You Want It” -2 (Down 1)
  26. Craig Campbell – “Outskirts of Heaven” +3 (Down 1)
  27. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (Up 1)
  28. Brett Young – “In Case You Didn’t Know” -2 (Re-Enters Top 30)
  29. Zac Brown Band – “My Old Man” +4 (Up 1)
  30. Miranda Lambert – “We Should Be Friends” +2 (Down 3)

The Current Pulse of Mainstream Country Radio: -24

The pulse drops five spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Runaway June – “Lipstick” +3

Songs That Entered The Top 30 This Week:

  • Brett Young – “In Case You Didn’t Know”

Biggest Gainers This Week:

  • Jon Pardi – “Dirt on My Boots” – Up 3 from #5 to #2
  • Brett Young – “In Case You Didn’t Know” – Up 3 from #31 to #28

Biggest Losers This Week:

  • Runaway June – “Lipstick” – Out of the Top 30 & Done
  • Little Big Town – “Better Man” – Down 4 from #1 to #5
  • Blake Shelton – “A Guy With A Girl” – Down 4 from #6 to #10

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl” (Radio and Blake just can’t bear the thought of one week in the top 30 without a single from him, so chart jacking!)
  • Eric Church (feat. Rhiannon Giddens) – “Kill A Word” (This one appears to be out of gas now. We’ll see if EMI fights to keep it alive)
  • Garth Brooks – “Baby, Let’s Lay Down and Dance” (The Fritos song finally appears done. No one will remember it)
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine” (54 weeks. I bet it’ll reach the top 10 in another 25 weeks)
  • Trent Harmon – “There’s A Girl”

On The Hot Seat:

  • Craig Campbell – “Outskirts of Heaven”
  • Miranda Lambert – “We Should Be Friends” (You can start panicking and worrying, Miranda fans. I’m being generous putting it here and not above because this is surrounded by radio darlings. Not good.)

Next Four Songs I See Entering Top 30:

  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Cole Swindell – “Flatliner”
  • Blake Shelton – “Every Time I Hear That Song”
  • Brothers Osborne – “It Ain’t My Fault”

 

As always be sure to weigh-in with your thoughts in the comments below. 

The Current Pulse of Mainstream Country Radio [February 27]

little-big-town-better-man

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Little Big Town – “Better Man” +2 
  2. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Jon Pardi – “Dirt on My Boots” +1 
  6. Blake Shelton – “A Guy With A Girl” -1 (Up 1) 
  7. Luke Bryan – “Fast” -1 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  10. Jason Aldean – “Any Ol’ Barstool” 
  11. Kelsea Ballerini – “Yeah Boy” -5 (Up 2)
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl” (Up 2)
  14. Kenny Chesney – “Bar at the End of the World” -3 
  15. Sam Hunt – “Body Like a Back Road” -5 (Up 3) [Worst Song]
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. Dierks Bentley – “Black” -2 (Up 2)
  18. High Valley – “Make You Mine” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1 (Up 1)
  20. Chris Janson – “Holdin’ Her” +4 (Up 2)
  21. Trent Harmon – “There’s A Girl” +1 
  22. Dan + Shay – “How Not To” +1 (Up 1)
  23. Darius Rucker – “If I Told You” (Up 1)
  24. Rascal Flatts – “Yours If You Want It” -2 (Up 1)
  25. Craig Campbell – “Outskirts of Heaven” +3 (Up 1)
  26. Lady Antebellum – “You Look Good” -4 (Up 1)
  27. Miranda Lambert – “We Should Be Friends” +2 (Up 1)
  28. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (New to Top 30)
  29. Runaway June – “Lipstick” +3 (Up 1)
  30. Zac Brown Band – “My Old Man” +4 (Re-Enters Top 30)

The Current Pulse of Mainstream Country Radio: -19

The pulse improves six spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Dustin Lynch – “Seein’ Red” -5
  • Brett Young – “In Case You Didn’t Know” -2

Songs That Entered The Top 30 This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Zac Brown Band – “My Old Man”

Biggest Gainers This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter” – Up 5 from #33 to #28
  • Sam Hunt – “Body Like A Back Road” – Up 3 from #18 to #15

Biggest Losers This Week:

  • Dustin Lynch – “Seein’ Red” – Out of the Top 30 & Done
  • Brett Young – “In Case You Didn’t Know” – Out of the Top 30 (#31)

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl”
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine”
  • Trent Harmon – “There’s A Girl”
  • Craig Campbell – “Outskirts of Heaven”
  • Runaway June – “Lipstick”

On The Hot Seat:

  • Brantley Gilbert – “The Weekend”
  • Garth Brooks – “Baby, Let’s Lay Down and Dance”

Next Four Songs I See Entering Top 30:

  • Brett Young – “In Case You Didn’t Know”
  • Cole Swindell – “Flatliner”
  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Blake Shelton – “Every Time I Hear That Song”

 

Call me crazy, but is this gerrymandering really helping anyone? What is the point of all this blatant chart jacking?

 

As always be sure to weigh-in with your thoughts in the comments below. 

Album Review – Little Big Town’s ‘The Breaker’

little-big-town-the-breaker

Let’s be honest: I wasn’t exactly a fan of Little Big Town’s last album Pain Killer. I went back and re-read it. I was actually quite brutal with my remarks. Man, did I go in on the 80s rock comparisons. In my defense though these comparisons weren’t off and I can honestly say I only remember two songs from that album, “Day Drinking” and “Girl Crush.” The latter of course went on to become Little Big Town’s biggest hit yet and racked up tons of awards. So at least the best song went on to earn the most praise. Coming into this veteran group’s new album The Breaker, I was kind of cautiously optimistic based off the Taylor Swift-penned lead single “Better Man.” But in the back of my mind I still remembered the previous album being a disappointment. After all Jay Joyce returns as producer, who was a big part of why the last album was underwhelming and forgettable. Well after listening to The Breaker, it’s definitely a step up and into the right direction for this group.

The opening song “Happy People” really establishes the overall tone and vibe of this album. It’s a very easy-going, light, roots-y type sound that permeates throughout this song and album. The song is about doing whatever floats your boat and how happy people do a lot more than unhappy people in this life. It takes a few listens, but the lyrics kind of subtly impress. It’s no surprise considering two great songwriters in Lori McKenna and Hailey Whitters wrote it. One of the more upbeat tracks on this album is “Night On Our Side.” It’s catchy, but the song itself really doesn’t have much to say and is greatly aided by the vibrant instrumentation. Moody and mellow would best describe “Lost In California.” This might be the most different song I’ve heard from Little Big Town, as this song is very much driven by tone. The song is a love ballad and features some illustrative songwriting that really paints a picture in your head, a credit to the famous troika of Hillary Lindsey, Liz Rose and McKenna. Then we have the production, which perfectly compliments it with it’s dreamy, almost hazy like feel. It might be Jay Joyce’s best work he’s ever done.

This is before we get to what I would deem the best track on the album, “Free.” I knew right away that McKenna helped write this, as it just has the markings of her best work. The song is instantly feel good, along the same lines of “Humble and Kind.” It’s about how the things we want most in life are free and some of our best qualities are free too (how we get our sense of humor from a parent, our eye color from a relative). The harmonies are also perfectly timed. This is one of Little Big Town’s best songs it’s ever released and deserves to be a single. “Drivin’ Around” is a breezy, summer song you play with the windows down as you well drive around. I enjoy how the harmonies drives this song, but I wish the production were toned back a bit to let the song be more breezy and less overbearing at times (“Rollin'” is along the same lines). Nostalgia will determine how much you love “We Went To The Beach.” Most of the time nostalgia songs usually don’t work for me, but this one does because well I can relate to the first part of the song. If you can connect with a part of the song, it’s enjoyable. If not, it’s probably just okay. I also have to say Phillip Sweet was a good choice for lead vocals here, as his voice suites the overall mood of the song.

Kimberly Schlapman takes the lead on “Beat Up Bible.” It’s about the meaning of a Bible that’s been passed down through a family. The memories it holds and the lessons learned are what make it so special, even though it’s nearly fallen apart. Usually these types of songs devolve into cliché territory quickly, but this one has heart and comes across sincerely. Schlapman is a great choice for lead vocals, as her sweeter, more restrained voice suits it. Little Big Town do a really job tackling heartbreak on “When Someone Stops Loving You.” The song explores the feelings you go through after a breakup: having to trudge through the normal routine, forced to face life without that person and a little part still hoping they come crawling back. It’s well written and Jimi Westbrook really shines on lead vocals. The album’s title track closes the album out. With Sweet on lead vocals, the song is about a man who thought he would be the man of his woman’s dreams. But he ends up turning out to be the one to break her heart in the end. I enjoy the concept of this song, but I think it would have been even better if it were a duet between the man and woman, explaining each side. It would have really added some depth, but as is it’s a decent song.

Little Big Town delivers a pretty solid album in The Breaker. It’s a nice rebound from the group and mostly a return to where this group shines: more organic, restrained, harmony driven songs. Everything on this album is a step up, most notably the songwriting. Five co-writes from Lori McKenna, along with contributions from the likes of Natalie Hemby, Liz Rose and Hailey Whitters is likely to help an album in the songwriting department. Overall I like the sonic direction this album takes and the themes explored, but I felt like if it could have been taken further this could have been a great album. It felt like some potential was left on the table, but hopefully the group stays on its current path and takes these steps on the next album. Little Big Town should be proud though of their effort on The Breaker, as I think this will be one of the best albums from mainstream country in 2017.

Grade: 7/10

 

Recommend? – Yes

Album Highlights: Free, Lost In California, When Someone Stops Loving You, Happy People, Beat Up Bible, Better Man

Bad Songs: None

Wallpaper: Don’t Die Young, Don’t Get Old; Night On Our Side


The Current Pulse of Mainstream Country Radio [February 21]

little-big-town-better-man

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Little Big Town – “Better Man” +2 (Up 1)
  2. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 1)
  3. Michael Ray – “Douchey Pickup Song” -5 (Up 4)
  4. Brad Paisley – “Today” +2 (Up 2)
  5. Jon Pardi – “Dirt on My Boots” +1 (Up 3)
  6. Dustin Lynch – “Seein’ Red” -5 (Down 5)
  7. Blake Shelton – “A Guy With A Girl” -1 (Down 2) 
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 (Up 1) [Best Song]
  9. Luke Bryan – “Fast” -1 (Up 1)
  10. Jason Aldean – “Any Ol’ Barstool” (Up 2)
  11. Lauren Alaina – “Road Less Traveled” -2 
  12. Brantley Gilbert – “The Weekend” -5 (Up 1)
  13. Kelsea Ballerini – “Yeah Boy” -5 (Up 1)
  14. Kenny Chesney – “Bar at the End of the World” -3 (Up 3)
  15. Josh Turner – “Hometown Girl” (Up 1)
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance” (Down 1)
  17. High Valley – “Make You Mine” -2 (Up 1)
  18. Sam Hunt – “Body Like a Back Road” -5 (Up 3) [Worst Song]
  19. Dierks Bentley – “Black” -2 
  20. Luke Combs – “Hurricane” -1 (Up 4)
  21. Trent Harmon – “There’s A Girl” +1 (Down 1)
  22. Chris Janson – “Holdin’ Her” +4 
  23. Dan + Shay – “How Not To” +1
  24. Darius Rucker – “If I Told You” (Up 1)
  25. Rascal Flatts – “Yours If You Want It” -2 (Up 2)
  26. Craig Campbell – “Outskirts of Heaven” +3 
  27. Lady Antebellum – “You Look Good” -4 (Up 2)
  28. Miranda Lambert – “We Should Be Friends” +2
  29. Brett Young – “In Case You Didn’t Know” -2 (New to Top 30)
  30. Runaway June – “Lipstick” +3

The Current Pulse of Mainstream Country Radio: -25

The pulse improves one spot this week.

Songs That Dropped Out of the Top 30 This Week:

  • Thomas Rhett – “Star of the Show” -3

Songs That Entered The Top 30 This Week:

  • Brett Young – “In Case You Didn’t Know”

Biggest Gainers This Week:

  • Michael Ray – “Douchey Pickup Song” – Up 4 from #7 to #3
  • Luke Combs – “Hurricane” – Up 4 from #24 to #20
  • Jon Pardi – “Dirt on My Boots” – Up 3 from #8 to #5

Biggest Losers This Week:

  • Thomas Rhett – “Star of the Show” – Out of the Top 30 & Done
  • Dustin Lynch – “Seein’ Red” – Down 5 from #1 to #6
  • Blake Shelton – “A Guy With A Girl” – Down 2 from #5 to #7

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Dustin Lynch – “Seein’ Red”
  • Blake Shelton – “A Guy With A Girl”
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine” (Fun fact: The music video for this song was released on January 29, 2015)
  • Runaway June – “Lipstick”

On The Hot Seat:

  • Garth Brooks – “Baby, Let’s Lay Down and Dance” (Appears to finally be losing momentum. But I still want to see it somehow reach top ten)
  • Trent Harmon – “There’s A Girl”
  • Craig Campbell – “Outskirts of Heaven”
  • Darius Rucker – “If I Told You”

Next Four Songs I See Entering Top 30:

  • Zac Brown Band – “My Old Man”
  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Cole Swindell – “Flatliner”
  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”

 

Notes: RaeLynn’s “Love Triangle” has went recurrent and is done. Parmalee’s “Roots” and Jake Owen’s “If He Ain’t Gonna Love You” both appear to be finished. Chris Lane’s “For Her” appears destined to be stuck in the mid 30s muck (but this is a good thing). LoCash’s “Ring on Every Finger” is struggling to build momentum like its previous singles. I bring all of this up because these are most of the songs directly behind the next four songs I see entering the top 30. Essentially there’s a vacuum there ready for someone to take advantage and it’ll be interesting to see who fills it. Blake Shelton’s “Every Time I Hear That Song” will of course be a hit. But then you have Justin Moore’s “Somebody Else Will” and Dylan Scott’s “My Girl.” They’re the closet in airplay, but radio doesn’t seem that keen on either. Scott has yet to have a hit and Moore’s last single took forever to climb the charts (never forget it went recurrent one week after going #1). Brothers Osborne’s “It Ain’t My Fault” is off to a good start, much better than their last single. They should reach the top 30 no problem. Billy Currington’s “Do I Make You Wanna” could make it by sheer process of elimination. Easton Corbin’s “A Girl Like You” seems like the next logical choice and something radio would get behind. Finally you have Drake White’s “Makin’ Me Look Good Again” quietly marching up the chart and looking like a possible sleeper hit.

 

As always be sure to weigh-in with your thoughts in the comments below.