Album Review — Luke Combs’ ‘What You See Is What You Get’

It’s hard to believe it was just over two years ago that Luke Combs made his entrance into the greater country music scene with his smash single “Hurricane” and now today is undeniably the biggest star in the genre. While I don’t see Combs as one of the best voices or songwriters in the genre, I understand (and enjoy) his appeal and see why he’s had such a meteoric rise: he has a humble, “aw shucks,” good ole boy persona who is undeniably country and even “paid his dues,” building up an impressive grassroots fan base as an indie artist before signing onto a major label. And I only see his star continuing to rise.

Combs made a pretty solid debut with his first album This One’s For You, adding even more quality songs on his deluxe version of the album. So I was eager to see if he could top his debut effort with his sophomore album What You See Is What You Get. Unfortunately he doesn’t and right away before even listening to the album, seeing the track list at 17 songs struck me as a red flag. In today’s streaming world, it’s easy to see this as a label decision to stuff the album to milk streaming numbers (hip hop is especially infamous for this tactic). I also rarely find that albums of this length are able to maintain a high level of quality throughout, as almost all of these albums have filler stuffed in the middle. Before I touch on this more though, the album starts off pretty good.

Opening song and lead single “Beer Never Broke My Heart” is a solid and catchy country rocker. It’s well-treaded territory in country music: an ode to beer over girls that break your heart. Combs of course pulls this off thanks to having the persona I described above. It’s his “secret sauce” and why he’s risen in popularity above everyone else in country music. “Refrigerator Door” is a song about the sentimentality of all the pictures and magnets that adorn a refrigerator door and the nostalgia it generates within Combs seeing them. Again a solid song, it doesn’t blow me away. It’s a little predictable, but it also feels heartfelt.

“Even Though I’m Leaving” is very much along this same sentiment. You know right away somebody is dying in this song by the end of it, in this case the father. In comparison to other songs in this same vein, it’s not as meaningful and well written as Eric Church’s “Monsters,” but it’s also not so on the nose and cut and paste as Scotty McCreery’s “Five More Minutes.” Still despite the predictable nature, I really enjoy the song, as it truly does tug at the heartstrings and resonates with the listener. “Lovin’ On You” is a fun and simple song that works because of Combs’ enthusiastic delivery. I feel like it’s one of the more overlooked songs on the album, but it shouldn’t because it’s actually one of the better ones.

“Moon over Mexico” is Combs’ take on a beach song and it’s just okay. The song is just a bit too sleepy for my tastes, as it just doesn’t really convey a beach feeling to me. And it’s kind of an overall awkward fit with Combs. “1, 2 Many” sees Combs joined by the legendary Brooks & Dunn and I fell in love with this song instantly. It not only fits Combs well, but bringing on one of the all-time great party country acts in Brooks & Dunn elevates this song from pretty good to memorably great. The energy of this song is infectious, the lyrics are catchy and the harmonies of the three at the end is the mighty exclamation point needed to cap this song off.

Unfortunately this is followed by easily the worst song on the album, “Blue Collar Boys.” I’m so sick of these songs about redneck boys versus city boys and preaching superiority over the other. It’s such a tiring, predictable and pretentious theme that even Combs with his endearing persona can’t pull it off. To all country artists out there thinking about doing these songs: Please stop! “New Every Day” is a song about learning from mistakes and breakups and becoming a better person as a result. It’s a great message and the instrumentation does a good job creating a reflective feeling to match the lyrics.

Remember what I said at the beginning of the review about long albums almost inevitably having forgettable filler? Well “Reasons” fits this description to a T. It’s bland and forgettable. “Every Little Bit Helps” is carried by Combs’ energetic delivery. It’s your standard, getting over you heartbreak country song, but Combs’ secret sauce comes through for him again. “Dear Today” allows the listener to hear Combs in a more stripped down environment and it sounds great. The only problem is it feels like a logical concluding track to an album, but instead it’s #11 out of #17 on this album. Cull this album down to 12 tracks and have this song as the closer and it’s without a doubt better than his first album.

The album’s title track is an anthem about Combs himself: who he is, what he stands for and how he doesn’t portray himself to be anything other than what he is. It feels like a genuine and honest declaration from Combs, which is refreshing because so many artists fail to pull off these type of songs because they tend to mischaracterize themselves. But Combs actually describes himself in the same way myself and I’m sure many others see him as through his music.

“Does To Me” was a song I was really looking forward to hearing thanks to the Eric Church feature, but after thoroughly listening to it I’m underwhelmed. I expected so much more out of this collaboration. The song is about finding more meaning in the little things in life than what other people do, but it just doesn’t do anything memorable with the subject matter. On top of it Church’s feature feels like a wasted opportunity, as he barely shows up for a few lines that I won’t even remember (Church also covered this topic better with “Some of It,” making this song worse). I would have rather heard both of them 50/50 on a song they wrote together, but I feel like the label forced Combs into pushing this album out too quickly that prevented this from happening.

“Angels Workin’ Overtime” has an enjoyable “honky tonk” vibe, but the premise/hook of the song makes me gag with how cliché and unoriginal it is. It’s like one of those throw pillows that says “Bless This Mess” or the stick figure family you see on the back of a car. It’s just so basic and empty! So I’m sure it will be a smash hit. The same came be said for “All Over Again.” It’s a song that blatantly placates the label with it’s pop country sound and it’s generic, “Hurricane”-like lyrics. Again this will probably be a hit, much to my chagrin when there’s so many other great songs on the album.

At least the album closes with two great love songs in “Nothing Like You” and “Better Together.” The former song’s subdued nature allows Combs’ passion to shine through in the lyrics, while the latter utilizes the piano well and once again allows Combs’ vocal performance carry the song. But once again I have to question the track placements: Why put two quite similar songs back-to-back to close the album? It just cheapens the impact of both songs on the listener. Again I really enjoy both songs, but they shouldn’t be right next to each other on the album.

While Luke Combs doesn’t deliver a bad album in What You See Is What You Get, I can’t help but overall feeling like this album is a missed opportunity for Combs to deliver something great. If this album was a more reasonable length and if the fluff and bad songs were cut, this album could have easily been one of the top ten country albums you’ll hear this year. So while I wouldn’t call this album a sophomore slump, it’s certainly no slam dunk either.

Grade: 6/10

The Current Pulse of Mainstream Country Radio [March 6]

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 1)
  2. Jon Pardi – “Dirt on My Boots” +1 (Up 3)
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Little Big Town – “Better Man” +2 (Down 4)
  6. Luke Bryan – “Fast” -1 (Up 1)
  7. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Jason Aldean – “Any Ol’ Barstool” (Up 1)
  10. Blake Shelton – “A Guy With A Girl” -1 (Down 4) 
  11. Kelsea Ballerini – “Yeah Boy” -5 
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl”
  14. Sam Hunt – “Body Like a Back Road” -5 (Up 1) [Worst Song]
  15. Kenny Chesney – “Bar at the End of the World” -3 (Down 1)
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. High Valley – “Make You Mine” -2 (Up 1)
  18. Dierks Bentley – “Black” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1
  20. Dan + Shay – “How Not To” +1 (Up 2)
  21. Chris Janson – “Holdin’ Her” +4 (Down 1)
  22. Trent Harmon – “There’s A Girl” +1 (Down 1)
  23. Darius Rucker – “If I Told You” 
  24. Lady Antebellum – “You Look Good” -4 (Up 2)
  25. Rascal Flatts – “Yours If You Want It” -2 (Down 1)
  26. Craig Campbell – “Outskirts of Heaven” +3 (Down 1)
  27. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (Up 1)
  28. Brett Young – “In Case You Didn’t Know” -2 (Re-Enters Top 30)
  29. Zac Brown Band – “My Old Man” +4 (Up 1)
  30. Miranda Lambert – “We Should Be Friends” +2 (Down 3)

The Current Pulse of Mainstream Country Radio: -24

The pulse drops five spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Runaway June – “Lipstick” +3

Songs That Entered The Top 30 This Week:

  • Brett Young – “In Case You Didn’t Know”

Biggest Gainers This Week:

  • Jon Pardi – “Dirt on My Boots” – Up 3 from #5 to #2
  • Brett Young – “In Case You Didn’t Know” – Up 3 from #31 to #28

Biggest Losers This Week:

  • Runaway June – “Lipstick” – Out of the Top 30 & Done
  • Little Big Town – “Better Man” – Down 4 from #1 to #5
  • Blake Shelton – “A Guy With A Girl” – Down 4 from #6 to #10

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl” (Radio and Blake just can’t bear the thought of one week in the top 30 without a single from him, so chart jacking!)
  • Eric Church (feat. Rhiannon Giddens) – “Kill A Word” (This one appears to be out of gas now. We’ll see if EMI fights to keep it alive)
  • Garth Brooks – “Baby, Let’s Lay Down and Dance” (The Fritos song finally appears done. No one will remember it)
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine” (54 weeks. I bet it’ll reach the top 10 in another 25 weeks)
  • Trent Harmon – “There’s A Girl”

On The Hot Seat:

  • Craig Campbell – “Outskirts of Heaven”
  • Miranda Lambert – “We Should Be Friends” (You can start panicking and worrying, Miranda fans. I’m being generous putting it here and not above because this is surrounded by radio darlings. Not good.)

Next Four Songs I See Entering Top 30:

  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Cole Swindell – “Flatliner”
  • Blake Shelton – “Every Time I Hear That Song”
  • Brothers Osborne – “It Ain’t My Fault”

 

As always be sure to weigh-in with your thoughts in the comments below. 

The Current Pulse of Mainstream Country Radio [February 27]

little-big-town-better-man

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Little Big Town – “Better Man” +2 
  2. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 
  3. Michael Ray – “Douchey Pickup Song” -5 
  4. Brad Paisley – “Today” +2 
  5. Jon Pardi – “Dirt on My Boots” +1 
  6. Blake Shelton – “A Guy With A Girl” -1 (Up 1) 
  7. Luke Bryan – “Fast” -1 (Up 2)
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 [Best Song]
  9. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  10. Jason Aldean – “Any Ol’ Barstool” 
  11. Kelsea Ballerini – “Yeah Boy” -5 (Up 2)
  12. Brantley Gilbert – “The Weekend” -5 
  13. Josh Turner – “Hometown Girl” (Up 2)
  14. Kenny Chesney – “Bar at the End of the World” -3 
  15. Sam Hunt – “Body Like a Back Road” -5 (Up 3) [Worst Song]
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance”
  17. Dierks Bentley – “Black” -2 (Up 2)
  18. High Valley – “Make You Mine” -2 (Down 1)
  19. Luke Combs – “Hurricane” -1 (Up 1)
  20. Chris Janson – “Holdin’ Her” +4 (Up 2)
  21. Trent Harmon – “There’s A Girl” +1 
  22. Dan + Shay – “How Not To” +1 (Up 1)
  23. Darius Rucker – “If I Told You” (Up 1)
  24. Rascal Flatts – “Yours If You Want It” -2 (Up 1)
  25. Craig Campbell – “Outskirts of Heaven” +3 (Up 1)
  26. Lady Antebellum – “You Look Good” -4 (Up 1)
  27. Miranda Lambert – “We Should Be Friends” +2 (Up 1)
  28. Keith Urban (feat. Carrie Underwood) – “The Fighter” -5 (New to Top 30)
  29. Runaway June – “Lipstick” +3 (Up 1)
  30. Zac Brown Band – “My Old Man” +4 (Re-Enters Top 30)

The Current Pulse of Mainstream Country Radio: -19

The pulse improves six spots this week.

Songs That Dropped Out of the Top 30 This Week:

  • Dustin Lynch – “Seein’ Red” -5
  • Brett Young – “In Case You Didn’t Know” -2

Songs That Entered The Top 30 This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Zac Brown Band – “My Old Man”

Biggest Gainers This Week:

  • Keith Urban (feat. Carrie Underwood) – “The Fighter” – Up 5 from #33 to #28
  • Sam Hunt – “Body Like A Back Road” – Up 3 from #18 to #15

Biggest Losers This Week:

  • Dustin Lynch – “Seein’ Red” – Out of the Top 30 & Done
  • Brett Young – “In Case You Didn’t Know” – Out of the Top 30 (#31)

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Blake Shelton – “A Guy With A Girl”
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine”
  • Trent Harmon – “There’s A Girl”
  • Craig Campbell – “Outskirts of Heaven”
  • Runaway June – “Lipstick”

On The Hot Seat:

  • Brantley Gilbert – “The Weekend”
  • Garth Brooks – “Baby, Let’s Lay Down and Dance”

Next Four Songs I See Entering Top 30:

  • Brett Young – “In Case You Didn’t Know”
  • Cole Swindell – “Flatliner”
  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”
  • Blake Shelton – “Every Time I Hear That Song”

 

Call me crazy, but is this gerrymandering really helping anyone? What is the point of all this blatant chart jacking?

 

As always be sure to weigh-in with your thoughts in the comments below. 

The Current Pulse of Mainstream Country Radio [February 21]

little-big-town-better-man

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Little Big Town – “Better Man” +2 (Up 1)
  2. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 1)
  3. Michael Ray – “Douchey Pickup Song” -5 (Up 4)
  4. Brad Paisley – “Today” +2 (Up 2)
  5. Jon Pardi – “Dirt on My Boots” +1 (Up 3)
  6. Dustin Lynch – “Seein’ Red” -5 (Down 5)
  7. Blake Shelton – “A Guy With A Girl” -1 (Down 2) 
  8. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 (Up 1) [Best Song]
  9. Luke Bryan – “Fast” -1 (Up 1)
  10. Jason Aldean – “Any Ol’ Barstool” (Up 2)
  11. Lauren Alaina – “Road Less Traveled” -2 
  12. Brantley Gilbert – “The Weekend” -5 (Up 1)
  13. Kelsea Ballerini – “Yeah Boy” -5 (Up 1)
  14. Kenny Chesney – “Bar at the End of the World” -3 (Up 3)
  15. Josh Turner – “Hometown Girl” (Up 1)
  16. Garth Brooks – “Baby, Let’s Lay Down and Dance” (Down 1)
  17. High Valley – “Make You Mine” -2 (Up 1)
  18. Sam Hunt – “Body Like a Back Road” -5 (Up 3) [Worst Song]
  19. Dierks Bentley – “Black” -2 
  20. Luke Combs – “Hurricane” -1 (Up 4)
  21. Trent Harmon – “There’s A Girl” +1 (Down 1)
  22. Chris Janson – “Holdin’ Her” +4 
  23. Dan + Shay – “How Not To” +1
  24. Darius Rucker – “If I Told You” (Up 1)
  25. Rascal Flatts – “Yours If You Want It” -2 (Up 2)
  26. Craig Campbell – “Outskirts of Heaven” +3 
  27. Lady Antebellum – “You Look Good” -4 (Up 2)
  28. Miranda Lambert – “We Should Be Friends” +2
  29. Brett Young – “In Case You Didn’t Know” -2 (New to Top 30)
  30. Runaway June – “Lipstick” +3

The Current Pulse of Mainstream Country Radio: -25

The pulse improves one spot this week.

Songs That Dropped Out of the Top 30 This Week:

  • Thomas Rhett – “Star of the Show” -3

Songs That Entered The Top 30 This Week:

  • Brett Young – “In Case You Didn’t Know”

Biggest Gainers This Week:

  • Michael Ray – “Douchey Pickup Song” – Up 4 from #7 to #3
  • Luke Combs – “Hurricane” – Up 4 from #24 to #20
  • Jon Pardi – “Dirt on My Boots” – Up 3 from #8 to #5

Biggest Losers This Week:

  • Thomas Rhett – “Star of the Show” – Out of the Top 30 & Done
  • Dustin Lynch – “Seein’ Red” – Down 5 from #1 to #6
  • Blake Shelton – “A Guy With A Girl” – Down 2 from #5 to #7

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Dustin Lynch – “Seein’ Red”
  • Blake Shelton – “A Guy With A Girl”
  • Chris Janson – “Holdin’ Her”
  • High Valley – “Make You Mine” (Fun fact: The music video for this song was released on January 29, 2015)
  • Runaway June – “Lipstick”

On The Hot Seat:

  • Garth Brooks – “Baby, Let’s Lay Down and Dance” (Appears to finally be losing momentum. But I still want to see it somehow reach top ten)
  • Trent Harmon – “There’s A Girl”
  • Craig Campbell – “Outskirts of Heaven”
  • Darius Rucker – “If I Told You”

Next Four Songs I See Entering Top 30:

  • Zac Brown Band – “My Old Man”
  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Cole Swindell – “Flatliner”
  • Florida Georgia Line (feat. Backstreet Boys) – “God, Your Mama, and Me”

 

Notes: RaeLynn’s “Love Triangle” has went recurrent and is done. Parmalee’s “Roots” and Jake Owen’s “If He Ain’t Gonna Love You” both appear to be finished. Chris Lane’s “For Her” appears destined to be stuck in the mid 30s muck (but this is a good thing). LoCash’s “Ring on Every Finger” is struggling to build momentum like its previous singles. I bring all of this up because these are most of the songs directly behind the next four songs I see entering the top 30. Essentially there’s a vacuum there ready for someone to take advantage and it’ll be interesting to see who fills it. Blake Shelton’s “Every Time I Hear That Song” will of course be a hit. But then you have Justin Moore’s “Somebody Else Will” and Dylan Scott’s “My Girl.” They’re the closet in airplay, but radio doesn’t seem that keen on either. Scott has yet to have a hit and Moore’s last single took forever to climb the charts (never forget it went recurrent one week after going #1). Brothers Osborne’s “It Ain’t My Fault” is off to a good start, much better than their last single. They should reach the top 30 no problem. Billy Currington’s “Do I Make You Wanna” could make it by sheer process of elimination. Easton Corbin’s “A Girl Like You” seems like the next logical choice and something radio would get behind. Finally you have Drake White’s “Makin’ Me Look Good Again” quietly marching up the chart and looking like a possible sleeper hit.

 

As always be sure to weigh-in with your thoughts in the comments below. 

The Current Pulse of Mainstream Country Radio [February 13]

gold-ceelo
Yeah I couldn’t think of anything interesting for this week’s top song. So here’s CeeLo Green’s new look at the Grammys. Mesmerizing, eh?

Each week we take a look the Billboard Country Airplay chart and grade the top 30 songs. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the current top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. How do I determine the score for the song? The review grade it received on the site or myself will determine this. If it hasn’t been reviewed yet, then I will make the call. The grade it has received or I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the current state of mainstream country music and determine if it’s improving or getting worse. Let’s take a look at this week’s top thirty…

  1. Dustin Lynch – “Seein’ Red” -5 (Up 2)
  2. Little Big Town – “Better Man” +2 (Up 2)
  3. Chris Young (feat. Vince Gill) – “Sober Saturday Night” +1 (Up 2)
  4. Thomas Rhett – “Star of the Show” -3 (Down 3)
  5. Blake Shelton – “A Guy With A Girl” -1 (Down 3) 
  6. Brad Paisley – “Today” +2 (Up 1)
  7. Michael Ray – “Douchey Pickup Song” -5 (Up 1)
  8. Jon Pardi – “Dirt on My Boots” +1 (Up 1)
  9. Eric Church (feat. Rhiannon Giddens) – “Kill A Word” +4 (Up 1) [Best Song]
  10. Luke Bryan – “Fast” -1 (Up 1)
  11. Lauren Alaina – “Road Less Traveled” -2 (Up 2)
  12. Jason Aldean – “Any Ol’ Barstool” (Up 2)
  13. Brantley Gilbert – “The Weekend” -5 (Up 2)
  14. Kelsea Ballerini – “Yeah Boy” -5 (Up 2)
  15. Garth Brooks – “Baby, Let’s Lay Down and Dance” (Up 2)
  16. Josh Turner – “Hometown Girl” (Up 2)
  17. Kenny Chesney – “Bar at the End of the World” -3 (Up 2)
  18. High Valley – “Make You Mine” -2 (Up 2)
  19. Dierks Bentley – “Black” -2 (Up 4)
  20. Trent Harmon – “There’s A Girl” +1 (Up 4)
  21. Sam Hunt – “Body Like a Back Road” -5 [Worst Song]
  22. Chris Janson – “Holdin’ Her” +4 
  23. Dan + Shay – “How Not To” +1 (Up 6)
  24. Luke Combs – “Hurricane” -1 (New to Top 30)
  25. Darius Rucker – “If I Told You” 
  26. Craig Campbell – “Outskirts of Heaven” +3 (Up 1)
  27. Rascal Flatts – “Yours If You Want It” -2 (Up 3)
  28. Miranda Lambert – “We Should Be Friends” +2
  29. Lady Antebellum – “You Look Good” -4 (Re-Enters Top 30)
  30. Runaway June – “Lipstick” +3 (Re-Enters Top 30)

The Current Pulse of Mainstream Country Radio: -26

The pulse drops one spot this week.

Songs That Dropped Out of the Top 30 This Week:

  • Granger Dibbles Jr. – “If The Boot Fits” -4 (Finally!)
  • Maren Morris – “80s Mercedes” -1
  • Zac Brown Band – “My Old Man” +4

Songs That Entered The Top 30 This Week:

  • Luke Combs – “Hurricane”
    • In case you didn’t know this is the newest On The Verge song. Not a bad pick considering this was selling well and doing good YouTube numbers before even being picked. With On The Verge, I won’t be surprised if this goes all the way to #1.
  • Lady Antebellum – “You Look Good”
  • Runaway June – “Lipstick”
    • Their label appears to be sticking behind this song, which is good to see. However it’s at 37 weeks and I think the best the label can do at this point is try to get this into the top 25 because I don’t see it going beyond this. It’s not selling well and radio isn’t keen on it.

Biggest Gainers This Week:

  • Luke Combs – “Hurricane” – Up 8 from #32 to #26
  • Dan + Shay – “How Not To” – Up 6 from #29 to #23 (Huh. Thought this one was being dropped?)
  • Dierks Bentley – “Black” – Up 4 from #23 to #19
  • Trent Harmon – “There’s A Girl” – Up 4 from #24 to #20

Biggest Losers This Week:

  • Granger Dibbles Jr. – “If The Boot Fits” – Out of the Top 30 & Done
  • Maren Morris – “80s Mercedes” – Out of the Top 30 & Done
  • Zac Brown Band – “My Old Man” – Out of the Top 30 (#35)

Songs I See Going Recurrent & Leaving The Top 30 Soon:

  • Chris Janson – “Holdin’ Her” (I think the label is going to try for top 20 and drop support. But this is Warner and well see below…)
  • High Valley – “Make You Mine” (51 weeks! Let it gooooo)
  • Craig Campbell – “Outskirts of Heaven” (44 weeks)

On The Hot Seat:

  • Darius Rucker – “If I Told You” (Sales aren’t bad, but this single is already 30 weeks old. With lots of new singles on the rise, this one needs to show more signs of life if it hopes to stick around)

Next Four Songs I See Entering Top 30:

  • Brett Young – “In Case You Didn’t Know”
  • Cole Swindell – “Flatliner”
  • Keith Urban (feat. Carrie Underwood) – “The Fighter”
  • Zac Brown Band – “My Old Man”

 

As always be sure to weigh-in with your thoughts in the comments below.