The Past Pulse Of Mainstream Country Music [November 1991]

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This is the Past Pulse Of Mainstream Country Music. Each week, I take a look at the Billboard Country  Airplay Chart from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top 30 songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9[+4], 8[+3], 7[+2], 6[+1], 5[0], 4[-1], 3[-2], 2[-3], 1[-4], 0[-5].

The goal of this exercise is to evaluate the past pulse of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week I will take a look at the top 30 songs of the Billboard Country Airplay Chart from November 9th, 1991.

  1. Alan Jackson – “Someday” +4
  2. Travis Tritt – “Anymore” +3
  3. Keith Whitley & Earl Thomas Conley – “Brotherly Love” +4
  4. Garth Brooks – “Shameless” -2 [Worst Song]
  5. Trisha Yearwood – “Like We Never Had A Broken Heart” +3
  6. Patty Loveless – “Hurt Me Bad (In A Real Good Way)” +3
  7. Marty Stuart – “Tempted” +1 (Love Marty, and the production was cool and different for 90’s country, but the lyrics aren’t great)
  8. Alabama – “Then Again” +2 (I like the restrained production here)
  9. Lorrie Morgan – “A Picture Of Me (Without You)” +3 (Solid George Jones cover)
  10. Joe Diffie – “New Way (To Light Up An Old Flame)” +2
  11. Randy Travis – “Forever Together” +2 (Not his best but still good)
  12. Ricky Van Shelton – “Keep It Between The Lines” +4
  13. Billy Dean – “You Don’t Count The Cost” +3
  14. George Strait – “The Chill Of An Early Fall” +4 [Best Song] (One of my favorites of his)
  15. Pam Tillis – “Put Yourself In My Place” +3 (Interesting production. I like the dobro)
  16. Reba McEntire – “For My Broken Heart” +4
  17. Little Texas – “Some Guys Have All The Love” +1 (Hook is a little corny for my tastes)
  18. Dwight Yoakam – “Nothing’s Changed Here” +3 (Dwight always delivers)
  19. Davis Daniel – ‘For Crying Out Loud” +2 (Don’t care for his voice that much)
  20. Clint Black – “Where Are You Now” +3
  21. Suzy Bogguss – “Someday Soon” +4
  22. Diamond Rio – “Mirror Mirror” +3
  23. Vince Gill – “Look At Us” +3
  24. Conway Twitty – “She’s Got A  Man On Her Mind” +3
  25. Lionel Cartwright – “Leap Of Faith”+1
  26. Brooks & Dunn – “My Next Broken Heart” +2
  27. Restless Heart – “You Can Depend On Me” -1 (Too cheesy for me and that falsetto is just….oof)
  28. Sawyer Brown – “The Walk” +3
  29. Steve Wariner – “Leave Him Out Of This” +3
  30. Doug Stone – “I Thought It Was You” +3 (It’s cheesy, but I like the sound enough to bump it up)

The Past Pulse Of Mainstream Country Music: +76

We usually have good weeks, but honestly there was a lot of true quality on this chart. There were A LOT of ballads which makes sense given the time of year. All in all I’m very happy with this chart.

As always, if you have any questions as to why I gave a song a certain grade feel free to ask me. Also, let me know what you guys think of the chart in the comments!

The Past Pulse Of Mainstream Country Music [March 2001]

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This is the past pulse of mainstream country music. Each week, I take a look at the Billboard Country Airplay Chart (or, “Hot Country Songs” as it used to be called) from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the past state of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week’s chart will be from March 31st, 2001.

  1. Diamond Rio – “One More Day” +3
  2. Jessica Andrews – “Who I Am” +2
  3. Toby Keith – “You Shouldn’t Kiss Me Like This” +3
  4. Travis Tritt – “It’s A Great Day To Be Alive” +3
  5. Faith Hill – “If My Heart Had Wings” -1 [Worst Song] (Overproduced and cheesy)
  6. Keith Urban – “But For The Grace Of God” +4 [Best Song] (Yes, Urban is rated higher than Strait, Tritt…etc)
  7. Brooks & Dunn – “Ain’t Nothing Bout You” +1 (Cool sound, not so cool lyrics)
  8. Kenny Chesney – “Don’t Happen Twice” +1
  9. Tim Rushlow – “She Misses Him” +4 (I really don’t like his voice, but I can’t deny this is a damn good song)
  10. Dixie Chicks – “If I Fall (You’re Going Down With Me)” +2
  11. Martina McBride – “It’s My Time” +2
  12. Trick Pony – “Pour Me” +2
  13. Tim McGraw – “Grown Men Don’t Cry” +2
  14. Lee Ann Womack – “Ashes By Now” +3 (Those bongos are pretty cool!)
  15. SheDaisy – “Lucky 4 You (Tonight I’m Just Me)” 0 (Yes, they used 4 instead of “for.” Why? I have no idea)
  16. Gary Allan – “Right Where I Need To Be” +3
  17. The Warren Brothers – “Move On” 0
  18. Jamie O’ Neal – “There Is No Arizona” +3
  19. Mark McGuinn – “Mrs. Steven Rudy” -1 (It’s catchy, but oh so creepy)
  20. Jo Dee Messina – “Burn” +1
  21. Phil Vassar – “Rose Bouquet” +3
  22. George Strait – “If You Can Do Anything Else” +3
  23. Pam Tillis – “Please” 0 (In terms of country, 0. In terms of pop I’d give this a solid +2)
  24. Garth Brooks – “Wild Horses” 0 (Not because I dislike the song, but because Garth can’t put the f***ing song on YouTube, or really anywhere for me to hear)
  25. Patty Loveless – “The Last Thing On My Mind” +3
  26. Sara Evans – “I Could Not Ask For More” +1
  27. Alan Jackson – “When Somebody Loves You” +3
  28. Montgomery Gentry – “She Couldn’t Change Me” +4 (This sort of describes me)
  29. Steve Holy – “The Hunger” +2
  30. Aaron Tippin – “People Like Us” 0 (Good sound, but I’m not a fan of the “I’m so country” lyrical template)

The Past Pulse Of Mainstream Country Music: +56

As always, if you have any questions as to why I gave a song a certain grade feel free to ask me. Also, let me know what you guys think of the chart in the comments!

The Past Pulse Of Mainstream Country Music [April 1989]

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This is the Past Pulse Of Mainstream Country Music. Each week, I take a look at the Billboard Country  Airplay Chart from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top 30 songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9[+4], 8[+3], 7[+2], 6[+1], 5[0], 4[-1], 3[-2], 2[-3], 1[-4], 0[-5].

The goal of this exercise is to evaluate the past pulse of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week I will take a look at the top 30 songs of the Billboard Country Airplay Chart from April 8, 1989. Since this chart came before 1990, I only have access to the top 25 songs. This means that the highest possible score for this week is a +125 and the lowest possible score is a -125. Once again, I am still wading through a ton of chart requests so this week’s chart is dedicated to reader Scotty J!

  1. Keith Whitley – “I’m No Stranger To The Rain” +4 [Best Song]
  2. George Strait – “Baby’s Gotten Good At Goodbye” +3
  3. Vern Gosdin – “Who You Gonna Blame It On This Time” +3
  4. Shenandoah – “The Church on Cumberland Road” +3
  5. Don Williams – “Old Coyote Town” +4
  6. Billy Joe Royal – “Tell It Like It Is” -1 [Worst Song] (His voice and the overall feel of this just don’t work for me)
  7. Hank Williams Jr. & Sr. – “There’s A Tear In My Beer” +4 (As an actual song it’s a +3, but considering the magic that went into this I have to give it its due.)
  8. K.T. Oslin – “Hey Bobby” 0 (Sorry, way too sleepy in the production and that “do you want to huh, huh” line just annoyed the crap out of me)
  9. Foster – “Fairshake” +2
  10. Roy Orbison – “You Got It” 0 (+2 for Pop though)
  11. Michael Martin Murphey – “From The Word Go” +3
  12. Patty Loveless – “Don’t Toss Us Away” +3 (Interesting production on this track)
  13. Lacy J. Dalton – “The Heart” +3
  14. Highway 101 – “Setting Me Up” +2
  15. The Judds – “Young Love (Strong Love)” +2
  16. Lee Greenwood – “I’ll Be Lovin’ You” +1 (Holy crap! A Lee Greenwood song that isn’t “God Bless The U.S.A!”)
  17. Baillie and the Boys – “She Deserves You” +3
  18. Randy Travis – “Is It Still Over?”+3
  19. Restless Heart – “Big Dreams In A Small Town” +2 (I wish the accordion was a little more prominent in the mix but still solid)
  20. Rodney Crowell – “After All This Time” +3
  21. Alabama – “If I Had You” +1
  22. The Bellamy Brothers – “Big Love” +1
  23. Barbara Mandrell – “My Train Of Thought” +3
  24. Reba McEntire – “New Fool At An Old Game” +2
  25. The Nitty Gritty Dirt Band – “Down That Road Tonight” +2

The Past Pulse Of Mainstream Country Music: +56

This is certainly a good week, but I have to be honest that there’s more generic songs here compared to other past weeks. Nothing inherently bad mind you, just not really all that special. Of course, Keith Whitley was riding the top of the charts so what can I say?

As always, if you have any questions as to why I gave a song a certain grade feel free to ask me. Also, let me know what you guys think of the chart in the comments!

The Hodgepodge: Stop Trying To Make Me Like Sam Hunt

Hunt Montevallo

Over the past year, one artist has stood out amongst the rest in mainstream country music: Sam Hunt. Ever since “Leave The Night On” got its artificial push onto radio via On The Verge last summer, Hunt has dominated the airwaves, charts and headlines. His Montevallo album has been dominating sales, as well as receive praise from critics (a few I even respect). In fact the main subject matter of this week’s Billboard Country Update was how Sam Hunt dominated the first quarter of 2015. The aforementioned Montevallo album was the top-selling country album, with a total of 199,000 copies sold. The next highest selling album was Luke Bryan’s Spring Break…Checkin’ Out, which sold 137,000 copies. That’s a gap of 62,000 albums between Hunt and Bryan. However it should be noted the highest selling album in the first quarter of 2014, Eric Church’s The Outsiders, had a total of 491,000 copies sold.

It wasn’t just the album sales Hunt topped either. His hit single “Take Your Time” was the highest selling country digital song of the first quarter of 2015 too. A total of 619,000 copies were sold. The second-highest was Zac Brown Band’s “Homegrown,” which had a total of 381,000 sales. So Hunt sold 238,000 more copies of “Take Your Time” than Zac Brown Band’s “Homegrown.” For reference, the highest selling digital country song of the first quarter of 2014 was Brantley Gilbert’s “Bottoms Up,” which sold 682,000 copies. Just looking at the charts from last year and comparing them to this year’s chart, you can tell country music is taking a hit in the sales department (courtesy Billboard):

First Quarters 2014 & 2015

While sales are down across the board for everyone else, Sam Hunt is the only one putting up noticeable numbers. You see where I’m going with this? A monster has been created and when something gets big in country music, everyone else tries to replicate it. With Hunt being the clear cash cow and popular flavor at the moment, that means we’re going to get a lot more Sam Hunt shoved down our throats.

That leads me to this week’s announcement in the weekly Country Aircheck issue. As you all know this year is the 50th Annual ACM Awards and the ACM association is going all out for it. In addition to the bigger production of the awards show itself, they’re also taping a special titled ACM Presents: Superstar Duets, which will air on May 19. The announced duets were as follows: Miranda Lambert with Patty Loveless, Keith Urban with John Anderson, The Band Perry with Deana Carter and Sam Hunt with Dwight Yoakam. Wait…what? Those first three pairings I have absolutely no problem with. That last one however sticks out like a giant sore thumb and not in a good way.

One of your first reactions might be is why would Yoakam agree to do this? One of the following two things I’m guessing is the reason Yoakam is doing this: Yoakam has no real clue who Hunt is and agreed to do it out of principle or his label forced him to do it. Remember he is on the Warner Nashville label and he has a new album coming out. This is no indication that Yoakam is endorsing Hunt nor is he changing his sound to Hunt’s sound. So put to rest the hearsay that Yoakam is selling out. No, I’ll tell you the exact reason this collaboration is happening. This is Hunt’s team and Music Row’s attempt to get us “haters” to like and endorse Hunt.

They truly believe that throwing Hunt together with Yoakam will get Hunt doubters to like him. “Oh he’s singing with Yoakam. That means he’s one of us! That makes him country.” Hell no! How stupid and gullible do you think I am? You’re just making me hate Hunt even more. What you’re giving me with this pairing is trying to make me eat dog shit laced with bacon. But guess what? It still tastes like shit. Just give me the bacon and put the dog shit where it belongs. This is a collaboration that absolutely nobody was clamoring for. Traditionalists hate Hunt and Hunt fans have no idea who Yoakam is. Just wait for the tweets on Farce The Music’s Twitterfails of May. There will be plenty of tweets wondering who Yoakam is. I can also imagine that many Hunt fans who heard Yoakam’s music would call it old and boring.

The Hunt defenders and Music Row can kick and scream until they’re blue in the face about how “country” Hunt is and how he’s evolving the genre. They can try to pitch me on every angle on how Hunt is great and why I should like him. But you need to save your breath. Stop trying to make me like Hunt because it isn’t going to happen. His music is straight pop being sold as country music. He looks like a Euro disc jockey. Everything about him is a disgrace to country music and its history. If he was doing all of this while in the pop genre, I would have no problem with Hunt. But he’s not. Hunt is lying straight to my face with his music and his look by calling it country. It’s insulting on every level. I give Taylor Swift major props for finally moving to pop because she realized she was hurting her own brand by continuing to lie about her music. My advice to Hunt is to follow her lead and go to pop where he belongs. Don’t take your time like Swift did either.

Upcoming/Recent Country Music Releases

  • Reba McEntire will be coming out with her new album Love Somebody next Tuesday. You can currently stream it on iTunes Radio if you’re subscribed to the service. It’ll be interesting to see how much pop influences are present throughout the album.
  • Dwight Yoakam is also coming out with his new album next Tuesday, Second Hand Heart. You can stream that album on NPR at this link here. I’ve been really looking forward to giving this one a listen, Yoakam’s last album 3 Pears certainly impressed me. I’ll have a review on this soon.
  • Texas country artist Zane Williams will be coming out with a new album titled Texas Like That on Tuesday too. For those unfamiliar with Williams, he’s certainly one you need to check out. I came across him in 2013 when I heard his single “Overnight Success,” a great single about the life of a musician. While everyone will be paying attention to high-profile releases from Reba and Dwight, this album may be better than both of theirs.
  • George Strait’s new single will be called “Let It Go.” No, it’s not the Frozen song. Although Strait would maybe be able to make that work. Anyway we’ll get our first listen of it at the ACM Awards and it’s going for adds at radio on April 20.
  • Cole Swindell is coming out with a new single titled “Let Me See Ya Girl” and it’s also going for adds on April 20. This one is as bad as it sounds. Trust me. Just wait for my review…
  • Toby Keith is back with a new single, “35 MPH Town.” It’s bad enough I have to deal with a new Swindell single and now there’s a Keith single on top of it. Sigh.

Throwback Thursday Song

Reba McEntire & Vince Gill – “The Heart Won’t Lie” – I’ve been listening to this song a lot ever since last week’s past pulse of mainstream country music. It’s Reba in her prime and Vince. How could you not like this song?

Non-Country Song of the Week

Ludacris – “Ocean Skies” – It’s 2015 and Ludacris put out a good song. In fact his entire new album Ludaversal was shockingly good. I never thought I would enjoy Ludacris music in 2015. Then again rap music, unlike country music, in 2015 has been great. Shoutout to Mark Grondin at Spectrum Pulse for his review of the album convincing me to give it a listen.

Tweet of the Week

Well played Cake Bowen. I point this out in my upcoming review of “Don’t It.”

An iTunes Review That Will Make You Face Palm

WTF Canaan Smith Review

This was left under Canaan Smith’s new self-titled EP. I only have three words for this review: What the fuck?

That’s it for the Hodgepodge this week! Be sure to sound off in the comments!