Album Review — Zac Brown Band’s ‘The Owl’

(Warning: Long review! I don’t like writing them, but this is what happens when this band releases divisive music because I did the same thing two albums ago for this group.)

It’s confounding to many what Zac Brown Band have become. But I actually don’t think the band has changed and I’ll explain throughout this review. I think one big problem this band is running into is they continue to label their albums as country and send singles to country radio, yet in interviews they (and by they, it’s really Zac Brown) say they don’t limit themselves to one genre. Do they not understand how this confuses people? You can’t have your cake and eat it too. People don’t like to be bullshitted and they just want it given to them straight (see Sturgill Simpson on his new album, yet for some reason Billboard still put him on the country albums chart). Instead this band didn’t give it to fans straight and now they’re pissed. As a result this album is being put through the ringer and it’s justified for the band’s confusing signals, but at the same time the most egregious moments on the album are overshadowing what I believe to be some promising signs.

Sorry for this little rant, but it had to be said before I could finally talk about the music on this band’s new album The Owl.

Opening track “The Woods” is pretty fun and upbeat, making it a good choice for an opening track. It’s basically about doing your own thing and acknowledging that we all have different things that make us tick. This is a great song and approach for a band that wants to bend genres and do something different. I think even if you don’t like this song, you can at least respect the sentiment. “Need This” is supposed to be an island getaway song, but I have to tell you I’m not feeling the tropical, beach vibes on this. And when I think of a song like this, I think of a more relaxing tone and not the frenetic sound of this song. It’s just really odd and off-putting considering the theme.

Then we get to “OMW,” which is super catchy. And in this case, it’s not good. It’s not good at all. Because then you get this annoying song about getting a text saying OMW from a significant other stuck in your head. It’s one of the worst ear worms I’ve ever had stuck in my head because the lyrics are so vapid, dumb and not fun. So naturally this will end up a single. “Someone I Used To Know” is one of the better songs on the album, as it’s about someone looking back on their former selves and letting go of it for the person they are now. It’s a great song about growing as a person and one of the few moments on the album where the lyrics go beyond a base level. The sound is even fun and has flashes of country.

The most fun track on the album though is “Me and the Boys in the Band.” That’s because this track plays into this band’s strength of jam band, roots influenced rock with fun, singalong lyrics. The fiddle play of Jimmy de Martini can actually be heard, which has felt missing in this band’s music. You can also hear the band in Zac Brown Band on this song, which is no surprise as it’s one of the few songs on this album that doesn’t have outside writers that Brown brought in (this one is written by Brown, Clay Cook and Luke Laird). If you look at the songwriters on each song of this album, it’s quite telling of how each song turned out.

“Finish What We Started” is about a couple trying to reconcile and keep their relationship intact. Brandi Carlile sounds great as usual as the guest artist on this song, but the song itself doesn’t really do much for me. It lacks the heart and passion needed to really get the lyrics across, which I put on a weak vocal performance from Brown. This was a decent song that could have been great.

“God Given” is…I’m not quite sure how to best describe it. Basically I imagine Zac Brown (this has his finger prints all over it and I refuse to believe this was the band’s idea) was listening to the Rap Caviar playlist on Spotify one day and he thought to himself, “I could do something like this.” But he never thought if he should do it. You’re not a rapper! And hearing Zac Brown sing about Gucci bags and Vera whips is one of the most awkward and clumsy things you’ll hear this year. The lyrics aren’t even bad, but they fit someone like Bruno Mars or Justin Timberlake, not Zac Brown Band. Give this song to Timberlake and it would sound great. This song is the equivalent of someone knowingly putting on leather pants that are five sizes too small and then walking around like everything is fine. It’s not fine, it’s weird and we all feel second-hand embarrassment.

“Warrior” is about the strength and resiliency of people who serve in the armed forces and the struggles they deal with. On an album with multiple bad lyrical moments, this is certainly not one of them and I applaud the songwriters for actually crafting a great song about an important issue around soldiers that isn’t full of the usual clichés you hear in patriotic songs. “Shoofly Pie” has a roots-y and funky sound that I enjoy, similar in the vein of “Me and the Boys in the Band,” as it fits this band really well. The lyrics are fine (they don’t employ a sexual euphemism in a tacky or sophomoric way), but the hook gets repetitive so quickly. This song could have easily been like a minute shorter. “Already On Fire” is another track where I really enjoy the sound. It’s more on the rock side, which this band has demonstrated many times they’re great at, but for some reason they refuse to make a full-blown rock album. The lyrical imagery fits the sound well too, as it gives the song a sinister mood I enjoy.

Closing song “Leaving Love Behind” is the classic sound and song many grew accustom to with this group. It’s about looking back at a relationship that’s ended and trying to let go of the love that was once shared. I imagine Brown drew from his separation from his wife for this song, as you can feel the emotion from the opening note. Most importantly this song feels like the group made it and not Zac Brown with a bunch of outside writers and producers. It proves my point too about the songwriters, as this was written by Brown, Cook, Coy Bowles, de Martini, and Tim and Phil Hanseroth. This song shows this band can still be brilliant when they choose to be.

While many have taken their shots at this album and have come away from it more concerned for the Zac Brown Band than ever before, I actually take away from The Owl that this band is still great. The problem is not the band in Zac Brown Band, but Zac Brown himself. If you remove the three worst songs on this album, the remaining songs are overall pretty good. But the three worst songs are so bad that for many it just completely dominates the rest of The Owl. And it’s clear that the worst moments on this album are of Brown’s doing (see that terrible solo pop album he released as further proof). When Zac Brown Band is allowed to be a tight and cohesive band for a full album, they’re great. But does Zac Brown really want to be in a band anymore? Or is he more interested in his own vanity projects and ideas?

Grade: 6/10

Album Review – Brandi Carlile’s ‘The Firewatcher’s Daughter’

Brandi Carlile

When it comes to Brandi Carlile’s music, it’s impossible to put a genre label on it. You’ll hear influences from almost every genre, from country to rock to folk to blues. Carlile once said this about genres to CMT:

“I mean, I couldn’t be less interested in becoming genre-specific in any way,” she says with a sense of conviction that suggests she’s pondered this at length. “If I could be anything to the music industry, it would just be sort of a human eraser of lines between genres, just because it’s so damaging — ‘they’re on that team, I’m on this team.’ ‘I don’t like country.’ ‘I don’t like rap.’

So going into her new album The Firewatcher’s Daughter I prepared myself for anything. Yet I still wasn’t prepared for all the different influences she incorporated into it. She has cited Patsy Cline and Elton John as two of her biggest inspirations, something I can definitely hear her in music. The producers for this album are twin brothers Tim and Phil Hanseroth, who also join her on vocals on the track “The Eye.” They’re a very tight-knit group and with them all starting families right as they were making this album, it made for a unique environment. It definitely influences several songs on this album, giving it more heart. So with all of that said does this album impress? Yes, it absolutely does!

The album starts with “Wherever Is Your Heart,” a fairly fast paced song about home being where the heart is. Carlile shows a lot of great passion throughout the song, especially in the bridge to give it a real punch. The acoustic guitar gives the song a good flow and makes it easy to like. Carlile’s powerful voice punctuates through on “The Eye.” Her powerful voice combined with the backing vocals of the twins, it makes for great harmony. It’s a song that compares heartache and being in the eye of a hurricane. The song is really well written and intriguing to the ear.

The folk-influenced song “The Things I Reject” is about how when you wear your heart on your sleeve and it gets broke, you’ll end up remembering everything you want to forget. It’s a heartbreak song that brilliantly captures the feelings we all feel when going through the end of a relationship and how you just can’t shake the bad memories. “Mainstream Kid” is loud and in your face. This rock country song is full of attitude and will capture your attention right upon first listen. While I feel Carlile gets a little shout-y at times, it does get the attitude of this song across well to listeners. The instrumentation is phenomenal, especially in the latter half of the song.

I found it easy to get lost in “Beginning To Feel The Years.” By lost I mean get wrapped up in the song and that’s a good thing. It pulls you in quite easily, with the softness of the instrumentation and Carlile’s voice. The song is about forgetting about the past and appreciating the love you have now. This is one of my favorite tracks on the album. Carlile’s voice soars again in “Wilder (We’re Chained).” It’s a song about love and life, with the song appropriately beginning with the birth of a baby. I love the incorporation of sound effects in the song to set the mood, from the sound of trickling water at the beginning to the sounds of birds chirping in other parts.

“Blood Muscle Skin & Bone” has a similar vibe to “Mainstream Kid” with it’s upbeat, rock country sound. It’s a simple love song that’s catchy and easy to sing along with. The instrumentation really stands out on this song more so than the vocals, which is an anomaly on this album because of Carlile’s dynamic voice. “I Belong To You” is another song that deals with love and throughout it the woman struggles to show how she feels for her love. By the end she realizes she belongs to her love and the song takes a more upbeat tempo to indicate the mood of the song going from confused to happy. It’s a song that really relies on the tempo and mood throughout rather than the instrumentation and lyrics. The next song, “Alibi,” is one of the more country songs on the album, but of course it borrows influences from other genres too. This is a song about a woman begging for someone to be her alibi so she doesn’t take a fall for all she has done. It’s not serious though, as it’s more of a fun outlaw theme, rather than a serious outlaw theme.

The best song on the entire album is hands-down “The Stranger At My Door.” It’s a dark song that blends folk, rock and country to create a cool sound. Carlile actually wrote this song while staring into a bonfire, which probably explains why it’s so fiery, yet enthralling. The end of this song crashes into a rock and roll frenzy that will leave the listener remembering this song for a while.  This is followed by a song with the exact opposite vibe in “Heroes And Songs,” which is smooth and easy-going. While Carlile’s voice is smooth and impressive, this song just feels like a transition between “Stranger At My Door” and the final song on the album.

Speaking of the final song, Carlile covers the Avett Brothers’ “Murder In The City.” Carlile adapts it to her own life, referencing her wife and daughter. She makes it her own, adjusting the lyrics to make it a self-reflection song. The song itself is about a person insisting their loved ones to not avenge their death if they were to be murdered, but instead to remember the love they shared. The gospel influence gives this song an almost haunting air about it, which is a nice touch. Carlile’s voice is perfect and really caps the album off in a great way.

The Firewatcher’s Daughter is an album you’ll need to hear multiple times to fully grasp, but trust me it’s well worth it. Carlile’s dynamic voice and the cornucopia of genres mixed together make for one hell of an album. While Music Row continues to push cookie cutter female artists who produce music that panders to the latest fad, there are talented female artists outside that bubble like Carlile making innovative music. Some people will call this album a rock album. Others will say it’s alternative or a country album. Does it really matter though? This is just great music that any music fan can appreciate. I highly recommend checking out The Firewatcher’s Daughter. Brandi Carlile absolutely delivers.

Grade: 9.5/10