Country Perspective’s Top 10 Albums of 2019

Back in the day, Country Perspective would spend around a month doing end of the year posts, recognizing the best and worst across several categories. While it was fun in a way, it was also quite tiring. And I imagine it had to be quite tiring for the reader too. After all I imagine you read several other music blogs and year-end posts. Speaking also as a reader of many blogs, it gets old after reading so many of these posts when really these things have two major points: 1) Giving proper recognition to the absolute best in music and 2) Giving you the listener a potential new album/artist to listen to. Plus, it’s fun to compare lists.

So with my lack of interest in doing so many year end posts and this blog having it’s major focus on albums, this is going to be the only best of 2019 post, the best albums of the year. It was a pretty good year for albums, as there were so many good ones across multiple genres. While there were some disappointments that stood out for me, pleasant new surprises more than made up for them (you’ll see some of them made the top 10 even). While it certainly didn’t touch the best years of this decade (hello 2014), 2019 is one of the better years of music in the 2010s (I’ll be doing my best of the decade posts in 2020).

But before I get to my top ten albums of 2019, I want to list some honorable mentions that weren’t quite good enough for the top ten, but still good albums that I recommend you check out…

Honorable Mentions

Country Perspective’s Top 10 Albums of 2019

10. Benny The Butcher – The Plugs I Met

Dirty, grimy and nasty is how I would describe the sounds and lyrics of this album. And I love it! The entire Griselda hip-hop collective is fantastic and rightly getting their due now that they’re signed to Eminem’s Shady Records (check out the album they dropped in November). But the star is undoubtedly Benny The Butcher and this album is the proof. All of his work is great, but this is an excellent entry point. When the king of coke rap in Pusha T endorses your coke rap (dropping a great feature on this album too), well you know you’re doing something right.

9. Cody Jinks – The Wanting

While I wouldn’t put the The Wanting as Cody Jinks’ best work, it’s certainly close and features maybe the most badass album cover of 2019. This album offers deep introspection on life, passion and love. The instrumentation is varied, going from slow ballads to rockers. And he did this all while dropping another album the week before that just missed this list. Jinks is undoubtedly one of the hardest working artists in music today and I was impressed by what he accomplished in dropping two great albums within a week of each other. If you’re someone looking to get into country music, Jinks is one of the first you should check out.

8. Dee White – Southern Gentleman

This album was released all the way back in January, but you should not forget about it. Dee White proves himself to be one of the most promising new country artists to watch with his debut album Southern Gentleman. White’s voice evokes memories of Roy Orbison and George Jones and he’s only 19-years-old. And while he feels like a classic artist in every sense, his lyrics are still modern. There are several great storytelling moments on this album and White even holds his own with fantastic vocalists like Ashley McBryde and Alison Krauss. I can’t wait to hear more from Dee White.

7. Tyler Childers – Country Squire

Country Squire is an incredible album and with its perfectly short run time, you’ll find yourself replaying it again and again. While some were disappointed by this follow-up to Purgatory, I was instantly impressed with this album. What’s great is these are old songs that have been played by Childers live for years and with live music being what pays the bills for artists, it only makes sense to record these songs. While we’re still due for Tyler Childers’ absolute best work, this is a pretty damn good album to play while we wait for it.

6. Michaela Anne – Desert Dove

Michaela Anne delivers an amazing album in Desert Dove. It’s full of smooth and breezy songs that only take a couple of listens to truly enjoy. Like my good friend and fellow music writer Zackary Kephart says, this album is quite similar to Kacey Musgraves’ Golden Hour and that was my top album of 2018. So if you enjoyed that album, this is a must-listen. This also feels like Anne’s breakout moment, as she finds the sound and themes she needed to truly show her full potential and prove herself as an artist that should be on your radar if you love country music or just great music in general.

5. Kishi Bash – Omoiyari

Omoiyari is a wonderful album full of beautiful lyrics and sounds that cover an important topic in American history that more people show know about. Why Kishi Bashi is not more covered by music journalists I’ll never know, but this music reviewer is telling you that you need to check him out. He’s a multi-instrumentalist who writes his own lyrics and can cover a wide variety of sounds so damn well. On this album he masters the chamber pop/orchestral pop sound while giving you an informative history lesson too. As a music nerd and history nerd, it’s a double win!

4. Mike and The Moonpies – Cheap Silver and Solid Country Gold

So I would be remiss if I didn’t point that my top four is clearly ahead of the rest, being that they all received 10/10 ratings, with each at one point or another getting consideration for Country Perspective’s 2019 Album of the Year. And out of all them, this was my biggest surprise of 2019. Mike and the Moonpies deliver something special with Cheap Silver and Solid Country Gold. It’s fantastic in both sound and songwriting. The group clearly left their comfort zone. It honors the tried and true, while delivering something that feels new too. This is a band for me that went from releasing two albums I couldn’t get into at all to releasing an album that I can’t find a single fault in.

3. Freddie Gibbs & Madlib – Bandana 

I found hip-hop in 2019 to be pretty disappointing. But I never find the work of Freddie Gibbs and producer Madlib to be disappointing, as this duo once again delivers big with Bandana. After delivering a classic in Piñata, they manage to nearly match it, which absolutely blows my mind. Gibbs raps his ass off on this album, delivering some of his best bars ever, while finding a great balance of bangers and humor while also offering introspection on more serious topics like when he was falsely accused of rape and systematic racism. Madlib brings some of the best beats in the game, picking some excellent samples as he always does. If there’s one hip-hop album you listen to this year, it’s this one.

2. Sturgill Simpson – SOUND & FURY

SOUND & FURY from start to finish feels like one long song, as it’s both cohesive in sound and lyrics, telling several stories that tie into overarching theme of Simpson being angry at a lot of things in the world, but when it comes down to it he’s most angry at himself and what he let himself become. Each track explores the flawed thoughts and actions of a flawed man. This album sounds like early to mid 70s music and sounds like the eccentric, frenetic sounds of Jeff Lyne and Electric Light Orchestra meets the in-your-face, sneering lyrics of Creedence Clearwater Revival. The amount of care and detail given to every aspect makes this one of the best albums you’ll hear in 2019 and yet another excellent album from Sturgill Simpson.

Country Perspective’s 2019 Album of the Year…

1. Carly Rae Jepsen – Dedicated

If you still think of Carly Rae Jepsen as just the “Call Me Maybe” girl, well you’re just plain wrong. Because when she released Emotion and Emotion Side B, she showed me that there’s not a better pop artist making music today. Jepsen further proves with Dedicated that she just gets pop music: the over-the-top production, the overwhelming emotions, the catchy hooks, exciting themes and everything in-between. It’s appropriate she has an album named Dedicated considering she writes hundreds of songs for each album and spends months culling down to the final track list. This true dedication to her music shines through on every lyric and sound on this album. It’s a complete album from front to back, touching on the several emotions of love through the many trials and tribulations of a relationship. And it wouldn’t surprise me a bit that the “B cuts” for this album are equally as great in quality. Not only is this the best album of 2019 in my mind, but one of the best of the 2010s.

Thanks for reading! Be sure to weigh in with your thoughts on Country Perspective’s Top 10 Albums of 2019 below and feel free to offer your own list. Also feel free to ask me about any music releases/news from 2019 too (think of it as a 2019 music AMA), as my late start didn’t allow me to discuss everything I would have liked to discuss.

Album Review – Chris Stapleton’s ‘Traveller’ Is Fantastic Debut

Chris Stapleton Traveller

For years Chris Stapleton has been penning hits for some of the biggest and brightest names in Nashville. There’s no doubt he’s a talented songwriter, even though there are a couple of projects he’s been a part of that were not so good in my mind. Still the anticipation has been building for years for Stapleton to release his very own album. When he announced earlier this year that it’s finally arrived, I was one of the many excited to hear it. Then I found out Dave Cobb would be producing it and I knew it would be a must listen, as everything Cobb touches is phenomenal (Sturgill Simpson, Jason Isbell, Jamey Johnson, Lucette, Rival Sons). These two great talents coming together on Traveller set my expectations high without a doubt. So I eagerly jumped into this highly anticipated album. And boy does it deliver big.

The album begins with the lead single and album title track, “Traveller.” Not only is it a great single choice, but also starts the album off quite well. The song is about the rambling man who loves to travel from place to place without a clue where he wants to go next. The bluesy and traditional production makes this song immensely likable and Stapleton’s voice is perfectly suited for the song. The next track, “Fire Away,” is an emotional heartbreak ballad. Stapleton’s voice absolutely blows me away on this song. Not only does he show great range, but great emotion too. The instrumentation arrangement fits the story of the song well, especially the lingering steel guitar in the background.

Stapleton slows it down with “Tennessee Whiskey,” a smooth love ballad. One of the greatest artists of all-time, George Jones recorded this song originally and I think The Possum is smiling down on Stapleton’s cover. It tells the story of man who had an alcohol problem until the love of his life came along and saved him. He compares her to the sweetness of strawberry wine and the warmth of brandy. Stapleton has a ton of charisma to pull off a sultry, slow song like this one. “Parachute” is one of my favorite tracks on the album. Stapleton combines country and rock to produce a catchy song that makes you want to move your feet. The songwriting is good too, as it describes how a man will always be there for his woman, her parachute as he says. This song is simple, but it works brilliantly.

You should recognize the next song, “Whiskey and You,” as Tim McGraw originally recorded it on his Let It Go album in the early 2000s. Jason Eady also recorded this song on his 2014 album Daylight & Dark. I can say with confidence out of the three, Stapleton’s recording is the best. It’s not just because he wrote the song too. It’s the fact that Stapleton delivers the emotion of this song so much better than those two. He does this by stripping this song down completely and only using an acoustic guitar for instrumentation, allowing his voice to tell the story of the song. It’s raw and grips your attention from start to finish. Stapleton absolutely nails this song. The more up beat “Nobody To Blame” follows. It’s about a man who just broke up with his woman and she’s angry as hell at him. So she’s proceeded to destroy all of his stuff, which the man takes full responsibility for because he admits it was his fault. How refreshing is it to hear this in a song? It’s quite the opposite of a song like “Redneck Crazy.” Again I’m impressed by Stapleton’s vocals and the harmonica interludes throughout the song give it an extra edge to make it stand out.

The mandolin plays in (and throughout) “More of You,” a sweet love song that I’m sure will be popular in country dance halls and wedding receptions. Stapleton sings with his wife Morgane Stapleton, who has a beautiful voice of her own. To me it adds another layer of sentimentality to a song that’s already a fantastic love song. Everything about this song works together so damn well. “When The Stars Come Out” is a dreamy tune about heading out west to Los Angeles to chase dreams. It’s about how you look up at the stars and wonder if you’ll ever reach your goals. The songwriting is a little lighter on this than the rest of the album, but the pedal steel guitar and piano lurking throughout more than make up for it.

Just like “Whiskey and You,” “Daddy Doesn’t Pray Anymore” is a stripped down and emotional song. It’s about a man realizing his dad no longer prays anymore and paints the picture that his dad has given up hope. Halfway through the song when he’s not getting along with his dad, when he lays down at night he hears his dad praying for him. He realizes his dad does care, but by the end of the song his dad has died and realizes he’s finally walking with the Lord. I don’t think I can properly explain how great this song is and I suggest you listen for yourself. Tell me again why it took so long for an album from Stapleton? The rollicking “Might As Well Get Stoned” shifts the mood to uncaring resignation. The man in the song is alone and is out of whiskey, so he says screw it and gets stoned. The heavy steel guitar licks and Stapleton’s passionate cry in the bridge is the climax of the song and really grabs the listener’s attention. The majority of songs about getting stoned are dumb and completely pointless, but this is an exception. I like to think of this as a drinking song with the drinks being replaced with weed. And the man in the song is clearly smoking out of being despair, not joy. Stapleton put a fresh spin on a theme that is overwrought with clichés.

“Was It 26” feels like a perfect follow-up to “Might As Well Get Stoned.” The Charlie Daniels Band originally recorded the song and this is only one of two songs on the album that Stapleton didn’t help write. It’s about a man reflecting back on his wild year when he was 25 or 26. He can’t decide which year because they blend together in his mind. He doesn’t seem to regret it, but he would also like another crack at that age (whatever which one it is). It comes off as a warning to younger listeners and perhaps relatable for older listeners. Regardless it tells a great story. Oh and Stapleton’s voice is amazing once again. Stapleton sings about the crushing reality of being a musician traveling on the road all of the time in “The Devil Named Music.” He’s sometime drunk, stoned and most of all he feels alone. He misses his daughter and wife dearly, but he knows the devil that is music has his life. That’s one of the things we never think about as fans when listening to our favorite music. The amount of blood, sweat and tears that goes into making such great music is huge.

“Outlaw State of Mind” puts you in a…well outlaw state of mind. From the bellow of the guitar to the vocals it frames the theme of the song well. The harmonica solo in the bridge is fantastic too. Really this was song to show off the instrumentation that graces the album throughout, something I can certainly appreciate. The final song on Traveller is “Sometimes I Cry,” a song I could easily imagine being played in a smoky barroom in New Orleans. It’s a heartbreak song where Stapleton just lets it all hang out. He sings his ass off and the guitar play is equally impressive. Oh and this was recorded live in front of an audience. I mean what else can I say? This is another great track amongst many throughout this album.

The hype was high heading into Chris Stapleton’s album. Not only did he meet the hype, he surpassed it with Traveller. I don’t think I could ask anymore from a country album than what I hear on this album. It has everything a country music fan should want in their music. What impressed me the most out of all is Stapleton’s voice. Holy shit I did not expect him to blow me away so much vocally. He’s easily one of the best in country music today. The songwriting is top-notch, but we knew that already. The instrumentation and production is spotless, as once again Dave Cobb is in top form. I have no complaints with this album, as Stapleton is a visionary. Traveller is a must-own and is easily one of the top candidates for Country Perspective’s 2015 Album of the Year.

Grade: 10/10


My Five Favorite Non-Country Albums of 2014

Here at Country Perspective we talk about country music of course. We review it, analyze it, present it and listen to it. Except today we make an exception. I’m going to talk about what I considered the best outside of country music. Contrarian person: “But this is country blog! I don’t care about non-country music!” Okay that’s cool. Don’t read this. If you’re still here thank you. Now let me ask you a question: Do you only eat one type of pie? No you don’t because that’s stupid. I enjoy eating a variety of different pies. Chocolate, apple, cherry you name it. Even though I love country music, I would go insane if I just listened to one type of music. I listen to all types and I’m not exaggerating. Now keep in mind too my “rules” for country music aren’t the same for other genres. For example, vulgarity is a much bigger part of hip-hop than other genres. But one universal rule for all genres in order to have good music: great lyrics with meaning and depth. So without further ado my five favorite non-country albums of 2014.

Run The Jewels – Run The Jewels 2



Where has this hip-hop duo been all of my life? I never heard their first album and still haven’t. I heard a lot of hype about them on social media, so out of the blue I gave their album a listen. From the first listen I was absolutely blown away. This album hits you in the face from the first song and keeps throwing flurries in your face until the album ends. After all the album starts out with the ear grabbing shout of, “I’m going to bang this bitch the fuck out!” It’s vulgar, offensive, controversial and I absolutely love it. It’s definitely NSFW. El-P and Killer Mike were meant to make music together. My favorite track on the album would have to be “Blockbuster Night Part 1” because everything in this song works perfectly together. The final lyrics of the song really put an exclamation point on it.

This is really an album you have to hear for yourself because there is just so much to breakdown in it. This album tied with two other albums as my favorite of the year (the next album I’m getting ready to talk about and the other one you’ll know on Monday). Not only that, but this is probably my favorite hip-hop album I’ve ever listened to. It’s a damn shame this wasn’t nominated for a Grammy because it’s better than all of the Grammy nominations for Best Rap album.

The War on Drugs – Lost In The Dream



The Philadelphia-based band composed of lead singer Adam Granduciel, David Hartley, Robbie Bennett, Charlie Hall, Joe Natchez and Anthony LaMarca have dazzled critics and fans everywhere with this album. Unless your name is Mark Kozelek, then you’ll probably love this album. Granduciel shows that he’s a musical genius with such a deep and complex album like Lost In The Dream. I mean who starts an album off with a nearly nine minute song? Most of the songs on this album are over five minutes long. It’s going to take you a while to listen to it, but trust me it is well worth it. Don’t listen to it in chunks either because this album is a journey and is meant to be listened to in full from start to finish.

As for my favorite track, it would be a toss-up between “Red Eyes” and “An Ocean in Between The Waves.” It really depends on my mood. I will say though my favorite line is in “An Ocean in Between The Waves.” It’s the brilliant line of “In my finest hour, can I be more than just a fool?” It’s such a simple line, yet it means so much. I will admit it can be hard to pay attention to the lyrics at times because the instrumentation is just so damn good. The amount of detail and thought behind each sound is unbelievable. This is the kind of album you put on right before you go for a long drive.

Rival Sons – Great Western Valkyrie 



Along with The War on Drugs, Rival Sons proved to me that rock music isn’t dead. Behind country music, I would say rock music is my favorite. But in recent years I drifted away from the genre just like I did with country music. When I came across this group’s album and listened to it, they made me believe in rock music again. They also taught me that you can’t rely on the mainstream to guide you to the best rock music (just like country music). Great Western Valkyrie is the perfect blend of the classic rock throwback sound and modern rock influences. The album opens hot with “Electric Man” and really sets the tone for this album. There are several highlights on this album, from the loud and in your face “Open My Eyes” to the more subdued and tender “Belle Star.”

I was really surprised that very few “best of” albums list didn’t mention this because to me it’s easily one of the best rock albums I’ve heard in the last five years. This album was also shorted by the Grammys, but hey the Grammys suck most years and at least they stayed consistent. I know I appreciate Rival Sons’ Great Western Valkyrie and many other do too. Thank you Rival Sons for also restoring my faith in rock!

Weird Al Yankovic – Mandatory Fun

If you don’t like Weird Al Yankovic, you don’t like to laugh. In a world full of too much political correctness and super serious people, Weird Al is here to remind us it’s okay to laugh while listening to music. I not only got plenty of laughs from Mandatory Fun, but I was impressed by Weird Al’s lyrics and style choices. He also took a unique approach in promoting the album, as he released eight music videos over eight days all in different places the week he released the album. The music videos make the songs even better of course. One song in particular where the video makes it even better is “Foil,” which goes from talking about keeping food fresh to conspiracy theorists and aliens (that reminds me that Sturgill Simpson and Weird Al should make a song together).

My two favorites though on the album are “Word Crimes” and “Jackson Park Express.” The first, “Word Crimes,” is a song the world didn’t know it needed until they heard it. It blows the song it parodies, Robin Thicke’s “Blurred Lines,” out of the water in terms of lyrics and content. It sends a message that many people need (how to write like a human being) and it also takes a nice little jab at prima donna Prince. “Jackson Park Express” is a nine-minute, bizarre journey on a bus (sounds like an episode of Seinfeld) where a man goes from irrational to just plain creepy with his thoughts about a woman sitting across from him. It’s one of Weird Al’s best original songs ever.

Who would’ve thought when Weird Al started his musical career in 1976 that we would still making music after all these years? Keeping being awesome Weird Al and congrats on your first #1 album!

Pentatonix – PTX, Vol. III

A capella music! I told you I listen to everything. When I discovered Pentatonix last year I was enamored by them. How could they be so damn good while using zero instruments? Keep this in mind when listening to their music. If you had some unknown person off the street who had never heard this group’s music before they would have no idea there is no instrumentation involved because they do such a great job replicating the sounds with their mouths. And when they bring in instruments (usually the great Lindsey Stirling with her violin), they still knock it out of the park.

I usually like their covers of songs even better than the original versions of those songs. That’s the case again with their covers of “La La Latch” and “Rather Be” on PTX, Vol. III. The harmonies on “Rather Be” really blow me away, as you’ll find after listening to their music that harmonies are their biggest strength. Their original music doesn’t impress me as much as their covers yet, but they’re slowing getting there I think. My favorite original song off the album is “Standing By,” which shows off the group’s softer side. I think this A capella group will only get better with time.

Honorable Mentions:

Lindsey Stirling – Shatter Me 

The Foo Fighters – Sonic Highways 

Schoolboy Q – Oxymoron

(12/23) Late Addition: Hozier’s Self-Titled Debut Album 

Album Review – Lucette’s Black Is The Color

Over the course of 2014 I’ve listened to a lot of great country music. There have been albums that have impressed me and there have been albums that were a pleasant surprise. There has only been two albums that have moved me from the first listen and made me realize that I’m listening to something special. The first album was Sturgill Simpson’s Metamodern Sounds in Country Music. The other is the album I’m reviewing today, Lucette’s Black Is The Color. This is an album is so dark and mysterious that Jason Eady’s album Daylight & Dark sounds like a trip over the rainbow compared to it. But there are also moments of light. This clash of emotions make for great music.

The Best Songs on the Album

The album kicks off with an intriguing song in “Bobby Reid.” It took me a few listens and a viewing of the music video for it, which you’ll see below, for me to understand what this song is about. It’s about a woman being stuck in a relationship with a controlling man and she’s hoping he just cuts her down. In other words she’s trying to escape an abusive relationship. Lucette’s vocals are chillingly good and the instrumentation sets the perfect mood for the song. (Side note about the music video: Ironically, Sturgill Simpson plays Bobby Reid. His acting is pretty good too.) Lucette whispers into your ears in “Dream With Me Dream.” It’s a love song and shows the lighter side of Lucette. The acoustic guitar play is great and gives the song a desperado feel to it. Lucette shows her lighter side again in “Fields of Plenty,” a song about returning to simpler and happier places. It was great that Lucette had these two standout songs showing her lighter side because it shows she isn’t a one-trick pony. The instrumentation once again set the mood of the song exactly right. Credit producer Dave Cobb, who has been absolutely on fire this year with his work. I’m going to praise him more later in the review.

As great as these three songs are, there are two songs on the album that even surpass these three. The first of those two is “Muddy Water,” which is a family murder ballad. That’s how dark this album goes. The guitar and drum play in this song is fantastic, as well as Lucette’s vocals. Everything comes together in this song to create a work of art. This is a song I felt from the very first listen. I can say the same of “River Rising,” the other special song on this album. I really can’t tell what the song is about, despite several listens. It’s so dark and mysterious that it can mean a multitude of things. But maybe that is the point of this song. The emotion in Lucette’s dynamic vocals help tell the story of this song, which is the mark of a true artist.

The Worst Songs on the Album

I said this album was special for a reason. There is no down moment or song on this album. Every song is full of emotion and true artistry.

The Rest of the Album

“Black Is the Color” and “Darkness” are two more dark songs that are hard to decipher what exactly they’re about, yet intriguing. Lucette’s voice could be a little clearer on “Black Is the Color” because it’s hard to understand her at a couple of points. Both songs are arranged well though. One song that I found that is easy to get stuck in your head is “Able May.” It’s a song about a woman taking another woman’s love away. I love the choice of instrumentation for this song. A subtle, sinister attitude underlies the song giving it an edge. “Poor Sweet Me” is a song about being made not to love anybody else. Lucette and the male vocalist singing with her sound great together. Being that it’s Lucette’s first album, there isn’t a lot of information out about her music yet. Despite searching all over the Internet,  I wasn’t able to find out the identity of the male vocalist. If anyone knows who it is, please let me know because I’m curious. (Update: The male vocalist and co-writer of the song is Brent Cobb. Thank you Lucette!)

“Fly On” is one of the longest songs on the album. There’s a fuzziness in the background that may bug some people, but I think the point of it is to create that kind of feeling for the song. The song is about moving on in life. Lucette’s shows that her softer vocals are just as good as her louder vocals. The light instrumentation gives the song a free and loose feeling. The album concludes with the love ballad, “Utah.” It’s another solid song all the way around to cap off a fantastic album. Lucette’s emotions help tell the story of the song again. It’s hard to believe this is her first album because she sounds like she’s been making music for several years.

Overall Thoughts

I think it’s safe to say that Lucette is pretty damn talented and has a very bright, long future ahead of her as a country music artist. You know who else is pretty talented? Dave Cobb. Every album piece of music he touches turns into absolute gold. He produced Jason Isbell’s Southeastern album, both of Sturgill Simpson’s albums and Jamey Johnson’s That Lonesome Song album, all which blew me away. He even produced my favorite rock album of 2014, Rival Sons’ Great Western Valkyrie. When Cobb produces music, you better pay attention to it because it’s going to be great. Lucette is very fortunate to collaborate with a sharp producer because mainstream Nashville would’ve ruined her talents. In fact that almost happened. Trigger at Saving Country Music has a fantastic piece on the background of Lucette’s journey to making this album that you must go read. He is the reason I came across Lucette and many other great country artists. My little blog will never be as great as the work he’s doing at Saving Country Music.

You don’t come across too many artists that have fantastic debut album. Many are still finding themselves and the kind of music they want to make, but Lucette seems to already know what she wants. With her talent and vision the sky is the limit in terms of the success she can have in her career. This is an artist that every true country fan needs to keep an eye on and her album Black Is The Color is something everyone should listen to. It’s right on par with Sturgill Simpson’s Metamodern Sounds in Country Music and will definitely have an excellent chance of being Country Perspective’s Best Country Album of 2014.

Grade: 10/10