This is the past pulse of mainstream country music. Each week, I take a look at the Billboard Country Airplay Chart (or, “Hot Country Songs” as it used to be called) from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 , 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].
The goal of this exercise is to evaluate the past state of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week I will take a look at the top 30 songs of the Billboard Hot Country Songs from December 26, 1992. In honor of my ongoing chart request archive, this week’s chart goes out to commenter jmartin103. Thanks for reading jmartin103!
Vince Gill – “Don’t Let Our Love Start Slippin’ Away” +3
Alan Jackson – “She’s Got The Rhythm (And I Got The Blues)” +3
Garth Brooks – “Somewhere Other Than The Night” 0 (Since I don’t have the CD with this song on it, I have no clue what to grade this song. Of course it isn’t anywhere on the Internet and I haven’t heard it before so it’s not going to help or hurt the Pulse)
Hal Ketchum – “Sure Love” +1 [Least Good Song] (It’s just more “meh” than outright bad)
Clint Black – “Burn One Down” +4
George Strait – “I Cross My Heart” +2
Trisha Yearwood – “Walkaway Joe” +4
Brooks & Dunn – “Lost & Found” +3 (One of the few B&D songs featuring Kix on lead vocals. I haven’t checked, does Kix still have more solo songs than Brian Kelley of Florida Georgia Line? Dead serious)
Restless Heart – “When She Cries’” +3 (Probably too pop for 1992 but still a good song)
Tracy Lawrence – “Somebody Paints The Wall” +3 (The George Jones version is obviously highly recommended as well)
Randy Travis – “Look Heart, No Hands” +3
Lee Roy Parnell – “Love Without Mercy” +2
Reba McEntire – “Take It Back” +3 (Probably being a little gracious, but it is certainly fun)
Sammy Kershaw – “Anywhere But Here” +3
John Michael Montgomery Gentry – “Life’s A Dance” +4[Best Song]
Ricky Van Shelton – “Wild Man” +3
Doug Stone – “Too Busy Being In Love” +1
Tanya Tucker – “Two Sparrows In A Hurricane” +3
Alabama – “I’m In A Hurry (And Don’t Know Why)” +4 (It’s a damn fun song with a good message. We CAN make them!)
Diamond Rio – “In A Week Or Two” +3
Little Texas – “What Were You Thinking” +3
Travis Tritt – “Can I Trust You With My Heart” +2
Chris LeDoux – “Cadillac Ranch” +3 (There’s a lot of big names that came from the 90’s, but ironically enough Chris was one of the first artists from before 2000 I ever listened to)
John Anderson – “Let Go Of The Stone” +3 (The one, two, three punch of Tritt, LeDoux, and Anderson is just awesome)
Wynonna – “My Strongest Weakness” +2
Confederate Railroad – “Queen Of Memphis” +2
Mark Collie – “Even The Man In The Moon Is Cryin’” +3
Billy Dean – “If There Hadn’t Been You” +3 (Borderline +3. The production is a little too sleepy for my tastes)
Suzy Bogguss – “Drive South” +3
Wynonna – “No One Else On Earth” +4 (A.K.A, the better Wynonna song here)
The Past Pulse of Mainstream Country Music: +77
It’s getting a little cliché at this point, but there’s really not much else to say other than this is another great chart! A little bit of a step up from last week even if there still wasn’t a song here that outright blew me away. Even still, when you have artists like Vince Gill, Alan Jackson, Clint Black, George Strait, Trisha Yearwood, Randy Travis, Reba, Sammy Kershaw, John Anderson, Chris LeDoux, Wynonna and SO many more cranking out at least great songs, there’s not much to complain about.
As an additional note, I have to say that the 90’s charts are always my favorite ones to listen to and rank. Sure, it’s not perfect, but nothing really is. These charts are always highly enjoyable and bring tons of great songs that are a better representation of country music than a lot of the stuff we have today.
Finally! The infographics have returned! For those that are new to the site, one of the most enjoyable features I did last year was using infographics to break down the composition of the music or the charts. In the past I looked at Dallas Davidson songs and Luke Bryan songs. For today’s infographic I decided to take a look at the music catalog of Florida Georgia Line. I’ve been wanting to do this one for a while now and I finally had time to do it. So without further ado let’s take a look at the interesting data I scooped up on Florida Georgia Line’s songs…
If you’re wondering, no I did not sit down and listen to every Florida Georgia Line song. I like my ears.
To see the lyrics for all of Florida Georgia Line’s songs, click here. They’re even funnier reading them out loud.
Bonus stat that didn’t make the infographic: 12 different artists are name-dropped in their songs. Those artists are Marshall Tucker, Hank Williams (multiple times), Lynyrd Skynyrd, David Lee Roth, Drake, Alabama (multiple times), George Strait, Merle Haggard, Mick Jagger, Bob Marley, Shania Twain and Florida Georgia Line. Yes, they name-drop themselves in a song.
Each album features one song each that doesn’t contain the term “girl,” “baby” or a similar term. So they’re consistent in this regard.
I thought about listing every type of alcohol reference and alcohol brand, but there was no way it was going to fit onto the infographic. Based on memory, Bacardi seemed to be the go-to reference along with fireball.
You have no idea how much amusement I got out of reading such terrible lyrics together. I can’t fathom how grown adults can sit in a room and concoct such brain-dead lyrics.
If you have anymore questions on what data I found or how I got it, ask away in the comments below!
Upcoming/Recent Country Music Releases
Toby Keith will be releasing his new album 35 MPH Town next Tuesday. I really don’t expect much from it.
Laura Bell Bundy just released a new album this week titled Another Piece of Me. I honestly had no idea she was still making music.
Sammy Kershaw just released a new album too and it’s called I Won’t Back Down. I will definitely be listening to and reviewing this one.
Clare Dunn is releasing a new single titled “Move On.”
There were several releases from Texas and independent acts in this past week, including: Dale Watson, Sam Outlaw, Uncle Lucius, Courtney Patton and more. See what I mean when I say there’s a lot of releases happening right now? Hopefully we’ll be able review all of these.
Also with the majority of these quality releases in the past week, Billy Currington’sSummer Forever and Gloriana’sThree albums will most likely not be reviewed. When it comes to reviews, Derek and myself always give preference to the better albums and these two are at the very bottom of our review list right now. We both found that each album, for the lack of a better word, sucked and really there wasn’t a single quality song on them. There’s no point in wasting time on bad albums, especially when they aren’t even big enough for hits. Sorry, but there’s just better music we would rather spend our time on.
Throwback Thursday Song
Jason Isbell – “Cover Me Up” – Of course I chose this song this week. I’ve been listening to Isbell a lot in the last week. Can his new album get here yet?
Non-Country Song of the Week
Weird Al Yankovic – “Word Crimes” – This was one of my favorite songs from 2014. Weird Al brilliantly combined the catchy beat from that terrible song “Blurred Lines” with a grammar lesson that many people need. Brilliant! I bet Florida Georgia Line could learn something from this song.
Tweet of the Week
#countryradiosalad Sturgill Simpson is the lasagna. So good but we don't put it in salad for some reason.
This week’s reviews are for Thomas Rhett’s “Crash and Burn.” It warms my heart to see other people skewer terrible music like this. The last review even comes from a fan of Rhett.
Note for Next Week: There will not be a Hodgepodge, as it will take the week off. All next week we’ll be giving our mid-year assessment of country music, looking at the best and worst throughout the genre so far in 2015.
That’s it for the Hodgepodge this week! Be sure to sound off in the comments!
This past weekend the 50th ACM Awards took place and the reviews for it haven’t been pretty. From Trigger at Saving Country Music to Grady Smith at The Guardian to the consensus on Twitter, they all found the show to be pretty bad. I myself found it to be weird and boring. Many of you weighed in on that post and whole heartedly agreed. The show was plagued with production errors and enough medleys to set a person insane. It wasn’t easy to sit through. Really this whole year in mainstream country music hasn’t been easy to stomach. When it looked like we were going to get more traditional country songs on the radio, the hope for that quickly evaporated. Instead we’ve gotten a heavy dose of Sam Hunt’s pop music, bro country rehashes, trend chasing, female artists continuing to get ignored and Thomas Rhett trying to be Bruno Mars. It’s the same old stuff country music has been doing for years now.
Where do we take it from here?
It was clear as day to anyone who watched the 2015 ACM Awards that country music has two big problems. The first problem is that country music has no idea what it is anymore. There’s a clear identity crisis taking place. This show featured performances from George Strait, Sam Hunt, Christina Aguilera and Nick Jonas. Do you see hip-hop awards shows with such a melting pot of performers? Do you rock awards shows with so many different sounds? No because they know who they are. This variety of sounds was touted during the ACM Awards, like this is a great thing. It’s clearly not because you’re sending mixed signals to viewers. They have no idea what the hell country music is because you’re throwing so many different sounds at them. The second problem is country music has zero direction on where to go. They’re chasing the R&B sound. They’re chasing the EDM sound. They’re rehashing bro country stuff. Country music is like a 12-headed monster and each head is going a different way. There’s no cohesion and no identity.
It’s been the same way for years/We need to change
Country music clearly needs to change and quickly. I think that’s obvious to a lot of people. But nobody wants to make the first move. Everyone is too afraid to make a move or say something. Some people will say, “Well what about Sturgill Simpson? He can save country music!” To them I repeat what I’ve said before and what Sturgill himself has said: he’s no savior. One artist can’t save the genre. I find Sturgill to be a trailblazer and a shining example to other independent country artists on how to do it your own way. Regardless of what happens in mainstream country music, Sturgill Simpson will be safe and continue to do his own thing. Atlantic Records will wisely keep him out of that racket and market him more like an indie rock artist rather than a mainstream country artist.
Another thing people will bring up is splitting country music, something that looked very possible last year. The top 40 country artists could go do their thing and the traditional, older country artists could go do their music. It would establish a clear line and everyone could be happy. I’ve advocated for this. But that convenient dream isn’t going to happen. It’s pretty much dead right now. You’re better off dismissing this fantasy as unrealistic. There are other ideas I’ve seen floated out there that could “save” mainstream country music and bring it change, but they’re not even worth addressing because I only see one change on the horizon for mainstream country music happening. It’s a change that they’re in the midst of doing right now and they’re not even aware it’s about to happen.
The mainstream country music bubble is about to pop. No splitting. No country music civil war is going to happen. It’s simply going to break into pieces, something I forewarned of months ago if country music didn’t start to get its act together. It reminds me a lot of how rock music shattered into pieces, became irrelevant as a mainstream genre and disappeared completely off radio. Rock reached its peak in popularity in the 80s with hair metal, which bro country is often compared to. At the beginning of the 90s, Nirvana became huge and grunge became the popular style in rock. The arrival of this group was a godsend for the genre because hair metal along with some other terrible rock sub-genres had made the public bored with rock music. Nirvana brought something fresh and new to the genre. Then Kurt Cobain, lead singer of Nirvana, tragically shot himself. Some people say this was the day rock music died too. Rock music lost its icon and symbol of hope.
Slowly but surely rock music devolved into multiple sub-genres, as several groups failed to duplicate the sound and success of Nirvana. The genre lost direction and popularity. Hip-hop made its rise into mainstream prominence at this time and essentially bumped rock off radio, taking its place. Now look at rock music. You don’t hear any new rock music on the radio. All there’s left of rock music on the radio is a local classic rock station playing hits from rock’s heyday. I see country music going down the exact same path minus the Nirvana part. There’s won’t be a Nirvana because country music doesn’t want a Nirvana walking through the door. Country music would rather continue down the same path it’s on and fall flat on its face. It’s afraid of trying something new, fresh and different. Taking risks isn’t considered business sound, even though business is stagnant and terrible right now.
Somebody told me when I came to Nashville Son you finally got it made Old Hank made it here, we’re all sure that you will But I don’t think Hank done it this way, no I don’t think Hank done it this way, okay
Now this gloom and doom prediction I’ve just thrown out at you is a real bummer. But ultimately I think country music would become better as a result. A new genre will rise out of the ashes. There would no longer be a mainstream or radio presence by country music. This would mean only the best country artists would get noticed. People would take to the Internet to find country music, just like independent country fans do now. It’s what rock fans do too. The B-list artists that are only known because of manufactured radio pushes by major labels would fall off the radar. This would be anyone who isn’t at a Carrie Underwood/Blake Shelton type level. So you would say goodbye to the Michael Rays and Kelsea Ballerinis of country music. The fluff would be out the door. I wouldn’t have to review terrible music being passed off as country anymore. Come to think of it, this sounds like an ideal scenario.
Heed the words of Waylon and make proactive change, country music. Or a crashing change will eat you alive.
Upcoming/Recent Country Music Releases
Zac Brown Band will release their new album Jekyll + Hyde next Tuesday. I have no idea what to expect in terms of sound with this album, which makes me even more excited to give it a listen. If you haven’t read it yet, check out the album’s track listing. Also Aircheck confirmed the rumor that the group’s next single will be “Loving You Easy” and will impact radio on the first week of May.
Tyler Farr’s new album Suffer in Peace will also come out next Tuesday. The track listing for it suggests a mixed bag. I expect a few good songs and a few terrible songs. Speaking of terrible, I found out via Windmills on the song “C.O.U.N.T.R.Y.” Farr sings about his love of truck nuts. I’ll let you imagine what that song is like.
For those who missed it, Jason Isbell announced his new album will be released on July 17 and will be called Something More Than Free. That’s the same day Alan Jackson’s new album comes out too. This is also a significant day because it’s the first week where major releases start coming out on Fridays rather than Tuesdays.
Sammy Kershaw just announced recently that he will be releasing his first full-original album in five years on June 9. It will be called I Won’t Back Down. He signed a deal with Cleopatra Records to release the album. This is a great surprise and I’m definitely looking forward to this one.
Also for those that aren’t on Twitter: I saw Gary Allen live in concert last Friday and it was a fantastic show. From what I’ve gathered from the show, his new album should be classic Gary. He mentioned that “Hangover Tonight” was the last song written onto the album, which leads me to believe he threw it in to appease his label. Allen played two new songs from the album and they sounded like great country songs. The one was called “Mess Me Up” and I think it has great potential to be a single.
Throwback Thursday Song
Randy Travis – “Forever and Even, Amen” – It was so great to see Lee Brice give a shout out to Randy Travis at the ACM Awards. It was also classy of him to play a couple of lines acoustically from Travis’ classic song “Forever and Ever, Amen.” So I thought it was only appropriate this iconic song would be this week’s throwback song.
Non-Country Album Recommendation
Rap music’s great year continues, as another fantastic rap album just came out. It’s Yelawolf’s Love Story and it has one of the most different sounds I’ve ever heard on a rap album. Probably because it’s a rap album with heavy country and southern rock influences. What? Yes, you read that correctly. The wording is key: it’s a rap album with country influences and not the other way around. It’s in the right genre too. I always thought though you couldn’t mix these two genres period, but Yelawolf, a southern hip-hop artist from Alabama, proves me wrong. What separates Yelawolf from hick-hop artists like Colt Ford is Yelawolf’s got bars. He understands the craft of rap. The album is a whopping 18 songs long and complex, but it’s well worth listening to from start to finish. Ironically it has even more country moments than many mainstream country albums. Patsy Cline’s “Walking After Midnight” can be heard in the opening song! Rap music is now sounding more country than country music. What world am I living in?
Tweet of the Week
Thomas Rhett/Sam Hunt/Cole Swindell has to be the saddest category ever. It's like choosing between Zima/Smirnoff Ice/Mike's Hard Lemonade.
Every week I take a look the Billboard Country Airplay chart from years ago and grade the top 30 songs. Each week will be a different year. It could be 10 years ago, 20 years ago or even further back. The grading format I use each week is every song will receive either a +1, -1 or a 0. These will then be tallied up for an overall score, or pulse of the past top thirty country songs, with the highest possible score being a +30 and the lowest possible score being a -30. How do I determine if a song is rated a +1, -1 or 0? Songs rated between 7 and 10 receive a +1. Songs rated between 5 and 6.5 receive a 0. Songs rated 4.5 or lower receive a -1.
The goal of this exercise is to evaluate the past state of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week I take a look at the top 30 on the Country Airplay Chart from April 3, 1993. This is the first time the past pulse has went back to the 90s, so the chance of our best score yet is highly possible.
Kathy Mattea – “Standing Knee Deep In A River (Dying of Thirst)” +1
Trisha Yearwood – “You Say You Will” +1
Lorrie Morgan – “What Part of No” +1
Little Texas – “I’d Rather Miss You” +1
Mary Chapin Carpenter – “Passionate Kisses” +1
Doug Stone – “Made For Loving You” +1
Lee Roy Parnell – “Tender Moment” +1
Dwight Yoakam – “Ain’t That Lonely Yet” +1
Neal McCoy – “Now I Pray For Rain” +1
Gibson/Miller Band – “High Rollin'” +1
John Michael Montgomery – “I Love The Way You Love Me” +1
Dolly Parton – “Romeo” +1
The Past Pulse of Mainstream Country Music: +30
Perfect score! I knew we would find a chart with a +30 score. It was close on a couple of songs, but each song was good enough to merit a +1 from me. The songs that came close to getting a 0 were Hal Ketchum’s “Hearts Are Gonna Roll” and Mark Collie’s “Born To Love You.” None of the songs came I considered giving a -1. Last week we looked at March 2004 and I considered a +15 pretty good. But this point in time in country music was truly great. It’s really hard to choose my favorites from all of these. There’s a lot of variety too, with several female artists on it. Garth Brooks wasn’t starting to put out corny songs yet either. Can radio go back to these kinds of songs please?
As is now customary, fire away with your comments and questions about this week’s past pulse. Recognize some old favorites? Maybe a few you would like to not be reminded about?
You weren’t expecting this, were you? Well take a seat and listen. As an independent country fan, you’re well aware of the likes of Sturgill Simpson, Jason Isbell, American Aquarium, Wade Bowen and Rosanne Cash. But I’m not addressing all independent country fans. No, I’m addressing the close-minded part of that fan base. Who are the close-minded? The ones I see online everyday refusing to listen to anything offered from mainstream country music. No matter how good that mainstream country music is, they refuse to even give it a chance. Their attitude is: “If it’s mainstream, it’s bad.” In other words, you’re essentially a hipster. You refuse to give something a chance if it’s popular. You have to be different and listen to something that’s obscured. Well let me get this out right up front: you’re hurting country music as much as bro country fans and metro-politan fans are hurting the genre.
Yep. You read that correctly. You’re just as big of a problem as the very people you mock. You’re no different from the Sam Hunt fan who refuses to listen to Sturgill Simpson. You’re the Randy Rogers fan who refuses to listen to Tim McGraw, not because you think McGraw’s music isn’t good, but simply because he’s mainstream. You’re the same person who hated Sturgill Simpson for signing with Atlantic Records, all because you wanted to keep him in your own realm for your own selfish reasons. God forbid Simpson tries to make a better life for himself and his family with this great opportunity. You’re too worried that you can’t see him play in dinky little dive bars anymore for pennies, while Simpson makes pennies from it. See what I mean about you hurting country music?
What prompted me to write this letter is the announcement of “Dress Blues” being featured on Zac Brown Band’s new upcoming album Jekyll + Hyde. That song of course is a Jason Isbell song that was featured on Isbell’s first solo album. It’s a beautiful song with raw emotion about the cold reality of fighting wars. The song is patriotic without the clichés and cheesiness you’ll see in Toby Keith’s ‘Murica pride songs. Simply put this is a song that everyone needs to hear. This discussion about “Dress Blues” started months ago when the Zac Brown Band played this song in a pre-show for the College Football National Championship game. Many started to speculate that this would be covered on the band’s new album and sure enough it is.
Zac Brown Band covering “Dress Blues” does two big things. One it introduces more substance to the mainstream country scene that badly needs it. Second of all it provides more exposure to a phenomenally talented artist like Jason Isbell and at the same time Isbell makes some money off the sales of it. This is a win-win situation. Isbell himself has endorsed Zac Brown Band covering it and shared a link to pre-order it on social media channels. He’s totally on-board with this, but what do a lot of his fans do? They bitch and moan about it. They refuse to even listen to it because Zac Brown Band is mainstream and everything mainstream sucks in their mind. Here’s a small snippets of comments from Isbell’s Facebook post on the news:
Now granted there are some people congratulating him on this and leaving nice comments too. Many are saying they listened to Brown’s version and say they prefer Isbell’s version, which is fine. They were open-minded and gave the cover a chance at least. But just look at these comments above. No wonder Isbell never looks at his Facebook page (I know I try to avoid Facebook). His Twitter page doesn’t seem to have these kind of comments, so maybe this is just Facebook people being Facebook people.
Nevertheless it just pisses me off when independent country fans can’t be happy for their favorite artist to be covered in the mainstream or join the mainstream. Choosing to be close-minded on top of this is just infuriating. I listen to all types of music now. I remember when I was close-minded and pretty much just went with whatever was popular. As a result I missed a lot of good music from several genres. I’m a much happier music listener now that I pretty much explore any kind of music that peaks my interest. I have so much music to listen to anymore that I can hardly keep up. It’s a good problem to have. This is all because I opened my mind up to new music. Sure I’ve come across music I hate, but you don’t have to like everything you try.
All I’m saying to you close-minded independent country fans or any close-minded music listener is this: just give it a chance. When you come across something new or a mainstream artist is covering a less known artist’s song, just give it a chance. I won’t kill you to listen. And if you don’t like it? Just move on. And more than anything be happy when the Jason Isbells and Sturgill Simpsons of the world get these great opportunities. Be a real fan, don’t be a hipster douche.
Now if you’ll excuse me I have some music to listen to…
Upcoming/Recent Country Music Releases
Kacey Musgraves’ lead single from hear sophomore album, “Biscuits” will officially be released next week. I’ll have a review on it early in the week.
Lindi Ortega has released a new single, “Tell It Like It Is,” the lead single off of her new upcoming album. I’m not going to wait until the review to tell you what I think of it either: it’s really good and you need to listen to it. It makes me even more excited to hear this new album from her.
George Strait will not only be performing at the 50th ACM Awards, but will be debuting new music. No other information on the new music has been said, other than the fact this is new music from Strait. Considering the situation mainstream country is in right now, we could use some music from Strait. Save us King George!
Ronnie Reno will release a new album titled Lessons Learned next Tuesday. For those unfamiliar with Reno, he’s know as “Bluegrass Music’s Youngest Old-Timer.” Ronnie at one point was joined up with the Osborne brothers and the trio won CMA Group of the Year in 1971. After that Merle Haggard hired him away, which allowed him to sing alongside Haggard and his wife Bonnie Owens on songs such as “If We Make It Through December” and “Ramblin’ Fever.” He also wrote Conway Twitty’s #1 hit “Boogie Grass Band.” I’ll have a review on Reno’s new album next week.
Allison Moorer will also release a new album next week titled Down To Believing. She’s the former wife of alt-country artist Steve Earle for those unfamiliar with her and this will be her first new album in several years. The lead single she released for the album last November sounded pretty promising, so I’m looking forward to hearing the album.
RaeLynn just released a new single called “For A Boy.” This is in fact not off of her terrible Me EP she released back in January. So I guess I should prepare myself to review this one. I’m not going to make Derek review more RaeLynn material because that would be cruel.
Throwback Thursday Song
Sammy Kershaw – “National Working Woman’s Holiday” – Last summer I decided to explore Sammy Kershaw’s catalog of music and my only regret is that I had not done it sooner. To me he doesn’t get near enough credit that he deserves for his great library of music. He kind of got overlooked in the 90s because of the superstardom of Garth Brooks, Shania Twain, Brooks & Dunn, Alan Jackson and George Strait. If you haven’t heard any of his music I highly suggest going back through his catalog (start with his greatest hits album and go from there).
Non-Country Song of the Week
Chris Mann – “Roads” – Back when I was a regular watcher of the show The Voice I wasn’t really impressed by a lot of singers. At least not enough for me to become a fan. There were a few however that did impress me enough to make me a fan. One of those artists was Chris Mann, a classical and opera singer. Now I listen to all genre, but this isn’t usually my cup of tea. But Mann absolutely blew me away with his dynamic vocals. Fun fact: RaeLynn and Gwen Sebastian were also contestants the same season as Mann. He’s only released one album so far and I’m looking forward to his sophomore release.
Tweet of the Week
I just ignore the people who think Sturgill is overrated. Some people don't like ice cream. Whatever.