The Pet Shop Boys have been around for decades and when it comes to this duo you know exactly what kind of music you’re going to get: catchy synth pop. It’s no different on the 14th album from Neil Tennant and Chris Lowe. The in-your-face “Will-o-the-wisp” opens the album with it’s pulsing synths. The song is about coming across someone from the past you considered a will-o-the-wisp (an unobtainable person that you feel compelled to pursue), but has now become a boring and normal person. Yet despite this new reality, the old allure still remains. It tells a good story and I guarantee you will have the hook of this song stuck in your head (in a good way of course).
“You are the one” is a dreamy love song with satisfying lo-fi synths that make you feel like you’re floating in the clouds. I imagine this song will be a love it or hate it type, as I can see how some might find the soft sound to be a bit boring and dragging. Personally I find it relaxing and soothing. The duo gets back to that louder sound on “Happy people.” It’s sound is pure 80s, with the thin synths, hints of snare drum crashing throughout and thumping bass. And I love it, as this is a fist-pumping anthem that puts a smile on my face. The Pet Shops Boys go for an even bigger and bolder sound on “Dreamland.” With surrealistic lyrics about finding solace and comfort in dreams and the grand horns throughout, this song is just fantastic. It’s so much fun to dance to and is easily my top moment on Hotspot.
“Hoping for a miracle” is about the lifelong struggle one can go through to find acceptance and success. While I applaud the theme being explored, I find this song is too meandering for my taste, as it really never goes anywhere in terms of the theme or the sound, which is kind of meh considering the expectations one has with the Pet Shop Boys. “I don’t wanna” is essentially an introvert’s anthem, as it’s about not wanting to go out to the club and be around people. By the end the introvert finds his courage and heads out into the night. I like this hopeful message the song ultimately ends up at. I also enjoy the sound and feel of this song a lot more, as the pounding drum loops and skipping synths gives it a catchy and smooth melody.
“Monkey business” is a funky, heavily disco-influenced track about going out on the town to find “monkey business” (I think you can figure this out). It’s a simple and fun song that is unsurprisingly great for dancing. “Only the dark” is right along the lines of “Hoping for a miracle” for me. It’s too slow, boring and has nothing interesting to say. “Burning the heather” is a song that just outright confused me upon first listen with it’s reflective and ambiguous lyrics. But then I looked up what it means to burn the heather: it’s a common shrub in Europe that has to be periodically burned to help regenerate it, often in the fall. As for the rest of the song, it seems to be about a man who is misunderstood. Personally I find the song to be too complicated to enjoy and quite frankly doesn’t seem to fit the rest of the album.
The album closes with “Wedding in Berlin,” another song that quite frankly sticks out like a sore thumb with the rest of the album. It’s a mashup of electro-dance beats and the traditional wedding march, essentially a modern take on the latter. Most of the song consists of “We’re getting married” being repeated over and over. If you’re getting married and you want it to also feel like the club, this is your song. For the rest, it’s a neat listen once or twice and after that I have no desire to hear it again. It just comes off as a novelty song.
The highs the Pet Shop Boys deliver on Hotspot are really fun and are definitely memorable, while the lows are completely forgettable. It’s a bit of a roller coaster listen, but if you’re a fan of synth pop it’s worth listening to it a few times and picking out your favorite songs to go back to. But the album taken as a whole is just decent and leaves more consistency and cohesiveness to be desired.