“I think people are tired of the bullshit and are ready for the real substance,”
John Osborne told that to Rolling Stone as new country music duo, Brothers Osborne, readied their second radio single, “Stay A Little Longer.” John (lead guitar) and his brother T.J. (vocals) are ready to go toe to toe with country’s hottest male duos like Florida Georgia Line and Dan + Shay. Osborne also said that we may be on the cusp of a country music era where songs will have longer shelf lives down the road. While that remains to be seen, Brothers Osborne seem poised to bring forth more organic music to country radio. The duo has a Grammy nomination for Country Group/Duo Performance for the Gold-Certified “Stay a Little Longer.” Riding the wave of a top five single and Grammy nomination, Brothers Osborne have released their first full length album with the help of producer Jay Joyce. Pawn Shop features 11 songs, all of which the brothers co-wrote with several of country’s hot shot writers like Jessi Alexander, Craig Wiseman, and Shane McAnally to name a few. I’d argue that Pawn Shop isn’t quite an album full of substance, but the Brothers Osborne certainly take country music a step in the right direction.
Brothers Osborne and Pawn Shop have already differentiated themselves from the pack with singles like “Rum” and “Stay a Little Longer.” But that’s taken one step further with the album’s lead track, “Dirt Rich.” A heavy picking acoustic guitar lays the ground for the melody before a simple percussion track joins the mix. The “less is more” attitude fits with this song’s production. Playing off the phrase “dirt poor,” the song encourages those blue-collar, down on your luck folks to embrace their situation. The appliances in the kitchen may be broken and the mailbox may be standing crooked, but that’s the way life goes sometimes. Brothers Osborne have more rock influence in their music than country, in my opinion, and “21 Summer” is one of the several songs on Pawn Shop that show the rock influence. The gentle beat of guitars and percussion set the mood for the nostalgic ballad. T.J. sings of the memories of the summer he turned 21 and the girl who made a man of him.
The album cut of “Stay a Little Longer” features an extended guitar outro that was cut from the radio edit. The song nicely strides the line between country and rock, fitting nicely into both genres. Brothers Osborne made a great choice with releasing the single to radio, because this is arguably the best song on the album. The whole package of lyrics, vocals, and production work together in “Stay a Little Longer.” “Pawn Shop” is a song where the heavy acoustic picking is in the forefront of the production mix. Sticking with the blue-collar themes of those just getting by, the song is an ode to pawn shops. Selling for some extra cash, finding what you need at a cheap rate, even if it isn’t the best. The deep, baritone vocals are a nice touch to the song with the production to help the song stand out. Even though the lyrical content is nothing special, the song is packaged nicely.
The duo’s lead single “Rum” comes next. As Josh wrote in the song review, “This is a song you listen to after a long day of work and just unwind to. The instrumentation used in this song is what really makes this song good. There are a lot of influences from rock, blues and folk mixed in with this country beat. Really the instrumentation is the star of “Rum.”” Brothers Osborne are joined by Lee Ann Womack for “Loving Me Back.” This love song finds a man happy with the fact that he’s found a woman who can love him back. The production of this song is top-notch. It’s simple with little guitar tracks. The production allows the vocals room to stand out, which is a good thing as T.J. Osborne and Lee Ann Womack harmonize together really well on the chorus of the song. The lyrics, though, of this song are a cliché pile of crap. “You get me high, you get me stoned, it’s a ride I ain’t never been on. It’s a binge, it’s a buzz, it’s a drunk I can’t find in no glass.” Sure the verses sort of set the stage about how this man has spent years loving his vices and things that bring him down, but to resort to a chorus with a lead line like that is major cop-out. “Loving Me Back” is a wasted opportunity for a collaboration with Lee Ann Womack.
“American Crazy” is a song that doesn’t help the cause of bringing real substance to country music. The song is basically “Drunk Americans” 2.0. Brothers Osborne sing in the chorus, “We’re lost, we’re found, we’re up, we’re down, we’re all just American crazy. We’re left, we’re right, we’re black, we’re white, we’re all just American crazy.” This song is nothing but two and a half minutes of stupid clichés that should have been left off the album. The blue-collar blues continue in “Greener Pastures.” The song finds our narrator down to his last resort after praying and working hard with nothing to show for it, so he moves onto greener pastures. In this case, though, greener pastures is marijuana. Growing and smoking weed in order to cope with life’s tough battle. Sure, it’s another country music song about pot, but there’s semblance of something deeper about the motivations for turning to pot. “Greener Pastures” also has a more country/rockabilly feel to the production, a great, modern callback to country’s early sound. While the content of the song will detract some, I think the song works because it’s packaged nicely in its story telling and production.
“Down Home” is another rock-like song. The electric guitar leads the way, showing no signs of trying to cater to the country side of music – save for the lyrics. “Down Home” is a party song in a small town. A bunch of buddies getting together and raising hell in a town where nothing much happens. “Heart Shaped Locket” is perhaps the most country song on the album. Noticeable banjo and steel guitar find its way into the mid-tempo production. The song finds a woman in a relationship ready to go out on the town. The man, already suspicious of her cheating, feels that his suspicions are confirmed by the way she’s dressed. He wants to know who’s in her heart-shaped locket, because he knows it’s no longer him. “Heart Shaped Locket” is another song that shows the full potential of Brothers Osborne; it’s the kind of modern, substance-filled song that country radio should embrace. Pawn Shop ends with “It Ain’t My Fault.” The narrator is out on the town having a good time, but it’s not his fault. It’s the band’s fault who played the song that fueled the party. It’s the ex’s fault that he’s drinking, and it’s his family’s history that he’s a wild boy. Essentially, the lyrics try to tell some story, but this is a song meant to get a crowd rowdy and having fun. The electric guitar leads the beat and drum kicks in this rollicking rock song.
Overall, Pawn Shop shows flashes of what the Brothers Osborne are capable of bringing to country music. They have an organic production that shows commitment to their own style away from the masses of their country music pop peers. The almost folk style of rock/country with the lone acoustic guitar like in “Dirt Rich” or even “Loving Me Back” is a definite musical niche for the duo. The lyrics, however, don’t do quite enough to bring more substance to country music. Several songs rely on overdone cliches and lazy tropes to tell the story. There are moments here, like “Heart Shaped Locket,” where if you let the brothers be who they want to be, they can bring some great country music. Pawn Shop shows nothing but potential for the Brothers Osborne. If Music Row can leave them alone and allow the duo to grow and progress as artists on their own terms, then we will be in for a treat with future albums. Pawn Shop isn’t anything special, but it’s worth listening to at least once.