The Past Pulse of Mainstream Country Music [May 2013]

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This is the past pulse of mainstream country music. Each week, I take a look at the Billboard Country Airplay Chart (or, “Hot Country Songs” as it used to be called) from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the past state of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. Admittedly my week was pretty hectic, therefore I’m taking a break from my review backlog this week. It will resume next week, but for now I picked 2013 since I already knew my thoughts on all thirty songs. This week’s chart will be from May 11th, 2013.

  1. Thompson Square – “If I Didn’t Have You” +1
  2. Florida Georgia Line – “Get Your Shine On” -3 (Admittedly this song REALLY annoys me, but it’s more of a personal thing. Therefore I decided to be fair.)
  3. Miranda Lambert – “Mama’s Broken Heart” 0
  4. Lady Antebellum – “Downtown” 0
  5. Kenny Chesney – “Pirate Flag” -3
  6. Darius Rucker – “Wagon Wheel” +1 (I don’t think the song is all that special but eh…it was the most country thing to hit the top in quite a while so whatever)
  7. Tim McGraw & Taylor Swift & Keith Urban – “Highway Don’t Care” -2
  8. George Strait – “Give It All We Got Tonight” 0
  9. Chris Young – “I Can Take It From There” +1
  10. Brad Paisley – “Beat This Summer” +3 [Best Song]
  11. Eric Church – “Like Jesus Does” +1
  12. Blake Shelton  & The Pistol Annies – “Boys ‘Round Here” -5 [Worst Song…..Ever]
  13. Brantley Gilbert – “More Than Miles” +1
  14. The Band Perry – “DONE” -1 (And now they really are!)
  15. Jason Aldean – “1994” -5 [Worst Song…..oh shit I already handed this out? Ugh….]
  16. Jake Owen – “Anywhere With You” 0
  17. Zac Brown Band – “Jump Right In” +1
  18. Luke Bryan – “Crash My Party” -1
  19. Gloriana – “Can’t Shake You” +2
  20. The Henningsens – “American Beautiful” 0
  21. Kip Moore – “Hey Pretty Girl” +2
  22. Easton Corbin – “All Over The Road” -1
  23. Hunter Hayes – “I Want Crazy” -2
  24. Carrie Underwood – “See You Again” +1
  25. Gary Allan – “Pieces” +1
  26. Brett Eldredge – “Don’t Ya” -1 (Almost a 0 but that opening line is just way too cringe worthy)
  27. Kelly Clarkson & Vince Gill – “Don’t Rush” +1
  28. Justin Moore – “Point At You” -1
  29. Billy Currington – “Hey Girl” -3
  30. Randy Houser – “Runnin’ Outta Moonlight” -2

The Past Pulse Of Mainstream Country Music: -14

So yeah this week was definitely a bust. From the looks at the bottom half of the chart, it looks like we were just about to be inundated with bro-country. Elsewhere, Jason Aldean and Blake Shelton run away with the “honor” of having two of the absolute worst songs to ever descend upon the country genre. Even looking beyond that there’s just not a whole lot here. The best song for me is Brad Paisley’s experimental “Beat This Summer” but only that is great as opposed to outright excellent. Honestly there’s just a whole lot of mediocrity here.

As always, if you have any questions as to why I gave a song a certain grade feel free to ask me. Also, let me know what you guys think of the chart in the comments!

The Past Pulse Of Mainstream Country Music [April 2014]

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This is the past pulse of mainstream country music. Each week, I take a look at the Billboard Country Airplay Chart (or, “Hot Country Songs” as it used to be called) from years ago and grade the top 30 songs. Each week will be a different year. The grading format I use each week is every song will receive one of the following scores: +5, +4, +3, +2, +1, 0, -1, -2, -3, -4, -5. These will then be tallied up for an overall score, or pulse of the past top thirty country songs, with the highest possible score being a +150 and the lowest possible score being a -150. The grade I would give it determines its Pulse score. The grading key: 10 [+5], 9 [+4], 8 [+3], 7 [+2], 6 [+1], 5 [0], 4 [-1], 3 [-2], 2 [-3], 1 [-4], 0 [-5].

The goal of this exercise is to evaluate the past state of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here.

While I hate to do another recent chart after having just done 2011 last week, my schedule this week is admittedly pretty busy. Therefore, I wanted to showcase another chart of songs that I am familiar with. I picked April 19th, 2014 since that’s approximately a month before Country Perspective even came into existence, and I thought it would be fun to showcase what the charts were like just before Josh stepped onto the scene.

  1. Blake Shelton – “Doin’ What She Likes” -2
  2. Randy Houser – “Goodnight Kiss” -2
  3. Jerrod Niemann – “Drink To That All Night” -5
  4. Brantley Gilbert – “Bottoms Up” -5
  5. Eric Church – “Give Me Back My Hometown” +1
  6. Rascal Flatts – “Rewind” -2
  7. Thomas Rhett – “Get Me Some Of That” -5
  8. Florida Georgia Line & Luke Bryan – “This Is How We Roll” -5
  9. Brett Eldredge – “Beat Of The Music” 0
  10. Miranda Lambert – “Automatic” +3 [Best Song]
  11. Dan + Shay – “19 You + Me” -2
  12. Keith Urban – “Cop Car” -2 (I’m sorry, I don’t get the appeal in this song at all)
  13. Luke Bryan – “Play It Again” -3
  14. Justin Moore – “Lettin’ The Night Roll” -1
  15. Tim McGraw – “Lookin’ For That Girl” -5 [Worst Song]
  16. Craig Morgan – “Wake Up Lovin’ You” +2
  17. Sara Evans – “Slow Me Down” 0
  18. Tyler Farr – “Whiskey In My Water” -1
  19. Craig Campbell – “Keep Them Kisses Comin'” +1
  20. The Band Perry – “Chainsaw” -2
  21. Hunter Hayes – “Invisible” -2
  22. Billy Currington – “We Are Tonight” +1
  23. Jake Owen – “Beachin'” -4
  24. Chris Young – “Who I Am With You” +1
  25. Joe Nichols – “Yeah” -2
  26. Sheryl Crow – “Callin’ Me When I’m Lonely” +1
  27. Eric Paslay – “Song About A Girl” -1
  28. Eli Young Band – “Dust” +2
  29. Brad Paisley – “River Bank” -1
  30. Lee Brice – “I Don’t Dance” +2

The Past Pulse Of Mainstream Country Music: -38

Wow, this is an absolutely terrible chart across the board. How many -5’s was that again?!? It’s hard to believe that a chart from the future could actually look better than this. Yikes.

Alright, so let’s start off with the few good songs here. Miranda Lambert is the only person with a song worthy of an 8/10 (IMO), so she runs away with best song for “Automatic”. The only other good songs come courtesy of Craig Morgan, Lee Brice, and Eli Young Band and I’m sure that even you guys will have something to say about one or more of those songs.

The terrible is easy to digest. It’s quite surreal looking back and seeing just how much bro-country really did plague the genre. There are five songs here that could compete for country music’s worst songs, and to pick the worst of all of them was tough. In the end, I picked Tim since not only does that song absolutely blow, Tim McGraw simply knows better dammit! Trust me folks, I really did consider just tying all five of these songs for worst song. I felt like Negan from the Walking Dead trying to pick a victim. Aside from that…yeah, things aren’t much better outside of those five. Just a sad chart to see.

As always, if you have any questions as to why I gave a song a certain grade feel free to ask me. Also, let me know what you guys think of the chart in the comments!

The Hodgepodge: The Confusing Saga of The Band Perry Continues…..

The Band Perry confuses me. I have no clue what their intention is within the music industry. Are they mindless drones stuck in a contract that rebrands the band every year? Or are the three Perry siblings just trying to do all the different musical genres they can? The spark notes of the band’s short history:

  • In 2010, they release their first album with the great single “If I Die Young.” It’s an album I actually enjoy with a good modern country production.
  • Two years later, the band releases their follow up album Pioneer. The album has a little bit of more edge to it with songs like “Better Dig Two”, “DONE!” and “Chainsaw” being released as singles.
  • In 2014, The Band Perry returns to total country roots with their rendition of Glen Campbell’s “Gentle On My Mind” released as a standalone single. A recording that won the band a Grammy last year.
  • Late last year, the band takes a 180 turn and decides they want to be a pop group, with “Live Forever” acting as the jumping single for this transition. “Live Forever” bombs on the charts and The Band Perry stumbles through an awkward period of having their third album release get delayed, getting dropped from their label and presumably taking the reigns themselves for their pop move.
  • And now The Band Perry signs a joint deal with UMG’s Interscope and Mercury Nashville and is readying a new single for country radio titled “Comeback Kid.”

The big take away from all this is that The Band Perry’s attempt to turn pop failed…miserably. The new yellow branding and inspirational, youthful pop anthems like “Live Forever” and “Put Me in the Game Coach” crashed hard and fast. And now with “Comeback Kid,” the band is desperately trying to erase any evidence of the past 11 months. They’ve deleted all their tweets prior to the comeback branding, their website is completely redesigned with the ugly pink/beige color and typewriter text, only promoting upcoming concerts and the Fan Club. Yet going to their online store, for the moment, one can find old shirts for “Live Forever” on a page still designed for the Heart + Beat brand.

Clearly the band is moving on from the failed pop experiment and trying to reestablish themselves in country music. They’ve given no hint or preview as to what “Comeback Kid” may sound like. So maybe it’ll be more country along the lines of “If I Die Young” or “Gentle On My Mind”, or maybe it’ll be a song more in line with the Adult Contemporary musical trend hitting Nashville at the moment. But the real question is, how seriously will people take this move and return?

A year ago, The Band Perry basically admitted that they were a musical sellout by blatantly shifting to pop without warning. Are fans and radio alike ready to welcome the group back with open arms? It’s not like The Band Perry’s absence over the last year has been noticeable or left a gaping hole in country music, unlike Taylor Swift’s departure to pop. I’m sure if UMG is willing to sign the band after this failed move to pop, then the label is ready to invest some time and money to make sure The Band Perry’s image and inclusion in country music isn’t affected.

As someone who has mostly enjoyed the band’s output so far, I can’t say I’m excited about this. I think moving on and forgetting isn’t a good strategy. Personally, I’d like to see some transparency from the band about the move to pop, how it didn’t work, and why they did what they did. I do respect them for returning to country and possibly (hopefully) returning to their folksy/pop country style of music because that’s who they are. I just want to see them approach this comeback with some accountability that their attempt to move pop wasn’t a good move. Even Kimberly Perry took to twitter to throw some shade toward Little Big Town about collaborating with Pharrell, because we can only assume that was what The Band Perry was doing/wanted to do with their pop album. (Can’t link the tweet because even the siblings’ personal accounts have had tweets deleted).

August 1st will be the day that some of these questions will be answered. For some, The Band Perry may be forever tainted by this ungraceful move to pop, and others undoubtedly will be excited for the new music as if nothing happened. Aside from the fact that country radio is congested with singers desperately trying to make a name for themselves, I don’t think The Band Perry’s return to country will be smooth or grand. Maybe they’ll get a top 20 single with “Comeback Kid”, but I think this move pop hurt the band’s standing within the country music industry. And now they’re crawling back as if the last year didn’t happen. Regardless of how good their music ends up being, I think their musical saga lately has hurt the band to the point that they’ll never again be as big a country group as they were in the first half of the decade.

Upcoming/Recent Country and Americana Releases

  • The Turnpike Troubadours have a new single called “Come As You Are.” The song will officially be available for purchase tomorrow.
  • Blackberry Smoke has released a new single to promote a new album. “Waiting For the Thunder” will be the first track off their upcoming album Like an Arrow, expected October 14.
  • Lori McKenna‘s The Bird & The Rifle will be released tomorrow.
  • Hillary Scott‘s Love Remains will also be released tomorrow.
  • Cody Jinks‘ I’m Not the Devil will be released on August 12.
  • American Aquarium frontman BJ Barham will release a solo album called Rockingham on August 19.

Throwback Thursday Song

“Sick and Tired” Cross Canadian Ragweed (feat. Lee Ann Womack) From the band’s great album Soul Gravity, this collaboration with Womack has some excellent lyrics and great vocal harmonies. The song managed to hit 46 on the charts in 2004.

Non Country Suggestion of the Week

Cold War Kids. I as continue to explore some modern music outside of country and Americana, I heard this song on Alternative radio and I like it a lot. I’ve been listening to the band’s new album Hold My Home and it’s good music to check out.

Tweet of the Week

In the short lived twitter feud between Dylan Scott and Wheeler Walker Jr., Dylan Scott came to defend Chewbacca Mom after she joined him on the Opry stage. If you follow WWJ on twitter, then you probably know he hates that Chewbacca Mom has become so famous from her laugh video, and made fun of modern country’s embrace of the internet sensation. Dylan Scott (who has since deleted all the tweets) claimed that Walker’s music is trash and not representative of country music. That was an entertaining half hour to witness on twitter, and I hope someone somewhere grabbed screenshots of Scott’s tweets.

iTunes Reviews for Brantley Gilbert’s “The Weekend”

We’re sure has hell not going to bother with reviewing “The Weekend”, as I’m pretty sure our regular readers can anticipate what we’d say about it. But in case you’re curious, these reviews about sum up how I feel.

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The consensus here speaks volumes.

Worst Country Artist 2016 Tournament: Vote on We’re A Group & We Suck Region!

Florida Georgia Line "Dirt"

Welcome to the first round of voting in Country Perspective’s 2016 Worst Country Artist Tournament. We continue our first round with voting in the We’re A Group & We Suck Region. Remember that you have until Friday 1 PM ET to vote, so get your votes in! If you have any questions feel free to ask in the comments below.

Polls are closed! Thank you for voting and be sure to check out the updated bracket. 

 

 

 

 

The Hodgepodge: The Band Perry Has Officially Split from Big Machine Label Group

After a couple of weeks of speculation, The Band Perry and Big Machine Label Group have officially parted ways, as announced on Tuesday March 1st. All this is in light of a failed rebranding process for the band, trying to become a pop anthem powerhouse. After balancing pop and country throughout their first two albums, including some great country songs in “If I Die Young” and the Glen Campbell cover “Gentle on My Mind,” The Band Perry released “Live Forever” as the jump-start for their pop move. “Live Forever” charted poorly, barely scratching the surface of the top 30 before stalling and dropping out.

Reactions to “Live Forever” were mostly negative, and the band’s upcoming album Heart + Beat was delayed, apparently to schedule a collaboration with Nikki Minaj, though that was only a rumor. The band then revealed another song from their new pop arsenal, the hilariously pop/hip-hop anthem “Put Me In The Game Coach.” That song sounded like a forgotten song from Disney’s High School Musical. Saving Country Music dutifully documented the head scratching saga of The Band Perry’s failed move into pop. As the band’s videos disappeared from the internet for 24 hours, then reappeared, many began to wonder if The Band Perry and BMLG were done with one another. And now we know they are.

The group’s turn to pop was doomed to fail from the get-go. It seems either they didn’t know what made good pop music, or the producers didn’t know what to do with them. Either way, the idea of turning from country to pop with a feel-good motivational anthem was the wrong choice. Grady Smith said it best back in December:

Aside from the fact that the songs were terrible, there’s a few of reasons why this turn to pop with the help of a major label has failed. The first could simply be that The Band Perry just isn’t an attractive pop sell. The reason why Taylor Swift’s move to pop has worked is because Taylor Swift developed a fan base who will buy anything she records, even 8 seconds of white noise. Taylor Swift fans idolize Taylor Swift because she’s more than just a singer and songwriter. She was a pillar of strength and comfort for young, teenage girls struggling through high school, and as that initial fan base has grown, so has Taylor’s music. The Band Perry doesn’t have any kind of core fan base, nor are they anything more than just a singing group to those fans.

Secondly, The Band Perry tried too much too soon. The group was just coming off a Grammy award for their recording of the folk country “Gentle on My Mind.” From a business standpoint, how do you not try to capitalize off that? And I’m not saying that every song they recorded needed to sound like “If I Die Young” or be a folky style of country. However, if you want to move to pop and have never really had a true pop song, wouldn’t it make more sense to test the waters with a pop song as an album cut/future single?

As opposed to having “Live Forever” has the lead off single for the third album, maybe they should have had something along the pop-country lines of Kelsea Ballerini as a lead off single, then drop “Live Forever” as a second single after the album is released to first gauge reactions to the song. I understand that releasing the song ahead of the album does gauge reactions and help the label predict the album’s success, just as they did. But if you went with my devil’s advocate scenario, I would think it would make the transition easier, and it would almost guarantee an album release by having a radio pleasing pop country single to rally behind before moving into 100% pop territory. That’s exactly what the Zac Brown Band did with “Homegrown” before eventually sending “Beautiful Drug” to radio.

We don’t know who spearheaded this whole move. Did The Band Perry want to be a pop group selling out arenas with generic anthems, or did the decision makers at Big Machine Label Group want another crossover artist under their belt? From what we know about how these major labels work, I think it’s more likely than not that the latter was the case, and the group was contractually obligated to play along. That’s just a theory and I could be 100% wrong.

Regardless of who was the driving force behind the move, the fact is that the move didn’t work. It was poorly planned, poorly executed, and a majority of people didn’t latch onto the idea. What’s next for The Band Perry is anyone’s guess. The group members remain in high hopes for their future. A release from the label’s chains should allow for them to make the music they want to make. Hopefully that music is the more country stylings the band has brought us over two albums. If that music is the pop direction they were headed, then at least The Band Perry should be able to release that music to their fans who want to hear it. For right now though, the soap opera of The Band Perry has appeared to reach its conclusion while we wait to see what the future holds for this country trio.

Upcoming/Recent Country Music Releases

  • Loretta Lynn will release a new album called Full Circle tomorrow.
  • Texas Country singer turned mainstream Granger Smith will release his newest album Remington tomorrow.
  • Chris King’s Animal was pushed back to a release date on March 11.
  • Randy Houser’s newest album, Fired Up, will be released on March 11 as well.
  • On March 18, the Dave Cobb produced Southern Family will be released.
  • Jake Owen’s newest single will be called “American Country Love Song.”
  • Wade Bowen has announced a new album called Then Sings My Soul. The album will be available for pre order starting tomorrow and released on March 18th.
  • Kelsea Ballerini’s newest single will be “Peter Pan.”

Throwback Thursday Song

“Colder Weather” by Zac Brown Band – This 2011 single from Zac Brown Band is easily my favorite song from the group. I would even make the argument that “Colder Weather” is one of the best mainstream singles from the past decade. And if you haven’t heard it, the song’s cowriter, Levi Lowrey, performs the song with a third verse that didn’t make it into the Zac Brown Band recording.

Non-Country Suggestion of the Week

“Waves” by Miguel feat. Kacey Musgraves – “Waves” is a song off Miguel’s third album, Wildheart. Miguel released a 5 song EP with various remixes of his original song, including this one where Kacey Musgraves provides vocals. I like this remix, and Kacey sounds great singing R&B.

Tweet of the Week

Am I allowed to write in candidates when I vote in November? A Willie Nelson presidency would seem to bring promises of better country music!

Two Maren Morris iTunes Reviews

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I don’t get the critique of the first one. Hippie? That’s your only complaint? That’s a stupid reason to hate an EP. The second review though is one I agree with. Maren Morris has a unique vibe to her music that I’m on board with.