The Hodgepodge: Five Thoughts on Country & Americana Music Right Now

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Derek is busy dealing with some stuff this week (don’t worry there’s nothing wrong, he’s just a little too busy to write), so I’m stepping in this week to write the Hodgepodge. It was good timing too, as I have multiple things on my mind I would like to discuss at the moment regarding the current states of country and Americana music. There was no way I could pick just one topic, so I’ve decided to do a little state of the genre type address on some topics I feel are pressing and need addressed. So enough pleasantries and let’s get to the talking points, starting with the most prevalent on my mind…

1. Country & Americana Music are Down in Quality in 2016

This seems to be the consensus amongst not only you the readers, but the industry as a whole. I agree with this sentiment, to an extent. There hasn’t been as much quality music being churned out this year compared to recent years. This is true not only for mainstream/popular country, but in the independent and Americana scenes too. But I see people talking like there’s a complete lack of quality and this just isn’t true. I think the issue people are getting mixed up here is genre qualifications and quality standards. No two albums exemplify this more than Sturgill Simpsons’s A Sailor’s Guide to Earth and Robert Ellis’ self-titled album. Here you have two artists that have been consistently identified as country artists by the fans and are pretty popular too. They then both release albums that are sonically different from all of their previous releases. It’s a departure from their usual sound and as you know music fans don’t always react well to change. People are calling these albums bad because they’re not fitting their standards of genre qualifications. It’s not evaluating the actual quality of the music for what it is, but rather arbitrarily dismissing them for not meeting their sonic standards. This is flat-out lazy on the part of listeners and reviewers employing this train of thought. I will never dismiss quality music just because it doesn’t fit what I wanted. If its quality, it’s quality. I don’t give a shit if it doesn’t fit the genre I wanted it to fit. Of course I’ve already laid out this thought process on my review of Keith Urban’s Ripcord.

With this point aside, I think the better way to describe country and Americana music in 2016 is that there hasn’t been enough quality music that reflects the roots and sounds of the genre. There’s a lot of different sounds and influences being experimented with right now. I think mainly it’s a lot of artists trying to find a way to stand out while also trying to satisfy their own creative itches. I also stand by my point that a lot of artists are tired of being put in genre boxes. As Robert Ellis sings on “Elephant,” how can you call it art when you’re sticking to a dotted line? I have faith that things are about to improve, especially in the month of August where there are several potential album releases that could be album of the year contenders.

I think there’s a bigger problem though facing artists that is rearing its head in 2016. Both in mainstream and independent scenes the competition for eye balls has never been greater, which makes these problems so concerning…

2. Too Many Independent Country & Americana Acts are Failing to Stand Out/Get Their Name Out There

Many up and coming acts love to look at the likes of Sturgill Simpson and Chris Stapleton as inspirations for their own path to success in music. They love to think they too can replicate the paths they took and be household names just like them. I get a lot of pitches every single week of starry-eyed, hungry and ambitious artists looking to have their music featured here right on the blog in the hopes that they can get enough promotion to stand out and be “discovered.” But here’s the problem I see: they don’t do enough to stand out. It’ll be good music, but it does absolutely nothing to stand out and be different from the crowd. Keep in mind I get pitches from all over the world, not just in the United States. As an independent artist you have to remember you’re going against thousands of other acts in the same position as you. If you want to be recognized and featured on blogs like mine, you have to do everything you can to be unique while also producing genuinely great music. It’s easier said than done. I may be coming off sounding like a pompous ass, but that’s not my point. If I featured and reviewed everything pitched to me, I would never get any sleep. Readers would be driven away by the lack of quality standout music. It’s my job to feature the very best not only to keep my sanity and keep readers’ attentions, but because somebody has to be a gatekeeper for quality. This means I have to turn down upwards of 90% of what is pitched to me.

Then of course there are artists out there who do make great enough music to standout and get featured on my blog, but they simply don’t do enough to grow their fan base and stand out even more. This could be due to lack of a web presence, social media presence and/or touring presence. It’s maddening to watch talented artists who have a chance to really break out squander opportunities before their very eyes and be stuck in the same position for years. Just being featured and getting critical acclaim on blogs like mine isn’t the end all be all to get your name out there. It’s 1% of the things you need to do to grow.

Of course on the flip-side…

3. Major Labels Have Become Too Reliant on Radio to Break Out New Artists

This comes after I had a lengthy and constructive conversation with Christopher Baggs the other day on Twitter. For those unaware, Baggs is a country music chart tracker and industry insider who is very knowledgeable when it comes to these subjects. I highly recommend following him if you don’t already. Anyway our conversation begins after he pointed out how this week on the aircheck chart that 30 of the top 70 songs did not move up or lower in position from the week before with their bullet along with no recurrent. On top of that there’s a very crowded release schedule. This is obviously a big problem. To see the full conversation between us, start at this tweet (click on the date to see the full conversation):

We both agree that right now the labels are on a very dangerous path that could potentially hurt all parties involved. Anyone who follows the Current Pulse of Mainstream Country Music knows that there are a lot of songs being pushed way too long on the chart and overstaying their welcome. Chase Rice’s “Gonna Wanna Tonight” spent over a year on the chart! Major labels are taking a boom or bust approach to breaking new and lower level acts via radio and this in turn is delaying new albums from these artists. The Cadillac Three have spent several years on Big Machine and are just now releasing their first album under the label in August. This is all because labels are hell-bent on making singles work and this is just short-sighted. With all of the technology and resources at their disposal there’s no reason why they can’t find other ways to break these artists out and get their names out. I don’t understand why these labels just can’t accept that sometimes a song is not a hit and move on. If a song spends 20 weeks in the 30s to 40s on the chart without hitting the top 30, that should be a sign that this song is just not going to work. But every label has seemed to adopt this boom or bust attitude, so now we’re about to find out what happens when you try to put 100 gallons of water into a 20 gallon bucket (it’s not going to be pretty),

4. Female Artists Still Aren’t Given a Fair Shake 

I’ll keep this one short and simple. It’s over one year after Tomato Gate and not a damn thing has changed in regards to female artists at radio. The only female acts that can get consistently played at radio are Carrie Underwood (an established star) and Kelsea Ballerini (a pop artist that has a label behind her willing to throw obscene amounts of money into marketing because her boyfriend’s dad runs it). Jennifer Nettles will be gone from the chart soon. Miranda Lambert will get a nice initial run with “Vice,” but I highly doubt this song reaches the top of the chart. Maddie & Tae have appeared to be Musgrave’d by programmers. All the while labels continue to pigeonhole their new female acts into two categories: straight pop or throwback country. Of course things aren’t exactly great for female artists in independent scene either. Just like in popular country, male artists get far and away more attention than female artists at festivals. It doesn’t help also when critics like myself stick our feet in our mouth and call them great female artist when we should just say great artist like we do for male artists (I saw an artist point this out and it made me realize I’m guilty of this on occasion). Just overall we could do better on giving female artists a fairer shake and opportunities.

5. Despite all of these issues, I think fans are becoming more informed than ever.

I think slowly but surely more and more country fans are realizing they can’t rely on mainstream media and radio to get their country music fix. They’re taking to the Internet and discovering great artists on their own and through blogs like this one. It may not be that noticeable, but I can truly sense that people are no longer accepting the status quo that has been presented to them. If enough fans become informed and call the bullshit out, that’s when real change and progress gets made. Support your favorite artists and tell your friends too.

Upcoming/Recent Country & Americana Releases

  • As far as I’m aware there are no major releases on our radar this week. But next week the following albums will be released
    • Lori McKennaThe Bird & The Rifle
    • Hillary Scott – Love Remains
  • In two weeks Alan Jackson will release the box-set Genuine: The Alan Jackson Story digitally. It was released last year exclusively in a physical format at Walmart. As someone who owns it, I highly recommend it if you’re an Alan Jackson fan.
  • Also on August 5 Cody Johnson will release his new album Gotta Be Me.
  • Dolly Parton will be releasing a new album on August 19 titled Pure & Simple.
  • Amanda Shires announced she will be releasing a new album titled My Piece of Land on September 16.
  • On September 30 the legendary John Prine will be releasing a new duets album called For Better, or Worse. The female talent featured on the album will be staggering and expansive, including the likes of Miranda Lambert and Kacey Musgraves.

Throwback Thursday Song

“Help Me Make It Through The Night” by The Highwaymen – Country’s greatest supergroup performs the classic Kris Kristofferson tune together. Just hit play and enjoy.

Non-Country Suggestion of the Week

“Let The Storm Descend Upon You” by Avantasia – I’m not usually a big metal listener, but I instantly loved symphonic metal group Avantasia upon first listen. Their entire new album Ghostlights is highly recommended from yours truly, but my favorite on it is hands down this song. It’s a whopping 12 minute epic! But I assure it’s fantastic. This is probably one of my favorite songs of 2016.

Tweet of the Week

This is in reference to a recent interview Granger Smith had with The Boot, calling Texas the minor leagues. And this tweet is pretty damn funny (funnier than anything Earl Dibbles Jr. has ever done).

The Perfect Steven Tyler Album Review

Steven Tyler Sucks

There’s no chance in hell we’re reviewing the new Steven Tyler album because it is all kinds of awful. This iTunes review here sums it up pretty well (although I’m not sure if I agree on the Run DMC version of “Walk This Way” being bad). Tyler is nothing but a trend chaser desperately trying to cling to the spotlight.

The Hodgepodge: A Historical Snapshot of Kris Kristofferson

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From left to right: Kris Kristofferson, Willie Nelson & Waylon Jennings

“Renaissance Man” may be the perfect way to describe Kris Kristofferson. Kris attended Oxford University as a Rhodes Scholar. He was a helicopter pilot in the U.S. Army. He was an athlete in high school running distance, playing rugby, football, and was a Golden Gloves boxer. After leaving the Army in 1965, Kristofferson was offered a teaching position at West Point. After the offer came through, Kristofferson says, “I was in Nashville for two weeks on leave between assignments. I just fell in love with the music community that was going on there.” With all those accomplishments and a wealth of high-end opportunities on the horizon, Kris decided to take a different path and remain in Nashville. Call him crazy, but he took a job as a janitor at Columbia Records, intent on finding success as a singer and songwriter in country music.

It took a few years, but Kris Kristofferson eventually found success in Nashville with his songwriting. Roger Miller gave him his first break when he recorded one of Kristofferson’s most well-known songs, “Me and Bobby McGee.” The song was written upon request by Monument Records’ Fred Foster who gave Kris the title “Me and Bobby McKee.” (Bobby McKee was a secretary in the building). But Kris misheard Foster and thought he said “McGee.” Kris found inspiration from the film La Strada and composed the lyrics to one of music’s best songs (in this writer’s opinion).

After Miller recorded “Me and Bobby McGee,” it was Johnny Cash’s recording of “Sunday Morning Coming Down” that thrusted Kris Kristofferson into spotlight. “Sunday Morning Coming Down” was awarded song of the year at the 1970 CMAs. Recognition continued for Kris with his second album Silver Tounged Devil and I being released in 1971, along with some more songwriting nominations for “Help me Make It Through The Night”, “Me and Bobby McGee” and “For the Good Times.”

Kris’ more poetic style of writing didn’t fit in with the Nashville Sound and style that was popular in the 1960s and 70s. He was proud of his writing style and story telling and didn’t waver for anyone, an attitude which rightfully positioned him with the Outlaws alongside Waylon and Willie. And along with Cash, those Outlaws formed the supergroup The Highwaymen and recorded Highwayman, an album whose title track remains one of country’s more famous songs.

When it came to writing, Kris says, “I’ve always felt that it was my was my job to tell the truth as I saw it, just the same as Hank Williams did and the way Bob Dylan did. It was important to me and I think I probably antagonised [sic] some audiences.” Kristofferson had stories to tell and love for music. His devotion to that mindset and attitude trumped everything else. “I was so in love with the thing I was doing, I wasn’t conscious of really not being very successful like the rest of my family was.”

Kristofferson exemplified an Outlaw not because he put up an over-masculine facade or sang songs about being a tough bad-ass, but because he blazed his own path to stardom and success. Kris Kirstofferson didn’t go down the Chet Atkins’ trail of corporate regurgitated country music. He did it his own way, and that’s why he was considered a country outlaw. Kris Kristofferson’s influence on country music holds steady even today. Next month, there will be an all-star tribute show in Kris’ honor. Taking place on March 16 at Nashville’s Bridgestone Arena, The Life & Songs of Kris Kristofferson will feature Willie Nelson, Eric Church, Rosanne Cash, Ryan Bingham, Jamey Johnson, and several others performing Kristofferson songs in honor of Kris’ musical achievements and legacy for country music.

There’s much more to Kris Kristofferson’s legacy. He has a rich history and story about the work he put in and the people he met along the way. For instance, Kristofferson famously landed a helicopter on Johnny Cash’s lawn in his early efforts of getting songs recorded. While Cash wasn’t home at the time of the landing, it nonetheless shows the lengths he went to get his music noticed. His resiliency to make his dream come true is inspiring. Kris Kristofferson put his blood, sweat, and tears into his music and took the long road to find success. The work paid off and he will forever stand as one of country music’s most influential trailblazer.

Upcoming/Recent Country Music Releases

  • Tomorrow, Waco Brothers’ Going Down in History will be released.
  • Carolina Ghost from Caleb Caudle will be released tomorrow as well.
  • Granger Smith’s album Remington will hit the shelves March 4.
  • An album I am very much looking forward to: Margo Price’s Midwest Farmer’s Daughter will be released on March 26.

Throwback Thursday Song

“Sunday Morning Coming Down” Johnny Cash and Kris Kristofferson: Both Cash and Kristofferson have recorded the song, but does it get any better than these two singing the song together? Also, you can tell how proud Kristofferson is to sing his own song alongside Johnny Cash.

Non-Country Suggestion of the Week

Janis Joplin. Sticking with the Kris Kristofferson take over, I suggest you all go listen to Janis Joplin, a singer I could endlessly listen to on shuffle. She and Kristofferson dated for a while up until Joplin’s untimely death. Janis Joplin also recorded “Me and Bobby McGee” for her excellent album, Pearl, which was released posthumously. Janis Joplin also recorded “Piece of My Heart” as lead singer of Big Brother and the Holding Company. That song was later recorded by Faith Hill in 1994.

Tweet of the Week

That’s enticing, but I probably still wouldn’t join Tidal for that either.

A LoCash iTunes Review

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I’ve only heard “I Love This Life” from the radio, but this review tells me everything I need to know about LoCash, and what I know is I don’t want to listen to them if they’re taking notes from Florida Georgia Line and Sam Hunt.

Album Review – Randy Rogers & Wade Bowen’s ‘Hold My Beer, Vol. 1’

Bowen & Rogers Hold My Beer

Collaborations and duets are pretty common throughout the history of country music. From Willie Nelson and Merle Haggard (who are reuniting for another album again this year) to George Jones and Tammy Wynette to even super collaborations like The Highwaymen, country music has plenty examples of great pairings. In recent years though collaborations have been fewer and farther in-between. The few collaborations that have taken place were only for one song and usually terrible (Florida Georgia Line and Luke Bryan; Gilbert, Rhett and Moore). So when I heard two great Texas country artists in Wade Bowen and Randy Rogers were teaming up for a full album, I got pretty excited. These two always seem to deliver and putting them together just seems perfect. The name for the album, Hold My Beer, comes from the name they call their tour when they play together. They call it the “Hold My Beer and Watch This” tour, which started out as an acoustic tour in smaller places where it was just them two playing without their respective bands. It’s now obviously become bigger, just like their own careers. So does their first collaboration deliver?

100% yes! Hold My Beer kicks off with “In The Next Life,” where the duo reflects back on their respective careers in their early days, as well as some standout moments. They joke around a little bit throughout, but you can definitely sense their camaraderie and how much they appreciate what their careers have given them. They’re also really great friends, which makes for excellent chemistry that is palpable to the listener. It’s really a great song to start the album because it sums it up so well. The honky-tonk “I Had My Hopes Up High” tells stories of hitching rides from various characters over the years. It’s an amusing song and I like to think the two drew from their own experiences for the characters throughout the song because I could easily picture it. This has a lot of potential for an entertaining music video too and I hope the two make one for it. The steel guitar layered throughout is just icing on the cake.

The duo tackles heartbreak in the ballad “’Til It Does.” It’s a very real song that paints the picture of heartbreak quite well in the listeners’ heads. The song perfectly describes heartbreak as something you don’t really see or feel until it happens. The instrumentation is perfect and couldn’t be more traditional, which is awesome. This is a personal favorite of mine on Hold My Beer. The first song released from Hold My Beer, “Good Luck With That,” is up next. It’s a lighthearted and fun song about situations where you get angry and tell someone off when you probably shouldn’t have done it. The two examples cited are telling off your “certified S.O.B” boss and telling your wife she can’t tell you what to do. As one says to the other in the song, “good luck with that.” This is the kind of song in a perfect world gets played on the radio all summer long.

Bowen and Rogers sing about dealing with hangovers in “It’s Been a Great Afternoon.” After raising hell the night before, they’re feeling it the next morning. But as they say they simply nurse it through the morning and rebound right back up in the afternoon. Notice the difference between this song and most mainstream country songs: consequences. This song actually cites the consequences of drinking your ass off. It’s another fun song that’s great to play while grilling out this summer.

“Standards” is the standout of the album and the song everyone will talk about the most from Hold My Beer. It’s rightly being praised too, as it’s a brilliant country music protest song. Now I know country music protest songs have started to become cliché themselves, especially coming from Texas country artists. What makes this one so great though is the fact that it’s not in your face, but rather has a matter of fact, cool attitude. A country label big wig tries to get Bowen and Rogers to record a song about a dirt road, but they refuse at his every attempt because it’s just not for them. As they say, “I don’t have hits, I’ve got standards,” a statement that means so much. This is a top contender for Country Perspective’s 2015 Song of the Year award.

“El Dorado” is a cowboy ballad that puts you in a Western state of mind. From the instrumentation arrangement to the vocals of Bowen and Rogers to the lyrics, the song does a great job of creating a Western feeling in the listener. I would also like to point out not just on this song, but the whole album I enjoy the harmonies of the two. Their vocals compliment each other well. The next song, “Hangin’ Out in Bars,” is what it says it’s about. The song is about a man who’s been spending all of his time in bars after his lady left him. He’s been trying to drink her memory away, but his friends think it’s going too far and even the man himself thinks he’s going a little crazy. It’s a brilliant drinking song and once again Wade and Bowen show how drinking songs are supposed to be done.

Bowen and Rogers aren’t so serious in “Lady Bug,” a song about having bad luck and praying for good luck to come. This bad luck comes in the form of a drought, the taxman “sniffing around” and the fields not producing many crops. The man in the song wishes for a lady bug to land on him or finding a four-leaf clover, as both are considered signs of good luck. It’s a simple song that’s easy to enjoy. Hold My Beer concludes with “Reasons to Quit.” This song originally appeared on Willie Nelson and Merle Haggard’s famous collaboration album Pancho & Lefty. Bowen and Rogers covering this song on their own collaboration album just feels so right. It’s right in their wheelhouse and fits the overall theme of this album. This is one of the quieter songs on the record, as the duo laments the fact that their reasons to quit their bad habits are getting bigger with each day. This is an appropriate final song on an album with quality music from start to finish.

Hold My Beer is simply put a fantastic album. There are no down moments in this album and it holds the listeners’ attentions the whole way through it. The rich and traditional instrumentation makes you want to listen to every song over and over again. I don’t think you can find too many pairs that would gel better than Wade Bowen and Randy Rogers either. This is a perfect example of why I want to see more collaborations in country music. On this album this two great artists in their own right came together and produced something amazing. I like how the full album name is Hold My Beer, Vol. 1. because that means this is the first of hopefully many more collaboration albums from these two. I definitely recommend buying this album. It’s a must-own for fans of country music.

Grade: 10/10

The Hodgepodge: Why Your Favorite Independent Country Artist Will Probably Never Make It Big

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The meteoric rise of Sturgill Simpson has been discussed in-length recently. He went from railroad worker to indie country darling to major label artist over the course of the last five years. It’s unheard of to see an artist rise up the ranks so quickly. The obvious thing people will point out of course is his music is great and that was what catapulted him towards the top so quickly. While this is a nice quality to have as an artist, tell me how many untalented hacks make it the top of any music genre each year? Look at all of the bro country pretty boys that have risen out of nowhere to mainstream attention. Their music isn’t worth a damn and they “made it.” Look at the one-hit wonder crap that comes out in pop every year. The point is you don’t need to be talented to make it.

Now obviously having talent and making it are much better than making it and having no talent. You’ll have much more respect with the former. No, what many people don’t point out with Sturgill Simpson’s rise is the brilliant strategy of his team and their marketing efforts. Corporate country blogs like The Boot and Taste of Country are just now covering Simpson, but that was only after every independent country outlet was covering him. One of the first to cover Simpson was Trigger at Saving Country Music, who has covered him since Sturgill was in Sunday Valley. Trigger brought a good amount of eyes to Sturgill, including yours truly. So impressing independent country outlets is something that helped Sturgill.

The other brilliant move by Sturgill was choosing Thirty Tigers as his “label.” He could have easily went to some minor label who would have forced him into their demands and wishes. As Sturgill said he was going to go into debt either way and at least the independent route and maintaining creative control with Thirty Tigers allowed him to do exactly what he wanted, when he wanted to. Most labels wouldn’t have allowed him to release an album in the fall of 2013 and then turn around in the spring of 2014 with another. By releasing music so quickly back-to-back he kept people interested him, including fans and country outlets.

One other great move on Sturgill’s part that helped him gain attention was touring all over the country and having interviews with countless news outlets. It seemed like everyday I was reading a new interview from him. Nothing about these interviews were fancy either. Sturgill was just himself and his honesty is a quality that’s endearing to many of his fans. So the combination of constant media coverage, brilliant marketing strategy and just damn good music is what helped propel Sturgill to where he is now. This is much easier said than done though. For every Sturgill Simpson, there are hundreds of artists dropping out of music every week.

I see so many people say, “Well if Sturgill can make it, [insert indy darling artist’s name here] can make it too!” Well I hate to tell you, but you’re probably wrong. “But indy darling makes better music!” So what? I just said above you don’t need talent to make it. “But if an artist makes great music, people will find it and listen to it.” Not necessarily. Your whole “Build it and they will come,” Field of Dreams logic doesn’t make sense here or really in most real life cases. I think better logic to apply here is the age-old quote: “If a tree falls in the woods and nobody is around to hear it, does it make a sound?” Not really. I’m sure there are plenty of great artists out there who made great music who have given up and moved on, just like Sturgill did at one point.

Mark at Spectrum Pulse, who reviews all genres of music, has brought this up numerous times concerning country music. He has said without a doubt country music artists are the worst when it comes to promotion and getting their name out to people. Many simply don’t do enough to be noticed or really anything to stand out. I myself see this everyday on Twitter. I get a few independent country artists following me hoping I follow back and write a nice, long post about how awesome their music is. Well here’s a news flash indy artists: I never do this. One because I don’t have the time and two I don’t owe you anything. If you want me to review your music and feature you on my site, reach out to me. There are plenty of independent artists that have and if I deem them appropriate for the site, I feature or review them.  And by reaching out I don’t mean requesting I copy and paste your bullshit PR piece. I don’t do that and don’t plan to ever do this. My job isn’t to promote artists. My job is to feature stuff my readers will be interested in and they certainly aren’t interested in PR fluff articles. If an artist makes great music, they definitely want to read about it.

Here’s the other common problem I see with independent, up and coming artists: no website. 99% of the time I will ignore an indy artist if they don’t have a website. Facebook pages and ReverbNation pages don’t cut it. An independent artist will never be taken seriously if they don’t have a website by news outlets like this or the fans. That being said a lot of independent artists don’t engage enough with social media. Now I know it can be a pain in the ass and many are so busy touring it’s hard to find time. I’ll just say this: fans appreciate being acknowledged. That’s really the other important aspect of Sturgill’s rise I almost forgot to mention. A dedicated, grass root of fans can definitely help you make it. Two big examples in mainstream country music are Brantley Gilbert and Chase Rice. Both have a very passionate fan base. When Jason Aldean started recording Gilbert’s music, I would see tons of comments from Gilbert fans crying how much better he is and that was what ultimately led me to find him. This goes back to engaging fans and making them passionate about artists and their music.

The point of this article isn’t to bash independent country artists. The point of it is to paint the reality of the situation. Sturgill Simpson is the exception, not the rule. It takes smart marketing and savvy deals (along with luck) to make it to the top. Also a lot of hard work, busting your ass on the road all year. There are a lot of artists that make great music that will never get heard because they don’t make the right decisions, don’t surround themselves with the right people and simply don’t catch enough breaks. The music business is cutthroat and harsh. Everyone can play, but only a few get heard.

Upcoming/Recent Country Music Releases

  • Blackberry Smoke will release their new album Holding All The Roses next Tuesday. The southern fried, rock country group is releasing their first album in three years and it will be the first under new label Rounder Records. They were formerly with Southern Ground Records.
  • Love & Theft will also be releasing a new album, Whiskey On My Breath, next Tuesday. The lead single, “Whiskey on My Breath,” certainly impressed me and was different from anything ever released by the group before. Will the rest of the album be the same or is that song just an anomaly?
  • Dwight Yoakam just announced he will be releasing a new album titled Second Hand Heart, which will be released on April 14. The Bakersfield country artist was expected to release a new album this year and the announcement finally came. It will be the follow-up to this critically acclaimed 2013 album 3 Pears. I’m looking forward to hearing it.
  • Chris Stapleton will finally be releasing his debut album this year. It’s called Traveller and will come out on May 5. Fans have been waiting for years to hear the well-known songwriters’ first album. I could definitely see it being a dark horse candidate for album of the year.

Throwback Thursday Song

 

The Highwaymen – “Highwayman.” The Highwaymen was the greatest assembling of country music under one group ever. We will probably never have a country group with so much talent ever again. I only wish we could have heard more music from The Highwaymen. I would love to see a group of country artists try to form another supergroup. The possibilities with this are endless.

My Non-Country Thought of the Week

This past week the Super Bowl took place and one of the most talked about aspects every year with this game is the halftime performance. This year the main performer was Katy Perry, who was also joined by Lenny Kravitz and Missy Elliott. I thought it was an entertaining performance. I saw a lot of people though complain about it being a terrible performance music wise. Well here’s my rebuttal to that: What were you expecting? Katy Perry isn’t known for her great vocals. She’s an entertainer first and a musician second. I mean I can see if you expect this with past performers like The Who and the Rolling Stones. But with Katy Perry? How can you be so naive? This was all about flash, not substance. Adjust your Super Bowl halftime performance expectations based on the performer each year.

Tweet of the Week

Rita Ballou of Rawhide & Velvet is one of my favorite country follows on Twitter. And here she speaks the truth about certain country outlets I mentioned above just now covering Mr. Simpson.

An iTunes Review That Will Make You Face Palm

Aldean Face Palm

This is a review left under Jason Aldean’s Old Boots, New Dirt album. I don’t even know what is trying to be conveyed here.

That’s it for the Hodgepodge this week! Be sure to sound off in the comments! 

Photo Credit: sturgillsimpson.com