Looking Back at The Top 20 Albums of 2015

Country Perspective's 2015 Most Essential Albums

Lately I decided to go back and take a look at all of the album grades I handed out last year. When it comes to grading albums, it can be very polarizing to say the very least and I know there are times when you flat out disagree with me. Other times we’re in complete agreement. One of the toughest aspects of grading is deciding what album is worthy of a 10/10. What constitutes a 10/10 can vary amongst people and I’ve found context is one of the biggest determining factors. Some view a 10/10 in a historical context, some view it in a yearly context, some in a genre context, etc. When it comes to a 10/10 to me, at its core it all comes to a feel for me. I can usually sense a 10/10 from my first listen and I know it’s the mark of a truly great album.

Another important thing I keep in mind when grading is not putting too much weight on the artist’s past material. It should be considered for in terms of comparison for their average sound and whether they deviate from it or not. But in my mind you shouldn’t knock a current album’s grade just because it isn’t as good as the last one in your mind. For example, it baffled me how so many people knocked their grade for Jason Isbell’s 2015 album Something More Than Free because it wasn’t as good in their mind as his previous album Southeastern, so therefore it can’t be a 10/10 if they gave Southeastern a 10/10 in their mind. I also consider it unfair to hold an album in a historical light right upon its release. In my opinion it takes years to determine how well it holds up historically, all-time. Finally I believe there’s no such thing as a perfect album. Every album has its little flaws and has areas where it could be a little better. So I think giving a 10/10 only in the case of it being “perfect” is a little absurd. But as they say it’s all subjective and I just wanted to clarify how I look at albums.

Without further ado I wanted to give you my thoughts on what I would grade albums I gave a 10/10 last year at this current time after having more time to digest and listen to them. Some have held up and some have not. Like I said at the beginning of the year when I announced we were approaching 10/10 grades differently this year, I gave way too many last year. So now I give you what I believe the true 10/10 grades, as well as what I believe didn’t hold up as 10/10. There probably won’t be another post like this next year because I’m being more focused on the grading this year and don’t have any regrets like last year. So here you go:

10/10

Jason Isbell – Something More Than Free

Whitey Morgan – Sonic Ranch 

Chris Stapleton – Traveller 

Randy Rogers & Wade Bowen – Hold My Beer 

Don Henley – Cass County

Turnpike Troubadours – Self-Titled

Houndmouth – Little Neon Limelight

Whitney Rose – Heartbreaker of the Year

Thoughts: Of course our album of the year choice is still a 10/10. I also still stand by my point that Something More Than Free is a better album than Southeastern, even though I’m aware this is unpopular. The key word here is album. If you asked me to pick the best three songs amongst the two albums, I’m probably picking them from Southeastern. But looking at both as whole albums, Something More Than Free is better because it flows better as a whole, thematically and sonically. I know people will disagree.

Of the others that hold up to a 10/10, I know there’s only three of them that some people would disagree. While Traveller being at 14 songs is not ideal and detracted from it in people’s minds, it ultimately doesn’t hurt the album’s overall quality in my opinion. Houndmouth may never put out a better album than Little Neon Limelight again, especially in light of the news of Katie Toupin departing from the band earlier this year. Her vocals were a big reason why I loved that album. As for Whitney Rose’s Heartbreaker of the Year, it just does such a great job of standing out and taking risks while remaining rooted in country. It’s why she won our Female Artist of the Year award.

9/9

Tami Neilson – Don’t Be Afraid 

Sam Outlaw – Angeleno 

The Malpass Brothers – Self-Titled

The Lone Bellow – Then Came The Morning 

Thoughts: So now we get to the albums where they didn’t hold up. Don’t Be Afraid ultimately doesn’t hold up for me because it just doesn’t follow the emotional punch of its title song all the way through the album. Angeleno was a big favorite in a lot of circles, but I just don’t get the same feeling as I did when I first listened to it. It just doesn’t sound as good hearing it back now, but it’s still a great album. The Malpass Brothers are an act I really enjoy, but giving 10/10 to an album mostly full of cover songs wasn’t the right choice. Then we have one of the big surprises for me of 2015 and that’s The Lone Bellow’s Then Came The Morning. A lot of people missed this one because it was a January release. It’s still a really really good album, but it just doesn’t make the cut in my mind for a 10/10, although it’s close.

8/8

Maddie & Tae – Start Here

Jonathan Tyler – Holy Smokes

Dwight Yoakam – Second Hand Heart

The Mavericks – Mono

Banditos – Self-Titled

Thoughts: This is where I know I’m ruffling feathers and people won’t like my downgrading. But I remind you this is just my opinion and not the end all be all. We’ll start with the elephant in the room: Maddie & Tae’s Start Here. I’m a big fan of this duo and that’s one of the things that ultimately clouded my final grade. There’s arguably no other act in mainstream country I want to see succeed more than these two. So I gave Start Here a grade it shouldn’t have received. There’s a lot of really good moments on the album, but it doesn’t follow that through on all of it’s songs. “Your Side of Town” is one song that brings it down, as well as “Right Here, Right Now” and “No Place Like You” for just not being memorable songs. I still say their best album will come when they finally get fed up of the games you have to play on a major label and leave to make their own records on Thirty Tigers.

My fandom also clouded my judgement on Second Hand Heart and Mono. Dwight Yoakam is a living legend and The Mavericks are perhaps one of the most underrated acts in music. Both delivered really good albums with some fun songs, but they’re just not 10/10 albums. Both needed more serious songs on the album to merit it. I enjoy Jonathan Tyler’s Holy Smokes and even bought it on vinyl, but I don’t know what I was thinking giving it 10/10. Maybe it was the summer heat? Ditto for Banditos’ self-titled album. Just a case of me going overboard.

Oh and one last thing. I wanted to give you what I considered a ranking of the top 20 albums of 2015. I think this will also serve useful to those who have just found the site and are looking for great music. These are albums you can’t go wrong with and you can’t go wrong with any of the ones I mentioned above too. My top 20 ranking is all albums reviewed, not just what I reviewed. If you have any questions about this, feel free to ask below.

  1. Jason Isbell – Something More Than Free
  2. Whitey Morgan – Sonic Ranch
  3. Chris Stapleton – Traveller 
  4. Turnpike Troubadours – Self-Titled (This one has gotten even better for me upon more listens)
  5. Wade Bowen & Randy Rogers – Hold My Beer
  6. Don Henley – Cass County (Still can’t believe the drummer for the Eagles made a top ten country album of the year)
  7. John Moreland – High on Tulsa Heat (This one has really grown on me)
  8. Blackberry Smoke – Holding All The Roses
  9. Houndmouth – Little Neon Limelight 
  10. Whitney Rose – Heartbreaker of the Year
  11. Eric Church – Mr. Misunderstood (Still not giving this a 10/10, Church fans. So don’t ask)
  12. The Lone Bellow – Then Came The Morning
  13. Sam Outlaw – Angeleno (This placing will get more complaints than you realize)
  14. Brandi Carlile – The Firewatcher’s Daughter (I hate myself for giving out 9.5/10 grades at one point)
  15. Cody Jinks – Adobe Sessions (Most under-the-radar debut of 2015)
  16. Gretchen Peters – Blackbirds
  17. Kacey Musgraves – Pageant Material (Deserves a lot more credit than it received)
  18. Corb Lund – Things That Can’t Be Undone (Also deserved more credit)
  19. Tami Neilson – Don’t Be Afraid
  20. Will Hoge – Small Town Dreams (I always forget about this one, which is dumb)

Just missed the cut: James McMurtry’s Complicated Game, Tony Furtado’s The Bell, Justin Townes Earle’s Absent Fathers and Jami Lin Wilson’s Holidays and Wedding Rings.

Country Perspective’s 40 Most Essential Country & Americana Albums of 2015

Country Perspective's 2015 Most Essential Albums

We’ve reached the end of 2015 and as you’ve seen over this last month there have numerous best of and worst of lists and everything in between. The “listpocalypse” as many dub it is finally ending and we can start focusing on new music really soon. But before we look forward to the new music of 2016, we want to look back one last time on the music of country and Americana in 2015. These are the albums we consider the absolute must listen albums of 2015 if you’re a fan of country and Americana. We should point out that this year’s essential albums list is different in that last year’s list was all albums that we ranked 8/10 or better. This year’s essential list only contains albums (and a few EPs) ranked 9/10 or better.

Originally we wanted to just have it narrowed down to 25 albums, but then it grew to 30 and then 35 before eventually 40. We wanted to make sure we go all of the great music on the list! Keep in mind if we didn’t put an album on this list it’s not because we’re haters or we’re attacking your favorite artist. Do not turn the comments section into “Well you didn’t put (insert name) on the list and you didn’t put this on the list, so I hate it.” Instead put together your own list in the comments if you want, as this is more constructive and creates more interesting conversation.

Now that I’ve gotten all of the ground rules out of the way, let’s get to the music. These are what we consider the 36 most essential country and Americana albums of 2015.

The Best of the Best

Jason Isbell – Something More Than Free

Whitey Morgan – Sonic Ranch

Chris Stapleton – Traveller 

The Awesome Ones

Don Henley – Cass County 

Tami Neilson – Don’t Be Afraid

Houndmouth – Little Neon Limelight 

Wade Bowen & Randy Rogers – Hold My Beer, Vol. 1

Turnpike Troubadours – Turnpike Troubadours

Sam Outlaw – Angeleno 

Jonathan Tyler – Holy Smokes

Blackberry Smoke – Holding All The Roses

Pretty Damn Great

Whitney Rose – Heartbreaker of the Year

Maddie & Tae – Start Here

Cody Jinks – Adobe Sessions

Eric Church – Mr. Misunderstood

Kacey Musgraves – Pageant Material

Gretchen Peters – Blackbirds

Brandi Carlile – The Firewatcher’s Daughter

The Malpass Brothers – The Malpass Brothers

Rick Elliot – West of the Rockies EP

The Lone Bellow – Then Came The Morning

“I Don’t Need Your Rockin’ Chair”

Dwight Yoakam – Second Hand Heart 

George Strait – Cold Beer Conversation

Alan Jackson – Angels & Alcohol

James McMurtry – Complicated Game

Willie Nelson & Merle Haggard – Django & Jimmie

Emmylou Harris & Rodney Crowell – The Traveling Kind

A Little Bit of Everything

John Moreland – High On Tulsa Heat

The Mavericks – Mono

Banditos – Banditos

Corb Lund – Things That Can’t Be Undone

Lindi Ortega – Faded Gloryville 

Will Hoge – Small Town Dreams

Jon Pardi – The B-Sides, 2011-2014 EP

Jamie Lin Wilson – Holidays & Wedding Rings

Justin Townes Earle – Absent Fathers 

Tony Furtado – The Bell

Allison Moorer – Down To Believing 

Kasey Chambers – Bittersweet

The Black Lillies – Hard To Please 

Country Perspective’s 2015 Song of the Year Nominees

A great song is a complete package. Poetic, thoughtful lyrics that evoke emotion and reaction from the listener, a fitting production that amplifies the emotions, and a vocal delivery that drives the feelings straight to the heart of the listener. Happy, sad, positive, negative, it doesn’t matter. Songs are great because the reactions they draw from the listener and not because they sold so many copies or charted for a certain number of weeks. The nominees for Country Perspective’s 2015 Song of the Year all touched Josh or myself in some fashion. These are the songs that we connected with over the course of the year; the songs that most impacted us.

Ultimately, Josh and I will determine the song of the year from this list of finalists. However, we will take reader opinion and feedback into consideration when it comes time to determine the winner. So I encourage you to comment below and share your thoughts. If we left your favorite song off this list, that doesn’t necessarily mean we hated the song. There’s a ton of music released every year, and we had to cap the final list at some point.

For your listening convenience, I’ve complied all the songs into one Spotify playlist at the bottom of the page.

Song of the Year Nominees (in alphabetical order)

  • “The Bird Hunters” by Turnpike Troubadours“The song tells an intriguing love story that I’m sure many could connect with. And not only are the lyrics good, but also the fiddles are loud and proud too.” The way in which the story is told is not an easy achievement; “The Bird Hunters” is a well structured story with an excellent country production.
  • “Burning House” by Cam –  The lone acoustic melody on the introduction combined with the opening line of “I had a dream about a burning house” sets the mood perfectly for the sadness to come. The phrase “less is more” couldn’t be more relevant to “Burning House.” The simplicity of the three instruments allows the listener room to breathe and focus on the story.
  • “Clean Up on Aisle Five” by Mo Pitney – The steel guitar and fiddle return, as their featured prominently throughout the song. While the traditional approach is great, it’s really Pitney’s voice that leads the song. The instrumentation is great, but it’s kept quieter allowing his voice to shine…The lyrics really do an excellent job of conveying the feelings of the situation. It’s a real gut punch to anyone who’s experienced this, as it’s easy to connect with.
  • “David” by Cody Jinks – The man talks about all of the memories and how they grew up into different people, but still as things change, the more they stay the same. Up until the halfway point of this song, the listener will think this is just a nostalgia tune. But instead it takes a tragic turn; something the listener will feel when it happens. Jinks’ storytelling chops in this song are fantastic.
  • “Diners” by The Lone Bellow – The lead vocals on this song are spectacular and really set the emotion. The setting of this song takes place in a diner late at night where a man laments letting love, using comparisons to jukeboxes. And of course the harmonies are stellar again.
  • “El Dorado” by Randy Rogers & Wade Bowen – ““El Dorado” is a cowboy ballad that puts you in a Western state of mind. From the instrumentation arrangement to the vocals of Bowen and Rogers to the lyrics, the song does a great job of creating a Western feeling in the listener.” From the instrumentation to the lyrics and vocals, “El Dorado” is the whole package.
  • “Guitar or a Gun”  by Will Hoge – “Guitar or a Gun” tells “the story of a teenager deciding between buying a guitar or a gun unresolved. The comparisons drawn between the two and the pictures painted about the life that would come from them are excellent.”
  • “Jubilee” by Gretchen Peters – Told from the point of view of a person on their death-bed, this song focuses on final thoughts and gearing up to go to heaven. This is a beautiful, gospel like song, with a piano driving the song and excellent vocals from Peters.
  • “Just Like Them Horses” by Reba McEntire – This is the song that Reba sang at her fathers funeral. What a beautiful song…lyrically and vocally. I can’t imagine how a live performance of this song would affect other’s emotions because hearing this song gives me goosebumps. It’s well-written and Reba’s voice makes this song so emotive and heart wrenching.
  • “Just Some Things” by Jamie Lin Wilson (feat. Wade Bowen) – A heartbreaking song about two lovers both in an affair. The duo sing the respective parts of the cheaters, who both regret and feel distressed after betraying the ones they love. As hard as they wish things could be different, they know what they did was wrong and can’t be undone. 
  • “One More Hell” by Hailey Whitters – A song written in the wake of her brother’s death, the song details how she wishes to raise one more hell with him before going to heaven. The lyrics are painfully honest with the first verse essentially ripped out of her personal diary. I applaud the brutal honesty in the lyrics because that’s what makes the story connect.
  • “Record Year” by Eric Church – “Record Year” is about a man who has just broken up with his girlfriend and turns to his vinyl collection to heal his heart. While he plays these records he slowly heals and not only gets over his heartbreak, but also rediscovers himself and some great music along the way. More than anything it’s a song about finding your way in life when things are at your darkest. When Church releases this as a single (it has to be a single), I predict it will be the biggest hit of his career and will go down as one of his signature songs. This is a special song that hits a home run in every department.
  • “Roses By The Dozen” by Jamie Lin Wilson – As Josh praised in his top ten post: “Roses By The Dozen” is a chilling murder ballad that gave me goosebumps on the first listen. It’s not completely obvious the wife in the song murdered her husband until midway through the song, but when that obvious moment emerges it blows the listeners’ minds.
  • “So This is Life” by Courtney Patton – Youthful dreams of fairytale marriages are abandoned as a young mother and father work to make ends meet. As time goes on and more children are in the picture, he works long days and she’s left to tend to the home and all the chaos of raising children. It’s not the life either of them planned, and when separately dealing with this life has taken its toll, divorce is the only answer they find. It’s a heartbreaking song, but so vividly told and sung by Courtney Patton.
  • “Something More Than Free” by Jason Isbell – The album’s title track to me is the crown jewel of the record. From Isbell’s soaring vocals to the poetic lyrics to the instrument arrangement, this song has everything I want in a country song. Isbell sings of being thankful for the work and how he strives to get something more than free. It’s a beautiful song.
  • “Standards” by Randy Rogers and Wade Bowen – It’s rightly being praised too, as it’s a brilliant country music protest song…..What makes this one so great though is the fact that it’s not in your face, but rather has a matter of fact, cool attitude. A country label big wig tries to get Bowen and Rogers to record a song about a dirt road, but they refuse at his every attempt because it’s just not for them. As they say, “I don’t have hits, I’ve got standards,” a statement that means so much.
  • “Still Drunk, Still Crazy, Still Blue” by Whitey Morgan – Everything in this song works so well together that I liken it to a well-oiled machine. You couldn’t make it any better. The punctuating moment of this song is when Whitey croons out, “Well I’m still drunk, still blue, I’m still all fucked up over you/I’m still stoned, I’m still alone.” It really helps paint the picture of a heartbroken man drinking himself silly. It may seem like a simple song, but the emotions and instrumentation really make this song special.
  • “When I Stop Dreaming” by Don Henley (feat. Dolly Parton) – “Both bring out the absolute best in each other. Dolly’s vocals are goose-bump inducing and this isn’t hyperbole. This is one you just need to sit down and hear for yourself because I can’t do it justice.” A duet that sends goosebumps down your spine.
  • “Whiskey & You” by Chris Stapleton – Stapleton’s recording is the best. It’s not just because he wrote the song too. It’s the fact that Stapleton delivers the emotion of this song so much better than those two. He does this by stripping this song down completely and only using an acoustic guitar for instrumentation, allowing his voice to tell the story of the song. It’s raw and grips your attention from start to finish. Stapleton absolutely nails this song.

Sturgill Simpson Wins Song of the Year & Artist of the Year at 2015 Americana Awards

Sturgill

The 2015 Americana Awards show was absolutely fantastic. There were many great performances throughout the night and if you follow me on Twitter you got to see all my thoughts on them. If you missed this, go scroll through my timeline on the side of the blog. The big winner of the night in terms of awards was Sturgill Simpson. He won the 2015 Americana Song of the Year award for “Turtles All The Way Down” and won the 2015 American Artist of the Year award. Simpson just missed out on sweeping the big three awards, as Lucinda Williams won the 2015 Americana Album of the Year award. Simpson was not at the show, as he was playing a concert in Virginia. Dave Cobb accepted the awards on his behalf, as Cobb was the producer of Metamodern Sounds in Country Music.

Other awards handed out:

  • 2015 Americana Emerging Artist of the Year – Shakey Graves
  • 2015 Americana Duo/Group of the Year – The Mavericks
  • 2015 Americana Instrumentalist of the Year – John Leventhal

Noteworthy Moments:

  • Keb Mo delivered a beautiful tribute to the legend B.B. King
  • Rhiannon Giddens delivered the performance of the night
  • Raul Malo said “Holy shit…we won something” when The Mavericks won
  • Houndmouth and The Lone Bellow delivered great performances
  • MC Jim Lauderdale was fantastic and entertaining
  • Too many awesome moments to count!

Be sure to weigh in with your thoughts on the show and performances below.

Update:

Sturgill left a message on his Facebook page regarding his thoughts on winning Song of the Year and Artist of the Year and why he wasn’t able to attend the show. A classy post!

Country Perspective’s Best Country Songs of 2015 So Far

Just like country albums, there have been no shortage of great country songs released in 2015. But when it comes to the best country songs of the year, we’re not just talking about catchy and/or fun songs. No, when it comes to these song of the year candidates, these are the type of songs that you can feel. These are the songs that come straight from the heart and you feel it in your own. These are the songs where the artist dug deep into their own personal life and let it shine in their music. This the absolute best in songwriting. So without further ado here are the top 13 songs of 2015 so far and the top contenders right now for Country Perspective’s Best Song of 2015.

Whitey Morgan – “Still Drunk, Still Crazy, Still Blue”

Even though it’s hard to pick a favorite on an album as good as this one, “Still Drunk, Still Crazy, Still Blue” stands out a little more for me than the rest. Everything in this song works so well together that I liken it to a well-oiled machine. You couldn’t make it any better. The punctuating moment of this song is when Whitey croons out, “Well I’m still drunk, still blue, I’m still all fucked up over you/I’m still stoned, I’m still alone.” It really helps paint the picture of a heartbroken man drinking himself silly. It may seem like a simple song, but the emotions and instrumentation really make this song special. 

Click here for the full review of Sonic Ranch.

Chris Stapleton – “Whiskey & You”

You should recognize the next song, “Whiskey and You,” as Tim McGraw originally recorded it on his Let It Go album in the early 2000s. Jason Eady also recorded this song on his 2014 album Daylight & Dark. I can say with confidence out of the three, Stapleton’s recording is the best. It’s not just because he wrote the song too. It’s the fact that Stapleton delivers the emotion of this song so much better than those two. He does this by stripping this song down completely and only using an acoustic guitar for instrumentation, allowing his voice to tell the story of the song. It’s raw and grips your attention from start to finish. Stapleton absolutely nails this song. 

Click here for the full review of Traveller.

Jon Pardi – “Borrowed Time”

The last song on the EP is “Borrowed Time,” a song that explores how short life is and how we only have so much time before it’s all over. This might be Pardi’s best song yet, as everything in this song perfectly works together. The lyrics are honest, heartfelt and to the point. It has a very similar vibe to Dierks Bentley’s “Here on Earth.” This is a song I recommend you hear for yourself, as words don’t properly describe it. It’s the kind of song that will make people respect and appreciate Pardi’s talent.

Click here for the full review of The B-Sides, 2011-2014 EP.

Randy Rogers & Wade Bowen – “Standards”

“Standards” is the standout of the album and the song everyone will talk about the most from Hold My Beer. It’s rightly being praised too, as it’s a brilliant country music protest song. Now I know country music protest songs have started to become cliché themselves, especially coming from Texas country artists. What makes this one so great though is the fact that it’s not in your face, but rather has a matter of fact, cool attitude. A country label big wig tries to get Bowen and Rogers to record a song about a dirt road, but they refuse at his every attempt because it’s just not for them. As they say, “I don’t have hits, I’ve got standards,” a statement that means so much. This is a top contender for Country Perspective’s 2015 Song of the Year award.

Click here for the full review of Hold My Beer, Vol. 1.

Will Hoge – “Guitar or a Gun”

Following this is the rocking “Guitar or a Gun.” Hoge penned this tune with Gary Allan and Dylan Altman, and told Saving Country Music that he had actually written 12 verses to the song. Eventually the trio landed on two verses for the song and left the story of a teenager deciding between buying a guitar or a gun unresolved. The comparisons drawn between the two and the pictures painted about the life that would come from them are excellent; “Guitar or a Gun” is one of the album’s top tracks.

Click here for the full review of Small Town Dreams.

Zac Brown Band – “Bittersweet”

Finally the group delivers a beautiful song that showcases their great talent in “Bittersweet.” It’s one of the best written songs on the album, as it’s about a man losing his wife to a disease and how he’s reflecting on the fact that tomorrow she won’t be there with him. The songwriting evokes great emotion in the listener and might even bring a tear to your eye. The instrumentation is equally good and I love the guitar and fiddles crashing in at the end of the song to really punctuate the song. This is the Zac Brown Band I know and love on this song.

Click here for the full review of Jekyll + Hyde.

Reba – “Just Like Them Horses”

The next song is “Just Like Them Horses.” This is the song that Reba sang at her fathers funeral. What a beautiful song…lyrically and vocally. I can’t imagine how a live performance of this song would affect other’s emotions because hearing this song gives me goosebumps. It’s well-written and Reba’s voice makes this song so emotive and heart wrenching.

Click here for the full review of Love Somebody.

Gretchen Peters – “Everything Falls Away”

Following this song is “Everything Falls Away,” which is a despairing piano ballad about trying to move on after a loved one passes away.

This is probably one of the darkest songs I’ve heard this year and Peters brilliantly captures the mood of a person dealing with anguish and the feeling of helplessness after a loved one has died. The first time I heard it I got goosebumps and I’m still amazed every time I hear it. If you haven’t listened to this song or Blackbirds, you need to do it.

Click here for the full review of Blackbirds.

Mo Pitney – “Clean Up On Aisle Five”

I can see why when Pitney performed this song at the Opry last summer and he got a standing ovation. Maybe this song will be to him what “Long Black Train” was to Josh Turner. Pitney could be the next Turner type on radio and we could definitely use another artist like Turner at the moment. Pitney seems dedicated to the traditional sound and he has the chops and talent to pull it off. Keep giving him songs like this and he should be a household name in no time. In a perfect world this song gets a ton of radio play, but we live in a far from perfect world. Regardless, “Clean Up On Aisle Five” is a song that everyone should check out and give a listen. This may be one of the best songs we’ll hear from mainstream country music in 2015. 

Click here for the full review of “Clean Up On Aisle Five.”

The Lone Bellow – “Then Came The Morning”

The album starts off with the upbeat and gospel influenced “Then Came the Morning.” The combination of the harmony interludes along with the hints of horn production give this song an infectious harmony that makes you want to listen to it over and over again. It immediately draws the listener into the album. 

Click here for the full review of Then Came The Morning.

Justin Townes Earle – “Day and Night”

Earle goes dark and somber with “Day and Night.” It’s a more stripped down song instrumentation wise and once again let’s Earle tell a story with his brilliant voice. This is another song where Earle personally reflects on his hard life and all of the struggles he went through to get to this point, but he’s now happy because he has found the love of his life (his new wife he just married). Again the raw emotion Earle expresses in his voice is quite moving.

Click here for the full review of Absent Fathers.

Houndmouth – “By God”

“By God” is a rock country song with a rocking beat and a subtle, sinister undertone. It’s about a man who has things going wrong around him and insisting for them to “turn out the lights,” but to leave his “candle burning.” The harmonies are spot-on throughout. Everything in this song simply works to make for one of the best songs on the album.

Click here for the full review of Little Neon Limelight.

Ryan Bingham – “Broken Heart Tattoos”

Following up this track is “Broken Heart Tattoos.” I hear a ton of Bob Dylan influence in Ryan Bingham on this album, and this song is particularly evident of that influence. Here, Bingham is singing to his child. Children are born into innocence, without worry and without pain at first. However, this song encourages, “take your sweet time and walk a straight line. And don’t you be shy of your wilder side or be afraid to let loose with broken heart tattoos.”

Click here for the full review of Fear and Saturday Night.