Josh’s Jukebox Journal — Country Hits: 2006

Once upon a time there was a popular feature on this blog called The Current Pulse of Mainstream Country Music and it’s sister feature The Past Pulse of Mainstream Country Music. It was an enjoyable feature for both you and I, before I decided to take a hiatus from blogging. My own enjoyment of the feature had waned, but I’ve wanted to return to a feature like this ever since.

Kyle over at Kyle’s Korner Blog took over the torch for The Current Pulse and is doing a fantastic job with it, so please go check it out if you haven’t done so. But I was wanting to do a Past Pulse. Unfortunately as I’ve discovered, Billboard has become greedy and decided to lock past charts behind a paywall. Quite an asinine decision in my view. So with this stupid decision by Billboard, I obviously can’t do The Past Pulse. But that sent me down the idea rabbit hole and I got to thinking how I could re-adapt the Past Pulse into something new. Combined with another feature idea I had been tinkering with, I’ve come up with Josh’s Jukebox Journal.

Josh’s Jukebox Journal is a brand new feature on the blog that will be similar to The Current Pulse of Mainstream Country Music, but with a twist. Rather than rely on past charts from Billboard instead I will look at playlists. This could be from any genre, from any year, past or present, various artists or just one artist. I will run through the playlist giving a thumbs up (let it play), shrug (essentially playlist filler) or a thumbs down (skip it). The best song will get two thumbs up and the worst will get two thumbs down. At the end I will give a grade for the quality of the playlist. These playlists can come from any of the streaming services (preferably Spotify, Apple Music or YouTube).

This feature won’t have a set day or time of when it releases. It will essentially be when I want to do one. And of course I want to hear playlist ideas for future versions of Josh’s Jukebox Journal in the comments! Today I will take a look at the Apple Music playlist Country Hits: 2006…

    • Rodney Atkins – “If You’re Going Through Hell” 👎
    • Rascal Flatts – “What Hurts the Most”🤷
    • Josh Turner – “Your Man” 👍
    • Carrie Underwood – “Jesus, Take the Wheel” 👍
    • Jennifer Nettles & Bon Jovi – “Who Says You Can’t Go Home”🤷
    • Brad Paisley – “When I Get Where I’m Going (feat. Dolly Parton)” 👍
    • Jason Aldean – “Why”🤷
    • Kenny Chesney – “Summertime”🤷
    • Phil Vassar – “Last Day of My Life” 👍
    • LeAnn Rimes – “Something’s Gotta Give”🤷
    • George Strait – “She Let Herself Go”🤷
    • Jack Ingram – “Wherever You Are” 👍
    • The Wreckers – “Leave the Pieces” 👍
    • Kenny Chesney – “Living In Fast Forward” 👍
    • Brad Paisley – “The World” 👍
    • Carrie Underwood – “Before He Cheats” 👍
    • Trace Adkins – “Honky Tonk Badonkadonk” 👎👎
    • Rascal Flatts – “My Wish (10th Anniversary)” 👎
    • Blake Shelton – “Nobody But Me” 👍
    • Dierks Bentley – “Settle for a Slowdown” 👍👍
    • Steve Holy – “Brand New Girlfriend” 👍
    • Josh Turner – “Would You Go With Me” 👍
    • Little Big Town – “Bring It On Home” 👍
    • Sugarland – “Want To” 👍
    • Toby Keith – “Get Drunk and Be Somebody” 👎

Thumbs up: 15
Shrugs: 6
Thumbs down: 4

Grade: 7/10

This is a pretty solid playlist (until you see a lot of the songs missing I list below that I would have added and then you’re going to get angry like me). I was actually a little surprised, but then as I listened to it more not so much because I remember every single one of these songs vividly. I was 14/15 years old when these songs were popular and this was when my brother and I would watch the CMT music video countdown show every week. So I definitely got some nostalgia running through this playlist. And I can’t get over how much mandolin was allowed on country radio back then!

So many great songs to choose from for the best. Josh Turner was absolutely on fire during this time. I really enjoyed Carrie Underwood and Brad Paisley’s material at that time too. Underwood of course just released her debut album and it’s arguably still her best record. Paisley helped Dolly get another hit and that’s always great. But I had to go with Dierks Bentley’s “Settle For a Slowdown” from the excellent Modern Day Drifter album. The ominous and dark atmosphere created by the guitars and the descriptive lyricism that so perfectly lays out the longing heartbreak taking place in the song made me choose it as best.

Not a lot of bad songs to choose from on this playlist, which is nice of course. I enjoyed all of Rodney Atkins biggest hits at first, including the one above, but thank country radio and grocery stores for overplaying them to the point I cringe when I hear them. I don’t mind Rascal Flatts’ “My Wish,” but for some bizarre reason they put a flat and bad 10th anniversary version on this playlist. Long-time readers know how I feel about post-9/11 Toby Keith. But picking Trace Adkins’ “Honky Tonk Badonkadonk” as the worst was a slam dunk choice. This song was everywhere, well rather the remix version, which I’m surprised isn’t what was chosen for this playlist. It’s an annoying novelty song that will only age worse with time. (That I’ll also admit that teenager me loved at the time)

Songs I Would Have Added to the Playlist

  • Billy Currington – “Must Be Doin’ Somethin’ Right” (Currington was so good during this time and his omission is bad)
  • Dierks Bentley – “Every Mile a Memory”
  • Brooks & Dunn – “Believe”
  • Little Big Town – “Boondocks” (A cult classic!)
  • George Strait – “Give It Away” (How in the hell was this not on the playlist, yet the sleepy Strait hit was chosen?!?)
  • Emerson Drive – “A Good Man”
  • Eric Church – “How ‘Bout You” (Not a single Church song on the playlist is criminal!)
  • Kenny Rogers – “I Can’t Unlove You” (Rest in peace Mr. Rogers. Also people forget this was a top 20 song for him in 2006 and definitely worthy of this playlist)
  • Gary Allan – “Life Ain’t Always Beautiful” (Why was this not on the playlist either?!)
  • Alan Jackson – “Like Red on a Rose” (I’m just getting more angry at what was not on this playlist)
  • Jack Ingram – “Love You”
  • Van Zant – “Nobody Gonna Tell Me What to Do”
  • Eric Church – “Two Pink Lines” (Incredible song!)
  • Keith Urban – “Once in a Lifetime”
  • George Strait – “The Seashores of Old Mexico”
  • Joe Nichols – “Size Matters (Someday)”
  • Tim McGraw – “When the Stars Go Blue” (Not a single McGraw song on the playlist, especially not this one?! Come on)
  • Billy Currington – “Why, Why, Why”
  • Jake Owen – “Yee Haw”
  • Kenny Chesney – “You Save Me” (Take the two songs he has on the playlist and replace them with just this one, his best hit of the year)

Be sure to weigh-in with your thoughts on the playlist and what you would have added to the playlist too below!

The Hodgepodge: Revisiting Radio Programming Issues and the Tomato Problem

Keith Hill’s comments on females at country radio took the country music world by storm last year. Just to quickly refresh your memory Hill said “The tomatoes of our salad are the females.” This was in the context of calling males the lettuce and encouraging radio program directors to take females out of rotation in order to maximize ratings. As I’m sure you remember, reactions to Hill’s comments were fierce. Josh’s response in The Hodgepodge took a look at the larger, underlying issue of the lack of overall quality on radio.

I think you can make the argument that there hasn’t been much improvement on either front: female representation or quality. Looking at The Pulse from June 13, 2015 (published the same week as the previously linked Hodgepodge), there were two solo females on the charts in the top 10: Carrie Underwood (7) and Kelsea Ballerini (8). One female duo with Maddie & Tae at 24, and a female led group at 10 with Little Big Town. Also in the top 10 were two songs with female harmonies (“Wild Child” and “Diamond Rings & Old Barstools”). The overall pulse that week was -14. Compare that to yesterday’s Pulse with two solo females in the top 10: Carrie Underwood (1) and Maren Morris (10). Maddie & Tae again at 23, and then Cassadee Pope in a duet with Chris Young at 12. The pulse sits at -10.

That’s fairly even, if you ask me. In the latest issue of Country Aircheck, Lance Houston from iHeartMedia station WBWL in Boston sort of echoed Keith Hill’s comments and took it a step further. Now, before I move on, I just want to clarify that I’m not trying to restart a controversy or blow this up into something it’s not. His comments are interesting, and I think they’re worth commenting on. Houston approaches programming from balancing the logs of who is singing the song. “If you’ve got two females back to back, you don’t have a balanced log given the format’s small percentage of female music. The goal should be to make the most balanced log possible. The same thing goes with other [artist characteristics]; you don’t have a balanced log if you have three or four male duos in a row.”

From a business and programming standpoint, I completely understand that approach. You have A (female solo), B (male solo), C (female duo), D (male duo), and E (bands). In an ideal world, radio has an even distribution of A, B, C, D, and E, without ever repeating letters. But here’s the kicker from Houston’s comments: “given the format’s small percentage of female music.” The representation of A is low, and B is extremely high. Looking again at yesterday’s Pulse of the top 30, here’s the distribution: A (2 songs), B (21 songs), C (1 song), D (2 songs), E (3 songs), and we’ll classify Chris Young & Cassadee Pope as F, a Male/Female duo (1 song). So in reality, you take what you’re given and distribute the choices in the most even possible way.

Given the fact that there aren’t many female artists available for radio to choose from, we don’t get much female music on the radio. Maren Morris is a newcomer who could build on a successful run after a top 10 debut single. Carrie Underwood will release a new single soon to follow “Heartbeat” at number one, Kelsea Ballerini’s “Peter Pan” is on its way, and Miranda Lambert is working on new music. Jennifer Nettles, Cam, Brandy Clark, Martina McBride, and Brook Eden all have songs in the bottom half of the top 60.

It’s a slow process, but we could see more females impacting radio. It’s possible, given the recent success of Cam, Kelsea Ballerini, and now Maren Morris. I think the outcry after the tomato comments could have influenced this, but we have to understand it’ll take time. We’re coming off the bro-country era. Programmers can’t just flip the switch and go 50/50 distribution between males and females. But labels can up their rosters to include more females, or even make way for non-music row artists to be played.

Just last year, quality albums from Whitney Rose, Lindi Ortega, and Hailey Whitters provide some great music to choose from. Kacey Musgraves, Ashley Monroe and Lee Ann Womack are familiar faces who get ignored. Aubrie Sellers’ debut album is excellent. I’d be okay if she got a chance from nepotism, like Thomas Rhett did, if it meant hearing Sellers on the radio. I’d also argue that the aforementioned females would also up the quality of music on the charts if they’re given the chance.

Unfortunately, the business side may not pave the way for the quality side of music. We may never see the day of high female representation on the charts, and it pains me to say it. As much as I’d like to see it, the label attitudes of the label executives would have to drastically change. I have a better chance of getting a country record deal than that happening. And as radio slowly slips away for other outlets, this whole conversation may be a moot point someday. But until that day comes, I hope the winds of change blow in the direction of a higher female representation on country radio. I think the demand is there, and the supply is certainly available.

Upcoming/Recent Country Releases

  • Southern Family is finally released tomorrow. I’ve listened to it on NPR First Listen, and I enjoyed it. You’ll see Josh’s review soon.
  • William Michael Morgan releases his debut EP tomorrow as well.
  • Maren Morris announced that her debut album, Hero, will be released on June 3.
  • Randy Houser‘s next single will be “Song Number 7.” We will review the single, but not Fired Up. 
  • Kenny Chesney is trying to be cryptic on social media to get fans excited for an upcoming announcement. Most likely, on March 24, Chesney will give us details on some new music, be it a single, album, or both.

Throwback Thursday Song

“Leave the Pieces” by The Wreckers. The Wreckers, made up of Jessica Harp and Michelle Branch, had a short life in country music. One successful album in 2006 yielded two top ten hits: “My, Oh My” at #9 and this song as their only number one. I’m a big fan of this song and I wish we could have had more music from this duo.

Non-Country Suggestion of the Week

Ray LaMontagne Ouroboros. LaMontagne’s newest album was produced by My Morning Jacket’s Jim James. It’s a heavier, psychedelic-like album calling back to a classic rock approach to music production. Just like old vinyl, the album is broken into two parts, emulating the need to flip the record over. The production over shadows LaMontagne’s signature vocals, but it’s still a good offering from this rock singer-songwriter.

Tweet of the Week

This is a great picture of Sturgill and Merle.

Two Randy Houser iTunes Reviews

RH1 RH2

As I said, we’re not reviewing Fired Up as a whole because its way too long and overrun with the same, low quality crap. Though this first review would have you think otherwise. I’d argue that the album is full of filler.

As for the second review, that comparison to Toby Keith is hilarious! Sharing it with Josh, he agreed that it’s an accurate comparison given that both singers are talented, yet put out clichéd music. But this person’s reasoning? HA! If Houser didn’t put out 17 songs of radio pandering bull crap, then I’d agree. “Like a Cowboy”, or most of Houser’s first couple albums is the kind of country music that’s good. You don’t sell out like this to get “earned” recognition.

The Past Pulse Of Mainstream Country Music [August 2006]

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This is the past pulse of mainstream country music. Every week, I take a look at the Billboard Country Airplay Chart (or, “Hot Country Songs” as it used to be called) from years ago and grade the top 30 songs. Each week will be a different year. Each song on the chart will receive either a +1, 0, or -1. These will then be tallied up for an overall score, or pulse of the top 30 songs with the highest score being a +30 and the lowest possible score being a -30. Songs rated between a 7 and 10 will receive a +1. Songs rated either 5 or 6 will receive a 0. Songs rated 4 or lower will receive a -1.

The goal of this exercise is to evaluate the past state of mainstream country music and determine if it was better or worse compared to now. To see the full list of the top 30 country airplay songs for this week, click here. This week I will take a look at the top 30 songs of the Billboard Hot Country Songs from August 26, 2006.

  1. Rodney Atkins – “If You’re Going Through Hell (Before The Devil Even Knows)” +1
  2. The Wreckers – “Leave The Pieces” +1
  3. Steve Holy – “Brand New Girlfriend” -1
  4. Toby Keith – “A Little Too Late” 0 (The weird production is what kills this for me)
  5. Little Big Town – “Bring It On Home” +1
  6. Gary Allan – “Life Ain’t Always Beautiful” +1
  7. Brad Paisley – “The World” +1 (It’s a little cheesy, but man do I miss the mid 2000’s Brad Paisley…)
  8. George Strait – “Give It Away” +1
  9. Brooks & Dunn – “Building Bridges (w/ Sheryl Crow and Vince Gill)” 0
  10. Faith Hill – “Sunshine and Summertime” -1
  11. Kenny Chesney – “Summertime” 0
  12. Rascal Flatts – “Me and My Gang” -1 [Worst Song]
  13. Josh Turner – “Would You Go With Me” +1
  14. Carrie Underwood – “Don’t Forget To Remember Me” +1
  15. Billy Currington – “Why. Why, Why” 0
  16. Pat Green – “Feels Just Like It Should” -1
  17. Jake Owen – “Yee Haw” 0 (Owen’s charisma elevates this to at least passable to my ears)
  18. Dierks Bentley – “Every Mile A Memory” +1
  19. Heartland – “I Loved Her First” +1 (Yeah, it’s corny, but I can at least appreciate the emotion)
  20. Big & Rich – “8th Of November” +1 [Best Song]
  21. Danielle Peck – “Findin’ A Good Man” +1
  22. Trace Adkins – “Swing” -1
  23. Alan Jackson – “Like Red On A Rose” +1
  24. Lonestar – “Mountains” 0 (Naptime!)
  25. Sugarland – “Want To” +1
  26. Rascal Flatts – “Life Is A Highway” -1 (Just listen to Chris LeDoux’s version)
  27. Blaine Larsen – “I Don’t Know What She Said” +1
  28. Montgomery Gentry – “Some People Change” +1
  29. Gretchen Wilson – “California Girls” -1 (What the hell is the point of this song?)
  30. Jack Ingram – “Love You” +1

The Past Pulse Of Mainstream Country Music: +10

Hey not bad! Sure, this may not have been as good as 1999, but this is still a wonderful chart to see! Remember the Wreckers from way back when? It’s a real shame they never got past three singles. They were right in line with the Maddie and Tae style of neo-traditional/country pop. I’m glad that at least Maddie and Tae have broken “the Wrecker curse” by now. In addition to this, Josh Turner was still on the radio, as was Blaine Larsen, who I’m sure many people unfortunately forgot about. If only we had him now, fighting alongside other young neo-traditional guys like Mo Pitney, William Michael Morgan and Jon Pardi. This song honestly wasn’t his best, but it’s still a solid song with a cool Spanish groove. Then we had other fantastic songs from the likes of Gary Allan, Dierks Bentley, Brad Paisley, George Strait, Big & Rich…….wait what?!? Big & Rich??? Yeah, I know right? In fact, they arguably have the best song on this chart, which is also probably the best song they’ve had in their career thus far. “8th of November” proved that the duo could tackle serious subject matter when the time came for it, and set the joke material aside. Now, two songs that I’m sure are going to raise some eyebrows are Alan Jackson’s and Jack Ingram’s. I understand that Alan’s “Like Red On A Rose” album has been called one of his weakest albums, but I actually really like “Rose” and I think it was a cool change of pace for Alan. Jack’s song…….well yeah, it’s kind of immature, but I still thought it was kind of clever in its writing, so yeah, prepare the tomatoes to throw at me!

Now onto the bad, and really, much like 1999 I don’t have a ton to complain about. Remember last week how I said Trace Adkins was awesome when he sang stuff like “Don’t Lie”? Well he sucks when he’s doing crap like “Swing.” Seriously, what the hell is this song? Listening to this just made me want to grab a baseball bat and smash the device that I was listening to this from! The other song that raises a red flag and also takes the crown as the worst song is Rascal Flatt’s “Me and My Gang.” What the hell kind of title is this?!? If “swag” were a term back then I’m sure it would have found its way somewhere into the lyrics of this song. What’s sad is that “Bob That Head” rivals this song in bad Rascal Flatt song title choices. Other than that? Yeah, there’s not a lot else that really riles me up. Faith Hill’s song is pretty irritating as is Steve Holy’s, but still I can’t get real angry at them.

If you have any questions as to why I gave a certain song the score I did, or perhaps just want to make your own Pulse, sound off in the comments!