Country Perspective’s Top 10 Albums of 2019

Back in the day, Country Perspective would spend around a month doing end of the year posts, recognizing the best and worst across several categories. While it was fun in a way, it was also quite tiring. And I imagine it had to be quite tiring for the reader too. After all I imagine you read several other music blogs and year-end posts. Speaking also as a reader of many blogs, it gets old after reading so many of these posts when really these things have two major points: 1) Giving proper recognition to the absolute best in music and 2) Giving you the listener a potential new album/artist to listen to. Plus, it’s fun to compare lists.

So with my lack of interest in doing so many year end posts and this blog having it’s major focus on albums, this is going to be the only best of 2019 post, the best albums of the year. It was a pretty good year for albums, as there were so many good ones across multiple genres. While there were some disappointments that stood out for me, pleasant new surprises more than made up for them (you’ll see some of them made the top 10 even). While it certainly didn’t touch the best years of this decade (hello 2014), 2019 is one of the better years of music in the 2010s (I’ll be doing my best of the decade posts in 2020).

But before I get to my top ten albums of 2019, I want to list some honorable mentions that weren’t quite good enough for the top ten, but still good albums that I recommend you check out…

Honorable Mentions

Country Perspective’s Top 10 Albums of 2019

10. Benny The Butcher – The Plugs I Met

Dirty, grimy and nasty is how I would describe the sounds and lyrics of this album. And I love it! The entire Griselda hip-hop collective is fantastic and rightly getting their due now that they’re signed to Eminem’s Shady Records (check out the album they dropped in November). But the star is undoubtedly Benny The Butcher and this album is the proof. All of his work is great, but this is an excellent entry point. When the king of coke rap in Pusha T endorses your coke rap (dropping a great feature on this album too), well you know you’re doing something right.

9. Cody Jinks – The Wanting

While I wouldn’t put the The Wanting as Cody Jinks’ best work, it’s certainly close and features maybe the most badass album cover of 2019. This album offers deep introspection on life, passion and love. The instrumentation is varied, going from slow ballads to rockers. And he did this all while dropping another album the week before that just missed this list. Jinks is undoubtedly one of the hardest working artists in music today and I was impressed by what he accomplished in dropping two great albums within a week of each other. If you’re someone looking to get into country music, Jinks is one of the first you should check out.

8. Dee White – Southern Gentleman

This album was released all the way back in January, but you should not forget about it. Dee White proves himself to be one of the most promising new country artists to watch with his debut album Southern Gentleman. White’s voice evokes memories of Roy Orbison and George Jones and he’s only 19-years-old. And while he feels like a classic artist in every sense, his lyrics are still modern. There are several great storytelling moments on this album and White even holds his own with fantastic vocalists like Ashley McBryde and Alison Krauss. I can’t wait to hear more from Dee White.

7. Tyler Childers – Country Squire

Country Squire is an incredible album and with its perfectly short run time, you’ll find yourself replaying it again and again. While some were disappointed by this follow-up to Purgatory, I was instantly impressed with this album. What’s great is these are old songs that have been played by Childers live for years and with live music being what pays the bills for artists, it only makes sense to record these songs. While we’re still due for Tyler Childers’ absolute best work, this is a pretty damn good album to play while we wait for it.

6. Michaela Anne – Desert Dove

Michaela Anne delivers an amazing album in Desert Dove. It’s full of smooth and breezy songs that only take a couple of listens to truly enjoy. Like my good friend and fellow music writer Zackary Kephart says, this album is quite similar to Kacey Musgraves’ Golden Hour and that was my top album of 2018. So if you enjoyed that album, this is a must-listen. This also feels like Anne’s breakout moment, as she finds the sound and themes she needed to truly show her full potential and prove herself as an artist that should be on your radar if you love country music or just great music in general.

5. Kishi Bash – Omoiyari

Omoiyari is a wonderful album full of beautiful lyrics and sounds that cover an important topic in American history that more people show know about. Why Kishi Bashi is not more covered by music journalists I’ll never know, but this music reviewer is telling you that you need to check him out. He’s a multi-instrumentalist who writes his own lyrics and can cover a wide variety of sounds so damn well. On this album he masters the chamber pop/orchestral pop sound while giving you an informative history lesson too. As a music nerd and history nerd, it’s a double win!

4. Mike and The Moonpies – Cheap Silver and Solid Country Gold

So I would be remiss if I didn’t point that my top four is clearly ahead of the rest, being that they all received 10/10 ratings, with each at one point or another getting consideration for Country Perspective’s 2019 Album of the Year. And out of all them, this was my biggest surprise of 2019. Mike and the Moonpies deliver something special with Cheap Silver and Solid Country Gold. It’s fantastic in both sound and songwriting. The group clearly left their comfort zone. It honors the tried and true, while delivering something that feels new too. This is a band for me that went from releasing two albums I couldn’t get into at all to releasing an album that I can’t find a single fault in.

3. Freddie Gibbs & Madlib – Bandana 

I found hip-hop in 2019 to be pretty disappointing. But I never find the work of Freddie Gibbs and producer Madlib to be disappointing, as this duo once again delivers big with Bandana. After delivering a classic in Piñata, they manage to nearly match it, which absolutely blows my mind. Gibbs raps his ass off on this album, delivering some of his best bars ever, while finding a great balance of bangers and humor while also offering introspection on more serious topics like when he was falsely accused of rape and systematic racism. Madlib brings some of the best beats in the game, picking some excellent samples as he always does. If there’s one hip-hop album you listen to this year, it’s this one.

2. Sturgill Simpson – SOUND & FURY

SOUND & FURY from start to finish feels like one long song, as it’s both cohesive in sound and lyrics, telling several stories that tie into overarching theme of Simpson being angry at a lot of things in the world, but when it comes down to it he’s most angry at himself and what he let himself become. Each track explores the flawed thoughts and actions of a flawed man. This album sounds like early to mid 70s music and sounds like the eccentric, frenetic sounds of Jeff Lyne and Electric Light Orchestra meets the in-your-face, sneering lyrics of Creedence Clearwater Revival. The amount of care and detail given to every aspect makes this one of the best albums you’ll hear in 2019 and yet another excellent album from Sturgill Simpson.

Country Perspective’s 2019 Album of the Year…

1. Carly Rae Jepsen – Dedicated

If you still think of Carly Rae Jepsen as just the “Call Me Maybe” girl, well you’re just plain wrong. Because when she released Emotion and Emotion Side B, she showed me that there’s not a better pop artist making music today. Jepsen further proves with Dedicated that she just gets pop music: the over-the-top production, the overwhelming emotions, the catchy hooks, exciting themes and everything in-between. It’s appropriate she has an album named Dedicated considering she writes hundreds of songs for each album and spends months culling down to the final track list. This true dedication to her music shines through on every lyric and sound on this album. It’s a complete album from front to back, touching on the several emotions of love through the many trials and tribulations of a relationship. And it wouldn’t surprise me a bit that the “B cuts” for this album are equally as great in quality. Not only is this the best album of 2019 in my mind, but one of the best of the 2010s.


Thanks for reading! Be sure to weigh in with your thoughts on Country Perspective’s Top 10 Albums of 2019 below and feel free to offer your own list. Also feel free to ask me about any music releases/news from 2019 too (think of it as a 2019 music AMA), as my late start didn’t allow me to discuss everything I would have liked to discuss.

Album Review — The Highwomen’s ‘The Highwomen’

The Highwomen are country music’s newest supergroup comprised of Brandi Carlile, Natalie Hemby, Amanda Shires and Maren Morris. With the group’s aim to shine a brighter light on women in country music, along with the undeniable amount of talent the group exudes, their self-titled debut is an album that’s been on my radar for a while. The title track opens, which plays on the same template The Highwaymen had used for their self-titled song back in the 80s. On paper this sounds hokey and contrived. But this song is anything but that. It’s fantastic, as it tells the story of various women throughout history and how they suffered untimely fates. I especially love the surprise appearance from Yola, who sings the story of a freedom rider. Hemby sounds great on her verse too. This is how you open an album!

“Redesigning Women” is another amazing song from the group. It’s a song that promotes all types of women and what makes them great. The lyrics are clever, relatable, catchy and meaningful. The harmonizing, especially in the bridge, is that powerful moment that drives the song home. It’s no hyperbole when I say this song is perfect. “Loose Change” has the misfortune of following it, but it’s no slouch either. It’s a great song about a woman feeling used and under-appreciated in a bad relationship. She likens herself as loose change to him and I love the visual this creates, as it perfectly conveys to you the emotions she’s feeling. Again, it’s clever and relatable songwriting from this group.

“Crowded Table” is a down-home country song that’s impossible to listen to without coming away feeling warm and happy. The song is about family and bring everyone together around the table. The harmonies on this song are excellent, showing the chemistry and cohesiveness of these four artists. Kudos to producer Dave Cobb for building the ideal sound around the harmonies too (warm, powerful and not letting the production overpower it). “My Name Can’t Be Mama” is a fun singalong about women choosing not to be a mom, at least for today. I enjoy all the vocal performances on the song, but I particularly enjoy Morris’ performance, as this style of song really fits her voice.

“If She Ever Leaves Me” is classic country storytelling with a modern twist. Written and primarily performed by Carlile, it’s about a woman watching a man eye a woman on the dance floor, only for him to be informed that she belongs to her. While she may one day leave her, it certainly won’t be for him, as the punchy hook reminds you. Carlile’s passionate vocal performance on this is stunning, especially as she hits the high notes. It’s without a doubt a highlight on an album full of them. “Old Soul” is another great vocal performance from Morris and I enjoy the soaring, clean sound of the song. But man does it drag for far too long. You could easily cut three minutes from this and it would still get the point of the song across. Less is more in this case, especially with a well-worn topic.

“Don’t Call Me” is a fun ditty about telling a man to piss off. I enjoyed this the first few listens, but it just doesn’t have the same effect with repeated listens, as the lyrics on this song are decidedly less clever than other moments on the album trying for this effect. “My Only Child” is an ode to children who grow up without brothers and sisters. I’m impressed alone for just covering a rarely covered topic, but then the group also covers it with tact and grace. The song does a great job focusing on the love shared between the child, parent and the special bond between them, really forming a connection with the listener, even if you can’t relate to the lyrics.

“Heaven Is a Honky Tonk” is a feel-good singalong about the legends of country music passing on to heaven, which the group imagines to be like a honkytonk. It’s a fun song, especially when the group hits the high notes. “Cocktail and a Song” is a real tear jerker and is Amanda Shires shining moment on the album. Shires wrote the song about her terminally ill father, as the song is from the point of view of a daughter watching her father slowly die. It’s a beautifully tragic song and Shires delivers it with such powerful emotion, as you can feel the crushing ache and pain every second she sings. It’s the best she’s ever written.

The album closes with “Wheels of Laredo,” which is my least favorite track on the record. The reason I don’t like it is the songwriting is so boring and outdated and relies on scenery tropes that are overused in country music. If the themes and images were presented more livelier, I could get into it. And I know for sure I didn’t like this song when I didn’t like the Tanya Tucker version either. On an album full of fresh songwriting, it’s a shame it ends with a song on the other end of the spectrum.

At it’s brightest The Highwomen’s self-titled debut album screams album of the year (and maybe one of the best of the decade). But unfortunately, they can’t quite keep this up for the whole album. It’s still a great album though and definitely worth your time if you’re into country music at all. I hope this is the first of many great albums from The Highwomen, as the world needs to hear more.

Grade: 8/10